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Title: The Ranchman

Author: Charles Alden Seltzer

Illustrator: P. V. E. Ivory

Release Date: August 25, 2011 [EBook #37204]

Language: English

Character set encoding: ASCII

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[Illustration: CARRINGTON LAUGHED JEERINGLY. (Page 268)]




                                  THE
                                RANCHMAN

                                   BY
                         CHARLES ALDEN SELTZER

                               AUTHOR OF
                        THE BOSS OF THE LAZY Y,
                          FIREBRAND TREVISON,
                          THE RANGE BOSS, ETC.

                            FRONTISPIECE BY
                             P. V. E. IVORY
                                NEW YORK
                            GROSSET & DUNLAP
                               PUBLISHERS

                  Made in the United States of America




                               Copyright
                          A. C. McClurg & Co.
                                  1919

                       Published September, 1919

                     _Copyrighted in Great Britain_




                                CONTENTS

              CHAPTER                                    PAGE
                    I Concerning Dawes                      1
                   II Slick Duds                           14
                  III The Serpent Trail                    20
                   IV The Hold-Up                          26
                    V The Unexpected                       36
                   VI A Man Makes Plans                    51
                  VII The Shadow of the Past               59
                 VIII Concerning "Squint"                  66
                   IX A Man Lies                           75
                    X The Frame-Up                         86
                   XI "No Fun Fooling Her"                 91
                  XII Lifting the Mask                    106
                 XIII The Shadow of Trouble               113
                  XIV The Face of a Fighter               128
                   XV Gloom--and Plans                     142
                  XVI A Man Becomes a Brute               153
                 XVII The Wrong Ankle                     172
                XVIII The Beast Again                     186
                  XIX The Ambush                          193
                   XX A Fight to a Finish                 200
                  XXI A Man Faces Death                   212
                 XXII Looking for Trouble                 218
                XXIII A World-Old Longing                 225
                 XXIV A Death Warrant                     232
                  XXV Keats Looks for "Squint"            238
                 XXVI Keats Finds "Squint"                245
                XXVII Besieged                            254
               XXXIII The Fugitive                        259
                 XXIX The Captive                         264
                  XXX Parsons Has Human Instincts         270
                 XXXI A Rescue                            277
                XXXII Taylor Becomes Riled                284
               XXXIII Retribution                         290
                XXXIV The Will of the Mob                 304
                 XXXV Triumph at Last                     315




THE RANCHMAN




CHAPTER I--CONCERNING DAWES


The air in the Pullman was hot and, despite the mechanical contrivances
built into the coach to prevent such a contingency, the dust from the
right-of-way persisted in filtering through crevices.

Even the electric fans futilely combated the heat; their droning hum
bespoke terrific revolutions which did not materially lessen the
discomfort of the occupants of the coach; and the dry, dead dust of the
desert, the glare of a white-hot sun, the continuing panorama of waste
land, rolling past the car windows, afforded not one cool vista to
assuage the torture of travel.

For hours after leaving Kansas City, several of the passengers had
diligently gazed out of the windows. But when they had passed the vast
grass plains and had entered the desert, where their eyes met nothing
but endless stretches of feathery alkali dust, beds of dead lava, and
clumps of cacti with thorny spire and spatula blade defiantly upthrust
as though in mockery of all life--the passengers drew the shades and
settled down in their seats to endure the discomfort of it all.

A _blase_ tourist forward reclined in one seat and rested his legs on
another. From under the peak of a cap pulled well down over his eyes he
smiled cynically at his fellow-passengers, noting the various
manifestations of their discomfort. The tourist was a transcontinental
traveler of note and he had few expectations. It amused him to watch
those who had.

A girl of about twenty, seated midway in the coach to the left of the
tourist, had been an intent watcher of the desert. With the covert eye
of the tourist upon her she stiffened, stared sharply out of the window,
then drew back, shuddering, a queer pallor on her face.

"She's seen something unpleasant," mused the tourist. "A heap of
bleached bones--which would be the skeleton of a steer; or a
rattlesnake--or most anything. She's got nerves."

_One_ passenger in the car had no nerves--of that the tourist was
convinced. The tourist had observed him closely, and the tourist was a
judge of men. The nerveless one was a young man who sat in a rear seat
staring intently out into the inferno of heat and sand, apparently
absorbed in his thoughts and unaware of any physical discomfort.

"Young--about twenty-seven or twenty-eight--maybe thirty," mused the
tourist; "but an old-timer in this country. I wised up to him when he
got aboard at Kansas City. Been a miner in his time--or a cow-puncher.
I'd hate to cross him."

Among the other passengers were two who attracted the attention of the
tourist. They occupied the seat in front of the young man.

One of the two, who sat nearest the window, was not much older than the
young man occupying the seat behind him. The tourist guessed his age to
be around thirty-five or thirty-six. He was big, almost massive, and had
lived well--as the slightly corpulent stomach revealed. Despite that,
however, he was in good physical condition, for his cheeks glowed with
good healthy color under the blue-black sheen of his fresh-shaved beard;
there was a snapping twinkle in his black eyes, which were penetrating
and steady; and there was a quiet confidence in his manner which told
that he knew and appreciated himself. He was handsome in a heavy,
sensuous fashion, and his coal-black hair, close-cropped and wavy, gave
him an appearance of virility and importance that demanded a second
look. The man seated beside him was undersized and ordinary-looking,
with straight, iron-gray hair and a look of having taken orders all his
life. The tourist set his age at fifty-five.

The girl was of the type that the tourist admired. He had seen her kind
in the far corners of the world, on the thronged streets of cosmopolitan
cities, in isolated sections of the world--the self-reliant, quietly
confident American girl whose straight-in-the-eye glance always made a
man feel impelled to respectfully remove his hat.

She was not beautiful, but she was undeniably good-looking. She was
almost tall, and the ease and grace of her movements sufficed to convey
to the tourist some conception of the symmetrical lines of her figure.
If her features had been more regular, the girl would have been plain;
but there was a slight uptilt to her nose that hinted of piquancy,
denied by the quiet, steady eyes.

A brown mass of hair, which she had twisted into bulging coils and
glistening waves, made the tourist wonder over her taste in that
feminine art.

"She knows what becomes her," he decided.

He knew the two men seated in front of the young man were traveling with
her, for he had seen them together, with the older man patting her
shoulder affectionately. But often she left them with their talk, which
did not seem to interest her, while she withdrew to a distant seat to
read or to gaze out of the window.

She had not seemed to notice either the man of colorless personality or
the young man who occupied the seat behind her friends. If she had
glanced at them at all it was with that impersonal interest one feels in
the average traveler one meets anywhere.

But long ago--which, to be strictly accurate, was when he had entered
the coach at Kansas City--Quinton Taylor had been interested in her. He
was content, though, to conceal that interest, and not once when she
chanced to look toward him did she catch him looking at her.

Taylor knew he was no man to excite the interest of women, not even when
he looked his best. And he knew that in his present raiment he did not
look his best. He was highly uncomfortable.

For one thing, the white, starched collar he wore irritated him, choked
him, reddening his face and bulging his eyes. The starched shirt had a
pernicious habit of tightly sticking to him, the seams chafing his skin.

The ready-made suit he had bought at Kansas City was too small, and he
could feel his shoulders bulging through the arms of the coat, while the
trousers--at the hips and the knees--were stretched until he feared the
cloth would not stand the strain.

The shoes were tight, and the derby hat--he glowered humorously at it in
the rack above his head and gazed longingly at the suitcase at his feet,
into which he had crammed the clothing he had discarded and which he had
replaced at the suggestion of his banker in Kansas City. Cowboy rigging
was not uncommon to Kansas City, the banker had told him, but
still--well, if a man was wealthy, and wished to make an impression, it
might be wise to make the change.

Not in years had Taylor worn civilized clothing, and he was fully
determined that before reaching his home town he would resume the
clothing to which he was accustomed--and throw the new duds out of a
window. He reddened over an imaginary picture of himself descending from
the train in his newly acquired rigging to endure the humorous comments
of his friends. Old Ben Mullarky, for instance, would think he had gone
loco--and would tell him so. Yes, the new clothes were doomed; some
ragged overland specimen of the genus "hobo" would probably find them
or, if not, they would clutter up the right-of-way as the sad memento of
a mistake he had made during a fit of momentary weakness.

As a matter of fact the girl had noticed Taylor. A girl will notice men,
unconsciously. Sitting at her window even now, she was thinking of him.

She was not aware that she had studied him, or that she had even glanced
at him. But despite her lack of interest in him she had a picture of him
in mind, and her thoughts dwelt upon him.

She, too, had been aware that Taylor's clothes did not fit him. She had
noticed the bulging shoulders, the tight trousers, the shoes, squeaking
with newness, when once he had passed through the car to go out upon the
platform. She had noticed him screwing his neck around in the collar;
she had seen him hunch his shoulders intolerantly; she had seen that the
trousers were too short; that he looked like an awkward farmer or
homesteader abroad on a pleasure trip, and decidedly uncomfortable in
the unaccustomed attire.

She had giggled to herself, then. For Taylor did make a ridiculous
figure. But later--when he had reentered the car and she had looked
fairly, though swiftly, at him as he advanced down the aisle--she had
seen something about him that had impressed her. And that was what she
was thinking about now. It was his face, she believed. It was red with
self-consciousness and embarrassment, but she had seen and noted the
strength of it--the lean, muscular jaw, the square, projecting chin, the
firm, well-controlled mouth; the steady, steel-blue eyes, the broad
forehead. It had seemed to her that he was humorously aware of the
clothes, but that he was grimly determined to brazen the thing out.

Her mental picture now gave her the entire view of Taylor as he had come
toward her. And she could see him in a different environment, in cowboy
regalia, on a horse, perfectly at ease. He made a heroic figure. So real
was the picture that she caught herself saying: "Clothes _do_ make the
man!" And then she smiled at her enthusiasm and looked out of the
window.

Taylor had been thinking of her with the natural curiosity of the man
who knows he has no chance and is not looking for one. But she had
impressed him as resembling someone with whom he had been well
acquainted. For an hour he puzzled his brain in an endeavor to associate
hers with some face of his recollection, but elusive memory resisted his
demands on it with the result that he gave it up and leaned back as
restfully as he could with the consciousness of the physical torture he
was undergoing.

And then he heard the younger of the two men in front of him speak to
the other:

"We'll make things hum in Dawes, once we get hold of the reins."

"But there will be obstacles, Carrington."

"Sure! Obstacles! Of course. That will make the thing all the more
enjoyable."

There was a ring in Carrington's voice that struck a chord of sudden
antagonism in Taylor, a note of cunning that acted upon Taylor
instantly, as though the man had twanged discord somewhere in his
nature.

Dawes was Taylor's home; he had extensive and varied interests there; he
had been largely responsible for Dawes's growth and development; he had
fought for the town and the interests of the town's citizens against the
aggressions of the railroad company and a grasping land company that had
succeeded in clouding the titles to every foot of land owned by Dawes's
citizens--his own included.

And he had heard rumors of outside interests that were trying to gain a
foothold in Dawes. He had paid little attention to these rumors, for he
knew that capital was always trying to drive wedges that would admit it
to the golden opportunities afforded by new towns, and he had ascribed
the rumors to idle gossip, being aware that such things are talked of by
irresponsibles.

But the words, "Get hold of the reins," had a sound of craft and
plotting. And there was something in Carrington's manner and appearance
that suggested guile and smooth cunning. Seething with interest, Taylor
closed his eyes and leaned his head back upon the cushion behind him,
simulating sleep.

He felt Carrington turn; he could feel the man's eyes on him, and he
knew that Carrington was speculating over him.

He heard the other man whisper, though he could not catch the words.
However, he heard Carrington's answer:

"Don't be uneasy--I'm not 'spilling' anything. _He_ wouldn't know the
difference if I did. A homesteader hitting town for the first time in a
year, probably. Did you notice him? Lord, what an outfit!"

He laughed discordantly, resuming in a whisper which carried to Taylor:

"As I was saying, we'll make things hum. The good folks in Dawes don't
know it, but we've been framing them for quite a spell--been feeding
them Danforth. You don't know Danforth, eh? He's quite a hit with these
rubes. Knows how to smear the soft stuff over them. He's what we call a
'mixer' back in Chicago. Been in Dawes for about a year, working in the
dark. Been going strong during the past few months. Running for mayor
now--election is today. It'll be over by the time we get there. He'll
win, of course; he wired me it was a cinch. Cost a lot, though, but it's
worth it. We'll own Dawes before we get through!"

It was with an effort that Taylor kept his eyes closed. He heard nothing
further, for the man's voice had dropped lower and Taylor could not hear
it above the roar of the train.

Still, he had heard enough to convince him that Carrington had designs
on the future welfare of Dawes, and his muscles swelled until the
tight-fitting coat was in dire danger of bursting.

Danforth he knew slightly. He had always disliked and distrusted the
man. He remembered Danforth's public _debut_ to the people of Dawes. It
had been on the occasion of Dawes's first anniversary and some
public-spirited citizens had decided upon a celebration. They had
selected Danforth as the speaker of the day because of his
eloquence--for Danforth had seized every opportunity to publicly air his
vigorous voice, and Taylor had been compelled to acknowledge that
Danforth was a forceful and able speaker.

Thereafter, Danforth's voice often found the public ear. He was a
lawyer, and the sign he had erected over the front of the frame building
adjoining the courthouse was as magnificent as Danforth was eloquent.

But though Taylor had distrusted Danforth, he had found no
evidence--until now--that the lawyer intended to betray his
fellow-citizens. Before leaving Dawes the week before he had heard some
talk, linking Danforth's name with politics, but he had discredited the
talk. His own selection had been Neil Norton, and he had asked his
friends to consider Norton.

Taylor listened intently, with the hope of hearing more of the
conversation being carried on between the two men in front of him. But
he heard no more on the subject broached by Carrington. Later, however,
his eyes still closed, still pretending to be asleep, he saw through
veiled eyelids the girl rise from her seat and come toward the two men
in front of him.

For the first time he got a clear, full view of her face and a deep,
disturbing emotion thrilled him. For now, looking fairly at her, he was
more than ever convinced that he had seen her before, or that her
resemblance to someone he had known was more startling than he had
thought.

Then he heard Carrington speak to her.

"Getting tired, Miss Harlan?" said Carrington. "Well, it will soon be
ended, now. One more night on the train--and then Dawes."

The older man laughed, and touched the girl's arm playfully. "You don't
mind it, do you, Marion?"

The older man said more, but Taylor did not hear him. For at his mention
of the girl's given name, so soon after Carrington's pronouncement of
"Harlan," Taylor's eyes popped open, and he sat erect, staring straight
at the girl.

Whether her gaze had been drawn by his, or whether her woman's curiosity
had moved her to look at him, Taylor never knew. But she met his wide
gaze fairly, and returned his stare with one equally wide. Only, he was
certain, there was a glint of mocking accusation in her eyes--to remind
him, he supposed, that she had caught him eavesdropping.

And then she smiled, looking at Carrington.

"One is recompensed for the inconveniences of travel by the interesting
characters one chances to meet."

And she found opportunity, with Carrington looking full at her, to throw
a swift, significant glance at Taylor.

Taylor flushed scarlet. Not, however, because of any embarrassment he
felt over her words, but because at that instant was borne
overwhelmingly upon him the knowledge that the girl, and the man,
Carrington, who accompanied her--even the older man--were persons with
whom Fate had insisted that he play--or fight. They were to choose. And
that they had chosen to fight was apparent by the girl's glance, and by
Carrington's words, "We'll own Dawes before we get through."

Taylor got up and went to the smoking-room, where he sat for a long
time, staring out of the window, his eyes on the vast sea of sagebrush
that stretched before him, his mental vision fixed on an earlier day and
upon a tragedy that was linked with the three persons in the coach--who
seemed desirous of antagonizing him.




CHAPTER II--SLICK DUDS


After a time Taylor's lips wreathed into a smile. He searched in his
pockets--he had transferred all his effects from the clothing in the
suitcase to his present uncomfortable raiment--and produced a long,
faded envelope in danger of imminent disintegration.

The smile faded from his lips as he drew out the contents of the
envelope, and a certain grim pity filled his eyes. He read:

  Squint:

  That rock falling on me has fixed me. There is no use in me trying
  to fool myself. I'm going out. There's things a man can't say, even
  to a friend like you. So I'm writing this. You won't read it until
  after I'm gone, and then you can't tell me what you think of me for
  shoving this responsibility on you. But you'll accept, I know;
  you'll do it for me, won't you?

  I've had a lot of trouble--family trouble. It wouldn't interest you.
  But it made me come West. Maybe I shouldn't have come. I don't know;
  but it seemed best.

  You've been a mighty persevering friend, and I know you from the
  ground up. You never inquired about my past, but I know you've
  wondered. Once I mentioned my daughter, and I saw you look sharp at
  me. Yes, there is a daughter. Her name is Marion. There was a wife
  and her brother, Elam Parsons. But only Marion counts. The others
  were too selfish and sneaking.

  You won't be interested in that. But I want Marion taken care of.
  She was fifteen when I saw her last. She looked just like me; thank
  God for that! She won't have any of the characteristics of the
  others!

  Squint, I want you to take care of her. You'll find her in Westwood,
  Illinois. You and me have talked of selling the mine. Sell it; take
  my share and for it give Marion a half-interest in your ranch, the
  Arrow. If there is any left, put it in land in Dawes--that town is
  going to boom. Guard it for her, and marry her, Squint; she'll make
  you a good wife. Tell her I want her to marry you; she'll do it, for
  she always liked her "dad."

There was more, but Taylor read no further. He stuffed the envelope into
a pocket and sat looking out of the window, regarding morosely the
featureless landscape. After a time he grinned saturninely:

"Looks to me like a long chance, Larry," he mused. "Considered as a
marrying proposition she don't seem to be enthusiastic over me. Now what
in thunder is she doing out here, and why is that man Carrington with
her--and where did she pick him up?"

There came no answer to these questions.

Reluctant, after the girl's mocking smile, to seem to intrude, Taylor
sat in the smoking-compartment during the long afternoon, until the dusk
began to descend--until through the curtains of the compartment he
caught a glimpse of the girl and her companions returning from the
dining-car. Then, after what he considered a decent interval, he emerged
from the compartment, went to the diner, ate heartily, and returned to
the smoking-room.

He had met Larry Harlan about three years before. Harlan had appeared at
the Arrow one morning, looking for a job. Taylor had hired him, not
because he needed men, but because he thought Harlan needed work. A
friendship had developed, and when one day Harlan had told Taylor about
a mine he had discovered in the Sangre de Christo Mountains, some miles
southwestward, offering Taylor a half-interest if the latter would help
him get at the gold, Taylor had agreed.

They had found the mine, worked it, and had taken considerable gold out
of it, when one day a huge rock had fallen on Harlan. Taylor had done
what he could, rigging up a drag with which to take Harlan to town and a
doctor, but Harlan had died before town could be reached.

That had been the extent of Taylor's friendship for the man. But he had
followed Harlan's directions.

Sitting in the smoking-compartment, he again drew out Harlan's note to
him and read further:

  Marion will have considerable money, and I don't want no sneak to
  get hold of it--like the sneak that got hold of the money my wife
  had, that I saved. There's a lot of them around. If Marion is going
  to fall in love with one of that kind, I'd rather she wouldn't get
  what I leave--the man would get it away from her.

  Use your own judgment, and I'll be satisfied.

It was not difficult for Taylor to divine what had happened to Harlan,
nor was it difficult to understand that the man's distrust of other men
amounted to an obsession. However, Taylor had no choice but to assume
the trust and no course but to obey Harlan's wishes in the matter.

Taylor's trip eastward to Kansas City had been for the purpose of
attending to his own financial interests, and incidentally to conclude
the deal for the sale of the mine. He had deposited the money in his own
name, but he intended--or had intended--after returning to the Arrow to
make arrangements for his absence, to go to Westwood to find Marion
Harlan. The presence of the girl on the train and the certain conviction
that she was bound for Dawes made the trip to Westwood unnecessary.

For Taylor had no doubt that the girl was the daughter of Larry Harlan.
That troublesome resemblance of hers to someone of his acquaintance
bothered him no longer, for the girl was the living image of Larry
Harlan.

Taylor had not anticipated the coming of Carrington into his scheme of
things. For the first time since Larry Harlan's letter had come into his
possession he realized that deep in his heart was a fugitive desire for
the coming of the girl to the Arrow. He had liked Larry Harlan, and he
had drawn mental pictures of what the daughter would be like; and,
though she was not exactly as he had pictured her, she was near enough
to the ideal he had visualized. He wanted, now more than ever, to
faithfully fulfil his obligation to Larry Harlan.

The presence of Carrington on the train, coupled with the inference that
Carrington was a close friend of the girl's, irritated Taylor. For at
the first glance he had felt a subtle antagonism for the man. Yet he was
more disturbed over the mockery in the girl's eyes when she had looked
directly at him when she had caught him listening to her talk with
Carrington and the older man.

Still, Taylor was not the type of man who permits the imminence of
discord to disturb his mental equanimity, and he grinned into the
growing darkness of the plains with a grimly humorous twist to his lips
that promised interesting developments should Carrington oppose him.

When he again looked out of the aperture in the curtains screening the
smoking-compartment from the aisle he saw the porter pass, carrying
bedclothing. Later he saw the porter returning, smilingly inspecting a
bill. After an interval the porter stuck his head through the curtains
and surveyed him with a flashing grin:

"Is you ready to retiah, boss?" he asked.

A quarter of an hour later Taylor was alone in his berth, gazing at his
reflection in the glass while he undressed.

"You wouldn't have the nerve to think she is interested in you, would
you--you homely son-of-a-gun?" he queried of his reflection. "Why, no,
she ain't, of course," he added; "no woman could be interested in you.
You've been all day looking like a half-baked dude--and no woman is
interested in dudes!"

Carefully removing the contents of the several pockets of the despised
wearing apparel in which he had suffered for many days, he got into his
nightclothes and rang for the porter. When the latter appeared with his
huge grin, Taylor gave him the offensive clothing, bundled together to
form a large ball.

"George," he said seriously, almost solemnly, "I'm tired of being a
dude. Some day I may decide to be a dude; but not now. Take these duds
and save them until I ask for them. If you offer them to me before I ask
for them, I'll perforate you sure as hell!"

He produced a big Colt pistol from somewhere, and as the weapon glinted
in the light the porter's eyes bulged and he backed away, gingerly
holding the bundle of clothing.

"Yassir, boss--yassir! I shuah won't mention it till you does, boss!"

When the porter had gone, Taylor grinned into the glass.

"I sure have felt just what I looked," he said.

Then he got into his berth and dreamed all night of a girl whose mocking
eyes seemed to say:

"Well, do you think you have profited by listening?"

"Why, sure," he retorted, in his dreams; "I've seen you, ain't I?"




CHAPTER III--THE SERPENT TRAIL


Marion Harlan did not dream of Quinton Taylor, though her last waking
thought was of him, and when she opened her eyes in the morning it was
to see him as he had sat in the seat behind Carrington and her uncle,
his eyes wide with interest, or astonishment--or some emotion that she
could not define--looking directly at her.

She had been certain then, and still was certain that he had been
feigning sleep, that he had been listening to the talk carried on
between her uncle and Carrington.

Why had he listened?

That interrogation absorbed her thoughts as she dressed.

She had not meant to be interested in him, for she had, in her first
glance at him, mentally decided that he was no more interesting than
many another ill-dressed and uncouth westerner whom she had seen on the
journey toward Dawes.

To be sure, she had seen signs of strength in him, mental and physical,
but that had been when she looked at him coming toward her down the
aisle. But even then he had not interested her; her interest began when
she noted his interest in the conversation of her traveling companions.
And then she had noticed several things about him that had escaped her
in other glances at him.

For one thing, despite the astonishment in his eyes, she had observed
the cold keenness of them, the odd squint at the corners, where little
wrinkles, splaying outward, indicated either deliberate impudence or
concealed mirth. She was rather inclined to believe it the latter,
though she would not have been surprised to discover the wrinkles to
mean the former.

And then she had noted his mouth; his lips had been straight and firm;
she had been sure they were set resolutely when she had surprised him
looking at her. That had seemed to indicate that he had taken more than
a passing interest in what he had overheard.

She speculated long over the incident, finally deciding that much would
depend upon what he had overheard. There was only one way to determine
that, and at breakfast in the dining-car she interrogated Carrington.

"Of course, you and uncle are going to Dawes on business, and I am
merely tagging along to see if I can find any trace of my father. But
have you any business secrets that might interest an eavesdropper? On a
train, for instance--a train going toward Dawes?"

"What do you mean?" Carrington's eyes flashed as he leaned toward her.

"Have you and uncle talked business within hearing distance of a
stranger?"

Carrington's face flushed; he exchanged a swift glance with the other
man.

"You mean that clodhopper with the tight-fitting hand-me-down in the
seat behind us--yesterday? He was asleep!"

"Then you did talk business--business secrets," smiled the girl. "I
thought really big men commonly concealed their business secrets from
the eager ears of outsiders."

She laughed aloud at Carrington's scowl, and then went on:

"I don't think the clodhopper was asleep. In fact, I rather think he was
very wide awake. I wouldn't say for certain, but I _think_ he was awake.
You see, when I came back to talk with you he was sitting very straight,
and his eyes were wide open.

"And I shall tell you something else," she went on. "During all the time
he sat behind you, when you were talking, I watched him, he was
pretending to sleep, for at times he opened his eyes and looked at you,
and I am sure he was not thinking pleasant thoughts. And I don't believe
he is a clodhopper. I think he amounts to something; and if you will
look well at him you will see, too. When he was listening to you there
was a look in his eyes that made me think of fighting." And then, after
a momentary pause, she added slowly, "there isn't anything wrong about
the business you are going to transact out here--is there?"

"Wrong?" he laughed. "Oh, no! Business is business." He leaned forward
and gazed deliberately into her eyes, his own glowing significantly.
"You don't think, with me holding your good opinion--and always hoping
to better it--that I would do anything to destroy it, Marion?"

The girl's cheeks were suffused with faint color.

"You are assuming again, Mr. James J. Carrington. I don't care for your
subtle speeches. I like you best when you talk frankly; but I am not
sure that I shall ever like you enough to marry you."

She smiled at the scowl in his eyes, then looked speculatively at him.
It should have been apparent to him that she had spoken the truth
regarding her feeling for him.

The uncle knew she had spoken the truth, for she left them presently,
and the car door had hardly closed behind her when Carrington said,
smiling grimly:

"She's a thoroughbred, Parsons. That's why I like her. I'll have her,
too!"

"Careful," grinned the other, smoothly. "If she ever discovers what a
brute you are--" He made a gesture of finality.

"Brute! Bah! Parsons, you make me sick! I'll take her when I want her!
Why do you suppose I told her that fairy tale about her father having
been seen in this locality? To get her out here with me, of
course--where there isn't a hell of a lot of law, and a man's will is
the only thing that governs him. She won't have me, eh? Well, we'll
see!"

Parsons smirked at the other. "Then you lied about Lawrence Harlan
having been seen in this country?"

"Sure," admitted Carrington. "Why not?"

Parsons looked leeringly at Carrington. "Suppose I should tell her?"

Carrington glared at the older man. "You won't," he declared. "In the
first place, you don't love her as an uncle should because she looks
like Larry Harlan--and you hated Larry. Suppose I should tell her that
you were the cause of the trouble between her parents; that you framed
up on her mother, to get her to leave Larry? Why, you damned, two-faced
gopher, she'd wither you!"

He grinned at the other and got up, turning, when he reached his feet,
to see Quinton Taylor, standing beside a chair at the next table, just
ready to sit down, but delaying to hear the remainder of the
extraordinary conversation carried on between the two men.

Taylor had donned the garments he had discarded in Kansas City. A blue
woolen shirt, open at the throat; corduroy trousers, the bottoms stuffed
into the soft tops of high-heeled boots; a well-filled cartridge-belt,
sagging at the right hip with the weight of a heavy pistol--and a
broad-brimmed felt hat, which a smiling waiter held for him--completed
his attire.

Freshly shaved, his face glowed with the color that betokens perfect
health; and just now his eyes were also glowing--but with frank disgust
and dislike.

Carrington flushed darkly and stepped close to Taylor. Carrington's chin
was thrust out belligerently; his eyes fairly danced with a rage that he
could hardly restrain.

"Listening again, eh?" he said hoarsely. "You had your ears trained on
us yesterday, in the Pullman, and now you are at it again. I've a notion
to knock your damned head off!"

Taylor's eyelids flickered once, the little wrinkles at the corners of
his eyes deepening a trifle. But his gaze was steady, and the blue of
his eyes grew a trifle more steely.

"You've got a bigger notion not to, Mr. Man," he grinned. "You run a
whole lot to talk."

He sat down, twisted around in the chair and faced the table, casting a
humorous eye at the black waiter, and ignoring Carrington.

"I'll want a passable breakfast this morning, George," he said; "I'm
powerful hungry."

He did not turn when Carrington went out, followed by Parsons.

The waiter hovered near him, grinning widely.

"I reckon you-all ain't none scary, boss!" he said, admiringly.




CHAPTER IV--THE HOLD-UP


After breakfast--leaving a widely grinning waiter, who watched him
admiringly--Taylor reentered the Pullman.

Stretching out in the upholstered seat, Taylor watched the flying
landscape. But his thoughts were upon the two men he had overheard
talking about the girl in the diner. Taylor made a grimace of disgust at
the great world through which the train was speeding; and his feline
grin when his thoughts dwelt definitely upon Carrington, indicated that
the genial waiter had not erred greatly in saying Taylor was not
"scary."

Upon entering, Taylor had flashed a rapid glance into the car. He had
seen Carrington and Parsons sitting together in one of the seats and,
farther down, the girl, leaning back, was looking out of the window. Her
back was toward Taylor. She had not seen him enter the car--and he was
certain she had not seen him leave it to go to the diner. He had
thought--as he had glanced at her as he went into the smoking
compartment--that, despite the girl's seemingly affectionate manner
toward Parsons, and her cordial treatment of the big man, her manner
indicated the presence of a certain restraint. And as he looked toward
her, he wondered if Parsons or the big man had told her anything of the
conversation in the diner in which he himself figured.

And now, looking out of the window, he decided that even if the men had
told her, she would not betray her knowledge to him--unless it were to
give him another scornful glance--the kind she threw at him when she saw
him as he sat behind the two men when they had been talking of Dawes.
Taylor reddened and gritted his teeth impotently; for he knew that if
the two men had told her anything, they would have informed her, merely,
that they had again caught him listening to them. And for that double
offense, Taylor knew there would be no pardon from her.

Half an hour later, while still thinking of the girl and the men, Taylor
felt the train slowing down. Peering as far ahead as he could by
pressing his face against the glass of the window, Taylor saw the train
was entering a big cut between some hills. It was a wild section, with a
heavy growth of timber skirting the hills--on Taylor's side of the
train--and running at a sharp angle toward the right-of-way came a small
river.

Taylor recognized the place as Toban's Siding. He did not know how the
spot had come by its name; nor did he know much about it except that
there was a spur of track and a water-tank. And when the train began to
slow down he supposed the engineer had decided to stop to take on water.
He found himself wondering, though, why that should be necessary, for he
was certain the train had stopped for water a few miles back, while he
had been in the dining-car.

The train was already late, and Taylor grinned as he settled farther
back in the seat and drew a sigh of resignation. There was no accounting
for the whims of an engineer, he supposed.

He felt the train come to a jerking stop; and then fell a silence. An
instant later the silence was broken by two sharp reports, a distinct
interval between them. Taylor sat erect, the smile leaving his face, and
his lips setting grimly as the word "Hold-up" came from between them.

Marion Harlan also heard the two reports. Stories of train
robberies--recollections of travelers' tales recurred in her brain as
she sat, for the first tense instant following the reports, listening
for other sounds. Her face grew a little pale, and a tremor ran over
her; but she did not feel a bit like screaming--though in all the
stories she had ever read, women always yielded to the hysteria of that
moment in which a train-robber makes his presence known.

She was not frightened, though she was just a trifle nervous, and more
than a trifle curious. So she pressed her cheek against the window-glass
and looked forward.

What she saw caused her to draw back again, her curiosity satisfied. For
on the side of the cut near the engine, she had seen a man with a
rifle--a masked man, tall and rough-looking--and it seemed to her that
the weapon in his hands was menacing someone in the engine-cab.

She stiffened, looking quickly around the car. None of the passengers
had moved. Carrington and Parsons were still sitting together in the
seat. They were sitting erect, though, and she saw they, too, were
curious. More, she saw that both men were pale, and that Carrington, the
instant she turned, became active--bending over, apparently trying to
hide something under a seat. That movement on Carrington's part was
convincing, and the girl drew a deep breath.

While she was debating the wisdom of permitting her curiosity to drive
her to the door nearest her to determine what had happened, the door
burst open and a masked man appeared in the opening!

While she stared at him, he uttered the short, terse command:

"Hands up!"

She supposed that meant her, as well as the men in the car, and she
complied, though with a resentful glare at the mask.

Daringly she turned her head and glanced back. Carrington had his hands
up, too; and Parsons--and the tourist, and the other man. She did not
see Taylor--though she wondered, on the instant, if he, too, would obey
the train-robber's command.

She decided he would--any other course would have been foolhardy; though
she could not help remembering that queer gleam in Taylor's eyes. That
gleam, it had seemed to her, was a reflection of--not foolhardiness, but
of sheer courage.

However, she had little time to speculate. The masked man advanced, a
heavy gun in his right hand, its muzzle moving from side to side,
menacing them all.

He halted when he had advanced to within a step of the girl.

"You guys set tight!" he ordered gruffly--in the manner of the
train-robber of romance. "If you go to lettin' down your sky-hooks one
little quiver, I bore you so fast an' plenty that you'll think you're a
colander!" Then he turned the mask toward the girl; she could feel his
eyes burning through it.

"Shell out, lady!" he commanded.

She stared straight back at the eye-slits in the mask, defiance glinting
her own eyes.

"I haven't any money--or anything of value--to give you," she returned.

"You've got a pocketbook there--in your hand!" he said. "Fork it over!"
He removed his hat, held it in his left hand, and extended it toward
her. "Toss it in there!"

Hesitatingly, she obeyed, though not without a vindictive satisfaction
in knowing that he would find little in the purse to compensate him for
his trouble. She could see his eyes gleam greedily as he still looked at
her.

"Now that chain an' locket you've got around your neck!" he ordered.
"Quick!" he added, savagely, as she stiffened and glared at him.

She did as she was bidden, though; for she had no doubt he would kill
her--at least his manner indicated he would. And so she removed it, held
it lingering in her hand for an instant, and then tossed it into the
hat. She gulped as she did so, for the trinket had been given to her by
her father before he left home to go on that pilgrimage from which he
had never returned.

"That's all, eh?" snarled the man. "Well, I ain't swallowin' that! I'm
goin' to search you!"

She believed she must have screamed at that. She knew she stood up,
prepared to fight him if he attempted to carry out his threat; and once
on her feet she looked backward.

Neither Carrington nor Parsons had moved--they were palely silent,
watching, not offering to interfere. As for that, she knew that any sign
of interference on the part of her friends would result in their instant
death. But she did not know what they _should_ do! Something must be
done, for she could not permit the indignity the man threatened!

Still looking backward, she saw Taylor standing at the end of the
car--where the partition of the smoking-compartment extended outward. He
held a gun in each hand. He had heard her scream, and on his face as the
girl turned toward him, she saw a mirthless grin that made her shiver.
She believed it must have been her gasp that caused the train-robber to
look swiftly at Taylor.

Whatever had caused the man to look toward the rear of the car, he saw
Taylor; and the girl saw him stiffen as his pistol roared in her ears.
Taylor's pistols crashed at the same instant--twice--the reports almost
together. Afterward she could not have told what surprised her the
most--seeing the man at her side drop his pistol and lurch limply
against a corner of the seat opposite her, and from there slide gently
to the floor, grunting; or the spectacle of Taylor, arrayed in cowboy
garb, emerging from the door of the smoking-compartment, the mirthless
smile on his face, and his guns--he had used both--blazing forth death
to the man who had threatened her.

Nor could she--afterward--have related what followed the sudden
termination of the incident in the car. Salient memories stood out--the
vivid and tragic recollection of chief incidents that occurred
immediately; but she could not have even guessed how they happened.

She saw Taylor as he stood for an instant looking down at the man after
he came running forward to where the other lay; and she saw Taylor leap
for the front door of the car, vanish through it, and slam it after him.

For an instant after that there was silence, during which she shuddered
as she tried to keep her gaze from the thing that lay doubled oddly in
the aisle.

And then she heard more shooting. It came from the direction of the
engine--the staccato crashing of pistols; the shouts of men, their
voices raised in anger.

Pressing her cheek against the window-pane, and looking forward toward
the engine, she saw Taylor. With a gun in each hand, he was running down
the little level between the track and the steep wall of the cut, toward
her. She noted that his face still wore the mirthless grin that had been
on it when he shot the train-robber in the car; though his eyes were
alight with the lust of battle--that was all too plain--and she
shivered. For Taylor, having killed one man, and grimly pursuing others,
seemed to suggest the spirit of this grim, rugged country--the threat of
death that seemed to linger on every hand.

She saw him snap a shot as he ran, bending far over to send the bullet
under the car; she heard a pistol crash from the other side of the car;
and then she saw Taylor go to his knees.

She gasped with horror and held to the window-sill, for she feared
Taylor had been killed. But almost instantly she saw her error, for
Taylor was on his hands and knees crawling when she could again
concentrate her gaze; and she knew he was crawling under the car to
catch the man who had shot from the other side.

Then Taylor disappeared, and she did not see him for a time. She heard
shots, though; many of them; and then, after a great while, a silence.
And during the silence she sat very still, her face white and her lips
stiff, waiting.

The silence seemed to endure for an age; and then it was broken by the
sound of voices, the opening of the door of the car, and the appearance
of Taylor and some other men--several members of the train-crew; the
express-messenger; the engineer, his right arm hanging limply--and two
men, preceding the others, their hands bound, their faces sullen.

On Taylor's face was the grin that had been on it all along. The girl
wondered at the man's marvelous self-control--for certainly during those
moments of excitement and danger he must have been aware of the terrible
risk he had been running. And then the thought struck her--she had not
considered that phase of the situation before--that she _must_ have
screamed; that he had heard her, and had emerged from the smoking-room
to protect her. She blushed, gratitude and a riot of other emotions
overwhelming her, so that she leaned weakly back in the seat, succumbing
to the inevitable reaction.

She did not look at Taylor again; she did not even see him as he walked
toward the rear of the car, followed by the train-crew, and preceded by
the two train-robbers he had captured.

But as the train-crew passed her, she heard one of them say:

"That guy's a whirlwind with a gun! Didn't do no hesitatin', did he?"

And again:

"Now, what do you suppose would make a guy jump in that way an' run a
chance of gettin' plugged--plenty? Do you reckon he was just yearnin'
fer trouble, or do you reckon they was somethin' else behind it?"

The girl might have answered, but she did not. She sat very still,
comparing Carrington with this man who had plunged instantly into a
desperate gun-fight to protect her. And she knew that Carrington would
not have done as Taylor had done. And had Carrington seen her face just
at that moment he would have understood that there was no possibility of
him ever achieving the success of which he had dreamed.

She heard one of the men say that the two men were to be placed in the
baggage-car until they reached Dawes; and then Carrington and Parsons
came to where she sat.

They talked, but the girl did not hear them, for her thoughts were on
the picture Taylor made when he appeared at the door of the
smoking-compartment arrayed in his cowboy rigging, the grim smile on his
face, his guns flaming death to the man who thought to take advantage of
her helplessness.




CHAPTER V--THE UNEXPECTED


The train pulled out again presently, and the water-tank and the cut
were rapidly left in the rear. Taylor returned to the smoking-room and
resumed his seat, and while the girl looked out of the window, some men
of the train-crew removed the body of the train-robber and obliterated
all traces of the fight. And Carrington and Parsons, noting the girl's
abstractedness, again left her to herself.

It had been the girl's first glimpse of a man in cowboy raiment, and, as
she reflected, she knew she might have known Taylor was an unusual man.
However, she knew it now.

Cursory glances at drawings she had seen made her familiar with the
type, but the cowboys of those drawings had been magnificently arrayed
in leather _chaparajos_, usually fringed with spangles; and with
long-roweled spurs; magnificent wide brims--also bespangled, and various
other articles of personal adornment, bewildering and awe inspiring.

But this man, though undoubtedly a cow-puncher, was minus the
magnificent raiment of the drawings. And, paradoxical as it may seem,
the absence of any magnificent trappings made _him_ seem magnificent.

But she was not so sure that it was the lack of those things that gave
her that impression. He did not _bulge_ in his cowboy clothing; it
fitted him perfectly. She was sure it was he who gave magnificence to
the clothing. Anyway, she was certain he was magnificent, and her eyes
glowed. She knew, now that she had seen him in clothing to which he was
accustomed, and which he knew how to wear, that she would have been more
interested in him yesterday had he appeared before her arrayed as he was
at this moment.

He had shown himself capable, self-reliant, confident. She would have
given him her entire admiration had it not been for the knowledge that
she had caught him eavesdropping. That action had almost damned him in
her estimation--it would have completely and irrevocably condemned him
had it not been for her recollection of the stern, almost savage
interest she had seen in his eyes while he had been listening to
Carrington and Parsons.

She knew because of that expression that Carrington and Parsons had been
discussing something in which he took a personal interest. She had not
said so much to Carrington, but her instinct told her, warned her, gave
her a presentiment of impending trouble. That was what she had meant
when she had told Carrington she had seen _fighting_ in Taylor's eyes.

Taylor confined himself to the smoking-compartment. The negro porter,
with pleasing memories of generous tips and a grimmer memory to exact
his worship, hung around him, eager to serve him, and to engage him in
conversation; once he grinningly mentioned the incident of the cast-off
clothing of the night before.

"I ain't mentionin' it, boss--not at all! I ain't givin' you them duds
till you ast for them. You done took me by s'prise, boss--you shuah did.
I might' near caved when you shoved that gun under ma nose--I shuah did,
boss. I don't want to have nothin' to do with your gun, boss--I shuah
don't. She'd go 'pop,' an' I wouldn't be heah no more!

"I didn't reco'nize you in them heathen clo's you had on yesterday,
boss; but I minds you with them duds on. I knows you; you're 'Squint'
Taylor, of Dawes. I've seen you on that big black hoss of yourn, a
prancin' an' a prancin' through town--more'n once I've seen you. But I
didn't know you in them heathen clo's yesterday, boss--'deed I didn't!"

Later the porter slipped into the compartment. For a minute or two he
fussed around the room, setting things to order, meanwhile chuckling to
himself. Occasionally he would cease his activities long enough to slap
a knee with the palm of a hand, with which movement he would seem to be
convulsed with merriment, and then he would resume work, chuckling
audibly.

For a time Taylor took no notice of his antics, but they assailed his
consciousness presently, and finally he asked:

"What's eating you, George?"

The query was evidently just what "George" had been waiting for. For now
he turned and looked at Taylor, his face solemn, but a white gleam of
mirth in his eyes belying the solemnity.

"Tips is comin' easy for George this mornin'," he said; "they shuah is.
No trouble at all. If a man wants to get tips all he has to be is a
dictionary--he, he, he!"

"So you're a dictionary, eh? Well, explain the meaning of this." And he
tossed a silver dollar to the other.

The dollar in hand, George tilted his head sidewise at Taylor.

"How on earth you know I got somethin' to tell you?"

"How do I know I've got two hands?"

"By lookin' at them, boss."

"Well, that's how I know you've got something to tell me--by looking at
you."

The porter chuckled. "I reckon it's worth a dollar to have a young lady
interested in you," he told himself in a confidential voice, without
looking at Taylor; "yassir, it's sure worth a dollar." He slapped his
knee delightedly. "That young lady a heap interested in you, 'pears
like. While ago she pens me in a corner of the platform. 'Porter, who's
that man in the smoking-compartment--that cowboy? What's his name, an'
where does he live?' I hesitates, 'cause I didn't want to betray no
secrets--an' scratch my haid. Then she pop half a dollar in my hand, an'
I tole her you are Squint Taylor, an' that you own the Arrow ranch, not
far from Dawes. An' she thank me an' go away, grinnin'."

"And the young lady, George; do you know her name?"

"Them men she's travelin' with calls her Marion, boss."

He peered intently at Taylor for signs of interest. He saw no such
signs, and after a while, noting that Taylor seemed preoccupied, and was
evidently no longer aware of his presence, he slipped out noiselessly.

At nine thirty, Taylor, looking out of the car window, noted that the
country was growing familiar. Fifteen minutes later the porter stuck his
head in between the curtains, saw that Taylor was still absorbed, and
withdrew. At nine fifty-five the porter entered the compartment.

"We'll be in Dawes in five minutes, boss," he said. "I've toted your
baggage to the door."

The porter withdrew, and a little later Taylor got up and went out into
the aisle. At the far end of the car, near the door, he saw Marion
Harlan, Parsons, and Carrington.

He did not want to meet them again after what had occurred in the diner,
and he cast a glance toward the door behind him, hoping that the porter
had carried his baggage to that end of the car. But the platform was
empty--his suitcase was at the other end.

He slipped into a seat on the side of the train that would presently
disclose to him a view of Dawes's depot, and of Dawes itself, leaned an
elbow on the window-sill, and waited. Apparently the three persons at
the other end of the car paid no attention to him, but glancing sidelong
once he saw the girl throw an interested glance at him.

And then the air-brakes hissed; he felt the train slowing down, and he
got up and walked slowly toward the girl and her companions. At about
the same instant she and the others began to move toward the door; so
that when the train came to a stop they were on the car platform by the
time Taylor reached the door. And by the time he stepped out upon the
car platform the girl and her friends were on the station platform,
their baggage piled at their feet.

Dawes's depot was merely a roofless platform; and there was no shelter
from the glaring white sun that flooded it. The change from the subdued
light of the coach to the shimmering, blinding glare of the sun on the
wooden planks of the platform affected Taylor's eyes, and he was forced
to look downward as he alighted. And then, not looking up, he went to
the baggage-car and pulled his two prisoners out.

Looking up as he walked down the platform with the two men, he saw a
transformed Dawes.

The little, frame station building had been a red, dingy blot beside the
glistening rails that paralleled the town. It was now gaily draped with
bunting--red, white, and blue--which he recognized as having been used
on the occasion of the town's anniversary celebration.

A big American flag topped the ridge of the station; other flags
projected from various angles of the frame.

Most of the town's other buildings were replicas of the station in the
matter of decorations--festoons of bunting ran here and there from
building to building; broad bands of it were stretched across the fronts
of other buildings; gay loops of it crossed the street, suspended to
form triumphal arches; flags, wreaths of laurel, Japanese lanterns, and
other paraphernalia of the decorator's art were everywhere.

Down the street near the Castle Hotel, Taylor saw transparencies, but he
could not make out the words on them.

He grinned, for certainly the victor of yesterday's election was
outdoing himself.

He looked into the face of a man who stood near him on the platform--who
answered his grin.

"Our new mayor is celebrating in style, eh?" he said.

"Right!" declared the man.

He was about to ask the man which candidate had been victorious--though
he was certain it was Neil Norton--when he saw Marion Harlan, standing a
little distance from him, smiling at him.

It was a broad, impersonal smile, such as one citizen of a town might
exchange with another when both are confronted with the visible
evidences of political victory; and Taylor responded to it with one
equally impersonal. Whereat the girl's smile faded, and her gaze, still
upon Taylor, became speculative. Its quality told Taylor that he should
not presume upon the smile.

Taylor had no intention of presuming anything. Not even the porter's
story of the girl's interest in him had affected him to the extent of
fatuous imaginings. A woman's curiosity, he supposed, had led her to
inquire about him. He expected she rarely saw men arrayed as he was--and
as he had been arrayed the day before.

The girl's gaze went from Taylor to the street in the immediate vicinity
of the station, and for the first time since alighting on the platform
Taylor saw a mass of people near him.

Looking sharply at them, he saw many faces in the mass that he knew.
They all seemed to be looking at him and, with the suddenness of a
stroke came to him the consciousness that there was no sound--that
silence, deep and unusual, reigned in Dawes. The train, usually merely
stopping at the station and then resuming its trip, was still standing
motionless behind him. With a sidelong glance he saw the train-crew
standing near the steps of the cars, looking at him. The porter and the
waiter with whose faces he was familiar, were grinning at him.

Taylor felt that his own grin, as he gazed around at the faces that were
all turned toward him, was vacuous and foolish. He _felt_ foolish. For
he knew something had attracted the attention of all these people to
him, and he had not the slightest idea what it was. For an instant he
feared that through some mental lapse he had forgotten to remove his
"dude" clothing; and he looked down at his trousers and felt of his
shirt, to reassure himself. And he gravely and intently looked at his
prisoners, wondering if by any chance some practical joker of the town
had arranged the train robbery for his special benefit. If that were the
explanation it had been grim hoax--for two men had been killed in the
fight.

Looking up again, he saw that the grins on the faces of the people
around him had grown broader--and several loud guffaws of laughter
reached his ears. He looked at Marion Harlan, and saw a puzzled
expression on her face. Carrington, too, was looking at him, and
Parsons, whose smile was a smirk of perplexity.

Taylor reddened with embarrassment. A resentment that grew swiftly to an
angry intolerance, seized him. He straightened, squared his shoulders,
thrust out his chin, and shoving his prisoners before him, took several
long strides across the station platform.

This movement brought him close to Marion Harlan and her friends, and
his further progress was barred by a man who placed a hand against his
chest.

This man, too, was grinning. He seized Taylor's shoulders with both
hands and looked into his face, the grin on his own broad and expanding.

"Welcome home--you old son-of-a-gun!" said the man.

His grin was infectious and Taylor answered it, dropping his suitcase
and looking the other straight in the eyes.

"Norton," he said, "what in hell is the cause of all this staring at me?
Can't a man leave town for a few days and come back without everybody
looking at him as though he were a curiosity?"

Norton--a tall, slender, sinewy man with broad shoulders--laughed aloud
and deliberately winked at several interested citizens who had followed
Taylor's progress across the platform, and who now stood near him,
grinning.

"You are a curiosity, man. You're the first mayor of this man's town!
Lordy," he said to the surrounding faces, "he hasn't tumbled to it yet!"

The color left Taylor's face; he stared hard at Norton; he gazed in
bewilderment at the faces near him.

"Mayor?" he said. "Why, good Lord, man, I wasn't here yesterday!"

"But your friends were!" yelped the delighted Norton. He raised his
voice, so that it reached far into the crowd on the street:

"He's sort of fussed up, boys; this honor being conferred on him so
sudden; but give him time and he'll talk your heads off!" He leaned over
to Taylor and whispered in his ear.

"Grin, man, for God's sake! Don't stand there like a wooden man; they'll
think you don't appreciate it! It's the first time I ever saw you lose
your nerve. Buck up, man; why, they simply swamped Danforth; wiped him
clean off the map!"

Norton was whispering more into Taylor's ear, but Taylor could not
follow the sequence of it, nor get a coherent meaning out of it. He even
doubted that he heard Norton. He straightened, and looked around at the
crowd that now was pressing in on him, and for the first time in his
life he knew the mental panic and the physical sickness that overtakes
the man who for the first time faces an audience whose eyes are focused
on him.

For a bag of gold as big as the mountains that loomed over the distant
southern horizon he could not have said a word to the crowd. But he did
succeed in grinning at the faces around him, and at that the crowd
yelled.

And just before the crowd closed in on him and he began to shake hands
with his delighted supporters, he glanced at Marion Harlan. She was
looking at him with a certain sober interest, though he was sure that
back in her eyes was a sort of humorous malice--which had, however, a
softening quality of admiration and, perhaps, gratitude.

His gaze went from her to Carrington. The big man was watching him with
a veiled sneer which, when he met Taylor's eyes, grew open and
unmistakable.

Taylor grinned broadly at him, for now it occurred to him that he would
be able to thwart Carrington's designs of "getting hold of the reins."
His grin at Carrington was a silent challenge, and so the other
interpreted it, for his sneer grew positively venomous.

The girl caught the exchange of glances between them, for Taylor heard
her say to Parsons, just before the noise of the crowd drowned her
voice:

"Now I _know_ he overheard you!"

Meanwhile, the two prisoners were standing near Taylor. Taylor had
almost forgotten them. He was reminded of their presence when he saw
Keats, the sheriff, standing near him. At just the instant Taylor looked
at Keats, the latter was critically watching the prisoners.

Keats and Taylor had had many differences of opinion, for the sheriff's
official actions had not merited nor received Taylor's approval.
Taylor's attitude toward the man had always been that of good-natured
banter, despite the disgust he felt for the man. And now, pursuing his
customary attitude, Taylor called to him:

"Specimens, eh! Picked them up at Toban's this morning. They yearned to
hold up the train. There were four, all together, but we had to put two
out of business. I came pretty near forgetting them. If I hadn't seen
you just now, maybe I would have walked right off and left them here.
Take them to jail, Keats."

Keats advanced. He met Taylor's eyes and his lips curved with a sneer:

"Pullin' off a little grand-stand play, eh! Well, it's a mighty clever
idea. First you get elected mayor, an' then you come in here, draggin'
along a couple of mean-lookin' hombres, an' say they've tried to hold up
the train at Toban's. It sounds mighty fishy to me!"

Taylor laughed. He heard a chuckle behind him, and he turned, to see
Carrington grinning significantly at Keats. Taylor's eyes chilled as his
gaze went from one man to the other, for the exchange of glances told
him that between the men there was a common interest, which would link
them together against him. And in the dead silence that followed Keats's
words, Taylor drawled, grinning coldly:

"Meaning that I'm a liar, Keats?"

His voice was gentle, and his shoulders seemed to droop a little as
though in his mind was a desire to placate Keats. But there were men in
Dawes who had seen Taylor work his guns, and these held their breath and
began to shove backward. That slow, drooping of Taylor's shoulders was a
danger signal, a silent warning that Taylor was ready for action, swift
and violent.

And faces around Taylor whitened as the man stood there facing Keats,
his shoulders drooping still lower, the smile on his face becoming one
of cold, grim mockery.

The discomfiture of Keats was apparent. Indecision and fear were in the
set of his head--bowed a little; and a dread reluctance was in his
shifting eyes and the pasty-white color of his face. It was plain that
Keats had overplayed; he had not intended to arouse the latent tiger in
Taylor; he had meant merely to embarrass him.

"Meaning that I'm a liar, Keats?"

Again Taylor's voice was gentle, though this time it carried a subtle
taunt.

Desperately harried, Keats licked his hot lips and cast a sullen glance
around at the crowd. Then his gaze went to Taylor's face, and he drew a
slow breath.

"I reckon I wasn't meanin' just that," he said.

"Of course," smiled Taylor; "that's no way for a sheriff to act. Take
them in, Keats," he added, waving a hand at the prisoners; "it's been so
long since the sheriff of this county arrested a man that the jail's
gettin' tired, yawning for somebody to get into it."

He turned his back on Keats and looked straight at Carrington:

"Have you got any ideas along the sheriff's line?" he asked.

Carrington flushed and his lips went into a sullen pout. He did not
speak, merely shaking his head, negatively.

Keats's glance at Taylor was malignant with hate; and Carrington's
sullen, venomous look was not unnoticed by the crowd. Keats stepped
forward and seized the two prisoners, hustling them away, muttering
profanely.

And then Taylor was led away by Norton and a committee of citizens,
leaving Carrington, the girl and Parsons alone on the platform.

"Looks like we're going to have trouble lining things up," remarked
Parsons. "Danforth----"

"You shut up!" snapped Carrington. "Danforth's an ass and so are you!"




CHAPTER VI--A MAN MAKES PLANS


Within an hour after his arrival in Dawes, Carrington was sitting in the
big front room of his suite in the Castle Hotel, inspecting the town.

A bay window projected over the sidewalk, and from a big leather chair
placed almost in the center of the bay between two windows and facing a
third, at the front, Carrington had a remarkably good view of the town.

Dawes was a thriving center of activity, with reasons for its
prosperity. Walking toward the Castle from the railroad station,
Carrington had caught a glimpse of the big dam blocking the constricted
neck of a wide basin west of the town--and farther westward stretched a
vast agricultural section, level as a floor, with a carpet of green
slumbering in the white sunlight, and dotted with young trees that
seemed almost ready to bear.

There were many small buildings on the big level, some tenthouses, and
straight through the level was a wide, sparkling stream of water, with
other and smaller streams intersecting it. These streams were irrigation
ditches, and the moisture in them was giving life to a vast section of
country that had previously been arid and dead.

But Carrington's interest had not been so much for the land as for the
method of irrigation. To be sure, he had not stopped long to look, but
he had comprehended the system at a glance. There were locks and flumes
and water-gates, and plenty of water. But the irrigation company had not
completed its system. Carrington intended to complete it.

Dawes was two years old, and it had the appearance of having been
hastily constructed. Its buildings were mostly of frame--even the
Castle, large and pretentious, and the town's aristocrat of hostelries,
was of frame. Carrington smiled, for later, when he had got himself
established, he intended to introduce an innovation in building
material.

The courthouse was a frame structure. It was directly across the street
from the Castle, and Carrington could look into its windows and see some
men at work inside at desks. He had no interest in the post office, for
that was of the national government--and yet, perhaps, after a while he
might take some interest in that.

For Carrington's vision, though selfish, was broad. A multitude of men
of the Carrington type have taken bold positions in the eternal battle
for progress, and all have contributed something toward the ultimate
ideal. And not all have been scoundrels.

Carrington's vision, however, was blurred by the mote of greed. Dawes
was flourishing; he intended to modernize it, but in the process of
modernization he intended to be the chief recipient of the material
profits.

Carrington had washed, shaved himself, and changed his clothes; and as
he sat in the big leather chair in the bay, overlooking the street, he
looked smooth, sleek, and capable.

He had seemed massive in the Pullman, wearing a traveling suit of some
light material, and his corpulent waist-line had been somewhat
accentuated.

The blue serge suit he wore now made a startling change in his
appearance. It made his shoulders seem broader; it made the wide,
swelling arch of his chest more pronounced, and in inverse ratio it
contracted the corpulent waist-line--almost eliminating it.

Carrington looked to be what he was--a big, virile, magnetic giant of a
man in perfect health.

He had not been sitting in the leather chair for more than fifteen
minutes when there came a knock on a door behind him.

"Come!" he commanded.

A tall man entered, closed the door behind him and with hat in hand
stood looking at Carrington with a half-smile which might have been
slightly diffident, or impudent or defiant--it was puzzling.

Carrington had twisted in his chair to get a glimpse of his visitor; he
now grunted, resumed his former position and said, gruffly:

"Hello, Danforth!"

Danforth stepped over to the bay, and without invitation drew up a chair
and seated himself near Carrington.

Danforth was slender, big-framed, and sinewy. His shoulders were broad
and his waist slim. There was a stubborn thrust to his chin; his nose
was a trifle too long to perfectly fit his face; his mouth a little too
big, and the lips too thin. The nose had a slight droop that made one
think of selfishness and greed, and the thin lips, with a downward
swerve at the corners, suggested cruelty.

These defects, however, were not prominent, for they were offset by a
really distinguished head with a mass of short, curly hair that ruffled
attractively under the brim of the felt hat he wore.

The hat was in his right hand, now, but it had left its impress on his
hair, and as he sat down he ran his free hand through it. Danforth knew
where his attractions were.

He grinned shallowly at Carrington when the latter turned and looked at
him.

He cleared his throat. "I suppose you've heard about it?"

"I couldn't help hearing." Carrington scowled at the other. "What in
hell was wrong? We send you out here, give you more than a year's time
and all the money you want--which has been plenty--and then you lose.
What in the devil was the matter?"

"Too much Taylor," smirked the other.

"But what else?"

"Nothing else--just Taylor."

Carrington exclaimed profanely.

"Why, the man didn't even know he was a candidate! He was on the train I
came in on!"

"It was Neil Norton's scheme," explained Danforth. "I had _him_ beaten
to a frazzle. I suppose he knew it. Two days before election he suddenly
withdrew his name and substituted Taylor's. You know what happened. He
licked me two to one. He was too popular for me--damn him!

"Norton owns a newspaper here--the only one in the county--the _Eagle_."

"Why didn't you buy him?"

Danforth grinned sarcastically: "I didn't feel that reckless."

"Honest, eh?"

Carrington rested his chin in the palm of his right hand and scowled
into the street. He was convinced that Danforth had done everything he
could to win the election, and he was bitterly chagrined over the
result. But that result was not the dominating thought in his mind. He
kept seeing Taylor as the latter had stood on the station platform,
stunned with surprise over the knowledge that he had been so signally
honored by the people of Dawes.

And Carrington had seen Marion Harlan's glances at the man; he had been
aware of the admiring smile she had given Taylor; and bitter passion
gripped Carrington at the recollection of the smile.

More--he had seen Taylor's face when the girl had smiled. The smile had
thrilled Taylor--it had held promise for him, and Carrington knew it.

Carrington continued to stare out into the street. Danforth watched him
furtively, in silence.

At last, not opening his lips, Carrington spoke:

"Tell me about this man, Taylor."

"Taylor owns the Arrow ranch, in the basin south of here. His ranch
covers about twenty thousand acres. He has a clear title.

"According to report, he employs about thirty men. They are holy
terrors--that is, they are what is called 'hard cases,' though they are
not outlaws by any means. Just a devil-may-care bunch that raises hell
when it strikes town. They swear by Taylor."

So far as Carrington could see, everybody in Dawes swore by Taylor.
Carrington grimaced.

"That isn't what I want to know," he flared. "How long has he been here;
what kind of a fellow is he?"

"Taylor owned the Arrow before Dawes was founded. When the railroad came
through it brought with it some land-sharks that tried to frame up on
the ranch-owners in the vicinity. It was a slick scheme, they tell me.
They had clouded every title, and figured to grab the whole county, it
seems.

"Taylor went after them. People I've talked with here say it was a dandy
shindy while it lasted. The land-grabbers brought the courts in, and a
crooked judge. Taylor fought them, crooked judge and all, to a
bite-the-dust finish. Toward the end it was a free-for-all--and the
land-grabbers were chased out of the county.

"Naturally, the folks around here think a lot of Taylor for the part he
played in the deal. Besides that, he's a man that makes friends
quickly--and holds them."

"Has Taylor any interests besides his ranch?"

"A share in the water company, I believe. He owns some land in town; and
he is usually on all the public committees here."

"About thirty, isn't he?"

"Twenty-eight."

Carrington looked at the other with a sidelong, sneering grin:

"Have any ladies come into his young life?"

Danforth snickered. "You've got me--I hadn't inquired. He doesn't seem
to be much of a ladies' man, though, I take it. Doesn't seem to have
time to monkey with them."

"H-m!" Carrington's lips went into a pout as he stared straight ahead of
him.

Danforth at last broke a long silence with:

"Well, we got licked, all right. What's going to happen now? Are you
going to quit?"

"Quit?" Carrington snapped the word at the other, his eyes flaming with
rage. Then he laughed, mirthlessly, resuming: "This defeat was
unexpected; I wasn't set for it. But it won't alter things--very much.
I'll have to shake a leg, that's all. What time does the next train
leave here for the capital?"

"At two o'clock this afternoon." Danforth's eyes widened as he looked at
Carrington. The curiosity in his glance caused Carrington to laugh
shortly.

"You don't mean that the governor is in this thing?" said Danforth.

"Why not?" demanded Carrington. "Bah! Do you think I came in with my
eyes closed!"

There was a new light in Danforth's eyes--the flame of renewed hope.

"Then we've still got a chance," he declared.

Carrington laughed. "A too-popular mayor is not a good thing for a
town," he said significantly.




CHAPTER VII--THE SHADOW OF THE PAST


Marion Harlan and her uncle, Elam Parsons, did not accompany Carrington
to the Castle Hotel. By telegraph, through Danforth, Carrington had
bought a house near Dawes, and shortly after Quinton Taylor left the
station platform accompanied by his friends and admirers, Marion and her
uncle were in a buckboard riding toward the place that, henceforth, was
to be their home.

For that question had been settled before the party left Westwood.
Parsons had declared his future activities were to be centered in Dawes,
that he had no further interests to keep him in Westwood, and that he
intended to make his home in Dawes.

Certainly Marion had few interests in the town that had been the scene
of the domestic tragedy that had left her parentless. She was glad to
get away. For though she had not been to blame for what had happened,
she was painfully conscious of the stares that followed her everywhere,
and aware of the morbid curiosity with which her neighbors regarded her.
Also--through the medium of certain of her "friends," she had become
cognizant of speculative whisperings, such as: "To think of being
brought up like that? Do you think she will be like her mother?"
Or--"What's bred in the bone, _et cetera_."

Perhaps these good people did not mean to be unkind; certainly the
crimson stains that colored the girl's cheeks when she passed them
should have won their charity and their silence.

There was nothing in Westwood for her; and so she was glad to get away.
And the trip westward toward Dawes opened a new vista of life to her.
She was leaving the old and the tragic and adventuring into the new and
promising, where she could face life without the onus of a shame that
had not been hers.

Before she was half way to Dawes she had forgotten Westwood and its
wagging tongues. She alone, of all the passengers in the Pullman, had
not been aware of the heat and the discomfort. She had loved every foot
of the great prairie land that, green and beautiful, had flashed past
the car window; she had gazed with eager, interested eyes into the far
reaches of the desert through which she had passed, filling her soul
with the mystic beauty of this new world, reveling in its vastness and
in the atmosphere of calm that seemed to engulf it.

Dawes had not disappointed her; on the contrary, she loved it at first
sight. For though Dawes was new and crude, it looked rugged and
honest--and rather too busy to hesitate for the purpose of indulging in
gossip--idle or otherwise. Dawes, she was certain, was occupying itself
with progress--a thing that, long since, Westwood had forgotten.

Five minutes after she had entered the buckboard, the spirit of this new
world had seized upon the girl and she was athrob and atingle with the
joy of it. It filled her veins; it made her cheeks flame and her eyes
dance. And the strange aroma--the pungent breath of the sage, borne to
her on the slight breeze--she drew into her lungs with great long
breaths that seemed to intoxicate her.

"Oh," she exclaimed delightedly, "isn't it great! Oh, I love it!"

Elam Parsons grinned at her--the habitual smirk with which he recognized
all emotion not his own.

"It _does_ look like a good field for business," he conceded.

The girl looked at him quickly, divined the sordidness of his thoughts,
and puckered her brows in a frown. And thereafter she enjoyed the
esthetic beauties of her world without seeking confirmation from her
uncle.

Her delight grew as the journey to the new home progressed. She saw the
fertile farming country stretching far in the big section of country
beyond the water-filled basin; her eyes glowed as the irrigation
ditches, with their locks and gates, came under her observation; and she
sat silent, awed by the mightiness of it all--the tall, majestic
mountains looming somberly many miles distant behind a glowing
mist--like a rose veil or a gauze curtain lowered to partly conceal the
mystic beauty of them.

Intervening were hills and flats and draws and valleys, and miles and
miles of level grass land, green and peaceful in the shimmering sunlight
that came from somewhere near the center of the big, pale-blue inverted
bowl of sky; she caught the silvery glitter of a river that wound its
way through the country like a monstrous serpent; she saw dark blotches,
miles long, which she knew were forests, for she could see the spires of
trees thrusting upward. But from where she rode the trees seemed to be
no larger than bushes.

Looking backward, she could see Dawes. Already the buckboard had
traveled two or three miles, but the town seemed near, and she had quite
a shock when she looked back at it and saw the buildings, mere huddled
shanties, spoiling the beauty of her picture.

A mile or so farther--four miles altogether, Parsons told her--and they
came in sight of a house. She had difficulty restraining her delight
when they climbed out of the buckboard and Parsons told her the place
was to be their permanent home. For it was such a house as she had
longed to live in all the days of her life.

The first impression it gave her was that of spaciousness. For though
only one story in height, the house contained many rooms. Those,
however, she saw later.

The exterior was what intrigued her interest at first glance. So far as
she knew, it was the only brick building in the country. She had seen
none such in Dawes.

There was a big porch across the front; the windows were large; there
were vines and plants thriving in the shade from some big cottonwood
trees near by--in fact, the house seemed to have been built in a grove
of the giant trees; there were several outhouses, one of which had
chickens in an enclosure near it; there was a garden, well-kept; and the
girl saw that back of the house ran a little stream which flowed sharply
downward, later to tumble into the big basin far below the irrigation
dam.

While Parsons was superintending the unloading of the buckboard, Marion
explored the house. It was completely furnished, and her eyes glowed
with pleasure as she inspected it. And when Parsons and the driver were
carrying the baggage in she was outside the house, standing at the edge
of a butte whose precipitous walls descended sharply to the floor of the
irrigation basin, two or three hundred feet below. She could no longer
see the cultivated level, with its irrigation ditches, but she could see
the big dam, a mile or so up the valley toward Dawes, with the water
creeping over it, and the big valley itself, slumbering in the pure,
white light of the morning.

She went inside, slightly awed, and Parsons, noting her excitement,
smirked at her. She left him and went to her room. Emerging later she
discovered that Parsons was not in the house. She saw him, however, at a
distance, looking out into the valley.

And then, in the kitchen, Marion came upon the housekeeper, a negro
woman of uncertain age. Parsons had not told her there was to be a
housekeeper.

The negro woman grinned broadly at her astonishment.

"Lawsey, ma'am; you jes' got to have a housekeeper, I reckon! How you
ever git along without a housekeeper? You're too fine an' dainty to keep
house you'self!"

The woman's name, the latter told her, was Martha, and there was honest
delight--and, it seemed to Marion, downright relief in her eyes when she
looked at the new mistress.

"You ain't got no 'past,' that's certain, honey," she declared, with a
delighted smile. "The woman that lived here befo' had a past, honey. A
man named Huggins lived in this house, an' she said she's his wife.
Wife! Lawsey! No man has a wife like that! She had a past, that woman,
an' mebbe a present, too--he, he, he!

"He was the man what put the railroad through here, honey. I done hear
the woman say--her name was Blanche, honey--that Huggins was one of them
ultra rich. But whatever it was that ailed him, honey, didn't help his
looks none. Pig-eye, I used to call him, when I'se mad at him--which was
mostly all the time--he, he, he!"

The girl's face whitened. Was she never to escape the atmosphere she
loathed? She shuddered and Martha patted her sympathetically on the
shoulder.

"There, there, honey; you ain't 'sponsible for other folks' affairs.
Jes' you hold you' head up an' go about you' business. Nobody say
anything to you because you' livin' here."

But Martha's words neither comforted nor consoled the girl. She went
again to her room and sat for a long time, looking out of a window. For
now all the cheer had gone out of the house; the rooms looked dull and
dreary--and empty, as of something gone out of them.




CHAPTER VIII--CONCERNING "SQUINT"


Marion Harlan had responded eagerly to Carrington's fabrication
regarding the rumor of Lawrence Harlan's presence in Dawes. Carrington's
reference to her father's sojourn in the town had been vague--he merely
told her that a rumor had reached him--a man's word, without
details--and she had accepted it at its face value. She was impatient to
run the rumor down, to personally satisfy herself, and she believed
Carrington.

But she spent a fruitless week interrogating people in Dawes. She had
gone to the courthouse, there to pass long hours searching the
records--and had found nothing. Then, systematically, she had gone from
store to store--making small purchases and quizzing everyone she came in
contact with. None had known a man named Harlan; it seemed that not one
person in Dawes had ever heard of him.

Parsons had returned to town in the buckboard shortly after noon on the
day of their arrival at the new house, and she had not seen him again
until the following morning. Then he had told her that Carrington had
gone away--he did not know where. Carrington would not return for a week
or two, he inferred.

Parsons had bought some horses. A little bay, short-coupled but wiry,
belonged to her, Parsons said--it was a present from Carrington.

She hesitated to accept the horse; but the little animal won her regard
by his affectionate mannerisms, and at the end of a day of doubt and
indecision she accepted him.

She had ridden horses in Westwood--bareback when no one had been
looking, and with a side-saddle at other times--but she discovered no
side-saddle in Dawes. However, she did encounter no difficulty in
unearthing a riding-habit with a divided skirt, and though she got into
that with a pulse of trepidation and embarrassment, she soon discovered
it to be most comfortable and convenient.

And Dawes did not stare at her because she rode "straddle." At first she
was fearful, and watched Dawes's citizens furtively; but when she saw
that she attracted no attention other than would be attracted by any
good-looking young woman in more conventional attire, she felt more at
ease. But she could not help thinking about the sanctimonious
inhabitants of Westwood. Would they not have declared their kindly
predictions vindicated had they been permitted to see her? She could
almost hear the chorus of "I-told-you-so's"--they rang in her ears over
a distance of many hundreds of miles!

But the spirit of the young, unfettered country had got into her soul,
and she went her way unmindful of Westwood's opinions.

For three days she continued her search for tidings of her father, eager
and hopeful; and then for the remainder of the week she did her
searching mechanically, doggedly, with a presentiment of failure to
harass her.

And then one morning, when she was standing beside her horse near the
stable door, ready to mount and fully determined to pursue the
Carrington rumor to the end, the word she sought was brought to her.

She saw a horseman coming toward her from the direction of Dawes. He was
not Parsons--for the rider was short and broad; and besides, Parsons was
spending most of his time in Dawes.

The girl watched the rider, assured, as he came nearer, that he was a
stranger; and when he turned his horse toward her, and she saw he _was_
a stranger, she leaned close and whispered to her own animal:

"Oh, Billy; what if it _should_ be!"

An instant later she was watching the stranger dismount within a few
feet of where she was standing.

He was short and stocky, and undeniably Irish. He was far past middle
age, as his gray hair and seamed wrinkles of his face indicated; but
there was the light of a youthful spirit and good-nature in his eyes
that squinted at the girl with a quizzical interest.

With the bridle-rein in the crook of his elbow and his hat in his hand,
he bowed elaborately to the girl.

"Would ye be Miss Harlan, ma'am?" he asked.

"Yes," she breathed, her face alight with eagerness, for now since the
man had spoken her name the presentiment of news grew stronger.

The man's face flashed into a wide, delighted grin and he reached out a
hand, into which she placed one of hers, hardly knowing that she did it.

"Me name's Ben Mullarky, ma'am. I've got a little shack down on the
Rabbit-Ear--which is a crick, for all the name some locoed ignoramus
give it. You c'ud see the shack from here, ma'am--if ye'd look sharp."

He pointed out a spot to her--a wooded section far out in the big level
country southward, beside the river--and she saw the roof of a building
near the edge of the timber.

"That's me shack," offered Mullarky. "Me ol' woman an' meself owns
her--an' a quarter-section--all proved. We call it seven miles from the
shack to Dawes. That'd make it about three from here."

"Yes, yes," said the girl eagerly.

He grinned at her. "Comin' in to town this mornin' for some knickknacks
for me ol' woman, I hear from Coleman--who keeps a store--that there's a
fine-lookin' girl named Harlan searchin' the country for news of her
father, Larry Harlan. I knowed him, ma'am."

"You did? Oh, how wonderful!" She stood erect, breathing fast, her eyes
glowing with mingled joy and impatience. She had not caught the
significance of Mullarky's picturesque past tense, "knowed;" but when he
repeated it, with just a slight emphasis:

"I _knowed_ him, ma'am," she drew a quick, full breath and her face
whitened.

"You knew him," she said slowly. "Does that mean----"

Mullarky scratched his head and looked downward, not meeting her eyes.

"Squint Taylor would tell you the story, ma'am," he said. "You see,
ma'am, he worked for Squint, an' Squint was with him when it happened."

"He's dead, then?" She stood rigid, tense, searching Mullarky's face
with wide, dreading eyes, and when she saw his gaze shift under hers she
drew a deep sigh and leaned against Billy, covering her face with her
hands.

Mullarky did not attempt to disturb her; he stood, looking glumly at
her, reproaching himself for his awkwardness in breaking the news to
her.

It was some minutes before she faced him again, and then she was pale
and composed, except for the haunting sadness that had come into her
eyes.

"Thank you," she said. "Can you tell me where I can find Mr.
Taylor--'Squint,' you called him? Is that the Taylor who was elected
mayor--last week?"

"The same, ma'am." He turned and pointed southward, into the big, level
country that she admired so much.

"Do you see that big timber grove 'way off there--where the crick
doubles to the north--with that big green patch beyond?" She nodded.
"That's Taylor's ranch--the Arrow. You'll find him there. He's a mighty
fine man, ma'am. Larry Harlan would tell you that if he was here. Taylor
was the best friend that Larry Harlan ever had--out here." He looked at
her pityingly. "I'm sorry, ma'am, to be the bearer of ill news; but when
I heard you was in town, lookin' for your father, I couldn't help comin'
to see you."

She asked some questions about her father--which Mullarky answered;
though he could tell her nothing that would acquaint her with the
details of her father's life between the time he had left Westwood and
the day of his appearance in this section of the world.

"Mebbe Taylor will know, ma'am," he repeated again and again. And then,
when she thanked him once more and mounted her horse, he said:

"You'll be goin' to see Squint right away, ma'am, I suppose. You can
ease your horse right down the slope, here, an' strike the level. You'll
find a trail right down there. You'll follow it along the crick, an'
it'll take you into the Arrow ranchhouse. It'll take you past me own
shack, too; an' if you'll stop in an' tell the ol' woman who you are,
she'll be tickled to give you a snack an' a cup of tea. She liked Larry
herself."

The girl watched Mullarky ride away. He turned in the saddle, at
intervals, to grin at her.

Then, when Mullarky had gone she leaned against Billy and stood for a
long time, her shoulders quivering.

At last, though, she mounted the little animal and sent him down the
slope.

She found the trail about which Mullarky had spoken, and rode it
steadily; though she saw little of the wild, virgin country through
which she passed, because her brimming eyes blurred it all.

She came at last to Mullarky's shack, and a stout, motherly woman, with
an ample bosom and a kindly face, welcomed her.

"So you're Larry Harlan's daughter," said Mrs. Mullarky, when her
insistence had brought the girl inside the cabin; "you poor darlin'. An'
Ben told you--the blunderin' idiot. He'll have a piece of my mind when
he comes back! An' you're stoppin' at the old Huggins house, eh?" She
looked sharply at the girl, and the latter's face reddened. Whereat Mrs.
Mullarky patted her shoulder and murmured:

"It ain't your fault that there's indacint women in the world; an' no
taint of them will ever reach you. But the fools in this world is always
waggin' their tongues, associatin' what's happened with what they think
will happen. An' mebbe they'll wonder about you. It's your uncle that's
there with you, you say? Well, then, don't you worry. You run right
along to see Squint Taylor, now, an' find out what he knows about your
father. Taylor's a mighty fine man, darlin'."

And so Marion went on her way again, grateful for Mrs. Mullarky's
kindness, but depressed over the knowledge that the atmosphere of
suspicion, which had enveloped her in Westwood, had followed her into
this new country which, she had hoped, would have been more friendly.

She came in sight of the Arrow ranchhouse presently, and gazed at it
admiringly. It was a big building, of adobe brick, with a wide porch--or
gallery--entirely surrounding it. It was in the center of a big space,
with timber flanking it on three sides, and at the north was a green
stretch of level that reached to the sloping banks of a river.

There were several smaller buildings; a big, fenced enclosure--the
corrals, she supposed; a pasture, and a garden. Everything was in
perfect order, and had it not been for the aroma of the sage that
assailed her nostrils, the awe-inspiring bigness of it all, the sight of
thousands of cattle--which she could see through the trees beyond the
clearing, she could have likened the place to a big eastern farmhouse of
the better class, isolated and prosperous.

She dismounted from her horse at a corner of the house, near a door that
opened upon the wide porch, and stood, pale and hesitant, looking at the
door, which was closed.

And as she stared at the door, it swung inward and Quinton Taylor
appeared in the opening.




CHAPTER IX--A MAN LIES


Taylor was arrayed as Marion had mentally pictured him that day when, in
the Pullman, she had associated him with ranches and ranges. Evidently
he was ready to ride, for leather chaps incased his legs. The chaps were
plain, not even adorned with the spangles of the drawings she had seen;
and they were well-worn and shiny in spots. A pair of big, Mexican spurs
were on the heels of his boots; the inevitable cartridge-belt about his
middle, sagging with the heavy pistol; a quirt dangled from his left
hand. Assuredly he belonged in this environment--he even seemed to
dominate it.

She had wondered how he would greet her; but his greeting was not at all
what she had feared it would be. For he did not presume upon their
meeting on the train; he gave no sign that he had ever seen her before;
there was not even a glint in his eyes to tell her that he remembered
the scornful look she had given him when she discovered him listening to
the conversation carried on between her uncle and Carrington. His manner
indicated that if _she_ did not care to mention the matter _he_ would
not. His face was grave as he stepped across the porch and stood before
her. And he said merely:

"Are you looking for someone, ma'am?"

"I came to see you, Mr. Taylor," she said. (And then he knew that the
negro porter on the train had not lied when he said the girl had paid
him for certain information.)

But Taylor's face was still grave, for he thought he knew what she had
come for. He had overheard a great deal of the conversation between
Parsons and Carrington in the dining-car, and he remembered such phrases
as: "That fairy tale about her father having been seen in this locality;
To get her out here, where there isn't a hell of a lot of law, and a
man's will is the only thing that governs him;" and, "Then you lied
about Lawrence Harlan having been seen in this country." Also, he
remembered distinctly another phrase, uttered by Carrington: "That you
framed up on her mother, to get her to leave Larry."

All of that conversation was vivid in Taylor's mind, and mingled with
the recollection of it now was a grim pity for the girl, for the
hypocritical character of her supposed friends.

To be sure, the girl did not know that Parsons had lied about her father
having been seen in the vicinity of Dawes; but that did not alter the
fact that Larry Harlan had really been here; and Taylor surmised that
she had made inquiries, thus discovering that there was truth in
Carrington's statement.

He got a chair for her and seated himself on the porch railing.

"You came to see me?" he said, encouragingly.

"I am Marion Harlan, the daughter of Lawrence Harlan," began the girl.
And then she paused to note the effect of her words on Taylor.

So far as she could see, there was no sign of emotion on Taylor's face.
He nodded, looking steadily at her.

"And you are seeking news of your father," he said. "Who told you to
come to me?"

"A man named Ben Mullarky. He said my father had worked for you--that
you had been his best friend."

She saw his lips come together in straight lines.

"Poor Larry. You knew he died, Miss Harlan?"

"Mullarky told me." The girl's eyes moistened. "And I should like to
know something about him--how he lived after--after he left home;
whether he was happy--all about him. You see, Mr. Taylor, I loved him!"

"And Larry Harlan loved his daughter," said Taylor softly.

He began to tell her of her father; how several years before Harlan had
come to him, seeking employment; how Larry and himself had formed a
friendship; how they had gone together in search of the gold that Larry
claimed to have discovered in the Sangre de Christo Mountains; of the
injury Larry had suffered, and how the man had died while he himself had
been taking him toward civilization and assistance.

During the recital, however, one thought dominated him, reddening his
face with visible evidence of the sense of guilt that had seized him. He
must deliberately lie to the daughter of the man who had been his
friend.

In his pocket at this instant was Larry's note to him, in which the man
had expressed his fear of fortune-hunters. Taylor remembered the exact
words:

  Marion will have considerable money and I don't want no sneak to get
  hold of it--like the sneak that got hold of the money my wife had,
  that I saved. There's a lot of them around. If Marion is going to
  fall in with one of that kind, I'd rather she wouldn't get what I
  leave; the man would get it away from her. Use your own judgment and
  I'll be satisfied.

And Taylor's judgment was that Carrington and Parsons were
fortune-hunters; that if they discovered the girl to be entitled to a
share of the money that had been received from the sale of the mine,
they would endeavor to convert it to their own use. And Taylor was
determined they should not have it.

The conversation he had overheard in the dining-car had convinced him of
their utter hypocrisy and selfishness; it had aroused in him a feeling
of savage resentment and disgust that would not permit him to transfer a
cent of the money to the girl as long as they held the slightest
influence over her.

Again he mentally quoted from Larry's note to him:

  The others were too selfish and sneaking. (That meant Parsons--and
  one other.) Squint, I want you to take care of her.... Sell--the
  mine--take my share and for it give Marion a half-interest in your
  ranch, the Arrow. If there is any left, put it in land in
  Dawes--that town is going to boom. Guard it for her, and marry her,
  Squint; she'll make you a good wife.

Since the first meeting with the girl on the train Taylor had felt an
entire sympathy with Larry Harlan in his expressed desire to have Taylor
marry the girl; in fact, she was the first girl that Taylor had ever
wanted to marry, and the passion in his heart for her had already passed
the wistful stage--he was determined to have her. But that passion did
not lessen his sense of obligation to Larry Harlan. Nor would it--if he
could not have the girl himself--prevent him doing what he could to keep
her from forming any sort of an alliance with the sort of man Larry had
wished to save her from, as expressed in this passage of the note: "If
Marion is going to fall in with one of that kind, I'd rather she
wouldn't get what I leave."

Therefore, since Taylor distrusted Carrington and Parsons, he had
decided he would not tell the girl of the money her father had left--the
share of the proceeds of the mine. He would hold it for her, as a sacred
trust, until the time came--if it ever came--when she would have
discovered their faithlessness--or until she needed the money. More, he
was determined to expose the men.

He knew, thanks to his eavesdropping on the train, at least something
regarding the motives that had brought them to Dawes; Carrington's
words, "When we get hold of the reins," had convinced him that they and
the interests behind them were to endeavor to rob the people of Dawes.
That was indicated by their attempt to have David Danforth elected mayor
of the town.

Taylor had already decided that he could not permit Marion to see the
note her father had left, for he did not want her to feel that she was
under any obligation--parental or otherwise--to marry him. If he won her
at all, he wanted to win her on his merits.

As a matter of fact, since he had decided to lie about the money, he was
determined to say nothing about the note at all. He would keep silent,
making whatever explanations that seemed to be necessary, trusting to
time and the logical sequence of events for the desired outcome.

He was forced to begin to lie at once. When he had finished the story of
Larry's untimely death, the girl looked straight at him.

"Then you were with him when he died. Did--did he mention anyone--my
mother--or me?"

"He said: 'Squint, there is a daughter'"--Taylor was quoting from the
note--"'she was fifteen when I saw her last. She looked just like
me--thank God for that!'" Taylor blushed when he saw the girl's face
redden, for he knew what her thoughts were. He should not have quoted
that sentence. He resolved to be more careful; and went on: "He told me
I was to take care of you, to offer you a home at the Arrow--after I
found you. I was to go to Westwood, Illinois, to find you. I suppose he
wanted me to bring you here."

The speech was entirely unworthy, and Taylor knew it, and he eased his
conscience by adding: "He thought, I suppose, that you would like to be
where he had been. I've not touched the room he had. All his effects are
there--everything he owned, just as he left them. I had given him a room
in the house because I liked him (that was the truth), and I wanted him
where I could talk to him."

"I cannot thank you enough for that!" she said earnestly. And then
Taylor was forced to lie again, for she immediately asked: "And the
mine? It proved to be worthless, I suppose. For," she added, "that would
be just father's luck."

"The mine wasn't what we thought it would be," said Taylor. He was
looking at his boots when he spoke, and he wondered if his face was as
red as it felt.

"I am not surprised." There was no disappointment in her voice, and
therefore Taylor knew she was not avaricious--though he knew he had not
expected her to be. "Then he left nothing but his personal belongings?"
she added.

Taylor nodded.

The girl sat for a long time, looking out over the river into the vast
level that stretched away from it.

"He has ridden there, I suppose," she said wistfully. "He was here for
nearly three years, you said. Then he must have been everywhere around
here." And she got up, gazing about her, as though she would firmly fix
the locality for future reminiscent dreams. Then suddenly she said:

"I should like to see his room--may I?"

"You sure can!"

She followed him into the house, and he stood in the open doorway,
watching her as she went from place to place, looking at Larry's
effects.

Taylor did not remain long at the door; he went out upon the porch
again, leaving her in the room, and after a long time she joined him,
her eyes moist, but a smile on her lips.

"You'll leave his things there--a little longer, won't you? I should
like to have them, and I shall come for them, some day."

"Sure," he said. "But, look here, Miss Harlan. Why should you take his
things? Leave them here--and come yourself. That room is yours, if you
say the word. And a half-interest in the ranch. I was going to offer
your father an interest in it--if he had lived----"

He realized his mistake when he saw her eyes widen incredulously. And
there was a change in her voice--it was full of doubt, of distrust
almost.

"What had father done to deserve an interest in your ranch?" she
demanded.

"Why," he answered hesitatingly, "it's rather hard to say. But he helped
me much; he suggested improvements that made the place more valuable; he
was a good man, and he took a great deal of the work off my mind--and I
liked him," he finished lamely.

"And do you think I could do his share of the work?" she interrogated,
looking at him with an odd smile, the meaning of which Taylor could not
fathom.

"I couldn't expect that, of course," he said boldly; "but I owe Harlan
something for what he did for me, and I thought----"

"You thought you would be charitable to the daughter," she finished for
him, with a smile in which there was gratitude and understanding.

"I am sure I can't thank you enough for feeling that way toward my
father and myself. But I can't accept, you know."

Taylor did know, of course. A desperate desire to make amends for his
lying, to force upon her gratuitously what he had illegally robbed her
of, had been the motive underlying his offer. And he would have been
disappointed had she accepted, for that would have revealed a lack of
spirit which he had hoped she possessed.

And yet Taylor felt decidedly uncomfortable over the refusal. He wanted
her to have what belonged to her, for he divined from the note her
father had left that she would have need of it.

He discovered by judicious questioning, by inference, and through crafty
suggestion, that she was entirely dependent upon her uncle; that her
uncle had bought the Huggins house, and that Carrington had made her a
present of the horse she rode.

This last bit of information, volunteered by Marion, provoked Taylor to
a rage that made him grit his teeth.

A little while longer they talked, and when the girl mounted her horse
to ride away, they had entered into an agreement under which on Tuesdays
and Fridays--the first Tuesday falling on the following day--Taylor was
to be absent from the ranch. And during his absence the girl was to come
and stay at the ranchhouse, there to occupy her father's room and, if
she desired, to enter the other rooms at will.

As a concession to propriety, she was to bring Martha, the Huggins
housekeeper, with her.

But Taylor, after the girl had left, stood for an hour on the porch,
watching the dust-cloud that followed the girl's progress through the
big basin, his face red, his soul filled with loathing for the part his
judgment was forcing him to play. But arrayed against the loathing was a
complacent satisfaction aroused over the thought that Carrington would
never get the money that Larry Harlan had left to the girl.




CHAPTER X--THE FRAME-UP


James J. Carrington was unscrupulous, but even his most devout enemy
could not have said that he lacked vision and thoroughness. And, while
he had been listening to Danforth in his apartment in the Castle Hotel,
he had discovered that Neil Norton had made a technical blunder in
electing Quinton Taylor mayor of Dawes. Perhaps that was why Carrington
had not seemed to be very greatly disturbed over the knowledge that
Danforth had been defeated; certainly it was why Carrington had taken
the first train to the capital.

Carrington was tingling with elation when he reached the capital; but on
making inquiries he found that the governor had left the city the day
before, and that he was not expected to return for several days.

Carrington passed the interval renewing some acquaintances, and fuming
with impatience in the barroom, the billiard-room, and the lobby of his
hotel.

But he was the first visitor admitted to the governor's office when the
latter returned.

The governor was a big man, flaccid and portly, and he received
Carrington with a big Stetson set rakishly on the back of his head and
an enormous black cigar in his mouth. That he was not a statesman but a
professional politician was quite as apparent from his appearance as was
his huge, welcoming smile, a certain indication that he was on terms of
intimate friendship with Carrington. Formerly an eastern political
worker, and a power in the councils of his party, his appointment as
governor of the Territory had come, not because of his ability to fill
the position, but as a reward for the delivery of certain votes which
had helped to make his party successful at the polls. He would be the
last carpetbag governor of the Territory, for the Territory had at last
been admitted to the Union; the new Legislature was even then in
session; charters were already being issued to municipalities that
desired self-government--and the governor, soon to quit his position as
temporary chief, had no real interest in the new regime, and no desire
to aid in eliminating the inevitable confusion.

"Take a seat, Jim," he invited, "and have a cigar. My secretary tells me
you've been buzzing around here like a bee lost from the hive, for the
past week." He grinned hugely at Carrington, poking the latter playfully
in the ribs as Carrington essayed to light the cigar that had been given
him.

"Worried about that man Taylor, in Dawes, eh?" he went on, as Carrington
smoked. "Well, it _was_ too bad that Danforth didn't trim him, wasn't
it? But"--and his eyes narrowed--"I'm still governor, and Taylor isn't
mayor yet--and never will be!"

Carrington smiled. "You saw the mistake, too, eh?"

"Saw it!" boomed the governor. "I've been watching that town as a cat
watches a mouse. Itching for the clean-up, Jim," he whispered. "Why,
I've got the papers all made out--ousting him and appointing Danforth
mayor. Right here they are." He reached into a pigeon-hole and drew out
some legal papers. "You can serve them yourself. Just hand them to Judge
Littlefield--he'll do the rest. It's likely--if Taylor starts a fuss,
that you'll have to help Littlefield handle the case--arranging for
deputies, and such. If you need any more help, just wire me. I don't
pack my carpetbag for a year yet, and we can do a lot of work in that
time."

Carrington and the governor talked for an hour or more, and when
Carrington left for the office he was grinning with pleasurable
anticipation. For a municipality, already sovereign according to the
laws of the people, had been delivered into his hands.

Just at dusk on Tuesday evening Carrington alighted from the train at
Dawes. He went to his rooms in the Castle, removed the stains of travel,
descended the stairs to the dining-room, and ate heartily; then,
stopping at the cigar-counter to light a cigar, he inquired of the clerk
where he could find Judge Littlefield.

"He's got a house right next to the courthouse--on your left, from
here," the clerk told him.

A few minutes later Carrington was seated opposite Judge Littlefield,
with a table between them, in the front room of the judge's residence.

"My name is Carrington--James J.," was Carrington's introduction of
himself. "I have just left the governor, and he gave me these, to hand
over to you." He shoved over the papers the governor had given him,
smiling slightly at the other.

The judge answered the smile with a beaming smirk.

"I've heard of you," he said; "the governor has often spoken of you." He
glanced hastily over the papers, and his smirk widened. "The good people
of Dawes will be rather shocked over this decision, I suppose. But
laymen _will_ confuse things--won't they? Now, if Norton and his friends
had come to _me_ before they decided to enter Taylor's name, this thing
would not have happened."

"I'm glad it _did_ happen," laughed Carrington. "The chances are that
even Norton would have beaten Danforth, and then the governor could not
have interfered."

Carrington's gaze became grim as he looked at the judge. "You are
prepared to go the limit in this case, I suppose?" he interrogated.
"There is a chance that Taylor and his friends will attempt to make
trouble. But any trouble is to be handled firmly, you understand. There
is to be no monkey business. If they accept the law's mandates, as all
law-abiding citizens should accept it, all well and good. And if they
don't--and they want trouble, we'll give them that! Understand?"

"Perfectly," smiled the judge. "The law is not to be assailed."

Smilingly he bowed Carrington out.

Carrington took a turn down the street, walking until his cigar burned
itself out; then he entered the hotel and sat for a time in the lobby.
Then he went to bed, satisfied that he had done a good week's work, and
conscious that he had launched a heavy blow at the man for whom he had
conceived a great and bitter hatred.




CHAPTER XI--"NO FUN FOOLING HER"


Accompanied by Martha, who rode one of the horses Parsons had bought,
Marion Harlan began her trip to the Arrow shortly after dawn.

The girl had said nothing to Parsons regarding her meeting with Taylor
the previous day, nor of her intention to pass the day at the Arrow. For
she feared that Parsons might make some objection--and she wanted to go.

That she feared her uncle's deterrent influence argued that she was
aware that she was doing wrong in going to the Arrow--even with Martha
as chaperon; but that was, perhaps, the very reason the thought of going
engaged her interest.

She wondered many times, as she rode, with the negro woman trailing her,
if there was not inherent in her some of those undesirable traits
concerning which the good people of Westwood had entertained fears.

The thought crimsoned her cheeks and brightened her eyes; but she knew
she had no vicious thoughts--that she was going to the Arrow, not
because she wanted to see Taylor again, but because she wanted to sit in
the room that had been occupied by her father. She wanted to look again
at his belongings, to feel his former presence--as she had felt it while
gazing out over the vast level beyond the river, where he had ridden
many times.

She looked in on Mrs. Mullarky as they passed the Mullarky cabin, and
when the good woman learned of her proposed visit to the Arrow, she gave
her entire approval.

"I don't blame you, darlin'," declared Mrs. Mullarky. "Let the world
jabber--if it wants to. If it was me father that had been over there,
I'd stay there, takin' Squint Taylor at his word--an' divvle a bit I'd
care what the world would say about it!"

So Marion rode on, slightly relieved. But the crimson stain was still on
her cheeks when she and Martha dismounted at the porch, and she looked
fearfully around, half-expecting that Taylor would appear from
somewhere, having tricked her.

But Taylor was nowhere in sight. A fat man appeared from somewhere in
the vicinity of the stable, doffed his hat politely, informed her that
he was the "stable boss" and would care for the horses; he having been
delegated by Taylor to perform whatever service Miss Harlan desired; and
ambled off, leading the horses, leaving the girl and Martha standing
near the edge of the porch.

Marion entered the house with a strange feeling of guilt and shame.
Standing in the open doorway--where she had seen Taylor standing when
she had dismounted the day before--she was afflicted with regret and
mortification over her coming. It wasn't right for a girl to do as she
was doing; and for an instant she hesitated on the verge of flight.

But Martha's voice directly behind her, reassured her.

"They ain't a soul here, honey--not a soul. You've got the whole house
to yo'self. This am a lark--shuah enough. He, he, he!"

It was the voice of the temptress--and Marion heeded it. With a defiant
toss of her head she entered the room, took off her hat, laid it on a
convenient table, calmly telling Martha to do the same. Then she went
boldly from one room to another, finally coming to a halt in the doorway
of the room that had been occupied by her father.

For her that room seemed to hallow the place. It was as though her
father were here with her; as though there were no need of Martha being
here with her. The thought of it removed any stigma that might have been
attached to her coming; it made her heedless of the opinion of the world
and its gossip-mongers.

She forgot the world in her interest, and for more than an hour, with
Martha sitting in a chair sympathetically watching her, she reveled in
the visible proofs of her father's occupancy of the room.

Later she and Martha went out on the porch, where, seated in
rocking-chairs--that had not been on the porch the day before--she
filled her mental vision with pictures of her father's life at the
Arrow. Those pictures were imaginary, but they were intensely satisfying
to the girl who had loved her father, for she could almost see him
moving about her.

"You shuah does look soft an' dreamy, honey," Martha told her once. "You
looks jes' like a delicate ghost. A while ago, lookin' at you, I shuah
was scared you was goin' to blow away!"

But Marion was not the ethereal wraith that Martha thought her. She
proved that a little later, when, with the negro woman abetting her, she
went into the house and prepared dinner. For she ate so heartily that
Martha was forced to amend her former statement.

"For a ghost you shuah does eat plenty, honey," she said.

Later they were out on the porch again. The big level on the other side
of the river was flooded with a slumberous sunshine, with the glowing,
rose haze of early afternoon enveloping it, and the girl was enjoying it
when there came an interruption.

A cowboy emerged from a building down near the corral--Marion learned
later that the building was the bunkhouse, which meant that it was used
as sleeping-quarters for the Arrow outfit--and walked, with the rolling
stride so peculiar to his kind, toward the porch.

He was a tall young man, red of face, and just now affected with a
mighty embarrassment, which was revealed in the awkward manner in which
he removed his hat and shuffled his feet as he came to a halt within a
few feet of Marion.

"The boss wants to know how you are gettin' along, ma'am, an' if there's
anything you're wantin'?"

"We are enjoying ourselves immensely, thank you; and there is nothing we
want--particularly."

The puncher had turned to go before the girl thought of the significance
of the "boss."

Her face was a trifle pale as she called to the puncher.

"Who is your boss--if you please?" she asked.

The puncher wheeled, a slow grin on his face.

"Why, Squint Taylor, ma'am."

She sat erect. "Do you mean that Mr. Taylor is here?"

"He's in the bunkhouse, ma'am."

She got up, and, holding her head very erect, began to walk toward the
room in which she had left her hat.

But half-way across the porch the puncher's voice halted her:

"Squint was sayin' you didn't expect him to be here, an' that I'd have
to do the explainin'. He couldn't come, you see."

"Ashamed, I suppose," she said coldly.

She was facing the puncher now, and she saw him grin.

"Why, no, ma'am; I don't reckon he's a heap ashamed. But it'd be mighty
inconvenient for him. You see, ma'am, this mornin', when he was gittin'
ready to ride to the south line, his cayuse got an ornery streak an'
throwed him, sprainin' Squint's ankle."

The girl's emotions suddenly reacted; the resentment she had yielded to
became self-reproach. For she had judged hastily, and she had always
felt that one had no right to judge hastily.

And Taylor had been remarkably considerate; for he had not even
permitted her to know of the accident until after noon. That indicated
that he had no intention of forcing himself on her.

She hesitated, saw Martha grinning into a hand, looked at the puncher's
expressionless face, and felt that she had been rather prudish. Her
cheeks flushed with color.

Taylor had actually been a martyr on a small scale in confining himself
to the bunkhouse, when he could have enjoyed the comforts and
spaciousness of the ranchhouse if it had not been for her own presence.

"Is--is his ankle badly sprained?" she hesitatingly asked the now
sober-faced puncher.

"Kind of bad, ma'am; he ain't been able to do no walkin' on it. Been
hobblin' an' swearin', mostly, ma'am. It's sure a trial to be near him."

"And it is warm here; it must be terribly hot in that little place!"

She was at the edge of the porch now, her face radiating sympathy.

"I am not surprised that he should swear!" she told the puncher, who
grinned and muttered:

"He's sure first class at it, ma'am."

"Why," she said, paying no attention to the puncher's compliment of his
employer, "he is hurt, and I have been depriving him of his house. You
tell him to come right out of that stuffy place! Help him to come here!"

And without waiting to watch the puncher depart, she darted into the
house, pulled a big rocker out on the porch, got a pillow and arranged
it so that it would form a resting-place for the injured man's
head--providing he decided to occupy the chair, which she doubted--and
then stood on the edge of the porch, awaiting his appearance.

Inside the bunkhouse the puncher was grinning at Taylor, who, with his
right foot swathed in bandages, was sitting on a bench, anxiously
awaiting the delivery of the puncher's message.

"Well, talk, you damned grinning inquisitor!" was Taylor's greeting to
the puncher. "What did she say?"

"At first she didn't seem to be a heap overjoyed to know that you was in
this country," said the other; "but when she heard you'd been hurt she
sort of stampeded, invitin' you to come an' set on the porch with her."

Taylor got up and started for the door, the bandaged foot dragging
clumsily.

"Shucks," drawled the puncher; "if you go to _runnin'_ to her she'll
have suspicions. Accordin' to my notion, she expects you to come a
hobblin', same as though your leg was broke. 'Help him to come,' she
told me. An' you're goin' that way--you hear me! I'll bust your ankle
with a club before I'll have her think I'm a liar!"

"Maybe I _was_ a little eager," grinned Taylor.

An instant later he stepped out of the bunkhouse door, leaning heavily
on the puncher's shoulder.

The two made slow progress to the porch; and Taylor's ascent to the
porch and his final achievement of the rocking-chair were accomplished
slowly, with the assistance of Miss Harlan.

Then, with a face almost the color of the scarlet neckerchief he wore,
Taylor watched the retreat of the puncher.

His face became redder when Miss Harlan drew another rocker close to his
and demanded to be told the story of the accident.

"My own fault," declared Taylor. "I was in a hurry. Accidents always
happen that way, don't they? Slipped trying to swing on my horse, with
him running. Missed the stirrup. Clumsy, wasn't it?"

Eager to keep his word, of course, Marion reasoned. She had insisted
that he be gone when she arrived, and he had injured himself hurrying.

She watched him as he talked of the accident. And now for the first time
she understood why he had acquired the nickname Squint.

His eyes were deep-set, though not small. He did not really squint, for
there was plenty of room between the eyelids--which, by the way, were
fringed with lashes that might have been the envy of any woman; but
there were many little wrinkles at the corners of his eyes, which spread
fanwise toward cheek and brow, and these created the illusion of
squinting.

Also, he had a habit of partially closing his eyes when looking directly
at one; and at such times they held a twinkling glint that caused one to
speculate over their meaning.

Miss Harlan was certain the twinkle meant humor. But other persons had
been equally sure the twinkle meant other emotions, or passion. Looking
into Taylor's eyes in the dining-car, Carrington had decided they were
filled with cold, implacable hostility, with the promise of violence, to
himself. And yet the squint had not been absent.

Whatever had been expressed in the eyes had been sufficient to deter
Carrington from his announced purpose to "knock hell out of" their
owner.

The girl was aware that Taylor was not handsome; that his attractions
were not of a surface character. Something about him struck deeper than
that. A subtle magnetism gripped her--the magnetism of strength, moral
and mental. In his eyes she could see the signs of it; in the lines of
his jaw and the set of his lips were suggestions of indomitability and
force.

All the visible signs were, however, glossed over with the deep, slow
humor that radiated from him, that glowed in his eyes.

It all made her conscious of a great similarity between them; for
despite the doubts and suspicions of the people of Westwood, she had
been able to survive--and humor had been the grace that had saved her
from disappointment and pessimism. Those other traits in Taylor--visible
to one who studied him--she knew for her own; and her spirits now
responded to his.

Her cheeks were glowing as she looked at him, and her eyes, half veiled
by the drooping lashes, were dancing with mischief.

"You were in that hot bunkhouse all morning," she said. "Why didn't you
send word before?"

"You were careful to tell me that you didn't want me around when you
came."

There was a gleam of reproach in his eyes.

"But you were injured!"

"Look how things go in the world," he invited, narrowing his eyes at
her. "It's almost enough to make a man let go all holds and just drift
along. Maybe a man would be just as well off.

"Early this morning I knew I had to light out for the day, and I didn't
want to go any more than a gopher wants to go into a rattlesnake's den.
But I had to keep my word. Then Spotted Tail gets notions----"

"Spotted Tail?" she interrupted.

"My horse," he grinned at her. "He gets notions. Maybe he wants to get
away as much as I want to stay. Anyhow, he was in a hurry; and things
shape up so that I've got to stay.

"And then, when I hang around the bunkhouse all morning, worrying
because I'm afraid you'll find out that I didn't keep my word, and that
I'm still here, you send word that you'll not object to me coming on the
porch with you. I'd call that a misjudgment all around--on my part."

"Yes--it was that," she told him. "You certainly are entitled to the
comforts of your own house--especially when you are hurt. But are you
sure you _worried_ because you were afraid I would discover you were
here?"

"I expect you can prove that by looking at me, Miss Harlan--noticing
that I've got thin and pale-looking since you saw me last?"

She threw a demure glance at him. "I am afraid you are in great danger;
you do not look nearly as well as when I saw you, the first time, on the
train."

He looked gravely at her.

"The porter threw them out of the window," he said. "That is, I gave him
orders to."

"What?" she said, perplexed. "I don't understand. What did the porter
throw out of the window?"

"My dude clothes," he said.

So he _had_ observed the ridicule in her eyes.

She met his gaze, and both laughed.

He had been curious about her all along, and he artfully questioned her
about Westwood, gradually drawing from her the rather unexciting details
of her life. Yet these details were chiefly volunteered, Taylor noticed,
and did not result entirely from his questions.

Carrington's name came into the discussion, also, and Parsons. Taylor
discovered that Carrington and Parsons had been partners in many
business deals, and that they had come to Dawes because the town offered
many possibilities. The girl quoted Carrington's words; Taylor was
convinced that she knew nothing of the character of the business the men
had come to Dawes to transact.

Their talk strayed to minor subjects and to those of great importance,
ranging from a discussion of prairie hens to sage comment upon certain
abstruse philosophy. Always, however, the personal note was dominant and
the personal interest acute.

That atmosphere--the deep interest of each for the other--made their
conversation animated. For half the time the girl paid no attention to
Taylor's words. She watched him when he talked, noting the various
shades of expression of his eyes, the curve of his lips, wondering at
the deep music of his voice. She marveled that at first she had thought
him uninteresting and plain.

For she had discovered that he was rather good-looking; that he was
endowed with a natural instinct to reach accurate and logical
conclusions; that he was quiet-mannered and polite--and a gentleman. Her
first impressions of him had not been correct, for during their talk she
discovered through casual remarks, that Taylor had been educated with
some care, that his ancestors were of that sturdy American stock which
had made the settling of the eastern New-World wilderness possible, and
that there was in his manner the unmistakable gentleness of good
breeding.

However, Taylor's first impressions of the girl had endured without
amendations. At a glance he had yielded to the spell of her, and the
intimate and informal conversation carried on between them; the flashes
of personality he caught merely served to convince him of her
desirability.

Twice during their talk Martha cleared her throat significantly and
loudly, trying to attract their attention.

The efforts bore no fruit, and Martha might have been entirely forgotten
if she had not finally got to her feet and laid a hand on Marion's
shoulder.

"I's gwine to lie down a spell, honey," she said. "You-all don't need no
third party to entertain you. An' I's powerful tiahd." And over the
girl's shoulder she smiled broadly and sympathetically at Taylor.

The sun was filling the western level with a glowing, golden haze when
Miss Harlan got to her feet and announced that she was going home.

"It's the first day I have really enjoyed," she told Taylor as she sat
in the saddle, looking at him. He had got up and was standing at the
porch edge. "That is, it is the first enjoyable day I have passed since
I have been here," she added.

"I wouldn't say that I've been exactly bored myself," he grinned at her.
"But I'm not so sure about Friday; for if you come Friday the chances
are that my ankle will be well again, and I'll have to make myself
scarce. You see, my excuse will be gone."

Martha was sitting on her horse close by, and her eyes were dancing.

"Don' you go an' bust your haid, Mr. Taylor!" she warned. "I knows
somebuddy that would be powerful sorry if that would happen to you!"

"Martha!" said Marion severely. But her eyes were eloquent as they met
Taylor's twinkling ones; and she saw a deep color come into Taylor's
cheeks.

Taylor watched her until she grew dim in the distance; then he turned
and faced the tall young puncher, who had stepped upon the porch and had
been standing near.

The puncher grinned. "Takin' 'em off now, boss?" he asked.

He pointed to the bandages on Taylor's right foot. In one of the young
puncher's hands was Taylor's right boot.

"Yes," returned Taylor.

He sat down in the rocker he had occupied all afternoon, and the young
puncher removed the bandages, revealing Taylor's bare foot and ankle,
with no bruise or swelling to mar the white skin.

Taylor drew on the sock which the puncher drew from the boot; then he
pulled on the boot and stood up.

The puncher was grinning hugely, but no smile was on Taylor's face.

"It worked, boss," said the puncher; "she didn't tumble. I thought I'd
laff my head off when I seen her fixin' the pillow for you--an' your
foot not hurt more than mine. You ought to be plumb tickled, pullin' off
a trick like that!"

"I ain't a heap tickled," declared Taylor glumly. "There's no fun in
fooling _her_!"

Which indicated that Taylor's thoughts were now serious.




CHAPTER XII--LIFTING THE MASK


Elam Parsons awoke early in the morning following that on which Marion
Harlan's visit to the Arrow occurred. He lay for a long time smiling at
the ceiling, with a feeling that something pleasurable was in store for
him, but not able to determine what that something was.

It was not long, however, before Parsons remembered.

When he had got out of bed the previous morning he had discovered the
absence of Marion and Martha. Also, he found that two of the horses were
missing--Marion's, and one of the others he had personally bought.

Parsons spent the day in Dawes. Shortly before dusk he got on his horse
and rode homeward. Dismounting at the stable, he noted that the two
absent horses had not come in. He grinned disagreeably and went into the
house. He emerged almost instantly, for Marion and Martha had not
returned.

Later he saw them, Marion leading, coming up the slope that led to the
level upon which the house stood.

Marion had retired early, and after she had gone to her room Parsons had
questioned Martha.

Twice while getting into his clothes this morning Parsons chuckled
audibly. There was malicious amusement in the sound.

Once he caught himself saying aloud:

"I knew it would come, sooner or later. And she's picked out the
clodhopper! This will tickle Carrington!"

Again he laughed--such a laugh as the good people of Westwood might have
used had they known what Parsons knew--that Marion Harlan had visited a
stranger at his ranchhouse--a lonely place, far from prying eyes.

Parsons hated the girl as heartily as he had hated her father. He hated
her because of her close resemblance to her parent; and he had hated
Larry Harlan ever since their first meeting.

Parsons likewise had no affection for Carrington. They had been business
associates for many years, and their association had been profitable for
both; but there was none of that respect and admiration which marks many
partnerships.

On several occasions Carrington had betrayed greediness in the division
of the spoils of their ventures. But Carrington was the strong man,
ruthless and determined, and Parsons was forced to nurse his resentment
in silence. He meant some day, however, to repay Carrington, and he lost
no opportunity to harass him. And yet it had been Parsons who had
brought Carrington to Westwood two years before. He knew Carrington; he
knew something of the big man's way with women, of his merciless
treatment of them. And he had invited Carrington to Westwood, hoping
that the big man would add Marion Harlan to his list of victims.

So far, Carrington had made little progress. This fact, contrary to
Parsons' principles, had afforded the man secret enjoyment. He liked to
see Carrington squirm under disappointment. He anticipated much pleasure
in watching Carrington's face when he should tell him where Marion had
been the day before.

He breakfasted alone--early--chuckling his joy. And shortly after he
left the table he was on a horse, riding toward Dawes.

He reached town about eight and went directly to Carrington's rooms in
the Castle.

Carrington had shaved and washed, and was sitting at a front window,
coatless, his hair uncombed, when Parsons knocked on the door.

"You're back, eh?" said Parsons as he took a chair near the window.
"Danforth was telling me you went to see the governor. Did you fix it?"

Carrington grinned. "Taylor was to take the oath today. He won't take
it--at least, not the sort of oath he expected."

"It's lucky you knew the governor."

"H-m." The grim grunt indicated that, governor or no governor,
Carrington would not be denied.

Parsons smirked. But Carrington detected an unusual quality in the
smirk--something more than satisfaction over the success of the visit to
the governor. There was malicious amusement in the smirk, and
anticipation. Parsons' expressed satisfaction was not over what _had_
happened, but over what was _going_ to happen.

Carrington knew Parsons, and therefore Carrington gave no sign of what
he had seen in Parsons' face. He talked of Dawes and of their own
prospects. But once, when Carrington mentioned Marion Harlan, quite
casually, he noted that Parsons' eyes widened.

But Parsons said nothing on the subject which had brought him until he
had talked for half an hour. Then, noting that his manner had aroused
Carrington's interest, he said softly:

"This man, Taylor, seems destined to get in your way, doesn't he?"

"What do you mean?" demanded Carrington shortly.

"Do you remember telling me--on the train, with this man, Taylor,
listening--that your story to Marion, of her father having been seen in
this locality, was a fairy tale--without foundation?"

At Carrington's nod Parsons continued:

"Well, it seems it was not a fairy tale, after all. For Larry Harlan was
in his section for two or three years!"

"Who told you that?" Carrington slid forward in his chair and was
looking hard at Parsons.

Parsons was enjoying the other's astonishment, and Parsons was not to be
hurried--he wanted to _taste_ the flavor of his news; it was as good to
his palate as a choice morsel of food to the palate of a disciple of
Epicurus.

"It came in a sort of roundabout way, I understand," said Parsons. "It
seems that during your absence Marion made a number of inquiries about
her father. Then a man named Ben Mullarky rode over to the house and
told her that Larry had been in this country--that he had worked for the
Arrow."

"That's Taylor's ranch," said Carrington. A deep scowl furrowed his
forehead; his lips extended in a sullen pout.

Parsons was enjoying him. "Taylor again, eh?" he said softly. "First, he
appears on the train, where he gets an earful of something we don't want
him to hear; then he is elected mayor, which is detrimental to our
interests; then we discover that Larry Harlan worked for him. _You'll_
be interested to know that Marion went right over to the Arrow--in fact,
she spent part of Monday there, and practically _all_ of yesterday.
More, Taylor has invited her to come whenever she wants to."

"She went alone?" demanded Carrington.

"With Martha, my negro housekeeper. But that--" Parsons made a gesture
of derision and went on: "Martha says Taylor was there with her, and
that the two of them--with Martha asleep in the house--spent the entire
afternoon on the porch, talking rather intimately."

To Parsons' surprise Carrington did not betray the perturbation Parsons
expected. The scowl was still furrowing his forehead, his lips were
still in the sullen pout; but he said nothing, looking steadily at
Parsons.

At last his lips moved slightly; Parsons could see the clenched teeth
between them.

"Where's Larry Harlan now?"

Parsons related the story told him by Martha--which had been imparted to
the negro woman by Marion in confidence--that Larry Harlan had been
accidentally killed, searching for a mine.

When Parsons finished Carrington got up. There was a grin on his face as
he stepped to where Parsons sat and placed his two hands heavily on the
other's shoulders.

There was a grin on his face, but his eyes were agleam with a slumbering
passion that made Parsons catch his breath with a gasp. And his voice,
low, and freighted with menace, caused Parsons to quake with terror.

"Parsons," he said, "I want you to understand this: I am going to be the
law out here. I'll run things to suit myself. I'll have no half-hearted
loyalty, and I'll destroy any man who opposes me! Those who are not with
me to the last gasp are against me!" He laughed, and Parsons felt the
man's hot breath on his face--so close was it to his own.

"I was born a thousand years too late, Parsons!" he went on. "I am a
robber baron brought down to date--modernized. I believe that in me
flows the blood of a pirate, a savage, or an ancient king; I have all
the instincts of a tribal chief whose principles are to rule or ruin!
I'll have no law out here but my own desires; and hypocrisy--in
others--doesn't appeal to me!

"You've told me a tale that interested me, but in the telling of it you
made one mistake--you enjoyed the discomfiture you thought it would give
me. You tingled with malice. Just to show you that I'll not tolerate
disloyalty from you--even in thought--I'm going to punish you."

He dropped his big hands to Parsons' throat, shutting off the incipient
scream that issued from between the man's lips. Parsons fought with all
his strength to escape the grip of the iron fingers at his throat,
twisting and squirming frenziedly in the chair. But the fingers
tightened their grip, and when the man's face began to turn blue-black,
Carrington released him and looked down at his victim, laughing
vibrantly.




CHAPTER XIII--THE SHADOW OF TROUBLE


Elam recovered slowly, for Carrington had choked him into
unconsciousness. Out of the blank, dark coma Parsons came, his brain
reeling, his body racked with agonizing pains. His hands went to his
throat before he could open his eyes; he pulled at the flesh to ease the
constriction that still existed there; he caught his breath in great
gasps that shrilled through the room. And when at last he succeeded in
getting his breath to come regularly, he opened his eyes and saw
Carrington seated in a chair near him, watching him with a cold,
speculative smile.

He heard Carrington's voice saying: "Pretty close, wasn't it, Parsons?"
But he did not answer; his vocal cords were still partially paralyzed.

He closed his eyes again and stretched out in the chair. Carrington
thought he had fainted, but Parsons was merely resting--and thinking.

His thoughts were not pleasant. Many times during the years of their
association he had seen the beast in Carrington's eyes, but this was the
first time Carrington had even shown it in his presence, naked and ugly.
Carrington had told him many times that were he not hemmed in with laws
and courts he would tramp ruthlessly over every obstacle that got in his
way; and Parsons knew now that the man had meant what he said. The beast
in him was rampant; his passions were to have free rein; he had thrown
off the shackles of civilization and was prepared to do murder to attain
his aims.

Parsons realized his own precarious predicament. Carrington controlled
every cent Parsons owned--it was in the common pool, which was in
Carrington's charge. Parsons might leave Dawes, but his money must
stay--Carrington would never give it up. More, Parsons was now afraid to
ask for an accounting or a division, for fear Carrington would kill him.

Parsons knew he must stay in Dawes, and that from now on he must play
lackey to the master who, at last in an environment that suited him, had
so ruthlessly demonstrated his principles.

In a spirit of abject surrender Parsons again opened his eyes and sat
up. Carrington rose and again stood over him.

"You understand now, Parsons, I'm running things. You stay in the
background. If you interfere with me I'll kill you. I'll kill you if you
laugh at me again. Your job out here is to take care of Marion Harlan.
You're to keep her here. If she gets away I'll manhandle you! Now get
out of here!"

An hour later Parsons was sitting on the front porch of the big house,
staring vacantly out into the big level below him, his heart full of
hatred and impotent resentment; his brain, formerly full of craft and
guile, now temporarily atrophied through its attempts to comprehend the
new character of the man who had throttled him.

In Dawes, Carrington was getting into his clothing. He was smiling, his
eyes glowing with grim satisfaction. At nine o'clock Carrington
descended the stairs, stopped in the hotel lobby to light a cigar; then
crossed the street and went into the courthouse, where he was greeted
effusively by Judge Littlefield. Quinton Taylor, too, was going to the
courthouse.

This morning at ten o'clock, according to information received from Neil
Norton--sent to Taylor by messenger the night before--Taylor was to take
the oath of office.

Taylor was conscious of the honor bestowed upon him by the people of
Dawes, though at first he had demurred, pointing out that he was not
actually a resident of the town--the Arrow lying seven miles southward.
But this objection had been met and dismissed by his friends, who had
insisted that he was a resident of the town by virtue of his large
interests there, and from the fact that he occupied an apartment above
the Dawes bank, and that he spent more time in it than he spent in the
Arrow ranchhouse.

But on the ride to Dawes--on Spotted Tail--(this morning wonderfully
docile despite Tuesday's slander by his master)--Taylor's thoughts dwelt
not upon the honor that was to be his, but upon the questionable trick
he had played on Marion Harlan, with the able assistance of the tall
young puncher, Bud Hemmingway.

He looked down at the foot, now unbandaged, with a frown. The girl's
complete and matter-of-fact belief in the story of his injury; her
sympathy and deep concern; the self-accusation in her eyes; the instant
pardon she had granted him for staying at the ranchhouse when he should
not have stayed--all these he arrayed against the bald fact that he had
tricked her. And he felt decidedly guilty.

And yet somehow there was some justification for the trick. It was the
justification of desire. The things a man wants are not to be denied by
the narrow standards of custom. Does a man miss an opportunity to
establish acquaintance with a girl he has fallen in love with, merely
because custom has decreed that she shall not come unattended--save by a
negro woman--to his house?

Taylor made desire his justification, and his sense of guilt was
dispelled by half.

Nor was the guilt so poignant that it rested heavily on his conscience
since he had done no harm to the girl.

What harm had been done had been done to Taylor himself. He kept seeing
Marion as she sat on the porch, and the spell of her had seized him so
firmly that last night, after she had left, the ranchhouse had seemed to
be nothing more than four walls out of which all the life had gone. He
felt lonesome this morning, and was in the grip of a nameless longing.

All the humor had departed from him. For the first time in all his days
a conception of the meaning of life assailed him, revealing to him a
glimpse of the difficulties of a man in love. For a man may love a girl:
his difficulties begin when the girl seems to become unattainable.

Looming large in Taylor's thoughts this morning was Carrington. Having
overheard Carrington talking of her on the train, Taylor thought he knew
what Carrington wanted; but he was in doubt regarding the state of the
girl's feelings toward the man. Had she yielded to the man's intense
personal magnetism?

Carrington was handsome; there was no doubt that almost any girl would
be flattered by his attentions. And had Carrington been worthy of
Marion, Taylor would have entertained no hope of success--he would not
even have thought of it.

But he had overheard Carrington; he knew the man's nature was vile and
bestial; and already he hated him with a fervor that made his blood riot
when he thought of him.

When he reached Dawes he found himself hoping that Marion would not be
in town to see that his ankle was unbandaged. But he might have saved
himself that throb of perturbation, for at that minute Marion was
standing in the front room of the big house, looking out of one of the
windows at Parsons, wondering what had happened to make him seem so glum
and abstracted.

When Taylor dismounted in front of the courthouse there were several men
grouped on the sidewalk near the door.

Neil Norton was in the group, and he came forward, smiling.

"We're here to witness the ceremony," he told Taylor.

Taylor's greeting to the other men was not that of the professional
politician. He merely grinned at them and returned a short: "Well, let's
get it over with," to Norton's remark. Then, followed by his friends, he
entered the courthouse.

Taylor knew Judge Littlefield. He had no admiration for the man, and yet
his greeting was polite and courteous--it was the greeting of an
American citizen to an official.

Taylor's first quick glance about the interior of the courthouse showed
him Carrington. The latter was sitting in an armchair near a window
toward the rear of the room. He smiled as Taylor's glance swept him, but
Taylor might not have seen the smile. For Taylor was deeply interested
in other things.

A conception of the serious responsibility that he was to accept
assailed him. Until now the thing had been entirely personal; his
thoughts had centered upon the honor that was to be his--his friends had
selected him for an important position. And yet Taylor was not vain.

Now, however, ready to accept the oath of office, he realized that he
was to become the servant of the municipality; that these friends of his
had elected him not merely to honor him but because they trusted him,
because they were convinced that he would administer the affairs of the
young town capably and in a fair and impartial manner. They depended
upon him for justice, advice, and guidance.

All these things, to be sure, Taylor would give them to the best of his
ability. They must have known that or they would not have elected him.

These thoughts sobered him as he walked to the little wooden railing in
front of the judge's desk; and his face was grave as he looked at the
other.

"I am ready to take the oath, Judge Littlefield," he gravely announced.

Glancing sidewise, Taylor saw that a great many men had come into the
room. He did not turn to look at them, however, for he saw a gleam in
Judge Littlefield's eyes that held his attention.

"That will not be necessary, Mr. Taylor," he heard the judge say. "The
governor, through the attorney-general, has ruled you were not legally
elected to the office you aspire to. Only last night I was notified of
the decision. It was late, or I should have taken steps to apprise you
of the situation."

Taylor straightened. He heard exclamations from many men in the room; he
was conscious of a tension that had come into the atmosphere. Some men
scuffled their feet; and then there was a deep silence.

Taylor smiled without mirth. His dominant emotion was curiosity.

"Not legally elected?" he said. "Why?"

The judge passed a paper to Taylor; it was one of those that had been
delivered to the judge by Carrington.

The judge did not meet Taylor's eyes.

"You'll find a full statement of the case, there," he said. "Briefly,
however, the governor finds that your name did not appear on the
ballots."

Norton, who had been standing at Taylor's side all along, now shoved his
way to the railing and leaned over it, his face white with wrath.

"There's something wrong here, Judge Littlefield!" he charged. "Taylor's
name was on every ballot that was counted for him. I personally examined
every ballot!"

The judge smiled tolerantly, almost benignantly.

"Of course--to be sure," he said. "Mr. Taylor's name appeared on a good
many ballots; his friends _wrote_ it, with pencil, and otherwise. But
the law expressly states that a candidate's name must be _printed_.
Therefore, obeying the letter of the law, the governor has ruled that
Mr. Taylor was not elected." There was malicious satisfaction in Judge
Littlefield's eyes as they met Taylor's. Taylor could see that the judge
was in entire sympathy with the influences that were opposing him,
though the judge tried, with a grave smile, to create an impression of
impartiality.

"Under the governor's ruling, therefore," he continued, "and acting
under explicit directions from the attorney-general, I am empowered to
administer the oath of office to the legally elected candidate, David
Danforth. Now, if Mr. Danforth is in the courtroom, and will come
forward, we shall conclude."

Mr. Danforth was in the courtroom; he was sitting near Carrington; and
he came forward, his face slightly flushed, with the gaze of every
person in the room on him.

He smiled apologetically at Taylor as he reached the railing, extending
a hand.

"I'm damned sorry, Taylor," he declared. "This is all a surprise to me.
I hadn't any doubt that they would swear you in. No hard feelings?"

Taylor had been conscious of the humiliation of his position. He knew
that his friends would expect him to fight. And yet he felt more like
gracefully yielding to the forces which had barred him from office upon
the basis of so slight a technicality. And despite the knowledge that he
had been robbed of the office, he would have taken Danforth's hand, had
he not at that instant chanced to glance at Carrington.

The latter's eyes were aglow with a vindictive triumph; as his gaze met
Taylor's, his lips curved with a sneer.

A dark passion seized Taylor--the bitter, savage rage of jealousy. The
antagonism he had felt for Carrington that day on the train when he had
heard Carrington's voice for the first time was suddenly intensified. It
had been growing slowly, provoked by his knowledge of the man's evil
designs on Marion Harlan. But now there had come into the first
antagonism a gripping lust to injure the other, a determination to balk
him, to defeat him, to meet him on his own ground and crush him.

For Carrington's sneer had caused the differences between them to become
sharply personal; it would make the fight that was brewing between the
two men not a political fight, but a fight of the spirit.

Taylor interpreted the sneer as a challenge, and he accepted it. His
eyes gleamed with hatred unmistakable as they held Carrington's; and the
grin on his lips was the cold, unhumorous grin of the fighter who is not
dismayed by odds. His voice was low and sharp, and it carried to every
person in the room:

"We won't shake, Danforth; you are not particular enough about the
character of your friends!"

The look was significant, and it compelled the eyes of all of Taylor's
friends, so that Carrington instantly found himself the center of
interest.

However, he did not change color; on his face a bland smile testified to
his entire indifference to what Taylor or Taylor's friends thought of
him.

Taylor grinned mirthlessly at the judge, spoke shortly to Norton, and
led the way out through the front door, followed by a number of his
friends.

Norton took Taylor into his office, adjoining the courthouse, and threw
himself into a chair, grumbling profanely. Outside they could see the
crowd filing down the street, voicing its opinion of the startling
proceeding.

"An election is an election," they heard one man say--a Taylor
sympathizer. "What difference does it make that Taylor's name wasn't
_printed_? It's a dawg-gone frame-up, that's what it is!"

But Danforth's adherents were not lacking; and there were arguments in
loud, vigorous language among men who passed the door of the _Eagle_
office.

"I could have printed the damned ballots, myself--if I had thought it
necessary," mourned Norton. "And now we're skinned out of it!"

Norton's disgust was complete and bitter; he had slid down in the chair,
his chin on his chest, his hands shoved deep into the pockets of his
trousers.

Yet his dejection had not infected Taylor; the latter's lips were curved
in a faint smile, ironic and saturnine. It was plain to Norton that
whatever humor there was in the situation was making its appeal to
Taylor. The thought angered Norton, and he sat up, demanding sharply:
"Well, what in hell are you going to do about it?"

Taylor grinned at the other. "Nothing, now," he said. "We might appeal
to the courts, but if the law specifies that a candidate's name must be
printed, the courts would sustain the governor. It looks to me, Norton,
as though Carrington and Danforth have the cards stacked."

Norton groaned and again slid down into his chair. He heard Taylor go
out, but he did not change his position. He sat there with his eyes
closed, profanely accusing himself, for he alone was to blame for the
complete defeat that had descended upon his candidate; and he could not
expect Taylor to fight a law which, though unjust and arbitrary, was the
only law in the Territory.

Taylor had not gone far. He stepped into the door of the courthouse, to
meet Carrington, who was coming out. Danforth and Judge Littlefield were
talking animatedly in the rear of the room. They ceased talking when
they saw Taylor, and faced toward him, looking at him wonderingly.

Carrington halted just inside the threshold of the doorway, and he, too,
watched Taylor curiously, though there was a bland, sneering smile on
his face.

Taylor's smile as he looked at the men was still faintly ironic, and his
eyes were agleam with a light that baffled the other men--they could not
determine just what emotion they reflected.

And Taylor's manner was as quietly deliberate and nonchalant as though
he had merely stepped into the room for a social visit. His gaze swept
the three men.

"Framing up--again, eh?" he said, with drawling emphasis. "You sure did
a good job for a starter. I just stepped in to say a few words to
you--all of you. To you first, Littlefield." And now his eyes held the
judge--they seemed to squint genially at the man.

"I happen to know that our big, sleek four-flusher here"--nodding toward
Carrington--"came here to loot Dawes. Quite accidentally, I overheard
him boasting of his intentions. Danforth was sent here by Carrington
more than a year ago to line things up, politically. I don't know how
many are in the game--and I don't care. You are in it, Littlefield. I
saw that by the delight you took in informing me of the decision of the
attorney-general. I just stepped in to tell you that I know what is
going on, and to warn you that you can't do it! You had better pull out
before you make an ass of yourself, Littlefield!"

The judge's face was crimson. "This is an outrage, Taylor!" he
sputtered. "I'll have you jailed for contempt of court!"

"Not you!" gibed Taylor, calmly. "You haven't the nerve! I'd like
nothing better than to have you do it. You're a little fuzzy dog that
doesn't crawl out of its kennel until it hears the snap of its master's
fingers! That's all for you!"

He grinned at Danforth, felinely, and the man flushed under the odd
gleam in the eyes that held his.

"I can classify you with one word, Dave," he declared; "you're a crook!
That lets you out; you do what you are told!"

He now ignored the others and faced Carrington.

His grin faded quickly, the lips stiffening. But still there was a hint
of cold humor in his manner that created the impression that he was
completely in earnest; that he was keenly enjoying himself and that he
did not feel at all tragic. And yet, underlying the mask of humor,
Carrington saw the passionate hatred Taylor felt for him.

Carrington sneered. He attempted to smile, but the malevolent bitterness
of his passions turned the smile into a hideous smirk. He had hated
Taylor at first sight; and now, with the jealousy provoked by the
knowledge that Taylor had turned his eyes toward Marion Harlan, the
hatred had become a lust to destroy the other.

Before Taylor could speak, Carrington stepped toward him, thrusting his
face close to Taylor's. The man was in the grip of a mighty rage that
bloated his face, that made his breath come in great labored gasps. He
had not meant to so boldly betray his hatred, but the violence of his
passions drove him on.

He knew that Taylor was baiting him, mocking him, taunting him; that
Taylor's words to the judge and to Danforth had been uttered with the
grimly humorous purpose of arousing the men to some unwise and
precipitate action; he knew that Taylor was enjoying the confusion he
had brought.

But Carrington had lost his self-control.

Without a word, but with a smothered imprecation that issued gutturally
from between his clenched teeth, he swung a fist with bitter malignance
at Taylor's face.

The blow did not land, for Taylor, self-possessed and alert, had been
expecting it. He slipped his head sidewise slightly, evading the fist by
a narrow margin, and, tensed, his muscles taut, he drove his own right
fist upward, heavily.

Carrington, reeling forward under the impetus of the force he had
expended, ran fairly into the fist. It crashed to the point of his jaw
and he was unconscious, rigid, and upright on his feet in the instant
before he sagged and tumbled headlong out through the open doorway into
the street.

With a bound, his face set in a mirthless grin, Taylor was after him,
landing beyond him in the windrowed dust at the edge of the sidewalk,
ready and willing to administer further punishment.




CHAPTER XIV--THE FACE OF A FIGHTER


Slouching in his chair, in an attitude of complete dejection, Neil
Norton was glumly digesting the dregs of defeat.

The _Eagle_ office adjoined the courthouse. Both were one-story frame
structures, flimsy, with one thin wall between them; and to Norton's
ears as he sat with his unpleasant thoughts, came the sound of voices,
muffled, but resonant. Someone was speaking with force and insistence.
Norton attuned his ears to the voice. It was then he discovered there
was only one voice, and that Taylor's.

He sat erect, both hands gripping the arms of his chair. Then he got up,
walked to the front door of the _Eagle_ office, and looked out. He was
just in time to see Carrington tumble out through the door of the
courthouse and land heavily on the sidewalk in front of the building.
Immediately afterward he saw Taylor follow.

Norton exclaimed his astonishment, and he saw Taylor turn toward him, a
broad, mirthless grin on his face.

"Good Heavens!" breathed Norton, "he's started a ruckus!"

Taylor had not moved. He was looking at Norton when a man leaped from
the door of the courthouse, straight at him. It was Danforth, his face
hideous with rage.

Taylor sensed the movement, wheeled, stumbled, and lost his balance just
as Danforth crashed against him. The two men went down in a heap into
the deep dust of the street, rolling over and over.

Danforth's impetus had given him the initial advantage, and he was
making the most of it. His fists were working into Taylor's face as they
rolled in the dust, his arms swinging like flails. Taylor, caught almost
unprepared, could not get into a position to defend himself. He shielded
his face somewhat by holding his chin close to his chest and hunching
his shoulders up; but Danforth landed some blows.

There came an instant, however, when Taylor's surprise over the assault
changed to resentment over the punishment he was receiving. He had
struck Carrington in self-defense, and he had not expected the attack by
Danforth.

Norton, also surprised, saw that his friend was at a disadvantage, and
he was running forward to help him when he saw Taylor roll on top of
Danforth.

To Norton's astonishment, Taylor did not seem to be in a vicious humor,
despite the blows Danforth had landed on him. Taylor came out of the
smother with a grin on his face, wide and exultant, and distinctly
visible to Norton in spite of the streaks of dust that covered it.
Taylor shook his head, his hair erupting a heavy cloud. Then he got up,
permitting Danforth to do likewise.

Regaining his feet, Danforth threw himself headlong toward Taylor,
cursing, his face working with malignant rage. When Taylor hit him the
dust flew from Danforth's clothes as it rolls from a dirty carpet flayed
with a beater. Danforth halted, his knees sagged, his head wabbled. But
Taylor gave him a slight respite, and he came on again.

This time Taylor met him with a smother of sharp, deadening uppercuts
that threw the man backward, his mouth open, his eyes closed. He fell,
sagging backward, his knees unjointed, without a sound.

And now Norton was not the only spectator. Far up the street a man had
emerged from a doorway. He saw the erupting volcanoes of dust in the
street, and he ran back, shouting, "Fight! Fight!"

Dawes had seen many fights, and had grown accustomed to them. But there
is always novelty in another, and long before Danforth had received the
blows that had rendered him inactive, nearly all the doors of Dawes's
buildings were vomiting men. They came, seemingly, in endless streams,
in groups, in twos and singly, eager, excited, all the streams
converging at the street in front of the courthouse.

Mindful of the ethics in an affair of this kind, the crowd kept
considerately at a distance, permitting the fighting men to continue at
their work without interference, with plenty of room for their energetic
movements.

Word ran from lip to lip that Taylor, stung by the knowledge that he had
been robbed of the office to which he had been elected, had attacked
Carrington and Danforth with the grim purpose of punishing them
personally for their misdeeds.

Taylor was aware of the gathering crowd. When he had delivered the blows
that had finished his political rival, he saw the dense mass of men in
the street around him; and he felt that all Dawes had assembled.

There was still no rancor in Taylor's heart; the same savage humor which
had driven him into the courthouse to acquaint Carrington and the others
with his knowledge of their designs, still gripped him. He had not meant
to force a fight, but neither had he any intention of permitting
Carrington and Danforth to inflict physical punishment upon him.

But a malicious devil had seized him. He knew that what he had done
would be magnified and distorted by Carrington, Danforth, and the judge;
that they would charge him with the blame for it; that he faced the
probability of a jail sentence for defending himself. And he was
determined to complete the work he had started.

Therefore, having disposed of Danforth, he grinned at the eager, excited
faces that hemmed him about, and wheeled toward Carrington.

He was just in time. For Carrington, not badly hurt by Taylor's blow,
which had catapulted him out of the door of the courthouse, had been
standing back a little, awaiting an opportunity. The swiftness of
Taylor's movements had prevented interference by Carrington; but now,
with Danforth down, Carrington saw his chance.

Without a word, Carrington lunged forward. They met with a shock that
caused the dry dust to splay and spume upward and outward in thin,
minute streaks like the leaping, spraying waters of a fountain. They
were lost, momentarily, in a haze, as the dust fell and enveloped them.

They emerged from the blot presently, Carrington staggering, his chin on
his chest, his eyes glazed--Taylor crowding him closely. For while they
had been lost in the smother of dust, Taylor had landed a deadening
uppercut on the big man's chin.

The big man's brain was befogged; and yet he still retained presence of
mind enough to shield his chin from another of those terrific blows. He
had crossed his arms over the lower part of his face, fending off
Taylor's fists with his elbows.

A Danforth man in the crowd called on Carrington to "wallop" Taylor, and
the big man's answering grin indicated that he was not as badly hurt as
he seemed.

Almost instantly he demonstrated that, for when Taylor, still following
him, momentarily left an opening, Carrington stepped quickly forward and
struck--his big arm flashing out with amazing rapidity.

The heavy fist landed high on Taylor's head above the ear. It was not a
blow that would have finished the fight, even had it landed lower, but
it served to warn Taylor that his antagonist was still strong, and he
went in more warily.

The advantage of the fight was all with Taylor. For Taylor was cool and
deliberate, while Carrington, raging over the blows he had received, and
in the clutch of a bitter desire to destroy his enemy, wasted much
energy in swinging wildly.

The inaccuracy of Carrington's hitting amused Taylor; the men in the
crowd about him could see his lips writhing in a vicious smile at
Carrington's efforts.

Carrington landed some blows. But he had lived luxuriously during the
later years of his life; his muscles had deteriorated, and though he was
still strong, his strength was not to be compared with that of the
out-of-door man whose clean and simple habits had toughened his muscles
until they were equal to any emergency.

And so the battle went slowly but surely against Carrington. Fighting
desperately, and showing by the expression of his face that he knew his
chances were small, he tried to work at close quarters. He kept coming
in stubbornly, blocking some blows, taking others; and finally he
succeeded in getting his arms around Taylor.

The crowd had by this time become intensely partisan. At first it had
been silent, but now it became clamorous. There were some Danforth men,
and knowing Danforth to be aligned with Carrington--because, it seemed
to them, Carrington was taking Danforth's end of the fight--they howled
for the big man to "give it to him!" And they grew bitter when they saw
that despite Carrington's best efforts, and their own verbal support of
him, Carrington was doomed to defeat.

Taylor's admirers vastly outnumbered Carrington's. They did not find it
necessary to shout advice to their champion; but they shouted and roared
with approval as Taylor, driving forward, the grin still on his face,
striking heavily and blocking deftly, kept his enemy retreating before
him.

Carrington, locking his arms around Taylor, hugged him desperately for
some seconds--until he recovered his breath, and until his head cleared,
and he could fix objects firmly in his vision; and then he heaved
mightily, swung Taylor from his feet and tried to throw him. Taylor's
feet could get no leverage, but his arms were still free, and with both
of them he hammered the big man's head until Carrington, in insane rage,
threw Taylor from him.

Taylor landed a little off balance, and before he could set himself,
Carrington threw himself forward. He swung malignantly, the blow landing
glancingly on Taylor's head, staggering him. His feet struck an
obstruction and he went to one knee, Carrington striking at him as he
tried to rise.

The blow missed, Carrington turning clear around from the force of the
blow and tumbling headlong into the dust near Taylor.

They clambered to their feet at the same instant, and in the next they
came together with a shock that made them both reel backward. And then,
still grinning, Taylor stepped lightly forward. Paying no attention to
Carrington's blows, he shot in several short, terrific, deadening
uppercuts that landed fairly on the big man's chin. Carrington's hands
dropped to his sides, his knees doubled and he fell limply forward into
the dust of the street where he lay, huddled and unconscious, while
turmoil raged over him.

For the Danforth men in the crowd had yielded to rage over the defeat of
their favorites. They had seen Danforth go down under the terrific
punishment meted out to him by Taylor; they had seen Carrington suffer
the same fate. Several of them drove forward, muttering profane threats.

Norton, pale and watchful, fearing just such a contingency, shoved
forward to the center, shouting:

"Hold on, men! None of that! It's a fair fight! Keep off, there--do you
hear?"

A score of Taylor men surged forward to Norton's side; the crowd split,
forming two sections--one group of men massing near Norton, the other
congregating around a tall man who seemed to be the leader of their
faction. A number of other men--the cautious and faint-hearted element
which had no personal animus to spur it to participation in what seemed
to threaten to develop into a riot--retreated a short distance up the
street and stood watching, morbidly curious.

But though violence, concerted and deadly, was imminent, it was delayed.
For Taylor had not yet finished, and the crowd was curiously following
his movements.

Taylor was a picturesquely ludicrous figure. He was covered with dust
from head to foot; his face was streaked with it; his hair was full of
it; it had been ground into his cheeks, and where blood from a cut on
his forehead had trickled to his right temple, the dust was matted until
it resembled crimson mud.

And yet the man was still smiling. It was not a smile at which most men
care to look when its owner's attention is definitely centered upon
them; it was a smile full of grimly humorous malice and determination;
the smile of the fighting man who cares nothing for consequences.

The concerted action which had threatened was, by the tacit consent of
the prospective belligerents, postponed for the instant. The gaze of
every partisan--and of all the non-partisans--was directed at Taylor.

He had not yet finished. For an instant he stood looking down at
Carrington and Danforth--both now beginning to recover from their
chastisement, and sitting up in the dust gazing dizzily about them--then
with a chuckle, grim and malicious, Taylor dove toward the door of the
courthouse, where Littlefield was standing.

The judge had been stunned by the ferocity of the action he had
witnessed. Whatever judicial dignity had been his had been whelmed by
the paralyzing fear that had gripped him, and he stood, holding to the
door-jambs, nerveless, motionless.

He saw Taylor start toward him; he saw a certain light leaping in the
man's eyes, and he cringed and cried out in dread.

But he had not the power to retreat from the menace that was approaching
him. He threw out his hands impotently as Taylor reached him, as though
to protest physically. But Taylor ignored the movement, reaching upward,
a dusty finger and thumb closing on the judge's right ear.

There was a jerk, a shrill cry of pain from the judge, and then he was
led into the street, near where Carrington and Danforth had fallen, and
twisted ungently around until he faced the crowd.

"Men," said Taylor, in the silence that greeted him as he stood erect,
his finger and thumb still gripping the judge's ear, "Judge Littlefield
is going to say a few words to you. He's going to tell you who started
this ruckus--so there won't be any nonsense about actions in contempt of
court. Deals like this are pulled off better when the court takes the
public into its confidence. Who started this thing, judge? Did I?"

"No--o," was Littlefield's hesitating reply.

"Who did start it?"

"Mr. Carrington."

"You saw him?"

"Yes."

"What did he do?"

"He--er--struck at you."

"And Danforth?"

"He attacked you while you were in the street."

"And I'm not to blame?"

"No."

Taylor grinned and released the judge's ear. "That's all, gentlemen," he
said; "court is dismissed!"

The judge said nothing as he walked toward the door of the courthouse.
Nor did Carrington and Danforth speak as they followed the judge. Both
Carrington and Danforth seemed to have had enough fighting for one day.

The victor looked around at the faces in the crowd that were turned to
his, and his grin grew eloquent.

"Looks like we're going to have a mighty peaceable administration,
boys!" he said. His grin included Norton, at whom he deliberately
winked. Then he turned, mounted his horse--which had stood docilely near
by during the excitement, and which whinnied as he approached it--and
rode down the street to the Dawes bank, before which he dismounted. Then
he went to his rooms on the floor above, washed and changed his clothes,
and attended to the bruises on his face. Later, looking out of the
window, he saw the crowd slowly dispersing; and still later he opened
the door on Neil Norton, who came in, deep concern on his face.

"You've started something, Squint. After you left I went into the
_Eagle_ office. The partition is thin, and I could hear Carrington
raising hell in there. You look out; he'll try to play some dog's trick
on you now! There's going to be the devil to pay in this man's town!"

Taylor laughed. "How long does it take for a sprained ankle to mend,
Norton?"

Norton looked sharply at Taylor's feet.

"You sprain one of yours?" he asked.

"Lord, no!" denied Taylor. "I was just wondering. How long?" he
insisted.

"About two weeks. Say, Squint, your brain wasn't injured in that ruckus,
was it?" he asked solicitously.

"It's as good as it ever was."

"I don't believe it!" declared Norton. "Here you've started something
serious, and you go to rambling about sprained ankles."

"Norton," said Taylor slowly, "a sprained ankle is a mighty serious
thing--when you've forgotten which one it was!"

"What in----"

"And," resumed Taylor, "when you don't know but that she took particular
pains to make a mental note of it. If I'd wrap the left one up, now, and
she knew it was the right one that had been hurt--or if I'd wrap up the
right one, and she knew it was the wrong one, why she'd likely----"

_"She?"_ groaned Norton, looking at his friend with bulging eyes that
were haunted by a fear that Taylor's brain _had_ cracked under the
strain of the excitement he had undergone. He remembered now, that
Taylor _had_ acted in a peculiar manner during the fight; that he had
grinned all through it when he should have been in deadly earnest.

"Plumb loco!" he muttered.

And then he saw Taylor grinning broadly at him; and he was suddenly
struck with the conviction that Taylor was not insane; that he was in
possession of some secret that he was trying to confide to his friend,
and that he had begun obliquely. Norton drew a deep breath of relief.

"Lord!" he sighed, "you sure had me going. And you don't know which
ankle you sprained?"

"I've clean forgot. And now she'll find out that I've lied to her."

"_She?_" said Norton significantly.

"Marion Harlan," grinned Taylor.

Norton caught his breath with a gasp. "You mean you've fallen in love
with her? And that you've made her--Oh, Lord! What a situation! Don't
you know her uncle and Carrington are in cahoots in this deal?"

"It's my recollection that I told you about that the day I got back,"
Taylor reminded him. And then Taylor told him the story of the bandaged
ankle.

When Taylor concluded, Norton lay back in his chair and regarded his
friend blankly.

"And you mean to tell me that all the time you were fighting Carrington
and Danforth you were thinking about that ankle?"

"Mostly all the time," Taylor admitted.

Norton made a gesture of impotence. "Well," he said, "if a man can keep
his mind on a girl while two men are trying to knock hell out of him,
he's sure got a bad case. And all I've got to say is that you're going
to have a lovely ruckus!"




CHAPTER XV--GLOOM--AND PLANS


Elam Parsons sat all day on the wide porch of the big house nursing his
resentment. He was hunched up in the chair, his shoulders were slouched
forward, his chin resting on the wings of his high, starched collar, his
lips in a pout, his eyes sullen and gleaming with malevolence.

Parsons was beginning to recover from his astonishment over the attack
Carrington had made on him. He saw now that he should have known
Carrington was the kind of man he had shown himself to be; for now that
Parsons reflected, he remembered little things that Carrington had done
which should have warned him.

Carrington had never been a real friend. Carrington had used him--that
was it; Carrington had made him think he was an important member of the
partnership, and he had thought so himself. Now he understood
Carrington. Carrington was selfish and cruel--more, Carrington was a
beast and an ingrate. For it had been Parsons who had made it possible
for Carrington to succeed--for he had used Parsons' money all
along--having had very little himself.

So Parsons reflected, knowing, however, that he had not the courage to
oppose Carrington. He feared Carrington; he had always feared him, but
now his fear had become terror--and hate. For Parsons could still feel
the man's fingers at his throat; and as he sat there on the porch his
own fingers stroked the spot, while in his heart flamed a great yearning
for vengeance.

                   *       *       *       *       *

Marion Harlan had got up this morning feeling rather more interested in
the big house than she had felt the day before--or upon any day that she
had occupied it. She, like Parsons, had awakened with a presentiment of
impending pleasure. But, unlike Parsons, she found it impossible to
definitely select an outstanding incident or memory upon which to base
her expectations.

Her anticipations seemed to be broad and inclusive--like a clear,
unobstructed sunset, with an effulgent glow that seemed to embrace the
whole world, warming it, bringing a great peace.

For upon this morning, suddenly awakening to the pure, white light that
shone into her window, she was conscious of a feeling of satisfaction
with life that was strange and foreign--a thing that she had never
before experienced. Always there had been a shadow of the past to darken
her vision of the future, but this morning that shadow seemed to have
vanished.

For a long time she could not understand, and she snuggled up in bed,
her brow thoughtfully furrowed, trying to solve the mystery. It was not
until she got up and was looking out of the window at the mighty basin
in which--like a dot of brown in a lake of emerald green--clustered the
buildings of the Arrow ranch, that knowledge in an overwhelming flood
assailed her. Then a crimson flush stained her cheeks, her eyes glowed
with happiness, and she clasped her hands and stood rigid for a long
time.

She knew now. A name sprang to her lips, and she murmured it aloud,
softly: "Quinton Taylor."

Later she appeared to Martha--a vision that made the negro woman gasp
with amazement.

"What happen to you, honey? You-all git good news? You look light an'
airy--like you's goin' to fly!"

"I've decided to like this place--after all, Martha. I--I thought at
first that I wouldn't, but I have changed my mind."

Martha looked sharply at her, a sidelong glance that had quite a little
subtle knowledge in it.

"I reckon that 'Squint' Taylor make a good many girls change their mind,
honey--he, he, he!"

"Martha!"

"Doan you git 'sturbed, now, honey. Martha shuah knows the signs. I done
discover the signs a long while ago--when I fall in love with a worfless
nigger in St. Louis. He shuah did captivate me, honey. I done try to
wiggle out of it--but 'tain't no use. Face the fac's, Martha, face the
fac's, I tell myself--an' I done it. Ain't no use for to try an' fool
the fac's, honey--not one bit of use! The ol' fac' he look at you an'
say: 'Doan you try to wiggle 'way from me; I's heah, an' heah I's goin'
to stay!' That Squint man ain't no lady-killer, honey, but he's shuah a
he-man from the groun' up!"

Marion escaped Martha as quickly as she could; and after breakfast began
systematically to rearrange the furniture to suit her artistic ideals.

Martha helped, but not again did Martha refer to Quinton
Taylor--something in Marion's manner warned her that she could trespass
too far in that direction.

Some time during the morning Marion saw Parsons ride up and dismount at
the stable door; and later she heard him cross the porch. She looked out
of one of the front windows and saw him huddled in a big rocking-chair,
and she wondered at the depression that sat so heavily upon him.

The girl did not pause in her work long enough to partake of the lunch
that Martha set for her--so interested was she; and therefore she did
not know whether or not Parsons came into the house. But along about
four o'clock in the afternoon, wearied of her task, Marion entered the
kitchen. From Martha she learned that Parsons had not stirred from the
chair on the porch during the entire day.

Concerned, Marion went out to him.

Parsons did not hear her; he was still moodily and resentfully reviewing
the incident of the morning.

He started when the girl placed a gentle hand on one of his shoulders,
seeming to cringe from her touch; then he looked up at her suddenly.

"What do you want?" he demanded.

"Don't you feel well, Uncle Elam?" she inquired. Her hand rose from his
shoulder to his head, and her fingers ran through his hair with a light,
gentle touch that made him shiver with repugnance. There were times when
Parsons hated this living image of his brother-in-law with a fervor that
seemed to sear his heart. Now, however, pity for himself had rather
dulled the edge of his hatred. A calamity had befallen him; he was
crushed under it; and the sympathy of one whom he hated was not entirely
undesirable.

No sense of guilt assailed the man. He had never betrayed his hate to
her, and he would not do so now. That wasn't his way. He had always
masked it from her, making her think he felt an affection for her which
was rather the equal of that which custom required a man should feel for
a niece. Yet he had always hated her.

"I'm not exactly well," he muttered. "It's the damned atmosphere, I
suppose."

"Martha tells me that it _does_ affect some persons," said the girl.
"And lack of appetite seems to be one of the first symptoms--in your
case. For Martha tells me you have not eaten."

The girl's soft voice irritated Parsons.

"Go away!" he ordered crossly; "I want to think!"

It was not the first time the girl had endured his moods. She smiled
tolerantly, and softly withdrew, busying herself inside the house.

Parsons did not eat supper; he slunk off to bed and lay for hours in his
room brooding over the thing that had happened to him.

He got up early the next morning, mounted his horse and left the house
before Marion could get a glimpse of him. It was still rather early when
he reached Dawes. There, in a saloon, he overheard the story of the
fight in the street in front of the courthouse, and with tingling
eagerness and venomous satisfaction he listened to a man telling another
of the terrible punishment inflicted upon Carrington by Quinton Taylor.

Parsons did not go to see Carrington, for he feared a repetition of
Carrington's savage rage, should he permit the latter to observe his
satisfaction over the incident of yesterday. He knew he could not face
Carrington and conceal the gloating triumph that gripped him.

So he returned to the big house. And for the greater part of the day he
sat in the rocker on the porch, his soul filled with a vindictive joy.

He ate heartily, too; and his manner indicated that he had quite
recovered from the indisposition that had affected him the previous day.
He even smiled at Marion when she told him he was "looking better."

But his bitter yearning for vengeance had not been satisfied by the
knowledge that Taylor had thrashed Carrington. He knew, now that
Carrington had ruthlessly cast him aside, that he was no longer to
figure importantly in the scheme to loot the town; he knew that it was
Carrington's intention to rob him of every dollar he had entrusted to
the man. He knew, too, that Carrington would not hesitate to murder him
should he offer the slightest objection, or should he make any visible
resistance to Carrington's plans.

But Parsons was determined to be revenged upon Carrington, and he was
convinced that he could secure his revenge without boldly announcing his
plans.

As for that, he had no plans. But while sitting in the rocker on the
porch during the long afternoon, the vindictive light in his eyes
suddenly deepened, and he grinned evilly.

That night after supper he exerted himself to be agreeable to Marion.
During the interval between sunset and darkness he walked with the girl
along the edge of the butte above the big valley which held the
irrigation dam. And while standing in a timber grove at the edge of the
butte, he questioned her deftly about the news she had received of her
father, and she told him of her visits to the Arrow.

He had watched her narrowly, and he saw the flush that came into her
cheeks each time Taylor was mentioned.

"He is a remarkably forceful man," he observed once, when he mentioned
Taylor. "And if I am not mistaken, Carrington is going to have his hands
full with him."

"What do you mean? Do you mean that Mr. Taylor is not in sympathy with
Carrington's plans concerning Dawes?"

"I mean just that. And if you had happened to be in Dawes yesterday you
might have witnessed a demonstration of Taylor's lack of sympathy with
Carrington's plans. For"--and now Parsons' eyes gleamed
maliciously--"after Judge Littlefield, acting under instructions from
the governor, had refused to administer the oath of office to
Taylor--inducting his rival, Danforth, into the position instead----"

Here the girl interrupted, and Parsons was forced to relate the tale in
its entirety.

"Uncle Elam," she said when Parsons paused, "are you certain that
Carrington's intentions toward Dawes are honorable?"

Parsons smiled crookedly behind a palm, and then uncertainly at the
girl.

"I don't know, Marion. Carrington is a rather hard man to gauge. He has
always been mighty uncommunicative and headstrong. He is getting
ruthless and domineering, too. I am rather afraid--that is, my dear, I
am beginning to believe we made a mistake in Carrington. He doesn't seem
to be the sort of man we thought him to be. If he were like that man
Taylor, now----" He paused and glanced covertly at the girl, noting the
glow in her eyes.

"Yes," he resumed, "Taylor _is_ a man. My dear," he added
confidentially, "there is going to be trouble in Dawes--I am convinced
of that; trouble between Carrington and Taylor. Taylor thrashed
Carrington yesterday, but Carrington isn't the kind to give up. I have
withdrawn from active participation in the affairs that brought me here.
I am not going to take sides. I don't care who wins. That may sound
disloyal to you--but look here!" He showed her several black and blue
marks on his throat. "Carrington did that--the day before yesterday.
Choked me." His voice quavered with self-pity, whereat the girl caught
her breath in quick sympathy and bent to examine the marks. When she
stood erect again Parsons saw her eyes flashing with indignation, and he
knew that whatever respect the girl had had for Carrington had been
forever destroyed.

"Oh!" she said, "why did he choke you?"

"Because I frankly told him I did not approve of his methods," lied
Parsons, smirking virtuously. "He showed his hand, unmistakably, and his
methods mean evil to Dawes."

The girl stiffened. "I shall go directly to Dawes and tell Carrington
what I think of him!" she declared.

"No--for God's sake!" protested Parsons. "He would kill me! He would
know, instantly, that I had been talking. My life would not be worth a
snap of your fingers! Don't let on that I have said _anything_ to you!
Let him come here, and treat him as you have always treated him. But
warn Taylor. Taylor may know something--it is certain he suspects
something--but Taylor will not know everything. Make a friend of Taylor,
my dear. Go to him--visit his ranch--as much as you like. But if
Carrington says anything to you about going there, tell him I opposed
it. That will mislead him."

When Parsons and the girl reached the house, Parsons stood near the
kitchen door and watched her enter. He did not go in, himself; he walked
around to the front and sat on the edge of the porch, grinning
maliciously. For he knew something of the tortures of jealousy, and he
was convinced that he had added something to the antagonism that already
had been the cause of one clash between Carrington and Taylor. And
Parsons was convinced that both he and Carrington had made a mistake in
planning to loot Dawes; that despite the connivance of the governor and
Judge Littlefield, Quinton Taylor would defeat them.

Parsons might lose his money; but the point was that Carrington would
also lose. And if Parsons was wise and cautious--and did not antagonize
Taylor--there was a chance that he might gain more through his
friendship--a professed friendship--for Taylor, than he would have won
had he been loyal to Carrington. At the least, he would have the
satisfaction of working against Carrington in the dark. And to a man of
Parsons' character that was a satisfaction not to be lightly considered.




CHAPTER XVI--A MAN BECOMES A BRUTE


During the days that Parsons had passed nursing his resentment,
Carrington had been busy. Despite the bruises that marked his face
(which, by the way, a clever barber had disguised until they were hardly
visible) Carrington appeared in public as though nothing had happened.

The fight at the courthouse had aroused the big man to the point of
volcanic action. The lust for power that had seized him; the implacable
resolution to rule, to win, to have his own way in all things; his
passionate hatred of Taylor; his determination to destroy anyone who got
in his path--these were the forces that drove him.

Taylor had brought matters to a sudden and unexpected crisis. Carrington
had planned to begin his campaign differently, to insinuate himself into
the political life of Dawes; and he had gone to the courthouse intending
to keep in the background, but Taylor had forced him into the open.

Therefore, Carrington had no choice, and he instantly accepted Taylor's
challenge. After reentering the courthouse, following the departure of
Taylor, Carrington had insisted that Judge Littlefield have Taylor taken
into custody on a contempt of court charge. Littlefield had flatly
refused, and the resulting argument had been what Neil Norton had
overheard. But Littlefield had not yielded to Carrington's insistence.

"That would be ridiculous, after what has happened," the judge declared.
"The whole country would be laughing at us. More, you can see that
public sentiment is with Taylor. And he forced me to publicly admit that
you were to blame. I simply won't do it!"

"All right," grinned Carrington, darkly; "I'll find another way to get
him!"

And so for the instant Carrington dismissed Taylor from his thoughts,
devoting his attention to the task of organizing his forces for the
campaign he was to make against the town.

He held many conferences with Danforth and with three of five men who
had been elected to the new city council--that political body having
also been provided under the new charter. Three of the
members--Cartwright, Ellis, and Warden--were Danforth men, cogs of that
secret machine which for more than a year Danforth had been perfecting
at Carrington's orders.

Some officials were appointed by Mayor Danforth--at Carrington's
direction; a chief of police, a municipal judge, a town clerk, a
treasurer--and a host of other office-holders inevitable to a system of
government which permits the practice.

Carrington dominated every conference; he made it plain that he was to
rule Dawes--that Danforth and all the others were subject to his orders.

Only one day was required to perfect Carrington's organization, and on
Thursday evening, with everything running smoothly, Carrington appeared
in the palm-decorated foyer of the Castle, a smugly complacent smile on
his face. For he had won the first battle in the war he was to wage. To
be sure, he had been worsted in a physical encounter with Taylor, as the
bruises still on his face indicated, but he intended to repay Taylor for
that thrashing--and his lips went into an ugly pout when his thoughts
dwelt upon the man.

He had almost forgotten Parsons; he did not think of the other until
about eight o'clock in the evening, when, with Danforth in the barroom
of the Castle, Danforth mentioned his name. Then Carrington remembered
that he had not seen Parsons since he had throttled the man. He ordered
another drink, not permitting Danforth to see his eyes, which were
glowing with a flame that would have betrayed him.

"This is good-night," he said to Danforth as he raised his glass. "I've
got to see Parsons tonight."

Yet it was not Parsons who was uppermost in his mind when he left the
Castle, mounted on his horse; the face of Marion Harlan was in the
mental picture he drew as he rode toward the Huggins house, and there
ran in his brain a reckless thought--which had been uttered to Parsons
at the instant before his fingers had closed around the latter's throat
a few days before:

"I was born a thousand years too late, Parsons! I am a robber baron
brought down to date--modernized. I believe that in me flows the blood
of a pirate, a savage, or an ancient king. I have all the instincts of a
tribal chief whose principles are to rule or ruin! I'll have no law out
here but my own desires!"

And tonight Carrington's desires were for the girl who had accompanied
him to Dawes; the girl who had stirred his passions as no woman had ever
stirred them, and who--now that he had seized the town's government--was
to be as much his vassal as Parsons, Danforth--or any of them. He
grinned as he rode toward the Huggins house--a grin that grew to a laugh
as he rode up the drive toward the house; low, vibrant, hideous with its
threat of unrestrained passion.

The night had been too beautiful for Marion Harlan to remain indoors,
and so, after darkness had swathed the big valley back of the house, she
had slipped out, noting that her uncle had gone again to the chair on
the front porch. She had walked with Parsons along the butte above the
valley, but she wanted to be alone now, to view the beauties without
danger of interruption. Above all, she wanted to think.

For the news that Parsons had communicated to her had affected her
strangely; she felt that her uncle's revelations of Carrington's
character amounted to a vindication of her own secret opinion of the
man.

He had been a volcanic wooer, and she had distrusted him all along. She
had never permitted that distrust to appear on the surface, however, out
of respect for her uncle--for she had always thought he and Carrington
were firm friends. She saw now, though, that she had always suspected
Carrington of being just what her uncle's revelation had proved him to
be--a ruthless, selfish, domineering brute of a man, who would have no
mercy upon any person who got in his way.

Reflecting upon his actions during the days she had known him in
Westwood--and upon his glances when sometimes she had caught him looking
at her, and at other times when his gaze--bold, and flaming with naked
passion--had been fixed upon her, she shuddered, comparing him with
Quinton Taylor, quiet, polite, and considerate.

Loyally, she hated Carrington now for the things he had done to Parsons.
She mentally vowed that the next time she saw Carrington she would tell
him exactly what she thought of him, regardless of the effect her frank
opinion might have on her uncle's fortunes.

But still she had not come to the edge of the butte for the purpose of
devoting her entire thoughts to Carrington; there was another face that
obtruded insistently in the mental pictures she drew--Quinton Taylor's.
And she found a grass knoll at the edge of the butte, twisted around so
that she could look over the edge of the butte and into the big basin
that slumbered somberly in the mysterious darkness, staring intently
until she discovered a pin-point of light gleaming out of it. That
light, she knew, came from one of the windows of the Arrow ranchhouse,
and she watched it long, wondering what Taylor would be doing about now.

For she was keeping no secrets from herself tonight. She knew that she
liked Taylor better than she had ever liked any man of her acquaintance.

At first she had told herself that her liking for the man had been
aroused merely because he had been good to her father. But she knew now
that she liked Taylor for himself. There was no mistaking the nameless
longing that had taken possession of her; the insistent and yearning
desire to be near him; the regret that had affected her when she had
left the Arrow at the end of her last visit. Taylor would never know how
near she had come to accepting his invitation to share the Arrow with
him. Had it not been for propriety--the same propriety which had
inseparably linked itself with all her actions--which she must observe
punctiliously despite the fact that girls of her acquaintance had
violated it openly without hurt or damage to their reputations; had it
not been that she must bend to its mandates, because of the shadow that
had always lurked near her, she would have gone to live at the Arrow.

For she knew that she could have stayed at the Arrow without danger.
Taylor was a gentleman--she knew--and Taylor would never offend her in
the manner the world affected to dread--and suspect. But she could not
do the things other girls could do--that was why she had refused
Taylor's invitation.

She had thought she had conquered her aversion for the big house--the
aversion that had been aroused because of the story Martha had told her
regarding its former inhabitants, but that aversion recurred to her with
disquieting insistence as she sat there on the edge of the butte.

It seemed to her that the serpent of immorality which had dragged its
trail across hers so many times was never to leave her, and she found
herself wondering about the house and about Carrington and her uncle.

Carrington had bought the horse for her--Billy; and she had accepted it
after some consideration. But what if Carrington had bought the house?
That would mean--why, the people of Dawes, if they discovered it--if
Carrington had bought it--might place their own interpretation upon the
fact that she was living in it. And the interpretation of the people of
Dawes would be no more charitable than that of the people of Westwood!
They would think----

She got up quickly, her face pale, and started toward the house,
determined to ask her uncle.

Walking swiftly toward the front porch, where she had seen Parsons go,
she remembered that Parsons had told her he had arranged for the house,
but that might not mean that he had personally bought it.

She meant to find out, and if Carrington owned the house, she would not
stay in it another night--not even tonight.

She was walking fast when she reached the edge of the porch--almost
running; and when she got to the nearest corner, she saw that the porch
was quite vacant; Parsons must have gone in.

She stood for an instant at the porch-edge, a beam of silvery moonlight
streaming upon her through a break in the trees overhead, convinced that
Parsons had gone to bed; and convinced, likewise, that, were she to
disturb him now to ask the question that was in her mind, he would laugh
at her.

She decided she would wait until the morning, and she was about to
return to the edge of the butte, when she realized that it had grown
rather late. She had not noticed how quickly the time had fled.

She turned, intending to enter the house from one of the rear doors
through which she had emerged, when a sound reached her ears--the rapid
drumming of a horse's hoofs. She wheeled, facing the direction from
which the sound came--and saw Carrington riding toward her, not more
than fifty feet distant.

He saw her at the instant her gaze rested on him--an instant before, she
surmised, for there was a huge grin on his face as she turned to him.

He was at her side before she could obey a sudden impulse to run--for
she did not wish to talk to him tonight--and in another instant he had
dismounted and was standing close to her.

"All alone, eh?" he laughed. "And enjoying the moon? Do you know that
you made a ravishing picture, standing there with the light shining on
you? I saw you as you started to turn, and I shall remember the picture
all my life! You are more beautiful than ever, girl!"

Carrington was breathing fast. The girl thought he had been riding hard.
But, despite that explanation for the repressed excitement under which
he seemed to be laboring, the girl thought she detected the presence of
restrained passion in his eyes, and she shrank back a little.

She had often seen passion in his eyes, identical with what glowed in
them now, but she had always felt a certain immunity, a masterfulness
over him that had permitted her to feel that she could repulse him at
will. Now, however, she felt a sudden, cringing dread of him. The dread,
no doubt, was provoked by her uncle's revelation of the man's character;
and, for the first time during her acquaintance with Carrington, she
felt a fear of him, and became aware of the overpowering force and
virility of the man.

Her voice was a little tremulous when she answered:

"I was looking for Uncle Elam. He must have gone in."

His face was not very distinct to her, for he was standing in a shadow
cast by a near-by tree, and she could not see the bruises that marred
the flesh, but it seemed to her that his face had never seemed so
repulsive. And the significance of his grin made her gasp.

"That's good. I'm glad he did go in; I did not come to see Parsons."

She had meant to take him to task for what he had done to her uncle, but
there was something in his voice that made thoughts of defending Parsons
seem futile--a need gone in the necessity to conserve her voice and
strength for an imminent crisis.

For Carrington's voice, thick and vibrant, smote her with a presentiment
of danger to herself. She looked sharply at him, saw that his face was
red and bloated with passion and, taking a backward step, she said
shortly:

"I must go in. I--I promised Martha----"

His voice interrupted her; she felt one of his hands on her arm, the
fingers gripping it tightly.

"No, you don't," he said, hoarsely; "I came here to have a talk with
you, and I mean to have it!"

"What do you mean?" she asked. She was rigid and erect, but she could
not keep the quaver out of her voice.

"Playing the innocent, eh?" he mocked, his voice dry and light. "You've
played innocent ever since I saw you the first time. It doesn't go
anymore. You're going to face the music." He thrust his face close to
hers and the expression of his eyes thrilled her with horror.

"What do you suppose I brought you here for?" he demanded. "I'll tell
you. I bought the house for you. Parsons knows why--Dawes knows
why--everybody knows. You ought to know--you shall know." He laughed,
sneeringly. "Westwood could tell you, or the woman who lived in the
Huggins house before you came. Martha could tell you--she lived
here----"

He heard her draw her breath sharply and he mocked her, gloating:

"Ah, Martha has told you! Well, you've got to face the music, I tell
you! I've got things going my way here--the way I've wanted things to go
since I've been old enough to realize what life is. I've got the
governor, the mayor, the judges--everything--with me, and I'm going to
rule. I'm going to rule, my way! If you are sensible, you'll have things
pretty easy; but if you're going to try to balk me you're going to
pay--plenty!"

She did not answer, standing rigid in his grasp, her face chalk-white.
He did not notice her pallor, nor how she stood, paralyzed with dread;
and he thought because of her silence that she was going to passively
submit. He thought victory was near, and he was going to be magnanimous
in his moment of triumph.

His grip on her arm relaxed and he leaned forward to whisper:

"That's the girl. No fuss, no heroics. We'll get along; we'll----"

Her right hand struck his face--a full sweep of the arm behind
it--burning, stinging, sending him staggering back a little from its
very unexpectedness. And before he could make a move to recover his
equilibrium she had gone like a flash of light, as elusive as the
moonbeam in which she had stood when he had first come upon her.

He cursed gutturally and leaped forward, running with great leaps toward
the rear of the house, where he had seen her vanish. He reached the door
through which she had gone, finding it closed and locked against him.
Stepping back a little, he hurled himself against the door, sending it
crashing from its hinges, so that he tumbled headlong into the room and
sprawled upon the floor. He was up in an instant, tossing the wreck of
the door from him, breathing heavily, cursing frightfully; for he had
completely lost his senses and was in the grip of an insane rage over
the knowledge that she had tricked him.

Parsons heard the crash as the door went from its hinges. He got out of
bed in a tremor of fear and opened the door of his room, peering into
the big room that adjoined the dining-room. From the direction of the
kitchen he caught a thin shaft of light--from the kerosene-lamp that
Martha had placed on a table for Marion's convenience. A big form
blotted out the light, casting a huge, gigantic shadow; and Parsons saw
the shadow on the ceiling of the room into which he looked.

Huge as the shadow was, Parsons had no difficulty in recognizing it as
belonging to Carrington; and with chattering teeth Parsons quickly
closed his door, locked it, and stood against it, his knees knocking
together.

Martha, too, had heard the crash. She bounded out of bed and ran to the
door of her room, swinging it wide, for instinct told her something had
happened to Marion. Her room was closer to the kitchen, and she saw
Carrington plainly, as he was rising from the debris. And she was just
in time to see Marion slipping through the doorway of her own room. And
by the time Carrington got to his feet, Martha had heard Marion's door
click shut, heard the lock snap home.

Martha instantly closed the door of her own room, fastened it and ran to
another door that connected her room with Marion's. She swung that door
open and looked into the girl's room; heard the girl stifle a
shriek--for the girl thought Carrington was coming upon her from that
direction--and then Martha was at the girl's side, whispering to
her--excitedly comforting her.

"The damn trash--houndin' you this way! He ain' goin' to hurt you,
honey--not one bit!"

Outside the door they could hear Carrington walking about in the room.
There came to the ears of the two women the scratch of a match, and then
a steady glimmer of light streaked into the room from the bottom of the
door, and they knew Carrington had lighted a lamp. A little later, while
Martha stood, her arms around the girl, who leaned against the negro
woman, very white and still, they heard Carrington talking with Parsons.
They heard Parsons protesting, Carrington cursing him.

"He ain' goin' to git you, honey," whispered Martha. "That man come heah
the firs' day, an' I knowed he's a rapscallion." She pointed upward, to
where a trap-door, partly open, appeared in the ceiling of the room.

"There's the attic, honey. I'll boost you, an' you go up there an' hide
from that wild man. You got to, for that worfless Parsons am tellin' him
which room you's in. You hurry--you heah me!"

She helped the girl upward, and stood listening until the trap-door
grated shut. Then she turned and grinned at the door that led into the
big room adjoining the kitchen. Carrington was at it, his shoulder
against it; Martha could hear him cursing.

"Open up, here!" came Carrington's voice through the door, muffled, but
resonant. "Open the door, damn you, or I'll tear it down!"

"Tear away, white man!" giggled Martha softly. "They's a big 'sprise
waitin' you when you git in heah!"

For an instant following Carrington's curses and demands there was a
silence. It was broken by a splintering crash, and the negro woman saw
the door split so that the light from the other room streaked through
it. But the door held, momentarily. Then Carrington again lunged against
it and it burst open, pieces of the lock flying across the room.

This time Carrington did not fall with the door, but reeled through the
opening, erect, big, a vibrant, mirthless laugh on his lips.

The light from the other room streamed in past him, shining full upon
Martha, who stood, her hands on her hips, looking at the man.

Carrington was disconcerted by the presence of Martha when he had
expected to see Marion. He stepped back, cursing.

Martha giggled softly.

"What you doin' in my room, man; just when I'se goin' to retiah? You git
out o' heah--quick! Yo' heah me? Yo' ain't got no business bustin' my
door down!"

"Bah!" Carrington's voice was malignant with baffled rage. With one step
he was at Martha's side, his hands on her throat, his muscles rigid and
straining.

"Where's Marion Harlan?" he demanded. "Tell me, you black devil, or I'll
choke hell out of you!"

Martha was not frightened; she giggled mockingly.

"That girl bust in heah a minute ago; then she bust out ag'in, runnin'
fit to kill herself. I reckon by this time she's done throw herself off
the butte--rather than have you git her!"

Carrington shoved Martha from him, so that she staggered and fell; and
with a bound he was through the door that led into Martha's room.

The negro woman did not move. She sat on the floor, a malicious grin on
her face, listening to Carrington as he raged through the house.

Once, about five minutes after he left, Carrington returned and stuck
his head into the room. Martha still sat where Carrington had thrown
her. She did not care what Carrington did to the house, so long as he
was ignorant of the existence of the trap-door.

And Carrington did not notice the door. For an hour Martha heard him
raging around the house, opening and slamming doors and overturning
furniture. Once when she did not hear him for several minutes, she got
up and went to one of the windows. She saw him, out at the stable,
looking in at the horses.

Then he returned to the house, and Martha resumed her place on the
floor. Later, she heard Carrington enter the house again, and after that
she heard Parsons' voice, raised in high-terrored protest. Then there
was another silence. Again Martha looked out of a window. This time she
saw Carrington on his horse, riding away.

But for half an hour Martha remained at the window. She feared
Carrington's departure was a subterfuge, and she was not mistaken. For a
little later Carrington returned, riding swiftly. He slid from his horse
at a little distance from the house and ran toward it. Martha was in the
kitchen when he came in. He did not speak to her as he came into the
room, but passed her and again made a search of the house. Passing
Martha again he gave her a malevolent look, then halted at the outside
door.

The man's wild rage seemed to have left him; he was calm--polite, even.

"Tell your mistress I am sorry for what has occurred. I am afraid I was
a bit excited. I shall not harm her; I won't bother her again."

He stepped through the doorway and, going again to a window and drawing
back the curtain slightly, Martha watched him.

Carrington went to the stable, entered, and emerged again presently,
leading two horses--Parsons' horse and Billy. He led the animals to
where his own horse stood, climbed into the saddle and rode away, the
two horses following. At the edge of the wood he turned and looked back.
Then the darkness swallowed him.

For another half-hour Martha watched the Dawes trail from a window. Then
she drew a deep breath and went into Marion's room, standing under the
trap-door.

"I reckon you kin come down now, honey--he's gone."

A little later, with Marion standing near her in the room, the light
from the kerosene-lamp streaming upon them through the shattered door,
Martha was speaking rapidly:

"He acted mighty suspicious, honey; an' he's up to some dog's trick,
shuah as you'm alive. You got to git out of heah, honey--mighty quick!
'Pears he thinks you is hid somewhares around heah, an' he's figgerin'
on makin' you stay heah. An' if you wants to git away, you's got to
walk, for he's took the hosses!" She shook her head, her eyes wide with
a reflection of the complete stupefaction that had descended upon her.
"Laws A'mighty, what a ragin' devil that man is, honey! I'se seen men
_an'_ men--an' I knowed a nigger once that was----"

But Martha paused, for Marion was paying no attention to her. The girl
was pulling some articles of wearing apparel from some drawers, packing
them hurriedly into a small handbag, and Martha sprang quickly to help
her, divining what the girl intended to do.

"That's right, honey; doan you stay heah in this house another minit!
You git out as quick as you kin. You go right over to that Squint man's
house an' tell him to protect you. 'Cause you's goin' to need
protection, honey--an' don't you forgit it!"

The girl's white face was an eloquent sign of her conception of the
danger that confronted her. But she spoke no word while packing her
handbag. When she was ready she turned to the door, to confront Martha,
who also carried a satchel. Together the two went out of the house,
crossed the level surrounding it, and began to descend the long slope
that led down into the mighty basin in which, some hours before, the
girl had seen the pin-point of light glimmering across the sea of
darkness toward her. And toward that light, as toward a beacon that
promised a haven from a storm, she went, Martha following.

From a window of the house a man watched them--Parsons--in the grip of a
paralyzing terror, his pallid face pressed tightly against the glass of
the window as he watched until he could see them no longer.




CHAPTER XVII--THE WRONG ANKLE


Bud Hemmingway, the tall, red-faced young puncher who had assisted
Quinton Taylor in the sprained-ankle deception, saw the dawn breaking
through one of the windows of the bunkhouse when he suddenly opened his
eyes after dreaming of steaming flapjacks soaked in the sirup he liked
best. He stretched out on his back in the wall-bunk and licked his lips.

"Lordy, I'm hungry!"

But he decided to rest for a few minutes while he considered the
cook--away with the outfit to a distant corner of the range.

He reflected bitterly that the cook was away most of the time, and that
a man fared considerably better with the outfit than he did by staying
at the home ranch. For one thing, when a man was with the outfit he got
"grub," without having to rustle it himself--that was why it was better
to be with the outfit.

"A man don't git nothin' to eat at all, scarcely--when he's got to
rustle his own grub," mourned Bud. "He's got the appetite, all right,
but he don't know how to rassle the ingredients which goes into good
grub. Take them flapjacks, now." (He licked his lips again.) "They're
scrumptuous. But that damned hyena which slings grub for the outfit
won't tell a man how he makes 'em, which greediness is goin' to git him
into a heap of trouble some day--when I git so hungry that I feel a heap
reckless!"

Bud watched the dawn broaden. He knew he ought to get up, for this was
the day on which Marion Harlan was to visit the Arrow--and Taylor had
warned him to be on hand early to bandage the ankle again--Taylor having
decided that not enough time had elapsed to effect a cure.

But Bud did not get up until a glowing shaft entering the window warned
him that the sun was soon to appear above the horizon. Then he bounded
out of the bunk and lurched heavily to an east window.

What he saw when he looked out made him gasp for breath and hang hard to
the window-sill, while his eyes bulged and widened with astonishment.
For upon the porch of the ranchhouse--seated in the identical chairs in
which they had sat during their previous visit, were Marion Harlan and
the negro woman!

Bud stepped back from the window and rubbed his eyes. Then he went to
the window again and looked with all his vision. And then a grin covered
his face.

For the two women seemed to be asleep. Bud would have sworn they were
asleep! For the negress was hunched up in her chair--a big, almost
shapeless black mass--with her chin hidden in the swell of her ample
bosom; while the girl was leaning back, her figure slack with the utter
relaxation that accompanies deep sleep, her eyes closed and her hat a
little awry. Bud was certain _she_ was asleep, for no girl in her waking
moments would permit her hat to rest upon her head in that negligent
manner.

Bad scratched his head many times while hurriedly getting into his
clothing.

"I'm bettin' _they_ didn't wait for flapjacks _this_ morning!" he
confided to himself, mentally. "Must like it here a heap," he reflected.
"Well, there's nothin' like gittin' an early start when you're goin'
anywhere!" he grinned.

Stealthily he opened the door of the bunkhouse, watching furtively as he
stepped out, lest he be seen; and then when he noted that the women did
not move, he darted across the yard, vaulted the corral fence, ran
around the corner of the ranchhouse, carefully opened a rear door, and
presently stood beside a bed gently shaking its tousled-haired occupant.

"Git up, you sufferin' fool!" he whispered hoarsely; "they're here!"

Taylor's eyes snapped open and were fixed on Bud with a resentful glare,
which instantly changed to reserved amusement when he saw Bud's bulging
eyes and general evidence of suppressed excitement.

He yawned sleepily, stretching his arms wide.

"The outfit, eh? Well, tell Bothwell I'll see him----"

"Bothwell, hell!" sneered Bud. "It ain't the outfit! It ain't no damned
range boss! It's _her_, I tell you! An' if you're figgerin' on gittin'
that ankle bandaged before-- That starts you to runnin', eh?" he jeered.

For Taylor was out of bed with one leap. In another he had Bud by the
shoulders and had crowded him back against the wall.

"Bud," he said, "I've a notion to manhandle you! Didn't I tell you to
have me up early?"

"Git your fingers out of my windpipe," objected Bud. "Early! Sufferin'
shorthorns! Did you want me to git you up last night? It's only four,
now--an' they've been here for hours, I reckon--mebbe all night. How's a
man to know anything about a woman?"

Taylor was getting into his clothes. Bud watched him, marveling at his
deft movements. "You're sure a wolf at hustlin' when _she's_ around!" he
offered.

But he got no reply. Taylor was dressed in a miraculously short time,
and then he sat down on the edge of the bed and stuck a foot out toward
Bud.

"Shut up, and get the bandage on!" he directed.

Bud dove for a dresser and pulled out a drawer, returning instantly with
a roll of white cloth, which he unfolded as he knelt beside the bed. For
an instant after kneeling he scratched his head, looking at Taylor's
feet in perplexity, and then he looked up at Taylor, his face
thoughtfully furrowed.

"Which ankle was it I bandaged before?" he demanded; "I've forgot!"

Taylor groaned. He, too, had forgotten. Since he had talked with Neil
Norton about the ankle directly after the fight with Carrington in front
of the courthouse he had tried in vain to remember which ankle he had
bandaged for Miss Harlan's benefit. Driven to the necessity of making a
quick decision, his brain became a mere muddle of desperate conjecture.
Out of the muddle sprang a disgust for Bud for _his_ poor memory.

"You've forgot!" he blurted at Bud. "Why, damn it, you ought to know
which one it was--you bandaged it!"

"Well," grinned Bud gleefully, "it was _your_ ankle, wasn't it? Strikes
me that if I busted one of _my_ ankles I wouldn't forget which one it
was! Leastways, if I'd busted it just to hang around a girl!"

Taylor sneered scornfully. "You wouldn't bust an ankle for a girl--you
ain't got backbone enough. Hell!" he exploded; "do something! Take a
chance and bandage one of them--I don't care a damn which one! If she
noticed the other time, I'll tell her that one was cured and I busted
the other one!"

"She'd know you was lyin'," grinned Bud. He stood erect, his eyes alight
with an inspiration. "Wrap up both of 'em!" he suggested. "If she goes
to gittin' curious--which she will, bein' a woman--tell her you busted
both of 'em!"

"It won't do," objected Taylor; "I couldn't lie that heavy an' keep a
straight face."

Bud began to wrap the left ankle. As he worked, the doubt in his eyes
began to fade and was succeeded by conviction. When he finished, he
stood up and grinned at Taylor.

"That's the one," he said; "the left. I mind, now, that we talked about
it. You go right out to her, limpin', the same as you done before, an'
she'll not say a word about it. You'll see."

Taylor grunted disbelievingly, and hobbled to the front door. He looked
back at Bud, who was snickering, made a malicious grimace at him, and
softly opened the door.

Miss Harlan had been asleep, but she was not asleep when Taylor opened
the door. Indeed, she was never more wide awake in her life. At the
sound of the door opening she turned her head and sat stiffly erect, to
face Taylor.

Taylor looked apologetically at his ankle, his cheeks tinged with a
flush of embarrassment.

"This ankle, ma'am--it ain't quite well yet. You'll excuse me not being
gone. But Bud--that's my friend--says it won't be quite right for a few
days yet. But I won't be in your way--and I hope you enjoy yourself."

Miss Harlan was enjoying herself. She was enjoying herself despite the
shadow of the tragedy that had almost descended upon her. And mirth,
routing the bitter, resentful emotions that had dwelt in her heart
during the night, twitched mightily at her lips and threatened to curve
them into a smile.

For during her last visit to the Arrow she had noted particularly that
it had been Taylor's _right_ ankle which had been bandaged, and now he
appeared before her with the _left_ swathed in white cloth!

But even had she not known, Taylor's face must have told her of the
deception. For there was guilt in his eyes, and doubt, and a sort of
breathless speculation, and--she was certain--an intense curiosity to
discover whether or not she was aware of the trick.

But she looked straight at him, betraying nothing of the emotions that
had seized her.

"Does it pain you _very_ much?" she inquired.

Had not Taylor been so eager to make his case strong, he might have
noted the exceedingly light sarcasm of her voice.

"It hurts a heap, ma'am," he declared. "Why, last night----"

"I shouldn't think it would be necessary to lie about an ankle," she
said, coldly.

Taylor's face went crimson, and in his astonishment he stepped heavily
upon the traitor foot and stood, convicted, before her, looking very
much like a reproved schoolboy.

She rose from her chair, and now she turned from Taylor and stood
looking out over the big level, while behind her Taylor shifted his
feet, scowled and felt decidedly uncomfortable.

From where Taylor watched her she looked very rigid and indignant--with
her head proudly erect and her shoulders squared; and he could almost
_feel_ that her eyes were flashing with resentment.

Yet had he been able to see her face, he would have seen her lips
twitching and her eyes dancing with a light that might have puzzled him.
For she had already forgiven him.

"There's lies--_and_ lies," he offered palliatively, breaking a painful
silence.

There was no answer, and Taylor, desperately in earnest in his desire
for forgiveness, and looking decidedly funny to Bud Hemmingway, who was
watching from the interior of the room beyond the open door, walked
across the porch with no suspicion of a limp, and halted near the girl.

"Shucks, Miss Harlan," he said. "I'm sure caught; and I'm admitting it
was a sort of mean trick to pull off on you. But if you wanted to be
near a girl you'd taken a shine to--that you liked a whole lot, I mean,
Miss Harlan--and you couldn't think of any _good_ excuse to be around
her? You couldn't blame a man for that--could you? Besides," he added,
when peering at the side of her face, he saw the twitching lips, ready
to break into a smile, "I'll make it up to you!"

"How?" It was a strained voice that answered him.

"By manhandling Bud Hemmingway for wrapping up the wrong ankle, ma'am!"
he declared.

Both heard a cackle of mirth from the room behind them. And both turned,
to see Bud Hemmingway retreating through a door into the kitchen.

It might have been Bud's action that brought the smile to Miss Harlan's
face, or it might have been that she had forgiven Taylor. But at any
rate Taylor read the smile correctly, and he succeeded in looking
properly repentant when he felt Miss Harlan's gaze upon him.

"I won't play any more tricks--on you," he declared. "You ain't holding
it against me?"

"If you will promise not to harm Bud," she said.

"That goes," he agreed, and went into the house to get his discarded
boot.

When he reappeared, Miss Harlan was again seated in the chair. Swiftly
her thoughts had reverted to the incident of the night before, and her
face was wan and pale, and her lips pressed tightly together in a brave
effort to repress the emotions that rioted within her. In spite of her
courage, and of her determination not to let Taylor know of what had
happened to her, her eyes were moist and her lips quivering.

He stepped close to her and peered sharply at her, standing erect
instantly, his face grave.

"Shucks!" he said, accusingly; "I wouldn't be called hospitable--now,
would I? Standing here, talking a lot of nonsense, and you--you must
have started _early_ to get here by this time!" Again he flashed a keen
glance at her, and his voice leaped.

"Something has happened, Miss Harlan! What is it?"

She got up again and faced him, smiling, her eyes shining mistily
through the moisture in them. She was almost on the verge of tears, and
her voice was tremulous when she answered:

"Mr. Taylor, I--I have come to ask if you--still--if your offer about
the Arrow is still open--if--I could stay here--myself and Martha; if I
could accept the offer you made about giving me father's share of the
Arrow. For--for--I can't go back East--to Westwood, and I won't stay in
the Huggins house a minute longer!"

"Sure!" he said, with a grim smile, aware of her profound emotion;
aware, too, that something had gone terribly wrong with her--to make her
accept what she had once considered charity--an offer made out of his
regard for her father.

"But, look here," he added. "What's wrong? There's something----"

"Plenty, Mr. Squint."

This was Martha. She had been awake for some little time, sitting back
with her eyes closed, listening. She was now sitting erect, her eyes
shining with eagerness to tell all she knew of the night's happenings.

"Plenty, Mr. Squint," she repeated, paying no attention to Miss Harlan's
sharp, "Martha!" "That big rapscallion, Carrington, has been makin'
things mighty mis'able for Missy Harlan. He come to the house las' night
an' bust the door down, tryin' to git at missy, an' she's run away from
him like a whitehead. Then, when he finds he can't diskiver where I hide
missy he run the hosses off an' we have to walk heah. That's all, Mr.
Squint, 'ceptin' that me an' missy doan stay in that house no more--if
we have to walk East--all the way!"

Miss Harlan saw a flash light Taylor's eyes; saw the flash recede, to be
replaced by a chilling glow. And his lips grew straight and stiff--two
hard lines pressed firmly together. She saw his chest swell and noted
the tenseness of his muscles as he stepped closer to her.

"Was your uncle there with you, Miss Harlan?"

She nodded, and saw his lips curve with a mirthless smile.

"What did Carrington do?" The passion in his voice made an icy shiver
run over her--she felt the terrible earnestness that had come over him,
and a pulse of fear gripped her.

She had never felt more like crying than at this instant, and until this
minute she had not known how deeply she had been affected by
Carrington's conduct, nor how tired she was, nor how she had yearned for
the sympathy Taylor was giving her. But she felt that something in
Taylor's manner portended violence, and she did not want him to risk his
life fighting Carrington--for her.

"You see," she explained, "Mr. Carrington did not really _do_ anything.
He just came there, and was impertinent, and impudent, and insulting.
And he told me that he had bought the house; that it didn't belong to
uncle--though I thought it did; and that the people of Dawes--and
everywhere--would think--things--about me--as the people of Westwood
had--thought. And I--I--why, I just couldn't stay----"

"That's enough, Miss Harlan. So Carrington didn't do anything." His
voice was vibrant with some sternly repressed passion.

"So you walked all the way here, and you have had no breakfast," he
said, shortly. He turned toward the front door, his voice snapping like
the report of a rifle:

"Bud!"

And, looking through the doorway, Miss Harlan saw Bud jump as though he
had been shot. He appeared in the doorway, serious-faced and alert.

"Rustle some breakfast--quick! And hoe out that spare bedroom. Jump!"

Taylor understood perfectly what had happened, for he remembered what he
had overheard between Carrington and Parsons on the train. To be sure,
Miss Harlan knew nothing about the conversation, and so she mentally
commended Taylor's quickness of perception, and felt grateful to him
because he had spared her the horror of explaining further.

She sat down again, aware of the startling unconventionality of this
visit and of the conversation that had resulted from it, but oppressed
with no sense of shame. For it seemed entirely natural that she should
have come to Taylor, though she supposed that was because he had been
her father's friend, and that she had no other person to go to--not even
if she went East, to Westwood. But she would not have mentioned what had
happened at the big house if Martha had not taken the initiative.

She was startled over the change that had come in Taylor. Watching him
covertly as he stood near her, and following his movements as he walked
around in the room, helping Bud, generously leaving her to herself and
her thoughts, she looked in vain for that gentleness and subtle
thoughtfulness that hitherto had seemed to distinguish him. She had
admired him for his easy-going manner, the slow deliberateness of his
glances, the quizzical gleam of his eyes.

But she saw him now as many of the men in this section of the country
had seen him when he faced the necessity for rapid, determined action.
It was the other side of his character; before she had heard his voice,
and before she had seen him smile--the stern, unyielding side of him
which she had discovered always was ready for the blows of adversity and
enmity--his fighting side.

And when she went into the house to breakfast, feeling the strangeness
of it all--of the odd fate which had led her to the Arrow; the queer
reluctance that affected her over the action in accepting the
hospitality of a man who--except for his association with her
father--was almost a stranger to her--she found that he did not intend
to insinuate his presence upon her.

He called her, and stood near the table when she and Martha went in.
Then he told her gravely that the house was "hers," and that he and Bud
would live in the bunkhouse.

"And when you get settled," he told her, as he stood in the doorway,
ready to go, "we'll write those articles of partnership. And," he added,
"don't you go to worrying about Carrington. If he comes here, and Bud or
me ain't here, you'll find a loaded rifle hanging behind the front door.
Don't be afraid to use it--there's no law against killing snakes out
here!"




CHAPTER XVIII--THE BEAST AGAIN


Carrington was conscious of the error his unrestrained passion had
driven him to committing. Yet he had not been sincere when he had
declared to Martha that he wouldn't bother the girl again. For after
leading the two horses to Dawes and arranging for their care, he hunted
up Danforth. It was nearly midnight when Danforth reached Carrington's
rooms in the Castle, and Carrington was in a sullen mood.

"I want two or three men who will do what they are told and keep their
mouths shut," he told Danforth. "Get them--quick--and send them to the
Huggins house--mine, now--and have them stay there. Nobody is to leave
the house--not even to come to town. Understand? Not even Parsons.
Hustle! There is no train out of here tonight? No? Well, that's all
right. Get going!"

Danforth had noticed Carrington's sullenness, and the strained
excitement of his manner, and there was in Danforth's mind an
inclination to warn Carrington about including the woman in the scheme
to subjugate Dawes--for he knew Carrington of old; but a certain light
in the big man's eyes warned Danforth and he shut his half-opened lips
and departed on his errand.

In an hour he returned, telling Carrington that his orders had been
obeyed.

Danforth seated himself in a chair near one of the front windows and
waited, for he knew Carrington still had something to say to him--the
man's eyes told him, for they were alight with a cold, speculative gleam
as they rested on Danforth.

At last, after a silence that lasted long, Carrington said, shortly:

"What do you know about Taylor?"

"What I told you before--the first day. And that isn't much."

"I had a talk with Parsons the other day--about Larry Harlan," said
Carrington. "It seems that Larry Harlan worked for Taylor--for two or
three years. I didn't question Parsons closely about the connection
between Taylor and Harlan, but it seems to me that Parsons mentioned a
mine. What about it? Do you know anything about it?"

Danforth related what he knew regarding the incident of the mine--the
story told by Taylor when he returned after Larry Harlan's death--and
Carrington's eyes gleamed with interest.

"Do you think he told a straight story?" he asked.

He watched Danforth intently.

"Hell, yes!" declared the other. "He's too square to lie!"

Five minutes later Carrington said good-night to Danforth. But
Carrington did not immediately go to bed; he sat for a long time in a
chair near the window looking out at the buildings of Dawes.

In the courtroom early the next morning he leaned over Judge
Littlefield's desk, smiling.

"Did you ever hear of Quinton Taylor being connected with a mining
venture?"

"Well, rather."

"Where?"

"At Nogel--in the Sangre de Christo Mountains."

"How far is that?"

"About ten miles--due west."

"What do you know about the mine?"

"Very little. Taylor and a man named Lawrence Harlan registered the
claim here. I heard that Harlan died--was killed in an accident. Soon
afterward, Taylor sold the mine--to a man named Thornton--for a
consideration, not mentioned." The judge looked sharply at Carrington.
"Why this inquiry?" he asked; "do you think there is anything wrong
about the transaction?"

"There is no determining that until an investigation is made."
Carrington laughed as he left the judge.

Later he got on his horse and rode to the big house. On the front porch,
seated in a chair, smoking, he saw one of the men Danforth had sent in
obedience to his order; at the rear of the house was another; and,
lounging carelessly on the grass near the edge of the butte fringing the
big valley, he saw still another--men who seemed to find their work
agreeable, for they grinned at Carrington when he rode up.

Carrington dismounted and entered the house--by one of the rear
doors--which he had wrecked the night before. He went in boldly,
grinning, for he anticipated that by this time Marion Harlan would have
reached that stage of intimidation where she would no longer resist him.

At first he was only mildly disturbed at the appearance of the interior;
for nothing had been done to bring order out of the chaos he had created
the night before, and the condition of the furniture, and the atmosphere
of gloomy emptiness that greeted him indicated nothing. The terror under
which the girl had labored during the night might still be gripping her.

He had no suspicion that the girl had left the house until after he had
looked into all the rooms but the one occupied by Parsons. Then a
conviction that she _had_ fled seized him; he scowled and leaped to the
door of Parsons' room, pounding heavily upon it.

Parsons did not answer his knock, and an instant later, when Carrington
forced the door and stepped into the room, he saw Parsons standing near
a window, pallid and shaking.

With a bound Carrington reached Parsons' side and gripped the man by the
collar of his coat.

"Where's Miss Harlan?" he demanded. He noted that Parsons swayed in his
grasp, and he peered at the other with a malignant joy. He had always
hated Parsons, tolerating him because of Parsons' money.

"She's gone," whispered Parsons tremulously. "I--I tried to stop her,
knowing you wouldn't want it, but--she went away--anyway."

"Where?" Carrington's fingers were gripping Parsons' shoulder near the
throat with a bitter, viselike strength that made the man cringe and
groan from the pain of it.

"Don't, Jim; for God's sake, don't! You're hurting me! I--I couldn't
help it; I couldn't stop her!"

The abject, terrified appeal in his eyes; the fawning, doglike
subjection of his manner, enraged Carrington. He shook the little man
with a force that racked the other from head to heel.

"Where did she go--damn you!"

"To the Arrow."

Aroused to desperation by the flaming fury that blazed in Carrington's
eyes, Parsons tried to wrench himself free, tugging desperately, and
whining: "Don't, Jim!" For he knew that he was to be punished for his
dereliction.

He shrieked when Carrington struck him; a sound which died in his throat
as the blow landed. Carrington left him lie where he fell, and went out
to the men, interrogating the one he had seen on the front porch.

From that person he learned that no one had left the house since the men
had come; so that Carrington knew Marion must have departed soon after
he had left the night before--or some time during the time of his
departure and the arrival of the men.

Ten minutes after emerging from the house he went in again. Parsons was
sitting on the floor of his room, swaying weakly back and forth, whining
tonelessly, his lips loose and drooling blood.

For an instant Carrington stood over him, looking down at him with a
merciless, tigerlike grin. Then he stooped, gripped Parsons by the
shoulders, and, lifting him bodily, threw him across the bed. Parsons
did not resist, but lay, his arms flung wide, watching the big man
fearfully.

"Don't hit me again, Jim!" he pleaded. "Jim, I've never done anything to
you!"

"Bah!" Carrington leaned over the other, grinning malevolently.

"You've double-crossed me, Elam," he said silkily. "You're through. Get
out of here before I kill you! I want to; and if you are here in five
minutes, I shall kill you! Go to the Arrow--with your niece. Tell her
what you know about me--if you haven't done so already. And tell her
that I am coming for her--and for Taylor, too! Now, get out!"

In less than five minutes, while Carrington was at the front of the
house talking with the three men, Parsons tottered from a rear door,
staggered weakly into some dense shrubbery that skirted the far side of
the house, and made his slow way toward the big slope down which Marion
and Martha had gone some hours before.

Retribution had descended swiftly upon Parsons; it seemed to him he was
out of it, crushed and beaten. But no thread of philosophy weaved its
way through the fabric of the man's complete misery and humiliation, and
no reflection that he had merely reaped what he had sown glimmered in
his consciousness. He was merely conscious that he had been beaten and
robbed by the man who had always been his confederate, and as he reeled
down the big slope on his way to the Arrow he whined and moaned in a
toneless voice of vengeance--and more vengeance.




CHAPTER XIX--THE AMBUSH


The incident of the fight between Carrington, Danforth, Judge
Littlefield, and Taylor in front of the courthouse had eloquently
revealed a trait of Taylor's character which was quite generally known
to the people of Dawes, and which, in a great measure, accounted for
Taylor's popularity.

Few of Dawes's citizens had ever seen Taylor angry. Neil Norton had seen
him in a rage once, and the memory of the man's face was still vivid. A
few of the town's citizens had watched him once--when he had thrashed a
gunman who had insulted him--and the story of that fight still taxed the
vocabularies of those who had witnessed it. One enthusiastic watcher, at
the conclusion of the fight, had picturesquely termed Taylor a "regular
he-wolf in a scrap;" and thus there was written into the traditions of
the town a page of his history which carried the lesson, repeated by
many tongues:

"Don't rile Taylor!"

Riding into Dawes about two hours after he had heard from Marion Harlan
the story of the attack on her by Carrington, Taylor's face was set and
grim. His ancient hatred of Carrington was intensified by another
passion that had burned its way into his heart, filling it with a
primitive lust to destroy--jealousy.

He dismounted in front of the Castle Hotel, and, entering, he asked the
clerk where he could find Carrington. The clerk could give him no
information, and Taylor went out, the clerk's puzzled gaze following
him.

"Evidently he doesn't want to congratulate Carrington about anything,"
the clerk confided to a bystander.

Mounting his horse, Taylor rode down the street to the building which
Danforth had selected as a place from which to administer the government
of Dawes. A gilt sign over the front bore upon it the words:

                               CITY HALL.

Taylor went inside, and found Danforth seated at a desk. The latter
looked sourly at his visitor until he caught a glimpse of his eyes, then
his face paled, and he sat silent until Taylor spoke:

"Where's Carrington?"

"I haven't seen Carrington this morning," lied Danforth, for he _had_
seen Carrington some time before, riding out of town toward the Huggins
house. He suspected Carrington's errand was in some way concerned with
the three men who had been sent there. But he divined from the
expression in Taylor's eyes that trouble between Taylor and Carrington
was imminent, and he would not set Taylor on the other's trail without
first warning Carrington.

He met Taylor's straight, cold look of disbelief with a vindictive
smirk, which grew venomous as Taylor wheeled and walked out. Taylor had
not gone far when Danforth called a man to his side, whispered rapidly
to him, telling him to hurry. Later the man slipped out of the rear door
of the building, mounted a horse, and rode hurriedly down the river
trail toward the Huggins house.

Taylor rode to the _Eagle_ office, but Norton was not there, and so,
pursuing his quest, Taylor looked into saloons and stores, and various
other places. Men who knew him noted his taciturnity--for he spoke
little except to greet a friend here and there shortly--and commented
upon his abrupt manner.

"What's up with Taylor?" asked a man who knew him. "Looks sort of
riled."

Taylor found Carrington in none of the places in which he looked. He
returned to the _Eagle_ office, and found Norton there. He greeted
Norton with a short:

"Seen Carrington?"

"Why, yes." Norton peered closely at his friend. "What in blazes is
wrong?" His thoughts went to another time, when he had seen Taylor as he
appeared now, and he drew a deep breath.

Briefly Taylor told him, and when the tale was ended, Norton's eyes were
blazing with indignation.

"So, that's the kind of a whelp he is!" he said. "Well," he added, "I
saw him go out on the river trail a while ago; it's likely he's gone to
the Huggins house."

"His--now," said Taylor; "that's what makes it worse. Well," he added as
he stepped toward the door, "I'll be going."

"Be careful, Squint," warned Norton, placing a hand on his friend's
shoulder. "I know you can lick him--and I hope you give him all that's
coming to him. But watch him--he's tricky!" He paused. "If you need any
help--someone to go with you, to keep an eye----"

"It's a one-man job," grinned Taylor mirthlessly.

"You'll promise you won't be thinking of that ankle--this time?" said
Norton seriously.

Taylor permitted himself a faint smile. "That's all explained now," he
said. "She's been a lot generous--and forgiving. No," he added, "I won't
be thinking of that ankle--now!"

And then, his lips setting again, he crossed the sidewalk, mounted
Spotted Tail, and rode through town to the river trail. Watching him,
Norton saw him disappear in some timber that fringed the river.

                   *       *       *       *       *

Carrington had finished his talk with the three men he had set to guard
the Huggins house. The men were told to stay until they received orders
from Carrington to leave. And they were to report to him immediately if
anyone came.

Carrington had watched Parsons go down the big slope; and for a long
time after he had finished his talk with the three men he stood on the
front porch of the house watching the progress made by Parsons through
the basin.

"Following Marion," Carrington assured himself, with a crooked smile.
"Well, I'll know where to get both of them when I want them."

Carrington felt not the slightest tremor of pity for Parsons. He laughed
deep in his throat with a venomous joy as he saw Parsons slowly making
his way through the big basin; for he knew Parsons--he knew that the
craven nature of the man would prevent him from attempting any reprisal
of a vigorous character.

Yet the exultation in the big man's heart was dulled with a slight
regret for his ruthless attack on Marion Harlan. He should not have been
so eager, he told himself; he should have waited; he should have
insinuated himself into her good graces, and then----

Scowling, he got on his horse and rode up the Dawes trail, shouting a
last word of caution to the three men--one seated on the front porch,
the other two lounging in the shade of a tree near by.

Half a mile from the house, riding through a timber grove, he met the
man Danforth had sent to him. The latter gave Carrington the message he
carried, which was merely: "Taylor is looking for you."

"Coming here?" he asked the man sharply.

"I reckon he will be--if he can't find you in town," said the man.
"Danforth said Taylor was a heap fussed up, an' killin' mad!"

A grayish pallor stole over Carrington's face, and he drew a quick
breath, sending a rapid, dreading glance up the Dawes trail. Then,
coincident with a crafty backward look--toward the Huggins house--the
grayish pallor receded and a rush of color suffused his face. He spoke
shortly to the man:

"Sneak back--by a roundabout trail. Don't let Taylor see you!"

He watched while the man urged his horse deep into the fringing timber.
Carrington could see him for a time as he rode, and then, when horse and
rider had vanished, Carrington wheeled his horse and sent it clattering
back along the trail to the big house.

Arriving there, he called the three men to him and talked fast to them.
The talk ended, the men ran for their horses, and a few minutes later
they raced up the river trail toward Dawes, their faces grim, their eyes
alert.

About a mile up the trail, where a wood of spruce and fir-balsam spread
dark shadows over the ground, and an almost impenetrable growth of brush
fringed the narrow, winding path over which any rider going to the big
house must pass, they separated, two plunging deep into the brush on one
side, and one man secreting himself on the other side.

They urged their horses far back, where they could not be seen. And
then, concealing themselves behind convenient bushes, they waited, their
eyes trained on the Dawes trail, their ears attuned to catch the
slightest sound that might come from that direction.

Back at the big house--having arranged the ambuscade--Carrington drew a
deep breath of relief and smiled evilly. He thought he knew why Taylor
was looking for him. Marion had gone to the Arrow, to tell Taylor what
had happened at the big house, and Taylor, in a jealous rage, intended
to punish him. Well, Taylor could come now.




CHAPTER XX--A FIGHT TO A FINISH


And Taylor was "coming." The big black horse he was riding--which he had
named "Spotted Tail" because of the white blotches that startlingly
relieved his somber sable coat--was never in better condition. He
stepped lightly, running in long, smooth leaps down the narrow trail,
champing at the bit, keen of eye, alert, eager, snorting his impatience
over the tight rein his rider kept on him.

But Spotted Tail was not more eager than his rider. Taylor, however,
knowing that at any instant he might run plump into Carrington,
returning from the big house, was forced to restrain his impatience.
Therefore, except on the straight reaches of the trail, he was forced to
pull the black down.

But they were traveling fast when they reached the timber grove in which
Carrington's men were concealed; and yet on the damp earth of the trail,
where the sunlight could not penetrate, and where the leaves of past
summers had fallen, to rot and weave a pulpy carpet, the rush of Spotted
Tail's passing created little sound.

Within a hundred feet of the spot where Carrington's men were concealed,
Spotted Tail shot his ears forward stiffly and raised his muzzle
inquiringly. Taylor, noting the action, and suspecting that instinct had
warned Spotted Tail of the approach of another horse, drew the animal
down and rode forward at a walk, for he felt that it must be
Carrington's horse which was approaching.

Rounding a sharp turn in the trail, Taylor could look ahead for perhaps
a hundred feet. He saw no rider advancing toward him, and he leaned
forward, slapping the black's neck in playful reproach.

As he moved he heard the heavy crash of a pistol shot and felt the
bullet sing past his head. Another pistol barked venomously from some
brush on his right, and still another from his left.

But none of the bullets struck Taylor. For the black horse, startled by
Taylor's playful movement when all his senses were strained to detect
the location of his kind on the trail, had made an involuntary forward
leap, thus whisking his rider out of the line of fire. And before either
of the three men could shoot again, Spotted Tail had flashed down the
trail--a streak of somber black against the green background of the
trees.

He fled over the hundred feet of straight trail and had vanished around
a bend before the Carrington men could move their weapons around
impeding branches of the brush that covered them. There was no stopping
Spotted Tail now, for he was in a frenzy of terror--and he made a mere
rushing black blot as he emerged from the timber and fled across an open
space toward another wood--the wood that surrounded the big house.

Standing on the front porch of the big house, nervously smoking a cigar,
his face set in sullen lines, his eyes fixed on the Dawes trail,
Carrington heard the shots. He sighed, grinned maliciously, and relaxed
his vigilance.

"He's settled by now," he said.

He looked at one of the chairs standing on the porch, thought of sitting
in one of them to await the coming of the three men, decided he was too
impatient to sit, and began walking back and forth on the porch.

He had thrown a half-smoked cigar away and was lighting another when he
saw a black blot burst from the edge of a timber-clump beyond an open
space. The match flared and went out as Carrington held it to the end of
the cigar, for there was something strangely familiar in the shape of
the black blot--even with it heading directly toward him. An instant
later, the blot looming larger in his vision, Carrington dropped cigar
and match and stood staring with wild, fear-haunted eyes at the rushing
black horse.

Carrington stood motionless a little longer--until the black horse, its
rider sitting straight in the saddle, in cowboy fashion, reached the
edge of the wood surrounding the house. Then Carrington, cursing, his
lips in a hideous pout, drew a pistol from a hip-pocket. And when the
black horse was within fifty feet of him, and still coming at a speed
which there was no gauging, Carrington leveled the pistol.

Once--twice--three, four, five, six times he pulled the trigger of the
weapon. Carrington saw a grim, mocking smile on the rider's face, and
knew none of his bullets had taken effect.

Unarmed now, he was suddenly stricken with a panic of fear; and while
the rider of the black horse was dismounting at the edge of the porch,
Carrington dove for the front door of the house and vanished inside,
slamming the door behind him, directly in the rider's face.

When Taylor threw the door open he saw Carrington, far back in the room,
swinging a chair over his head. At Taylor's appearance he threw the
chair with all the force his frenzy of fear could put into the effort.
Taylor ducked, and the chair flew past him, sailing uninterruptedly
outside and over the porch railing.

Carrington ran through the big front room, through the next room--the
sitting-room--knocking chairs over in his flight, throwing a big center
table at his silent, implacable pursuer. He slammed the sitting-room
door and tried to lock it, but he could not turn the key quickly enough,
and Taylor burst the door open, almost plunging against Carrington as he
came through it.

Carrington ran into the dining-room, shoved the dining-room table in
Taylor's way as Taylor tried to reach him; but Taylor leaped over the
obstruction, and when Carrington dodged into Marion Harlan's room,
Taylor was so close that he might have grasped the big man.

Taylor had said no word. The big man saw two guns swinging at Taylor's
hips, and he wondered vaguely why the man did not use them. It occurred
to Carrington as he plunged through Marion Harlan's room into Martha's,
and from there to the kitchen, and back again to the dining-room, that
Taylor was not going to shoot him, and his panic partially left him.

And yet there was a gleam in Taylor's eyes that made his soul cringe in
terror--the cold, bitter fury of a peaceloving man thoroughly aroused.

Twice, as Taylor pursued Carrington through the sitting-room again and
into another big room that adjoined it, Carrington's courage revived
long enough to permit him to consider making a stand against Taylor, but
each time as he stiffened with the determination, the terrible rage in
Taylor's eyes dissuaded him, and he continued to evade the clash.

But he knew that the clash must come, and when, in their rapid, headlong
movements, Carrington came close to the front door and tried to slip out
of it, Taylor lunged against him and struck at him, the fist just
grazing Carrington's jaw, the big man understood that Taylor was intent
on beating him with his fists.

Had it not been for his previous encounter with Taylor, Carrington would
not have hesitated, for he knew how to protect himself in a fight; but
there was something in Taylor's eyes now to add to the memory of that
other fight, and Carrington wanted no more of it.

But at last he was forced to stand. Ducking to evade the blow aimed at
his jaw when he tried to dart out of the front door, he slipped.
Reeling, in an effort to regain his equilibrium, he plunged into another
big room. It was a room that was little used--an old-fashioned parlor,
kept trim and neat against the coming of visitors, but a room whose
gloominess the occupants of the house usually avoided.

The shades were down, partly concealing heavy wooden blinds--which were
closed. And the only light in the room was that which came from a little
square window high up in the side wall.

Before Carrington could regain his balance Taylor had entered the room.
He closed the door behind him, placed his back against it, locked it,
and grinned felinely at the big man.

"Your men are coming, Carrington," he said--"hear them?" In the silence
that followed his words both stood, listening to the beat of hoofs near
the house. "They'll be trying to get in here in a minute," went on
Taylor. "But before they get in I'm going to knock your head off!" And
without further warning he was upon Carrington, striking bitterly.

It seemed to Carrington that the man was endowed with a savage strength
entirely out of proportion to his stature, and that he was able to start
terrific, deadening blows from any angle. For though Carrington was a
strong man and had had some fighting experience, he could neither evade
Taylor's blows nor stand against the impact of them.

He went reeling around the room under the impetus of Taylor's terrible
rushes, struggling to defend himself, to dodge, to clinch, to evade
somehow the fists that were flying at him from all directions. He could
not get an instant's respite in which to set himself. Three times in
succession he was knocked down so heavily that the house shook with the
crash of his body striking the floor, and each time when he got to his
feet he tried to fight Taylor off in an endeavor to set himself for a
blow. But he could not. He was knocked against the walls of the room,
and hammered away from them with stiff, jolty, venomous blows that
jarred him from head to heels. He tried vainly to cover up--with his
arms locked about his head he crouched and tried to rush Taylor off his
feet, knowing he was stronger than the other, and that his only hope was
in clinching. But Taylor held him off with savage uppercuts and terrific
short-arm swings that smashed his lips.

He began to mutter in a whining, vicious monotone; twice he kicked at
Taylor, and twice he was knocked down as a punishment for his foul
methods. Finding his methods ineffectual, and discovering that covering
his face with his arms did not materially lessen the punishment he was
receiving, he began to stand up straight, taking blows in an effort to
land one.

But Taylor eluded him; Carrington's blows did not land. Raging and
muttering, roaring with impotent passion, he whipped the air with his
arms, almost jerking them out of their sockets.

Stiff and taut, his muscles accommodating themselves to every demand he
made on them, and in perfect coordination with his brain--and the
purpose of his brain to inflict upon Carrington the maximum of
punishment for his dastardly attack on Marion Harlan--Taylor worked fast
and furiously. For he heard Carrington's three men in the next room; he
heard them try the door; heard them call to Carrington.

And then, convinced that the fight must be ended quickly, before the men
should break down the door and have him at a disadvantage, Taylor
finished it. He smothered Carrington with a succession of stiff-arm,
straight punches that glazed the other's eyes and sent him reeling
around the room. And, at last, over in a corner near the little window,
Carrington went down flat on his back, his eyes closed, his arms flung
wide.

Panting from his exertions, Taylor drew his guns and ran to one of the
front windows. They opened upon the porch, and, peering through the
blinds, Taylor saw one of the men standing at one of the windows, trying
to peer into the room. The other two, Taylor knew, were at the door--he
could hear them talking in the silence that had followed the final
falling of Carrington.

With a gun in each hand, Taylor approached the door. He was compelled to
sheath one of the guns, finding that it interfered with the turning of
the key in the lock; and he had sheathed it and was slowly turning the
key, intending to throw the door open suddenly and take his chance with
the two men on the other side of it, when he saw a shadow darken the
little window above where Carrington lay.

He wheeled quickly, saw a man's face at the window, caught the glint of
a pistol. He snapped a shot at the man, swinging his gun over his head
to keep it from striking the door as he turned. But at the movement the
man's pistol roared, glass tinkling on the floor with the report. The
air in the room rocked with the explosion of Taylor's pistol, but a
heavy blow on Taylor's left shoulder, accompanied by a twinge of pain,
as though a white-hot iron had suddenly been plunged through it, spoiled
Taylor's aim, and his bullet went into the ceiling. As he staggered back
from the door he saw the man's face at the window, set in a triumphant
grin. Then, as Taylor flattened against the wall to steady himself for
another shot, the face disappeared.

For an instant Taylor rested against the wall, his arms outstretched
along it to keep himself from falling, for the bullet which had struck
him had hurt him badly. The wound was in the left shoulder, though, and
high, and therefore not dangerous, yet he knew it had robbed his left
arm of most of its strength--there was no feeling in the fingers that
groped along the wall.

He stepped again to the door and softly turned the key in the lock. He
heard no sound in the room beyond the door, and, thinking that the men,
curious over the shooting, had gone outside, he jerked the door open.

The movement was greeted with deafening report and a smoke-streak that
blinded Taylor momentarily. In just the instant before the smoke-streak
Taylor had caught a glimpse of a man standing near the center of the
room beyond the door, and though he was rather disconcerted by the
powder-flash and the searing of his left cheek by a bullet, he let his
own gun off twice in as many seconds, and had the grim satisfaction of
seeing the man stagger and tumble headlong to the floor.

Taylor peered once at the man, to see if he needed further attention,
decided he did not, and ran toward the front door, which opened upon the
porch.

He was just in time to see one of Carrington's men sticking his head
around a corner of the house. It was the man who had shot him from the
little window. Taylor's gun and the man's roared simultaneously. Taylor
had missed, for the man dodged back, and Taylor staggered, for the man's
bullet had struck him in the left thigh. He leaped, though limping,
toward the corner, and when almost there a pistol crashed behind him,
the bullet hitting his left shoulder, near where the other had gone in,
the force of it spinning him clear around, so that he reeled and brought
up against a porch column where it joined the rail.

Grimly setting himself, grinning bitterly with the realization that the
men had him between them, Taylor stood momentarily, fighting to overcome
the terrible weakness that had stolen over him. His knees were
trembling, the house, trees, and sky were agitated in sickening
convolutions, and yet when he saw the head of a man appear from around a
corner of the house at his right, he snapped a shot at it, and instantly
as it was withdrawn he staggered to the corner, lurching heavily as he
went, and turning just as he reached it to reply to a shot sent at him
from the other corner of the house.

A smoke-spurt met him as he reeled around the corner nearest him, and
his knees sagged as he aimed his gun at a blurring figure in front of
him. He saw the man go down, but his own strength was spent, and he knew
the last bullet had struck him in a vital spot.

Staggering drunkenly, he started for the side of the house and brought
up against it with a crash. Again, as he had done inside the house, he
stretched his arms out, flattening himself against the wall, but this
time the arms were hanging more limply.

He was seeing things through a crimson haze, and raising a hand, he
wiped his eyes--and could see better, though there was a queer dimness
in his vision and the world was still traveling in eccentric circles.

He saw a blur in front of him--two men, he thought, though he knew he
had accounted for two of the three gunmen who had followed him to the
house. Then he heard a laugh--coarse and brutal--in a voice that he
knew--Carrington's.

With heartbreaking effort he brought up his right hand, bearing the
pistol. He was trying to swing it around to bring it to bear upon one of
the two dancing figures in front of him, when a crushing blow landed on
his head, and he knew one of the men had struck him with a fist. He felt
his own weapon go off at last--it seemed he had been an age pressing on
the trigger--and he heard a voice again--Carrington's--saying: "Damn
him; he's shot me!" He laughed aloud as a gun roared close to him; he
felt another twinge of pain somewhere around where the other twinges had
come--or on the other side--he did not know; and he sank slowly, still
pressing the trigger of his pistol, though not knowing whether or not he
was doing any damage. And then the eccentrically whirling world became a
black blur, soundless and void.




CHAPTER XXI--A MAN FACES DEATH


Taylor's last shot, when he had been automatically pressing the trigger
after Carrington had struck him viciously with his fist, had brought
down the last of the three men who had ambushed him. And one of his last
bullets had struck Carrington, who had recovered consciousness and
staggered out of the house in time to see the end of the fight. And the
big man, in a black, malignant fury of hatred, was staggering toward
Taylor, lifting a foot to kick him, when from the direction of the
clearing in front of the house came a voice, hoarse and vibrant with a
cold, deadly rage:

"One kick an' I blow the top of your head off!" Carrington stopped short
and wheeled, to face Ben Mullarky.

The Irishman's eyes were blazing with wrath, and as he came forward,
peering at the figures lying on the ground near the house, Carrington
retreated, holding up his hands.

"Three of ye pilin' on one, eh?" said Mullarky as he looked down at
Taylor, huddled against the side of the house. "An' ye got him, too,
didn't ye? I've a domn big notion to blow the top of your head off, anny
way. Ye slope, ye big limb of the divvle, or I'll do it!"

Mullarky watched while Carrington mounted his horse and rode up the
river trail toward Dawes, and the instant Carrington was out of sight,
Mullarky was down on his knees beside Taylor, taking a lightning
inventory of his wounds.

"Four of them, looks like!" he muttered thickly, his voice shaking with
pity for the slack, limp, smoke-blackened figure that lay silent, the
trace of a smile on its face. "An' two of them through the shoulder!" He
paused, awed. "Lord, what a shindy!"

Then, swiftly gulping down his sympathy and his rage, Mullarky ran to
his horse, which he had left at the edge of the wood when he had heard
the shooting. He led the animal back to where Taylor lay, tenderly
lifted Taylor in his arms, walked to the horse, and after much labor got
Taylor up in front of him on the horse, Taylor's weight resting on his
legs, the man's head and shoulders resting against him, to ease the jars
of the journey.

Then he started, traveling as swiftly as possible down the big slope
toward his own house, not so very far away.

Spotted Tail, jealously watching his master, saw him lifted to the back
of the other horse. Shrewdly suspecting that all was not going well, and
that his master would need him presently, Spotted Tail trotted after
Mullarky.

In this manner, with Spotted Tail a few paces in his rear, Mullarky,
still tenderly carrying his burden, reached his cabin.

He stilled Mrs. Mullarky's hysterical questions with a short command:

"Hitch up the buckboard while I'm gettin' him in shape!"

And then, while Mrs. Mullarky did as she was bidden, Mullarky carried
Taylor inside the cabin, bathed his wounds, stanching the flow of blood
as best he could--and came out again, carrying Taylor, and placed him in
the bed of the light spring-wagon, upon some quilts--and upon a pillow
that Mrs. Mullarky ran into the house to get, emerging with the
reproach:

"You'd be lettin' him ride on them hard boards!"

Following Mullarky's instructions, Mrs. Mullarky climbed to the driver's
seat and sent the buckboard toward the Arrow, driving as fast as she
thought she dared. And Ben Mullarky, on Spotted Tail, turned his face
toward Dawes, riding as he had never ridden before.

                   *       *       *       *       *

Parsons had reached the Arrow shortly after Taylor had departed for
Dawes. The man had stopped at the Mullarky cabin to inquire the way from
the lady, and she had frankly commented upon Parsons' battered
appearance.

"So it was Carrington that mauled you, eh?" she said. "Well, he's a
mighty evil man--the divvle take his sowl!"

Parsons concurred in this view of Carrington, though he did not tell
Mrs. Mullarky so. He went on his way, refusing the good woman's proffer
of a horse, for he wanted to go afoot to the Arrow. He felt sure of
Marion's sympathy, but he wanted to make himself as pitiable an object
as possible. And as he walked toward the Arrow he mentally dramatized
the moment of his appearance at the ranchhouse--a bruised and battered
figure dragging itself wearily forward, dusty, thirst-tortured, and
despairing. He knew that spectacle would win the girl's swift sympathy.
The fact that the girl herself had been through almost the same
experience did not affect him at all--he did not even think of it.

And when Parsons reached the Arrow the scene was even as he had dreamed
it--Marion Harlan had seen him from afar, and came running to him,
placing an arm about him, helping him forward, whispering words of
sympathy in his ears, so that Parsons really began to look upon himself
as a badly abused martyr.

Marion cared for him tenderly, once she got him into the ranchhouse. She
bathed his bruised face, prepared breakfast for him, and later, learning
from him that he had not slept during the night, she sent him off to
bed, asking him as he went into the room if he had seen Ben Mullarky.

"For," she added, "he came here early this morning, after Mr. Taylor
left, and I sent him to the big house to get some things for me."

But Parsons had not seen Mullarky.

And at last, when the morning was nearly gone, and Marion saw a
horse-drawn vehicle approaching the Arrow from the direction of Dawes,
she ran out, thinking Ben Mullarky had brought her "things" in his
buckboard. But it was not Ben who was coming, but Mrs. Mullarky. The
lady's face was very white and serious, and when the girl came close and
she saw the look on the good woman's face, she halted in her tracks and
stood rigid, her own face paling.

"Why, Mrs. Mullarky, what has happened?"

"Enough, deary." Mrs. Mullarky waved an eloquent hand toward the rear of
the buckboard, and slowly approaching, the girl saw the huddled figure
lying there, swathed in quilts.

She drew her breath sharply, and with pallid face, swaying a little, she
walked to the rear of the buckboard and stood, holding hard to the rim
of a wheel, looking down at Taylor's face with its closed eyes and its
ghastly color.

She must have screamed, then, for she felt Mrs. Mullarky's arms around
her, and she heard the lady's voice, saying: "Don't, deary; he ain't
dead, yet--an' he won't die--we won't let him die."

She stood there by the buckboard for a time--until Mrs. Mullarky,
running to one of the outbuildings, returned with Bud Hemmingway. Then,
nerved to the ordeal by Bud's businesslike methods, and the awful
profanity that gushed from his clenched teeth, she helped them carry
Taylor into the house.

They took Taylor into his own room and laid him on the bed; a long, limp
figure, pitifully shattered, lying very white and still.

The girl stayed in the room while Mrs. Mullarky and Bud ran hither and
thither getting water, cloths, stimulants, and other indispensable
articles. And during one of their absences the girl knelt beside the
bed, and resting her head close to Taylor's--with her hands stroking his
blackened face--she whispered:

"O Lord, save him--save him for--for me!"




CHAPTER XXII--LOOKING FOR TROUBLE


Before night the Arrow outfit, led by Bothwell, the range boss, came
into the ranchhouse. For the news had reached them--after the manner in
which all news travels in the cow-country--by word of mouth--and they
had come in--all those who could be spared--to determine the truth of
the rumor.

There were fifteen of them, rugged, capable-looking fellows; and despite
the doctor's objections, they filed singly, though noiselessly, into
Taylor's room and silently looked down upon their "boss." Marion,
watching them from a corner of the room, noted their quick gulps of
pity, their grim faces, the savage gleams that came into their eyes, and
she knew they were thinking of vengeance upon the men who had wrought
the injury to their employer.

Bothwell--big, grim, and deliberate of manner--said nothing as he looked
down into his chief's face. But later, outside the house, listening to
Bud Hemmingway's recital of how Taylor had been brought to the
ranchhouse, Bothwell said shortly:

"I'm takin' a look!"

Shortly afterward, followed by every man of the outfit who had ridden in
with him, Bothwell crossed the big basin and sent his horse up the long
slope to the big house.

Outside they came upon the bodies of the two men with whom Taylor had
fought. And inside the house they saw the other huddled on the floor
near a door in the big front room. Silently the men filed through the
house, looking into all the rooms, and noting the wreck and ruin that
had been wrought. They saw the broken glass of the little window through
which one of Carrington's men had fired the first shot; they noted the
hole in the ceiling--caused by a bullet from Taylor's pistol; and they
saw another hole in the wall near the door beside which Taylor had been
standing just before he had swung the door open.

"Three of them--an' Carrington--accordin' to what Bud says," said
Bothwell. "That's four." He smiled bitterly. "They got him all
right--almost, I reckon. But from the looks of things they must have had
a roarin' picnic doin' it!"

Not disturbing anything, the entire outfit mounted and rode swiftly down
the Dawes trail, their hearts swelling with sympathy for Taylor and
passionate hatred for Carrington, "itching for a clean-up," as one
sullen-looking member of the outfit described his feelings.

But there was no "clean-up." When they reached Dawes they found the town
quiet--and men who saw them gave them plenty of room and forebore to
argue with them. For it was known that they were reckless, hardy spirits
when the mood came upon them, and that they worshiped Taylor.

And so they entered Dawes, and Dawes treated them with respect. Passing
the city hall, they noticed some men grouped in front of the building,
and they halted, Bothwell dismounting and entering.

"What's the gang collectin' for?" he asked a man--whom he knew for
Danforth. There was a belligerent thrust to Bothwell's chin, and a glare
in his eyes that, Danforth felt, must be met with diplomacy.

"There's been trouble at the Huggins house, and I'm sending these men to
investigate."

"Give them diggin' tools," said Bothwell grimly. "An' remember this--if
there's any more herd-ridin' of our boss the Arrow outfit is startin' a
private graveyard!" He pinned the mayor with a cold glare: "Where's
Carrington?"

"In his rooms--under a doctor's care. He's hit--bad. A bullet in his
side."

"Ought to be in his gizzard!" growled Bothwell. He went out, mounted,
and led his men away. They were reluctant to leave town, but Bothwell
was insistent. "They ain't no fight in that bunch of plug-uglies!" he
scoffed. "We'll go back an' 'tend to business, an' pull for the boss to
get well!"

And so they returned to the Arrow, to find that the Dawes doctor was
still with Taylor. The doctor sent out word to them that there was a
slight chance for his patient, and satisfied that they had done all they
could, they rode away, to attend to "business."

For the first time in her life Marion Harlan was witnessing the fight of
a strong man to live despite grievous wounds that, she was certain,
would have instantly killed most men. But Taylor fought his fight
unconsciously, for he was still in that deep coma that had descended
upon him when he had gently slipped to the ground beside the house,
still fighting, still scorning the efforts of his enemies to finish him.

And during the first night's fever he still fought; the powerful
sedatives administered by the doctor had little effect. In his delirium
he muttered such terms and phrases as these: "Run, damn you--run! I
ain't in any hurry, and I'll get you!" And--"I'll certainly smash you
some!" And--"A 'thing,' eh--I'll show you! She's mine, you miserable
whelp!"

Whether these were thoughts, or whether they were memories of past
utterances, made vivid and brought into the present by the fever, the
girl did not know. She sat beside his bed all night, with the doctor
near her, waiting and watching and listening.

And she heard more: "That's Larry's girl, and it's up to me to protect
her." And--"I knew she'd look like that." Also--"They're both tryin' to
send her to hell! But I'll fool them!" At these times there was
ineffable tenderness in his voice. But at times he broke out in terrible
wrath. "Ambush me, eh? Ha, ha! That was right clever of you, Spotted
Tail--we didn't make a good target, did we? Only for your sense we'd
have--" He ceased, to begin anew: "I've got _you_--damn you!" And then
he would try to sit erect, swinging his arms as though he were trying to
hit someone.

But toward morning he fell into a fitful sleep--the sleep of exhaustion;
and when the dawn came, Mrs. Mullarky ordered the girl, pale and wan
from her night's vigilance and service, to "go to bed."

For three days it was the same. And for three days the doctor stayed at
the side of the patient, only sleeping when Miss Harlan watched over
Taylor.

And during the three days' vigil, Taylor's delirium lasted. The girl
learned more of his character during those three days of constant
watchfulness than she would have learned in as many years otherwise.
That he was honorable and courageous, she knew; but that he was so
sincerely apprehensive over her welfare she had never suspected. For she
learned through his ravings that he had fought Carrington and the three
men for her; that he had deliberately sought Carrington to punish him
for the attack on her, and that he had not considered his own danger at
all.

And at the beginning of the fourth day, when he opened his eyes and
stared wonderingly about the room, his gaze at first resting upon the
doctor, and then traveling to the girl's face, and remaining there for a
long time, while a faint smile wreathed his lips, the girl's heart beat
high with delight.

"Well, I'm still a going it," he said weakly.

"I remember," he went on, musingly. "When they was handing it to me, I
was thinking that I was in pretty bad shape. And then they must have
handed it to me some more, for I quit thinking at all. I'm going to pull
through--ain't I?"

"You are!" declared the doctor. "That is," he amended, "if you keep your
trap shut and do a lot of sleeping."

"For which I'm going to have a lot of time," smiled Taylor. "I'm going
to sleep, for I feel mighty like sleeping. But before I do any sleeping,
there's a thing I want to know. Did Carrington's men--the last two--get
away, or did I----"

"You did," grinned the doctor. "Bothwell rode over there to find
out--and Mullarky saw them. Mullarky brought you back--and got me."

"Carrington?" inquired the patient.

"Mullarky saw him. He says he never saw a man so beat up in his life.
Besides, you shot him, too--in the side. Not dangerous, but a heap
painful."

Taylor smiled and looked at Miss Harlan. "I knew you were here," he
said; "I've felt you near me. It was mighty comforting, and I want to
thank you for it. There were times when I must have shot off my mouth a
heap. If I said anything I shouldn't have said, I'm a whole lot sorry.
And I'm asking your pardon."

"You didn't," she said, her eyes eloquent with joy over the improvement
in him.

"Well, then, I'm going to sleep." He raised his right hand--his good
one--and waved it gayly at them--and closed his eyes.




CHAPTER XXIII--A WORLD-OLD LONGING


Looking back upon the long period of Taylor's convalescence, Marion
Harlan could easily understand why she had surrendered to the patient.

In the first place, she had liked Taylor from the very beginning--even
when she had affected to ridicule him on the train coming toward Dawes.
She had known all along that she had liked him, and on that morning when
she had visited the Arrow to ask about her father Taylor had woven a
magnetic spell about her.

That meeting and the succeeding ones had merely strengthened her liking
for him. But the inevitable intimacy between nurse and patient during
several long weeks of convalescence had wrought havoc with her heart.

Taylor's unfailing patience and good humor had been another factor in
bringing about her surrender. It was hard for her to believe that he had
fought a desperate battle which had resulted in the death of three men
and the wounding of Carrington and himself; for there were no savage
impulses or passions gleaming in the eyes that followed her every
movement while she had been busy in the sickroom for some weeks. Nor
could she see any lingering threat in them, promising more violence upon
his recovery. He seemed to have forgotten that there had been a fight,
and during the weeks that she had been close to him he had not even
mentioned it. He had been content, it seemed, to lounge in a chair and
listen to her while she read, to watch her; and there had been times
when she had seen a glow in his eyes that told her things that she
longed to hear him say.

The girl's surrender had not been conveyed to Taylor in words, though
she was certain he knew of it; for the signs of it must have been
visible, since she could feel the blushes in her cheeks at times when a
word or a look passing between them was eloquent with the proof of her
aroused emotions.

It was on a morning about six weeks following the incident of the
shooting that she and Taylor had walked to the river. Upon a huge flat
rock near the edge of a slight promontory they seated themselves, Taylor
turned slightly, so that she had only a profile view of him.

Taylor's thoughts were grave. For from where he and the girl sat--far
beyond the vast expanse of green-brown grass that carpeted the big
level--he could see a huge cleft in some mountains. And the sight of
that cleft sent Taylor's thoughts leaping back to the days he and Larry
Harlan had spent in these mountains, searching for--and finding--that
gold for which they had come. And inevitably as the contemplation of the
mountains brought him recollections of Larry Harlan he was reminded of
his obligation to his old-time partner. And the difficulties of
discharging that obligation were increasing, it seemed.

At least, Taylor's duty was not quite clear to him. For while Parsons
still retained a place in the girl's affections he could not turn over
to her Larry's share of the money he had received from the sale of the
mine.

And Parsons did retain the girl's affections--likewise her confidence
and trust. A man must be blind who could not see that. For the girl
looked after him as any dutiful girl might care for a father she loved.
Her attitude toward the man puzzled Taylor, for, he assured himself, if
she would but merely study the man's face perfunctorily she could not
have failed to see the signs of deceit and hypocrisy in it. All of which
convinced Taylor of the truth of the old adage: "Love is blind."

One other influence which dissuaded Taylor from an impulse to turn over
Larry's money to the girl was his determination to win her on his own
merits. That might have seemed selfishness on his part, but now that the
girl was at the Arrow he could see that she was well supplied with
everything she needed. Her legacy would not buy her more than he would
give her gratuitously. And he did not want her to think for a single
moment he was trying to buy her love. That, to his mind was gross
commercialism.

Marion was not looking at the mountains; she was watching Taylor's
profile--and blushing over thoughts that came to her.

For she wished that she might have met him under different
conditions--upon a basis of equality. And that was not the basis upon
which they stood now. She had come to the Arrow because she had no other
place to go, vindicating her action upon Taylor's declaration that he
had been her father's friend.

That had been a tangible premise, and was sufficient to satisfy, or to
dull, any surface scruples he might have had regarding the propriety of
the action. But her own moral sense struck deeper than that. She felt
she had no right to be here; that Taylor had made the offer of a
partnership out of charity. And so long as she stayed here, dependent
upon him for food and shelter, she could not permit him to speak a word
of love to her--much as she wanted him to speak it. Such was the
puritanical principle driven deep into the moral fabric of her character
by a mother who had set her a bad example.

This man had fought for her; he had risked his life to punish a man who
had wronged her in thought, only; and she knew he loved her. And yet,
seated so near him, she could not put out the hand that longed to touch
him.

However, her thoughts were not tragic--far from it! Youth is hopeful
because it has so long to wait. And there was in her heart at this
moment a presentiment that time would sever the bonds of propriety that
held her. And the instincts of her sex--though never having been tested
in the arts of coquetry--told her how to keep his heart warm toward her
until that day, having achieved her independence, she could meet him on
a basis of equality.

"Mr. Squint," she suddenly demanded; "what are you thinking about?"

He turned and looked full at her, his eyes glowing with a grave humor.

"I'd tell you if I thought you'd listen to me," he returned,
significantly. "But it seems that every time I get on that subject you
poke fun at me. Is there _anything_ I can do to show you that I love
you--that I want you more than any man ever wanted a woman?"

"Yes--there is." Her smile was tantalizing.

"Name it!" he demanded, eagerly.

"Stop being tragic. I don't like you when you are tragic--or when you
are talking nonsense about love. I have heard so much of it!"

"From me, I suppose?" he said, gloomily.

He had turned his head and she shot a quick, eloquent glance at him.
"From you--and several others," she said, deliberately.

There was a resentful, hurt look in his eyes when he turned and looked
at her. "Just how many?" he demanded, somewhat gruffly.

"Jealous!" she said, shaking her finger at him. "Do you want a bill of
particulars? Because if you do," she added, looking demurely downward,
"I should have to take several days to think it over. You see, a woman
can't catalogue everything men say to her--for they say so many silly
things!"

"Love isn't silly," he declared. He looked rather fiercely at her. "What
kind of a man do you like best?" he demanded.

She blushed. "I like a big man--about as big as you," she said. "A man
with fierce eyes that glower at a woman when she talks to him of
love--she insisting that she hasn't quite fallen in love--with _him_. I
like a man who is jealous of the reputation of the woman he _professes_
to love; a man who is jealous of other men; a man who isn't so very
good-looking, but who is a handsome man for all that--because he is so
very manly; a man who will fight and risk his life for me."

"Could you name such a man?" he said. There was a scornful gleam in his
eyes.

"I am looking at him this minute!" she said.

Grinning, for he knew all along that she had been talking of him, he
wheeled quickly and tried to catch her in his arms. But she slipped off
the rock and was around on the other side of it, keeping it between them
while he tried to catch her. Instinctively he realized that the chase
was hopeless, but he persisted.

"I'll never speak to you again if you catch me!" she warned, her eyes
flashing.

"But you told me----"

"That I liked you," she interrupted. "And liking a man isn't----"

And then she paused and looked down, blushing, while Taylor, in the act
of vaulting over the rock, collapsed and sat on it instead, red of face
and embarrassed.

For within a dozen paces of them, and looking rather embarrassed and
self-conscious, himself, though with a twinkle in his eyes that made
Taylor's cheeks turn redder--was Bud Hemmingway.

"I'm beggin' your pardon," said the puncher; "but I've come to tell you
that Neil Norton is here--again. He's been settin' on the porch for an
hour or two--he says. But I think he's stretching it. Anyway, he's tired
of waitin' for you--he says--an' he's been wonderin' if you was goin' to
set on that boulder all day!"

Taylor slipped off the rock and started toward Bud, feigning resentment.

Bud, his face agitated by a broad grin, deliberately winked at Miss
Harlan--though he spoke to Taylor.

"I'd be a little careful about how I went to jumpin' off boulders--you
might bust your ankle again!"

And then Taylor grinned at Miss Harlan--who pretended a severity she did
not feel; while Bud, cackling mirthfully, went toward the ranchhouse.




CHAPTER XXIV--A DEATH WARRANT


Carrington was not a coward; he was not even a cautious man. And the
bitter malice that filled his heart, together with riotous impulses that
seethed in his brain prompted him to go straight to the Arrow, wreak
vengeance upon Taylor and drag Marion Harlan back to the big house he
had bought for her.

But a certain memory of Taylor's face when the latter had been pursuing
him through the big house; a knowledge of Taylor's ability to inflict
punishment, together with a divination that Taylor would not hesitate to
kill him should there arise the slightest opportunity--all these
considerations served to deter Carrington from undertaking any rash
action.

Taylor's opposition to his desires enraged Carrington. He had met and
conquered many men--and he had coolly and deliberately robbed many
others, himself standing secure and immune behind legal barriers. And he
had seen his victims writhe and squirm and struggle in the meshes he had
prepared for them. He had heard them rave and wail and threaten; but not
one of them had attempted to inflict physical punishment upon him.

Taylor, however, was of the fighting type. On two occasions, now,
Carrington had been given convincing proof of the man's ability. And he
had seen in Taylor's eyes on the latest occasion the implacable gleam of
iron resolution and--when Taylor had gone down, fighting to the last, in
the sanguinary battle at the big house, he had not failed to note the
indomitability of the man--the tenacious and dogged spirit that knows no
defeat--a spirit that would not be denied.

And so, though Carrington's desires would have led him to recklessly
carry the fight to the Arrow, certain dragging qualms of reluctance
dissuaded him from another meeting with Taylor on equal terms.

And yet the malevolent passions that gripped the big man would not
tolerate the thought of opposition. Taylor was the only man who stood
between him and his desires, and Taylor must be removed.

During the days of Carrington's confinement to his rooms above the
Castle--awaiting the slow healing of the wound Taylor had inflicted upon
him, and the many bruises that marred his face--mementoes of the
terrible punishment Taylor had inflicted upon him--the big man nursed
his venomous thoughts and laid plans for revenge upon his enemy.

As soon as he was able to appear in Dawes--to undergo without
humiliation the inspection of his face by the citizens of the town--for
news of his punishment had been whispered broadcast--he boarded a
westbound train.

He got off at Nogel, a little mining town sitting at the base of some
foothills in the Sangre de Christo Range, some miles from Dawes.

He spent three days in Nogel, interrogating the resident manager of the
"Larry's Luck" mine, talking with miners and storekeepers and quizzing
men in saloons--and at the beginning of the fourth day he returned to
Dawes.

At about the time Miss Harlan and Taylor were sitting on the rock on the
bank of the river near the Arrow, Carrington was in the courthouse at
Dawes, leaning over Judge Littlefield's desk. A tall, sleek-looking man
of middle age, with a cold, steady eye and a smooth smile, stood near
Carrington. The man was neatly attired, and looked like a prosperous
mine-owner or operator.

But had the judge looked sharply at his hands when he gripped the one
that was held out to him when Carrington introduced the man; or had he
been a physiognomist of average ability, he could not have failed to
note the smooth softness of the man's hands and the gleam of guile and
cunning swimming deep in his eyes.

But the judge noted none of those things. He had caught the man's
name--Mint Morton--and instantly afterward all his senses became
centered upon what the man was saying.

For the man spoke of conscience--and the judge had one of his own--a
guilty one. So he listened attentively while the man talked.

The thing had been bothering the man for some months--or from the time
it happened, he said. And he had come to make a confession.

He was a miner, having a claim near Nogel. He knew Quinton Taylor, and
he had known Larry Harlan. One morning after leaving his mine on a trip
to Nogel for supplies, he had passed close to the "Larry's Luck" mine.
Being on good terms with the partners, he had thought of visiting them.
Approaching the mine on foot--having left his horse at a little
distance--he heard Taylor and Harlan quarreling. He had no opportunity
to interfere, for just as he came upon the men he saw Taylor knock
Harlan down with a blow of his fist. And while Harlan lay unconscious on
the ground Taylor had struck him on the head with a rock.

Morton had not revealed himself, then, fearing Taylor would attack him.
He had concealed himself, and had seen Taylor, apparently remorseful,
trying to revive Harlan. These efforts proving futile, Taylor had rigged
up a drag, placed Harlan on it, and had taken him to Nogel. But Harlan
died on the way.

To Littlefield's inquiry as to why Morton had not reported the murder
instantly, the man replied that, being a friend to Taylor, he had been
reluctant to expose him.

After the man concluded his story the judge and Carrington exchanged
glances. There was a vindictively triumphant gleam in Littlefield's
eyes, for he still remembered the humiliation he had endured at Taylor's
hands.

He took Morton's deposition, told him he would send for him, later; and
dismissed him. Carrington, appearing to be much astonished over the
man's confession, accompanied him to the station, where he watched him
board the train that would take him back to Nogel.

And on the platform of one of the coaches, Carrington, grinning
wickedly, gave the man a number of yellow-backed treasury notes.

"You think I won't have to come back--to testify against him?" asked the
man, smiling coldly.

"Certainly not!" declared Carrington. "You've signed his death warrant
this time!"

Carrington watched the train glide westward, and then returned to the
courthouse. He found the judge sitting at his desk, gazing meditatively
at the floor. For there had been something insincere in Morton's
manner--his story of the murder had not been quite convincing--and in
spite of his resentment against Taylor the judge did not desire to add
anything to the burden already carried by his conscience.

Carrington grinned maliciously as he halted at Littlefield's side and
laid a hand on the other's arm.

"We've got him, Littlefield!" he said. "Get busy. Issue a warrant for
his arrest. I'll have Danforth send you some men to serve as
deputies--twenty of them, if you think it necessary!"

The judge cleared his throat and looked with shifting eyes at the other.

"Look here, Carrington," he said, "I--I have some doubts about the
sincerity of that man Morton. I'd like to postpone action in this case
until I can make an investigation. It seems to me that--that Taylor, for
all his--er--seeming viciousness, is not the kind of man to kill his
partner. I'd like to delay just a little, to----"

"And let Taylor get wind of the thing--and escape. Not by a damned
sight! One man's word is as good as another's in this country; and it's
your duty as a judge of the court, here, to act upon any complaint. You
issue the warrant. I'll get Keats to serve it. He'll bring Taylor here,
and you can legally examine him. That's merely justice!"

Half an hour later, Carrington was handing the warrant to a big,
rough-looking man with an habitual and cruel droop to the corners of his
mouth.

"You'd better take some men with you, Keats," suggested Carrington.
"He'll fight, most likely," he grinned, evilly. "Understand," he added;
"if you should have to kill Taylor bringing him in, there would be no
inquiry made. And--" he looked at Keats and grinned, slowly and
deliberately closing an eye.




CHAPTER XXV--KEATS LOOKS FOR "SQUINT"


Neil Norton had been attending to Taylor's affairs in Dawes during the
latter's illness, and he had ridden to the Arrow this morning to discuss
with Taylor a letter he had received--for Taylor--from a Denver cattle
buyer. The inquiry was for Herefords of certain markings and quality,
and Norton could give the buyer no information. So Norton had come to
Taylor for the information.

"The herd is grazing in the Kelso Basin," Taylor told Norton. Norton
knew the Kelso Basin was at least fifteen miles distant from the Arrow
ranchhouse--a deep, wide valley directly west, watered by the same river
that flowed near the Arrow ranchhouse.

"I can't say, offhand, whether we've got what your Denver man wants." He
grinned at Norton, adding: "But it's a fine morning for a ride, and I
haven't done much riding lately. I'll go and take a look."

"I'll be looking, too," declared Norton. "The _Eagle_ forms are ready
for the press, and there isn't much to do."

Later, Taylor, mounted on Spotted Tail, and Norton on a big, rangy
sorrel, the two men rode away. Taylor stopped at the horse corral gate
long enough to tell Bud Hemmingway, who was replacing a bar, that he and
Norton were riding to the Kelso Basin.

And there was one other to whom he had spoken--when he had gone into the
house to buckle on his cartridge-belt and pistols, just before he went
out to saddle Spotted Tail. It was the girl who had tantalized him while
they had been sitting on the rock. She had not spoken frivolously to him
inside the house; instead, she had gravely warned him to be "careful;"
that his wounds might bother him on a long ride--and that she didn't
want him to suffer a relapse. And she watched him as he and Norton rode
away, following the dust-cloud that enveloped them until it vanished
into the mists of distance. Then she turned from the door with a sigh,
thinking of the fate that had made her dependent upon the charity of the
man she loved.

To Bud Hemmingway, working at the corral gate about an hour following
the departure of Taylor and Norton, there came an insistent demand to
look toward Dawes. It was merely one of those absurd impulses founded
upon a whim provoked by self-manufactured presentiment--but Bud looked.
What he saw caused him to stand erect and stare hard at the trail
between Mullarky's cabin and the Arrow--for about two miles out came a
dozen or more riders, their horses traveling fast.

For several seconds Bud watched intently, straining his eyes in an
effort to distinguish something about the men that would make their
identity clear. And then he dropped the hammer he had been working with
and ran to the bunkhouse, where he put on his cartridge-belt and pistol.

Returning to the bunkhouse door, he stood in it for a time, watching the
approaching men. Then he scowled, muttering:

"It's that damned Keats an' some of his bunch! What in hell are they
wantin' at the Arrow?"

Bud was standing near the edge of the front gallery when Keats and his
men rode up. There were fourteen of the men, and, like their leader,
they were ill-visaged, bepistoled.

Marion Harlan had heard the noise of their approach, and she had come to
the front door. She stood in the opening, her gaze fixed inquiringly
upon the riders, though chiefly upon Keats, whose manner proclaimed him
the leader. He looked at Bud.

"Hello, Hemmingway!" he greeted, gruffly. "I take it the outfit ain't
in?"

"Workin', Kelso," returned Bud. Bud's gaze at Keats was belligerent; he
resented the presence of Keats and the men at the Arrow, for he had
never liked Keats, and he knew the relations between the visitor and
Taylor were strained almost to the point of open antagonism.

"What's eatin' you guys?" demanded Bud.

"Plenty!" stated Keats importantly. He turned to the men.

"Scatter!" he commanded; "an' rustle him up, if he's anywhere around!
Hey!" he shouted at a slender, rat-faced individual. "You an' Darbey
search the house! Two more of you take a look at the bunkhouse--and the
rest of you nose around the other buildin's. Keep your eyes peeled, an'
if he goes to gettin' fresh, plug him plenty!"

"Why, what is wrong?" demanded Marion. Her face was pale with
indignation, for she resented the authoritative tone used by Keats as
much as she resented the thought of the two men entering the house
unbidden.

Keats's face flamed with sudden passion. With a snap of his wrist he
drew his gun and trained its muzzle on Bud.

"Wrong enough!" he snapped. He was looking at Bud while answering Miss
Harlan's question. "I'm after Squint Taylor, an' I'm goin' to get
him--that's all! An' if you folks go to interferin' it'll be the worse
for you!"

Marion stiffened and braced herself in the doorway, her eyes wide with
dread and her lips parted to ask the question that Bud now spoke, his
voice drawling slightly with sarcasm.

"Taylor, eh?" he said. "What you wantin' with Taylor?"

"I'm wantin' him for murderin' Larry Harlan!" snapped Keats.

Bud gulped, drew a deep breath and went pale. He looked at Marion, and
saw that the girl was terribly moved by Keats's words. But neither the
girl nor Bud spoke while Keats dismounted, crossed the porch, and
stopped in front of the door, which was barred by the girl's body.

"Get out of the way--I'm goin' in!" ordered Keats.

The girl moved aside to let him pass, and as he crossed the threshold
she asked, weakly:

"How do you--how do they know Mr. Taylor killed Larry Harlan?"

Keats turned on her, grinning mirthlessly.

"How do we know anything?" he jeered. "Evidence--that's what--an' plenty
of it!"

Keats vanished inside, and Bud, his eyes snapping with the alert glances
he threw around him, slowly backed away from the porch toward the
stable. As he turned, after backing several feet, he saw Marion walk
slowly to a rocker that stood on the porch, drop weakly into it and
cover her face with her hands.

Gaining the stable, Bud worked fast; throwing a saddle and bridle upon
King, the speediest horse in the Arrow outfit, excepting Spotted Tail.

With movements that he tried hard to make casual, but with an impatience
that made his heart pound heavily, he got King out and led him to the
rear of the stable.

Some of Keats's men were running from one building to another; but he
was not Taylor, and they seemed to pay no attention to him, beyond
giving him sharp glances.

Passing behind the blacksmith-shop, Bud heard a voice saying:

"Dead or alive, Keats says; an' they'd admire to have him dead. I heard
Carrington tellin' Keats!"

As the sound of the voice died away, Bud touched King's flank with the
spurs. The big horse, after a day in the stable, was impatient and eager
for a run, and he swept past the scattered buildings of the ranch with
long, swift leaps that took him out upon the plains before Keats could
complete his search of the first floor of the house.

The two men who had searched the upper floor came downstairs, to meet
Keats in the front room. They grimly shook their heads at Keats, and at
his orders went outside to search with the other men.

Keats stepped to the door, saw Marion sitting limply in the
rocking-chair, her shoulders convulsed with sobs, and crossed to her,
shaking her with a brutal arm.

"Where's that guy I left standin' there? Where's he--Hemmingway?"

"I don't know," said the girl dully.

Keats cursed and ran to the edge of the porch. With his gaze sweeping
the buildings, the pasture, the corrals, and the wide stretch of plain
westward, he stiffened, calling angrily to his men:

"There he goes--damn him! It's that sneakin' Bud Hemmingway, an' he's
gone to tell Taylor we're after him! He knows where Taylor is! Get your
hosses!"

Forced to her feet by the intense activity that followed Keats's loudly
bellowed orders, the girl crossed the porch, and from a point near the
end railing watched Keats and his men clamber into their saddles and
race after Bud. For a long time she watched them--a tiny blot gliding
over the plains, followed by a larger blot--and then she walked slowly
to the rocking-chair, looked down at it as though its spaciousness
invited her; then she turned from it, entered the house, and going to
her room--where Martha was sleeping--began feverishly throwing her few
belongings into the small handbag she had brought with her from the big
house.




CHAPTER XXVI--KEATS FINDS "SQUINT"


Looking back after he had been riding for some minutes, Bud saw a dozen
or more horses break from the group of Arrow buildings and come racing
toward him, spreading out fanwise.

"They've seen me!" breathed Bud, and he leaned over King's shoulders and
spoke to him. The animal responded with a burst of speed that brought a
smile to Bud's face. For the puncher knew that Taylor and Norton
couldn't have traveled more than a few miles in the short time that had
passed since their departure; and he knew also that in a short run--of a
dozen miles or so--there wasn't a horse in the Dawes section that could
catch King, barring, of course, Spotted Tail, the real king of range
horses.

And so Bud bent eagerly to his work, not riding erect in the saddle as
is the fashion of the experienced cow-puncher in an unfamiliar country,
where pitfalls, breaks, draws, hidden gullies, and weed-grown barrancas
provide hazards that might bring disaster. Bud knew this section of the
country as well as he knew the interior of the bunkhouse, and with his
knowledge came a confidence that nothing would happen to him or King,
except possibly a slip into a gopher hole.

And Bud kept scanning the country far enough ahead to keep King from
running into a gopher town. He swung the animal wide in passing
them--for he knew it was the habit of these denizens of the plains to
extend their habitat--some venturesome and independent spirits straying
far from the huddle and congestion of the multitude.

Bud looked back many times during the first two miles, and he saw that
Keats and his men were losing ground; their horses could not keep the
pace set by the big bay flier under Bud.

And King was not going as he could go when the necessity arrived. This
ride was a frolic for the big bay, and yet Bud knew he must not force
him, that he must conserve his wind, for if Taylor and Norton had
yielded to a whim to hurry, even King would need all his speed and
endurance to hang on. For the sorrel that had accompanied Spotted Tail
was not so greatly inferior to King that the latter could take liberties
with him.

Bud gloated as he looked back after he had covered another mile. Keats
and his men were still losing ground, though they were not so very far
back, either--Bud could almost see the faces of the men. But that, Bud
knew, was due to the marvelous clarity of the atmosphere.

When the sides of the big hills surrounding the level began to sweep
inward rapidly, Bud knew that the grass level was coming to an end, and
that presently he would strike a long stretch of broken country. Beyond
that was a big valley, rich and fertile, in which, according to report,
the Arrow herd should be grazing, guarded by the men of the outfit,
under Bothwell. But Kelso Basin was still nine or ten miles distant, and
Bud did not yet dare to let the big bay horse run his best.

Still, when they flashed by a huge promontory that stood sentinel-like
above the waters of the river--a spot well remembered by Bud, because
many times while on day duty he had lain prone on its top smoking and
dreaming--King was running as lightly as a leaf before the hurricane.

King had entered the section of broken country, with its beds of rock
and lava, and huge boulders strewn here and there, relics of gigantic
upheavals when the earth was young; and Bud was skilfully directing King
to the stretches of smooth level that he found here and there, when far
ahead he saw Taylor and Norton.

In ten minutes he was within hailing distance, and he grinned widely
when, hearing him, they pulled their horses to a halt and, wheeling,
faced him.

For Bud saw that they had reached a spot which would make an admirable
defensive position, should Taylor decide to resist Keats. The hills, in
their gradual inward sweep, were close together, so that their crests
seemed to nod to one another. And a little farther down, Bud knew, they
formed a gorge, which still farther on merged into a canon. It was an
ideal position for a stand--if Taylor would stand and not run for it;
and he rather thought Taylor would not run.

Taylor had ridden toward Bud, and was a hundred feet in advance of
Norton when Bud pulled King to a halt, shouting:

"Keats and a dozen men are right behind me--a mile; mebbe two! He's got
a warrant for you, chargin' you with murderin' Larry Harlan! I heard one
of his scum sayin' it was to be a clean-up!"

Taylor laughed; he did not seem to be at all interested in Keats or his
men, who at that instant were riding at a pace that was likely to kill
their horses, should they be forced to maintain it.

"Who accused me of murdering Harlan?"

"Keats didn't say. But I heard a guy sayin' that Carrington was wantin'
Keats to take you dead!"

The cold gleam in Taylor's eyes and the slight, stiff grin that wreathed
his lips, indicated that he had determined that Keats would have to kill
him before taking him.

"A dozen of them, eh?" he said, looking from Bud to Norton deliberately.
"Well, that's a bunch for three men to fight, but it isn't enough to run
from. We'll stay here and have it out with them. That is," he added with
a quick, quizzical look at the two men, "if one of you is determined to
stay."

"One of us?" flared Bud. He gazed hard at Norton, with suspicion and
belligerence in his glance. Norton flushed at the look. "I reckon we'll
both be in at the finish," added Bud.

"Only one," declared Taylor. "We might hold a dozen men off here for a
good many hours. But if they were wise and patient they'd get us. One
man will light out for Kelso Basin to get the outfit. Settle it between
you, but be quick about it!"

Taylor swung down from his horse, led the animal out of sight behind a
jutting crag into a sort of pocket in the side of the gorge, where there
would be no danger of the magnificent beast being struck by a bullet.
Taylor pulled his rifle from its saddle-sheath, examined the mechanism,
looked at his pistols, and then returned to where Bud Hemmingway and
Neil Norton sat on their horses.

Bud's face was flushed and Norton was grinning. And at just the instant
Taylor came in sight of them Norton was saying:

"Well, if you insist, I suppose I shall have to go to Kelso. There isn't
time to argue."

Norton wheeled his horse, and, with a quick grin at Taylor, sent the
animal clattering down the gorge.

Bud's grin at Taylor was pregnant with guilt.

"Norton didn't want me to stay. There's lots of stubborn cusses in the
world--now, ain't they?"

Taylor's answering smile showed that he understood.

"Get King back here with Spotted Tail, Bud!" he directed. "And take that
pile of rocks for cover. They're coming!"

By the time Bud did as he had been bidden, and was crouching behind a
huge mound of broken rock on the north side of the gorge, Taylor on the
southern side, with a twenty-foot passage on the comparatively level
floor of the gorge between them, and an uninterrupted sweep of narrow
level in front of them, except for here and there a jutting rock or a
boulder, they saw Keats and his men just entering the stretch of broken
country.

The horses of the pursuing outfit were doing their best. They came on
over the stretch of treacherous trail, laboring, pounding and
clattering; singly sometimes, two and three abreast where there was
room, keeping well together, their riders urging them with quirt and
spur. For far back on the trail they had lost sight of Bud, though Keats
had remembered that Bud had said Taylor had gone to Kelso Basin, and
therefore Keats knew he was on the right trail.

However, he did not want to let Bud get to Kelso before him to warn the
Arrow outfit; for that would mean a desperate battle with a force equal
in numbers to his own. Keats fought best when the advantages were with
him, and he knew his men were similarly constituted. And so he was
riding as hard as he dared, hoping that something would happen to Bud's
horse--that the animal might become winded or fall. A man could not tell
what _might_ happen in a pursuit of this character.

But the thing that _did_ happen had not figured in Keats's lurid
conjectures at all. That was why, when he heard Taylor's quick
challenge, he pulled his horse up sharply, so that the animal slipped
several feet and came to a halt sidewise.

Keats's unexpected halt brought confusion to his followers. A dozen of
them, crowding Keats hard, and not noticing their leader's halt in time,
rode straight against him, their horses jamming the narrow gorge,
kicking, snorting and squealing in a disordered and uncontrollable mass.

When the tangle had been magically undone--the magic being Taylor's
voice again, burdened with sarcasm bearing upon their excitement--Keats
found himself nearest the nest of rocks from behind which Taylor's voice
seemed to come.

The jutting crag behind which Taylor had concealed his horse, and where
Bud had led King, completely obstructed Keats's view of the gorge behind
the crag, toward Kelso Basin, and Keats did not know but that the entire
Arrow outfit was concealed behind the rocks and boulders that littered
the level in the vicinity.

And so he sat motionless, slowly and respectfully raising his hands.
Noting his action, his men did likewise.

"That's polite," came Taylor's voice coldly. "Hemmingway says you're
looking for me. What for?"

"I've got a warrant for you, chargin' you with murderin' Larry Harlan."

"Who accused me?"

"Mint Morton, of Nogel."

There was a long silence. Behind the clump of rock Taylor smiled
mirthlessly at Bud, who was watching him. For Taylor knew Mint Morton,
of Nogel, as a gambler, unscrupulous and dishonest. He had earned
Morton's hatred when one night in a Nogel saloon he had caught Morton
cheating and had forced him to disgorge his winnings. His victim had
been a miner on his way East with the earnings of five years in his
pockets. Taylor had not been able to endure the spectacle of abject
despair that had followed the man's loss of all his money.

Taylor did not know that Carrington had hunted Morton up, paying him
well to bring the murder charge, but Taylor did know that he was
innocent of murder; and by linking Morton with Carrington he could
readily understand why Keats wanted him. He broke the silence with a
short:

"Who issued the warrant?"

"Judge Littlefield."

"Well," said Taylor, "you can take it right back to him and tell him to
let Carrington serve it. For," he added, a note of grim humor creeping
into his voice, "I'm a heap particular about such things, Keats. I
couldn't let a sneak like you take me in. And I don't like the looks of
that dirty-looking outfit with you. And so I'm telling you a few things.
I'm giving you one minute to hit the breeze out of this section. If
you're here when that time is up, I down _you_, Keats! Slope!"

Keats flashed one glance around at his men. Some of them already had
their horses in motion; others were nervously fingering their
bridle-reins. Keats sneered at the rock nest ahead of him.

The intense silence which followed Taylor's warning lasted about ten
seconds. Then Keats's face paled; he wheeled his horse and sent it
scampering over the back trail, his men following, crowding him hard.




CHAPTER XXVII--BESIEGED


Hemmingway tentatively suggested that a ride through the gorge toward
the Kelso Basin might simplify matters for himself and Taylor; it might,
he said, even seem to make the defending of their position unnecessary.
But his suggestions met with no enthusiasm from Taylor, who lounged
among the rocks of his place of concealment calmly smoking.

Taylor gave some reasons for his disinclination to adopt Hemmingway's
suggestions.

"Norton will be back in an hour, with Bothwell and the outfit." And now
he grinned as he looked at Bud. "Miss Harlan told me to be careful about
my scratches. I take it she don't want no more sieges with a sick man.
And I'm taking her advice. If I'd go to riding my horse like blazes,
maybe I _would_ get sick again. And she wouldn't take care of me
anymore. And I'd hate like blazes to run from Keats and his bunch of
plug-uglies!"

So Hemmingway said no more on that subject.

They smoked and talked and watched the trail for signs of Keats and his
men; while the sun, which had been behind the towering hills surrounding
the gorge, traveled slowly above them, finally blazing down from a point
directly overhead.

It became hot in the gorge; the air was stifling and the heat
uncomfortable. Taylor did not seem to mind it, but Bud, with a vigorous
appetite, and longings that ran to flapjacks and sirup, grew impatient.

"If a man could eat now," he remarked once, while the sun was directly
overhead, "why, it wouldn't be so bad!"

And then, after the sun's blazing rays had begun to diminish in
intensity somewhat, Bud looked upward and saw that the shimmering orb
had passed beyond the crest of a towering hill. He looked sharply at
Taylor, who was intently watching the back trail, and said gravely:

"Norton ought to have been back with Bothwell and the bunch, now."

"He's an hour overdue," said Taylor, without looking at Bud.

"I reckon somethin's happened," growled Bud. "Somethin' always happens
when a guy's holed up, like this. It wouldn't be so bad if a man could
eat a little somethin'--to sort of keep him from thinkin' of it all the
time. Or, mebbe, if there was a little excitement--or somethin'. A man
could----"

"There'll be plenty of excitement before long," interrupted Taylor.
"Keats and his gang didn't go very far. I just saw one of them sneaking
along that rock-knob, down the gorge a piece. They're going to stalk us.
If you're thinking of riding to Kelso--why--" He grinned at Bud's
resentful scowl.

Lying flat on his stomach, he watched the rock-knob he had mentioned.

"Slick as an Indian," he remarked once, while Bud, having ceased his
discontented mutterings, kept his gaze on the rock also.

And then suddenly the eery silence of the gorge was broken by the sharp
crack of Taylor's rifle, and, simultaneously, by a shriek of pain.
Report and shriek reverberated with weird, echoing cadences between the
hills, growing less distinct always and finally the eery silence reigned
again.

"They'll know they can't get careless, now," grinned Taylor, working the
ejector of his rifle.

Bud did not reply; and for another hour both men intently scanned the
hills within range of their vision, straining their eyes to detect signs
of movement that would warn them of the whereabouts of Keats and his
men.

Anxiously Bud watched the rays of the sun creeping up a precipitous rock
wall at a little distance. Slowly the streak of light narrowed, growing
always less brilliant, and finally, when it vanished, Bud spoke:

"It's comin' on night, Squint. Somethin's sure happened to Norton." He
wriggled impatiently, adding: "If we're here when night comes we'll have
a picnic keepin' them guys off of us."

Taylor said nothing until the gorge began to darken with the shadows of
twilight. Then he looked at Bud, his face grim.

"My stubbornness," he said shortly. "I should have taken your advice
about going to Kelso Basin--when we had a chance. But I felt certain
that Norton would have the outfit here before this. Our chance is gone,
now. There are some of Keats's men in the hills, around us. I just saw
one jump behind that rim rock on the shoulder of that big hill--there."
He indicated the spot. Then he again spoke to Bud.

"There's a chance yet--for you. You take Spotted Tail and make a run for
the basin. I'll cover you."

"What about you?" grumbled Bud.

Taylor grinned, and Bud laughed. "You was only funnin' me, I reckon," he
said, earnestly. "You knowed I wouldn't slope an' leave you to fight it
out alone--now didn't you?"

"But if a man was hungry," said Taylor, "and he knew there was grub with
the outfit----"

"I ain't hungry no more," declared Bud; "I've quit thinkin' of flapjacks
for more than----"

He stiffened, and the first shadows of the night were split by a long,
narrow flame-streak as his rifle crashed. And a man who had been
slipping into the shelter of a depression on the side of a hill a
hundred yards distant, tumbled grotesquely out and down, and went
sliding to the bottom of the gorge.

As though the report of Bud's rifle were a signal, a dozen vivid jets of
fire flamed from various points in the surrounding hills, and the
silence was rent by the vicious cracking of rifles and the drone and
thud of bullets as they sped over the heads of the two men at the bottom
of the gorge and flattened themselves against the rocks of their
shelter.

That sound, too, died away. And in the heavy, portentous stillness which
succeeded it, there came to the ears of the two besieged men the sounds
of distant shouting, faint and far.

"It's the outfit!" said Taylor.

And Bud, rolling over and over in an excess of joy over the coming of
the Arrow men, hugged an imaginary form and yelled:

"Oh, Bothwell, you old son-of-a-gun! How I love you!"




CHAPTER XXVIII--THE FUGITIVE


One thought dominated Marion Harlan's brain as she packed her belongings
into the little handbag in her room at the Arrow--an overpowering,
monstrous, hideous conviction that she had accepted charity from the man
who was accused of murdering her father! There was no room in her brain
for other thoughts or emotions; she was conscious of nothing but the
horror of it; of the terrible uncertainty that confronted her--of the
dread that Taylor _might_ be guilty! She wanted to believe in him--she
_did_ believe in him, she told herself as she packed the bag; she could
not accept the word of Keats as final. And yet she could not stay at the
Arrow another minute--she could not endure the uncertainty. She must go
away somewhere--anywhere, until the charge were proved, or until she
could see Taylor, to look into his eyes, there to see his guilt or
innocence.

She felt that the charge could not be true; for Taylor had treated her
so fairly; he had been so sympathetically friendly; he had seemed to
share her grief over her father's death, and he had seemed so sincere in
his declaration of his friendliness toward the man. He had even seemed
to share her grief; and in the hallowed moments during which he had
stood beside her while she had looked into her father's room, he might
have been secretly laughing at her!

And into her heart as she stood in the room, now, there crept a mighty
shame--and the shadow of her mother's misconduct never came so close as
it did now. For she, too, had violated the laws of propriety; and what
she was receiving was not more than her just due. And yet, though she
could blame herself for coming to the Arrow, she could not excuse
Taylor's heinous conduct if he were guilty.

And then, the first fierce passion burning itself out, there followed
the inevitable reaction--the numbing, staggering, sorrowing realization
of loss. This in turn was succeeded by a frenzied desire to go away from
the Arrow--from everybody and everything--to some place where none of
them would ever see her again.

She started toward the door, and met Parsons--who was looking for her.
He darted forward when he saw her, and grasped her by the shoulders.

"What has happened?" he demanded.

She told him, and the man's face whitened.

"I was asleep, and heard nothing of it," he said. "So that man Keats
said they had plenty of evidence! You are going away? I wouldn't, girl;
there may have been a mistake. If I were you----"

Her glance of horror brought Parsons' protests to an end quickly. He,
too, she thought, was under the spell of Taylor's magnetism. That, or
every person she knew was a prey to those vicious and fawning instincts
to which she had yielded--the subordination of principle to greed--of
ease, or of wealth, or of place.

She shuddered with sudden repugnance.

For the first time she had a doubt of Parsons--a revelation of that
character which he had always succeeded in keeping hidden from her. She
drew away from him and walked to the door, telling him that _he_ might
stay, but that she did not intend to remain in the house another minute.

She found a horse in the stable--two, in fact--the ones Taylor had
insisted belonged to her and Martha. She threw saddle and bridle on
hers, and was mounting, when she saw Martha standing at the stable door,
watching her.

"Yo' uncle says you goin' away, honey--how's that? An' he done say
somethin' about Mr. Squint killin' your father. Doan' you b'lieve no
fool nonsense like that! Mr. Squint wouldn't kill nobody's father! That
deputy man ain't nothin' but a damn, no-good liar!"

Martha's vehemence was genuine, but not convincing; and the girl mounted
the horse, hanging the handbag from the pommel of the saddle.

"You's sure goin'!" screamed the negro woman, frantic with a dread that
she was in danger of losing the girl for whom she had formed a deep
affection.

"You wait--you hear!" she demanded; "if you leave this house I's a
goin', too!"

Marion waited until Martha led the other horse out, and then, with the
negro woman following, she rode eastward on the Dawes trail, not once
looking back.

And not a word did she say to Martha as they rode into the space that
stretched to Dawes, for the girl's heart was heavy with self-accusation.

They stopped for an instant at Mullarky's cabin, and Mrs. Mullarky drew
from the girl the story of the morning's happenings. And like Martha,
Mrs. Mullarky had an abiding faith in Taylor's innocence. More--she
scorned the charge of murder against him.

"Squint Taylor murder your father, child! Why, Squint Taylor thought
more of Larry Harlan than he does of his right hand. An' you ain't goin'
to run away from him--for the very good reason that I ain't goin' to let
you! You're upset--that's what--an' you can't think as straight as you
ought to. You come right in here an' sip a cup of tea, an' take a rest.
I'll put your horses away. If you don't want to stay at the Arrow while
Taylor, the judge, an' all the rest of them are pullin' the packin' out
of that case, why, you can stay right here!"

Yielding to the insistent demands of the good woman, Marion meekly
consented and went inside. And Mrs. Mullarky tried to make her
comfortable, and attempted to soothe her and assure her of Taylor's
innocence.

But the girl was not convinced; and late in the afternoon, despite Mrs.
Mullarky's protests, she again mounted her horse and, followed by
Martha, set out toward Dawes, intending to take the first east-bound
train out of the town, to ride as far as the meager amount of money in
her purse would take her. And as she rode, the sun went down behind the
big hill on whose crest sat the big house, looming down upon the level
from its lofty eminence; and the twilight came, bathing the world with
its somber promise of greater darkness to follow. But the darkness that
was coming over the world could not be greater than that which reigned
in the girl's heart.




CHAPTER XXIX--THE CAPTIVE


Carrington's experiences with Taylor had not dulled the man's savage
impulses, nor had they cooled his feverish desire for the possession of
Marion Harlan. In his brain rioted the dark, unbridled passions of those
progenitors he had claimed in his talk with Parsons on the morning he
had throttled the little man in his rooms above the Castle.

For the moment he had postponed the real beginning of his campaign for
the possession of Dawes, his venomous hatred for Taylor and his passion
for the girl overwhelming his greed.

He had watched the departure of Keats and his men, a flush of exultation
on his face, his eyes alight with fires that reflected the malignant
hatred he felt. And when Keats and the others disappeared down the trail
that led to the Arrow, Carrington spent some time in Dawes. Shortly
after noon he rode out the river trail toward the big house with two men
that he had engaged to set the interior in order.

Carrington had not seen the house since the fight with Taylor in the
front room, and the wreck and ruin that met his gaze as he stood in the
door brought a sullen pout to his lips.

But he intended to exact heavy punishment for what had occurred at the
big house; and as he watched the men setting things to order--mending
the doors and repairing the broken furniture--he drew mental pictures
that made his eyes flash with pleasure.

He felt that by this time Keats and his men should have settled with
Taylor. After that, he, himself, would make the girl pay.

So he was having the house put in order, that it would again be
habitable; and then, when that was done, and Taylor out of the way, he
would go to the Arrow after the girl. But before he went to the Arrow he
would await the return of Keats with the news that Taylor would no
longer be able to thwart him.

Never in his life had he met a man he feared as he feared Taylor. There
was something about Taylor that made Carrington's soul shrivel. He knew
what it was--it was his conviction of Taylor's absolute honorableness,
as arrayed against his own beastly impulses. But that knowledge merely
served to intensify his hatred for Taylor.

Toward evening Carrington rode back to Dawes with the men; and while
there he sought news from Keats. Danforth, from whom he inquired, could
tell him nothing, and so Carrington knew that Taylor had not yet been
disposed of. But Carrington knew the time would not be long now; and in
a resort of a questionable character he found two men who listened
eagerly to his proposals. Later, the two men accompanying him, he again
rode to the big house.

And just as dusk began to settle over the big level at the foot of the
long slope--and while the last glowing light from the day still softly
bathed the big house, throwing it into bold relief on the crest of its
flat-topped hill, Carrington was standing on the front porch,
impatiently scanning the basin for signs of Keats and his men.

For a time he could distinguish little in the basin, for the mists of
twilight were heavy down there. And then a moving object far out in the
basin caught his gaze, and he leaned forward, peering intently, consumed
with eagerness and curiosity.

A few minutes later, still staring into the basin, Carrington became
aware that there were two moving objects. They were headed toward Dawes,
and proceeding slowly; and at last, when they came nearer and he saw
they were two women, on horses, he stiffened and shaded his eyes with
his hands. And then he exclaimed sharply, and his eyes glowed with
triumph--for he had recognized the women as Marion Harlan and Martha.

Moving slowly, so that he might not attract the attention of the women,
should they happen to be looking toward the big house, he went inside
and spoke shortly to the two men he had brought with him.

An instant later the three, Carrington leading, rode into the timber
surrounding the house, filed silently through it, and with their horses
in a slow trot, sank down the long slope that led into the big basin.

For a time they were not visible, as they worked their way through the
chaparral on a little level near the bottom of the slope; and then they
came into view again in some tall saccaton grass that grew as high as
the backs of their horses.

They might have been swimming in that much water, for all the sound they
made as they headed through the grass toward the Dawes trail, for they
made no sound, and only their heads and the heads of their horses
appeared above the swaying grass.

But they were seen. Martha, riding at a little distance behind Marion,
and straining her eyes to watch the trail ahead, noted the movement in
the saccaton, and called sharply to the girl:

"They's somethin' movin' in that grass off to your right, honey! It
wouldn't be no cattle, heah; they's never no cattle round heah, fo' they
ain't no water. Lawsey!" she exclaimed, as she got a clear view of them;
"it's men!"

Marion halted her horse. Martha's voice had startled her, for she had
not been thinking of the present; her thoughts had been centered on
Taylor.

A shiver of trepidation ran over her, though, when she saw the men, and
she gathered the reins tightly in her hands, ready to wheel the animal
under her should the appearance of the men indicate the imminence of
danger.

And when she saw that danger did indeed threaten, she spoke to the horse
and turned it toward the back trail. For she had recognized one of the
three men as Carrington.

But the horse had not taken a dozen leaps before Carrington was beside
her, his hand at her bridle. And as her horse came to a halt,
Carrington's animal lunged against it, bringing the two riders close
together. Carrington leaned over, his face close to hers; she could feel
his breath in her face as he laughed jeeringly, his voice vibrating with
passion:

"So it _is_ you, eh? I thought for a moment that I had made a mistake!"
Holding to her horse's bridle-rein with a steady pull that kept the
horses close together, he spoke sharply to the two men who had halted
near Martha: "Get the nigger! I'll take care of this one!"

And instantly, with a brutal, ruthless strength and energy that took the
girl completely by surprise, Carrington threw a swift arm out, grasped
her by the waist, drew her out of the saddle, and swung her into his
own, crosswise, so that she lay face up, looking at him.

She fought him then, silently, ferociously, though futilely. For he
caught her hands, using both his own, pinning hers so that she could not
use them, meanwhile laughing lowly at her efforts to escape.

Even in the dusk she could see the smiling, savage exultation in his
eyes; the gloating, vindictive triumph, and her soul revolted at the
horror in store for her, and the knowledge nerved her to another mighty
effort. Tearing her hands free, she fought him again, scratching his
face, striking him with all her force with her fists; squirming and
twisting, even biting one of his hands when it came close to her lips as
he essayed to grasp her throat, his eyes gleaming with ruthless
malignance.

But her efforts availed little. In the end her arms were pinned again to
her sides, and he pulled a rope from his saddle-horn and bound them.
Then, as she lay back and glared at him, muttering imprecations that
brought a mocking smile to his lips, he urged his horse forward, and
sent it clattering up the slope, the two men following with Martha.




CHAPTER XXX--PARSONS HAS HUMAN INSTINCTS


Elam Parsons stood on the front porch of the Arrow ranchhouse for a long
time after Marion and Martha departed, watching them as they slowly
negotiated the narrow trail that led toward Dawes. Something of the
man's guilt assailed his consciousness as he stood there--a conception
of the miserable part he had played in the girl's life.

No doubt had not Fate and Carrington played a mean trick on Parsons, in
robbing him of his money and his prospects, the man would not have
entertained the thoughts he entertained at this moment; for success
would have made a reckoning with conscience a remote possibility, dim
and far.

And perhaps it was not conscience that was now troubling Parsons; at
least Parsons did not lay the burden of his present thoughts upon so
intangible a chimera. Parsons was too much of a materialist to admit he
had a conscience.

But a twinge of something seized Parsons as he watched the girl ride
away, and bitter thoughts racked his soul. He could not, however,
classify his emotions, and so he stood there on the porch, undecided,
vacillating, in the grip of a vague disquiet.

Parsons sat on the porch until long after noon; for, after Marion and
Martha had vanished into the haze of distance, Parsons dropped into a
chair and let his chin sink to his chest.

He did not get up to prepare food for himself; he did not think of
eating, for the big, silent ranchhouse and the gloomy, vacant appearance
of the other buildings drew the man's attention to the aching emptiness
of his own life. He had sought to gain everything--scheming, planning,
plotting dishonestly; taking unfair advantage; robbing people without
compunction--and he had gained nothing. Yes--he had gained Carrington's
contempt!

The recollection of Carrington's treatment of him fired his passions
with a thousand licking, leaping flames. In his gloomy meditations over
the departure of the girl, he had almost forgotten Carrington. But he
thought of Carrington now; and he sat stiff and rigid in the chair,
glowering, his lips in a pout, his soul searing with hatred.

But even the nursing of that passion failed to satisfy Parsons.
Something lacked. There was still that conviction of utter baseness--his
own baseness--to torture him. And at last, toward evening, he discovered
that he longed for the girl. He wanted to be near her; he wanted to do
something for her to undo the wrong he had done her; he wanted to make
some sort of reparation.

So the man assured himself. But he knew that deep in his inner
consciousness lurked the dread knowledge that Taylor was aware of his
baseness. For Taylor had overheard the conversation between Carrington
and himself on the train, and Parsons feared that should Taylor by any
chance escape Keats and his men and return to the Arrow to find Marion
gone, he would vent his rage and fury upon the man who had sinned
against the woman he loved. That was the emotion which dominated Parsons
as he sat on the porch; it was the emotion that made the man fervently
desire to make reparation to the girl; it was the emotion that finally
moved him out of his chair and upon a horse that he found in the stable,
to ride toward Dawes in the hope of finding her.

Parsons, too, stopped at the Mullarky cabin. He discovered that Marion
had left there shortly before, after having refused Mrs. Mullarky's
proffer of shelter until the charge against Taylor could be disproved.

Parsons listened impatiently to the woman's voluble defense of Taylor,
and her condemnation of Keats and all those who were leagued against the
Arrow owner. And then Parsons rode on.

Far out in the basin, indistinct in the twilight haze, he saw Marion and
Martha riding toward Dawes, and he urged his horse in an effort to come
up with them before they reached the bottom of the long, gradual rise
that would take them into town.

Parsons had got within half a mile of them when he saw them halt and
wait the coming of three horsemen, who advanced toward them from the
opposite direction. Parsons did not feel like joining the group, for
just at that moment he felt as though he could not bear to have anyone
see his face--they might have discovered the guilt in it--and so he
waited.

He saw the three men ride close to the other riders; he watched in
astonishment while one of the strange riders pursued one of the women,
catching her.

Parsons saw it all. But he did not ride forward, for he was in the grip
of a mighty terror that robbed him of power to move. For he knew one of
the strange riders was Carrington. He would have recognized him among a
thousand other men.

Parsons watched the three men climb the big slope that led to the great
house on the flat-topped hill. For many minutes after they had reached
the crest of the hill Parsons sat motionless on his horse, gazing
upward. And when he saw a light flare up in one of the rooms of the big
house, he cursed, his face convulsed with impotent rage.

                   *       *       *       *       *

Marion Harlan did not yield to the overpowering weakness that seized her
after she realized that further resistance to Carrington would be
useless. And instead of yielding to the hysteria that threatened her,
she clenched her hands and bit her lips in an effort to retain her
composure. She succeeded. And during the progress of her captor's horse
up the long slope she kept a good grip on herself, fortifying herself
against what might come when she and her captor reached the big house.

When they reached the crest of the hill, Carrington ordered the two men
to take Martha around to the back of the house and confine her in one of
the rooms. One man was to guard her. The other was to wait on the front
porch until Carrington called him.

The girl had decided to make one more struggle when Carrington
dismounted with her, but though she fought hard and bitterly, she did
not succeed in escaping Carrington, and the latter finally lifted her in
his arms and carried her into the front room, the room in which
Carrington had fought with Taylor the day Taylor had killed the three
men who had ambushed him.

Carrington lighted a lamp--it was this light Parsons had seen from the
basin--placed it on a shelf, and in its light grinned triumphantly at
the girl.

"Well, we are here," he said.

In his voice was that passion that had been in it that other time, when
he had pursued her into the house, and she had escaped him by hiding in
the attic. She cringed from him, backing away a little, and, noting the
movement, he laughed hoarsely.

"Don't worry," he said, "at least for an hour or two. I've got something
more important on my mind. Do you know what it is?" he demanded,
grinning hugely. "It's Taylor!" He suddenly seemed to remember that he
did not know why she had been abroad at dusk on the Dawes trail, and he
came close to her.

"Did you see Keats today?"

She did not answer, meeting his gaze fairly, her eyes flashing with
scorn and contempt. But he knew from the flame in her eyes that she had
seen Keats, and he laughed derisively.

"So you saw him," he jeered; "and you know that he came for Taylor. Did
he find Taylor at the Arrow?"

Again she did not answer, and he went on, suspecting that Taylor had not
been at the Arrow, and that Keats had gone to search for him. "No, Keats
didn't find him--that's plain enough. I should have enjoyed being there
to hear Keats tell you that Taylor had killed your father. You heard
that, didn't you? Yes," he added, his grin broadening; "you heard that.
So that's why you left the Arrow! Well, I don't blame you for leaving."

He turned toward the door and wheeled again to face her. "You'll enjoy
this," he sneered; "you've been so thick with Taylor. Bah!" he added as
he saw her face redden at the insult; "I've known where you stood with
Taylor ever since I caught you flirting with him on the station platform
the day we came to Dawes. That's why you went to the Arrow from
here--refusing my attentions to _give_ yourself to the man who killed
your father!"

He laughed, and saw her writhe under the sound of it.

"It hurts, eh?" he said venomously; "well, this will hurt, too. Keats
went out to get Taylor, but he will never bring Taylor in--alive. He has
orders to kill him--understand? That's why I've got more important
business than you to attend to for the next few hours. I'm going to
Dawes to find out if Keats has returned. And when Keats comes in with
the news that Taylor is done for, I'm coming back here for you!"

Calling the man who was waiting on the porch, Carrington directed him to
watch the girl; and then, with a last grin at her, he went out, mounted
his horse, and rode the trail toward Dawes. And as he rode, he laughed
maliciously, for he had not told her that the charge against Taylor was
a false one, and that, so far as he knew, Taylor was not guilty of
murdering her father.




CHAPTER XXXI--A RESCUE


An early moon stuck a pallid rim over the crest of the big, hill-like
plateau as Parsons sat on his horse in the basin, and Parsons watched it
rise in its silvery splendor and bathe the world with an effulgent glow.
It threw house and timber on the plateau crest in bold relief, a dark
silhouette looming against a flood of shimmering light, and Parsons
could see the porch he knew so well, and could even distinguish the
break in the timber that led to the house, which merged into the trail
that stretched to Dawes.

Parsons was still laboring with the devils of indecision and doubt. He
knew why Carrington had captured Marion, and he yearned to take the girl
from the man--for her own sake, and for the purpose of satisfying his
vengeance. But he knew that certain death awaited him up there should he
venture to show himself to Carrington. And yet a certain desperate
courage stole into Parsons as he watched from the basin, and when, about
half an hour after he had seen the flicker of light filter out of one of
the windows of the house, he saw a man emerge, mount a horse, and ride
away, he drew a deep breath of resolution and urged his own horse up the
slope. For the man who had mounted the horse up there was
Carrington--there could be no doubt of that.

Shivering, though still obeying the courageous impulse that had seized
him, Parsons continued to ascend the slope. He went half way and then
halted, listening. No sound disturbed the solemn stillness that had
followed Carrington's departure.

Reassured, though by this time he was sweating coldly, Parsons
accomplished the remainder of the intervening space upward. Far back in
the timber he brought his horse to a halt, dismounted, and again
listened. Hearing nothing that alarmed him, except a loud, angry voice
from the rear of the house--a voice which he knew as Martha's--he
cautiously made his way to the front porch, tiptoed across it, and
peered stealthily into the room out of which the light still shone, its
flickering rays stabbing weakly into the outside darkness.

Looking into the room, Parsons could see Marion sitting in a chair. Her
hands were bound, and she was leaning back in the chair, her hair
disheveled, her face chalk-white, and her eyes filled with a haunting,
terrible dread. Near the door, likewise seated on a chair, his back to
the big room that adjoined the one in which he sat, was a
villainous-looking man who was watching the girl with a leering grin.

The sight brought a murderous passion into Parsons' heart, nerving him
for the deed that instantly suggested itself to him. He crept off the
porch again, moving stealthily lest he make the slightest sound that
would warn the watcher at the door, and searched at a corner of the
porch until he found what he was looking for--a heavy club, a spoke from
one of the wheels of a wagon.

Parsons knew about where to find it, for during the days that he had sat
on the porch nursing his resentment against Carrington, he had gazed
long at the wagon-spoke, wishing that he might have an opportunity to
use it on Carrington.

He took it, balancing it, testing its weight. And now a hideous terror
seized him, almost paralyzing him. For though Parsons had robbed many
men, he had never resorted to violence; and for a time he stood with the
club in his hand, unable to move.

He moved at last, though, his face transformed from the strength of the
passion that had returned, and he carefully stepped on the porch,
crossed it, and stood, leaning forward, peering into the room through
the outside door left open by Carrington. The outside door opened from
the big room adjoining that in which the watcher sat, and Parsons could
see the man, who, with his back toward the door, was still looking at
Marion.

Entering the big room, Parsons saw Marion's eyes widen as she looked
full at him. He shook his head at her; her face grew whiter, and she
began to talk to the other man.

Only a second or two elapsed then until Parsons struck. The man rolled
out of his chair without a sound, and Parsons, leaping over him,
trembling, his breath coming in great gasps, ran to Marion and unbound
her hands.

Together they flew outside, where they found the girl's horse tethered
near a tree, and Parsons' animal standing where he had left it.

Mounting, the girl whispered to Parsons. She was trembling, and her
voice broke with a wailing quaver when she spoke:

"Where shall we go, Elam--where? We--I can't go back to the Arrow! Oh, I
just can't! And Carrington will be back! Oh! isn't there any _way_ to
escape him?"

"We'll go to Dawes, girl; that's where we'll go!" declared Parsons, his
dread and fear of the big man equaling that of the girl. "We'll go to
Dawes and tell them there just what kind of a man Carrington is--and
what he has tried to do with you tonight! There must be some men in
Dawes who will not stand by and see a woman persecuted!"

And as they rode the river trail toward the town, the girl, white and
silent, riding a little distance ahead of him, Parsons felt for the
first time in his life the tingling thrills that come of an unselfish
deed courageously performed. And the experience filled him with the
spirit to do other good and unselfish deeds.

They rode fast for a time, until the girl again spoke of Carrington's
announced intention to return shortly. Then they rode more cautiously,
and it was well they did. For they had almost reached Dawes when they
heard the whipping tread of a horse's hoofs on the trail, coming toward
them. They rode well back from the trail, and, concealed by some heavy
brush, saw Carrington riding toward the big house. He went past them,
vanishing into the shadows of the trees that fringed the trail, and for
a long time the girl and Parsons did not move for fear Carrington might
have slowed his horse and would hear them. And when they did come out of
their concealment and were again on the Dawes trail, they rode fast,
with the dread of Carrington's wrath to spur them on.

                   *       *       *       *       *

It _had_ been Martha's voice that Parsons had heard when he had been
standing in the timber near the front of the house. The negro woman was
walking back and forth in the room where her captor had confined her,
vigorously berating the man. She was a dusky thundercloud of wrath, who
rumbled verbal imprecations with every breath. Her captor--a small man
with a coarse voice, a broken nose, and a scraggy, drooping
mustache--stood in the doorway looking at her fiercely, with obvious
intent to intimidate the indignant Amazon.

At the instant Parsons heard her voice she was confronting the man, her
eyes popping with fury.

"You let me out of heah this minute, yo' white trash! Yo' heah! An'
doan' you think I's scared of you, 'cause I ain't! If you doan' hop away
from that do', I's goin' to mash yo' haid in wif this yere chair! You
git away now!"

The man grinned. It was a forced grin, and his face whitened with it,
betraying to Martha the fear he felt of her--which she had suspected
from the moment he had brought her in and the light from the kitchen
lamp shone on his face.

She took a threatening step toward him; a tentative movement, a testing
of his courage. And when she saw him retreat from her slightly, she
lunged at him, raising the chair she held in her hands.

Possibly the man was reluctant to resort to violence; he may have had a
conviction that the detaining of Martha was not at all necessary to the
success of Carrington's plan to subjugate the white girl, or he might
have been merely afraid of Martha. Whatever his thoughts, the man
continued to retreat from the negro woman, and as she pursued him, her
courage grew, and the man's vanished in inverse ratio. And as he passed
the center of the kitchen, he wheeled and ran out of the door, Martha
following him.

Outside, the man ran toward the stable. For an instant Martha stood
looking after him. Then, thinking Carrington was still in the house, and
that there was no hope of her frightening him as she had frightened the
little man who had stood guard over her, she ran to where her horse
stood, clambered into the saddle, and sent the animal down the big slope
toward Mullarky's cabin, where she hoped to find Mullarky, to send him
to the big house to rescue the girl from Carrington.




CHAPTER XXXII--TAYLOR BECOMES RILED


By the time Bud Hemmingway had finished his grotesque expression of the
delight that had seized him, and had got to his knees and was grinning
widely at Taylor, the horses of the Arrow outfit were running down the
neck of the gorge, their hoofs drumming on the hard floor of the bottom,
awakening echoes that filled the gorge with an incessant rumbling
clatter that might have caused one to think a regiment of cavalry was
advancing at a gallop.

Bud turned his gaze up the gorge and saw them.

"Ain't they great!" he yelled at Taylor. The leap in Bud's voice
betrayed something of the strained tenseness with which the man had
endured his besiegement.

And now that there was an even chance for him, Bud's old humorous and
carefree impulses were again ascendant. He got to his feet, grinning,
the spirit of battle in his eyes, and threw a shot at a Keats man, far
up on a hillside, who had left his concealment and was running upward.
At the report of the rifle the man reeled, caught himself, and continued
to clamber upward, another bullet from Bud's rifle throwing up a dust
spray at his feet.

Other figures were now running; the slopes of the hills in the vicinity
were dotted with moving black spots as the Keats men, also hearing the
clattering of hoofs, and divining that their advantage was gone, made a
concerted break for their horses, which they had hidden in a ravine
beyond the hills.

Taylor did not do any shooting. While Bud was standing erect among the
pile of rocks which had served as a shelter for him during the
afternoon, his rifle growing hot in his hands, and picturesque curses
issued from his lips, Taylor walked to Spotted Tail and tightened the
saddle cinches. This task did not take him long, but by the time it was
finished the Arrow outfit had dispersed the Keats men, who were fleeing
toward Dawes in scattered units.

Bothwell, big and grim, rode to where Taylor was standing, his voice
booming as he looked sharply at Taylor.

"I reckon we got here just in time, boss!" he said. "They didn't git you
or Bud? No?" at Taylor's grin. "Well, we're wipin' them out--that's all!
That Keats bunch can't run in no raw deal like that on the Arrow--not
while I'm range boss. Law? Bah! Every damned man that runs with Keats
would have stretched hemp before this if they'd have been any law in the
country! A clean-up, eh--that's what they tryin' to pull off. Well,
watch my smoke!"

His voice leaping with passion, Bothwell slapped his horse sharply, and
as the animal leaped down the trail toward Dawes, Bothwell shouted to
the other men of the outfit, who had halted at a little distance back in
the gorge:

"Come a runnin', you yaps! That ornery bunch can't git out of this
section without hittin' the basin trail!"

Bothwell and the others fled down the gorge like a devastating whirlwind
before Taylor could offer a word of objection.

As a matter of fact, Taylor had paid little attention to Bothwell's
threats. He knew that the big range boss was in a bitter rage, and he
had been aware of the ill-feeling that had existed for some time between
Keats and his friends and the men of the Arrow outfit.

But the deserved punishment of Keats was not the burden his mind carried
at this instant. Dominating every other thought in Taylor's brain was
the obvious, naked fact that Carrington had struck at him again; that he
had struck underhandedly, as usual; and that he would continue to fight
with that method until he was victorious or beaten.

And yet Taylor was not so much concerned over the blow that had been
aimed at him as he was of its probable effect upon Marion Harlan. For of
course the girl had heard of the charge by this time--or she would hear
of it. It would be all the same in the end. And at a blow the girl's
faith in him would be destroyed--the faith that he had been nurturing,
and upon which he had built his hopes.

To be sure he had Larry Harlan's note to show her, to convince her of
his innocence, but he knew that once the poison of suspicion and doubt
got into her heart, she could never give him that complete confidence of
which he had dreamed. She might, now that Carrington had spread his
poison, conclude that he had forged the note, trusting in it to disarm
the suspicions of herself and of the world. And if she were to demand
why he had not shown her the note before--when she had first come to the
Arrow--he could not tell her that he had determined never to show it to
her, lest she understand that he knew her mother's sordid history. That
secret, he had promised himself, she would never know; nor would she
ever know of the vicious significance of that conversation he had
overheard between Carrington and Parsons on the train coming to Dawes.
He was convinced that if she knew these things she would never be able
to look him in the eyes again.

Therefore, knowing the damage Carrington had wrought by bringing the
charge of murder against him, Taylor's rage was now definitely centered
upon his enemy. The pursuit and punishment of Keats was a matter of
secondary consideration in his mind--Bothwell and the men of the outfit
would take care of the man. But Taylor could no longer fight off the
terrible rage that had seized him over the knowledge of Carrington's
foul methods, and when he mounted Spotted Tail and urged him down the
trail toward the Arrow ranchhouse, there was a set to his lips that
caused Norton, who had brought his horse to a halt near him, to look
sharply at him and draw a quick breath.

Not speaking to Norton, nor to Bud--who had also remained to watch
him--Taylor straightened Spotted Tail to the trail and sent him flying
toward the Arrow. Taylor looked neither to the right nor left, nor did
he speak to Norton and Bud, who rode hard after him. Down the trail at a
point where the neck of the gorge broadened and merged into the grass
level that stretched, ever widening, to the Arrow, Spotted Tail and his
rider flashed past a big cluster of low hills from which came
flame-streaks and the sharp, cracking reports of rifles, the yells of
men in pain, and the hoarse curses of men in the grip of the fighting
rage.

But Taylor might not have heard the sounds. Certainly he could not have
seen the flame-streaks, unless he glimpsed them out of the corners of
his eyes, for he did not turn his head as he urged Spotted Tail on,
speeding him over the great green sweep of grass at a pace that the big
horse had never yet been ridden.

Laboring behind him, for they knew that something momentous impended,
Norton and Bud tried their best to keep up with the flying beast ahead
of them. But the sorrel ridden by Norton, and even the great, rangy,
lionhearted King, could not hold the pace that Spotted Tail set for
them, and they fell slowly back until, when still several miles from the
Arrow, horse and rider vanished into the dusk ahead of them.




CHAPTER XXXIII--RETRIBUTION


Twice descending the long slope leading to the basin, Martha's horse
stumbled. The first time the negro woman lifted him to his feet by
jerking sharply on the reins, but when he stumbled the second time,
Martha was not alert and the horse went to his knees. Unprepared, Martha
was jolted out of the saddle and she fell awkwardly, landing on her
right shoulder with a force that knocked the breath out of her.

She lay for a short time, gasping, her body racked with pain, and at
last, when she succeeded in getting to her feet, the horse had strayed
some little distance from her and was quietly browsing the tops of some
saccaton.

It was several minutes before Martha caught the animal--several minutes
during which she loosed some picturesque and original profanity that
caused the experienced range horse to raise his ears inquiringly.

Then, when she caught the horse, she had some trouble getting into the
saddle, though she succeeded after a while, groaning, and grunting, and
whimpering.

But Martha forgot her pains and misery once she was in the saddle again,
and she rode fast, trembling with eagerness, her sympathies and her
concern solely for the white girl who, she supposed, was a prisoner in
the hands of the ruthless and unprincipled man that Martha, with her
limited vocabulary, had termed many times a "rapscallion."

Martha headed her horse straight for the Mullarky cabin, guided by a
faint shaft of light that issued from one of its windows.

When she reached the cabin she found no one there but Mrs. Mullarky.
Ben, Mrs. Mullarky told Martha, had gone to Dawes--in fact, he had been
in Dawes all day, she supposed, for he had left home early that morning.

Martha gasped out her news, and Mrs. Mullarky's face whitened. While
Martha watched her in astonishment, she tore off the gingham apron that
adorned her, threw it into a corner, and ran into another room, from
which she emerged an instant later carrying a rifle.

The Irishwoman's face was pale and set, and the light of a great wrath
gleamed in her eyes. Martha, awed by the woman's belligerent appearance,
could only stand and blink at her, her mouth gaping with astonishment.

"You go right on to the Arrow!" she commanded Martha, as she went out of
the door; "mebbe you'll find somebody there by this time, an' if you do,
send them to the big house. I'm goin' over there right this minute to
take that dear little girl away from that big brute!"

She started while Martha was again painfully mounting her horse, and the
two women rode away in opposite directions--Martha whimpering with pain,
and Mrs. Mullarky silent, grim, with a wild rage gripping her heart.

                   *       *       *       *       *

Taylor, on Spotted Tail, was approaching the Arrow ranchhouse at a speed
slightly greater than that into which the big horse had fallen shortly
after he had left the gorge. The spirited animal was just warming to his
work, and he was doing his best when he flashed past the big cattle
corral, going with the noise of rushing wind. In an instant he was at
the long stretch of fence which formed the ranchyard side of the horse
corral, and in another instant he was sliding to a halt near the edge of
the front porch of the ranchhouse itself. There he drew a deep breath
and looked inquiringly at his master, while the latter slid off his
back, leaped upon the porch, and with a bound crossed the porch floor,
knocking chairs helter-skelter as he went.

The house was dark, but Taylor ran through the rooms, calling sharply
for Parsons and Marion, but receiving no reply. When he emerged from the
house his face, in the light of the moon that had climbed above the
horizon some time before, was like that of a man who has just looked
upon the dead face of his best friend.

For Taylor was convinced that he had looked upon death in the
ranchhouse--upon the death of his hopes. He stood for an instant on the
porch, while his passions raged through him, and then with a laugh of
bitter humor he leaped on Spotted Tail.

Half-way to the Mullarky cabin, with the big horse running like the
wind, Taylor saw a shape looming out of the darkness ahead of him. He
pulled Spotted Tail down, and loosed one of his pistols, and approached
the shape warily, his muscles stiff and taut and ready for action.

But it was only Martha who rode up to him. Her fortitude gone, her pains
convulsing her, she wailed to Taylor the story of the night's tragic
adventure.

"An' Carrington's got missy in the big house!" she concluded. "She fit
him powerful hard, but it was no use--that rapscallion too much fo'
her!"

She shouted the last words at Taylor, for Spotted Tail had received a
jab in the sides with the rowels that hurt him cruelly, and, angered, he
ran like a deer with the hungry cry of a wolf-pack in his ears.

Like a black streak they rushed by Mrs. Mullarky, who breathed a
fervent, "Oh, thank the Lord, it's Taylor!" and before the good woman
could catch her breath again, Spotted Tail and his rider had opened a
huge, yawning space between himself and the laboring horse the woman
rode.

Riding with all his muscles taut as bowstrings, and a terrible,
constricting pressure across his chest--so mighty were the savage
passions that rioted within him--Taylor reached the foot of the long
slope that led to the big house, and sent Spotted Tail tearing upward
with rapid, desperate leaps.

                   *       *       *       *       *

When Carrington reached the big house soon after he had unknowingly
passed Marion Harlan and Parsons on the river trail, he was in a sullen,
impatient mood.

For no word concerning Keats's movements had reached Dawes, and
Carrington was afflicted with a gloomy presentiment that something had
happened to the man--that he had not been able to locate Taylor, or that
he had found him and Taylor had succeeded in escaping him.

Carrington did not go at once into the house, for captive though she
was, and completely within his power, he did not want the girl to see
him in his present mood. Lighting a cigar, and chewing it viciously, he
walked to the stable. There, standing in the shadow of the building, he
came upon the guard Martha had routed. He spoke sharply to the man,
asking him why he was not inside guarding the "nigger."

The man brazenly announced that Martha had escaped him, omitting certain
details and substituting others from his imagination.

"If she hadn't been a woman, now," added the man in self-extenuation.

Carrington laughed lowly. "We didn't need _her_, anyway," he said, and
the other laughed with him.

The laugh restored Carrington's good-nature, and he left the man and
went into the front room of the house. Had he paused on the porch to
listen, or had he glanced toward the big slope that dropped to the
basin, he would not have entered the house just then. And he _would_
have paused on the porch had it not been that the intensity of his
desires drove him to concentrate all his senses upon Marion.

He crossed the porch and entered the room, and then halted, staring
downward with startled eyes at the body of the guard huddled on the
floor, a thin stream of blood staining the carpet beneath his head.

Cursing, Carrington stepped into the other room--the room in which he
had fought with Taylor--the room in which he had left Marion Harlan
bound and sitting on a chair. The lamp on the shelf was still burning,
and in its light Carrington saw the rope he had used to bind the girl's
hands.

A bitter rage seized him as he looked at the rope, and he threw it from
him, cursing. In an instant he was outside the house and had leaped upon
his horse. He headed the animal toward the long slope leading to the
Arrow trail, for he suspected the girl would go straight back there,
despite any conviction she might have of Taylor's guilt--for there she
would find Parsons, who would give her what comfort he could. Or she
might stop at the Mullarky cabin. Certainly she would not go to Dawes,
for she must know that _he_ ruled Dawes--Parsons must have told her
that--and that if she went to Dawes, she would be merely postponing her
surrender to him.

He had plenty of time, even if she were in Dawes, he meditated as he
sent his horse over the crest of the slope, for there were no trains out
of the town during the night, and if she were not at the Arrow or
Mullarky's, he was sure to catch her later.

He was half-way down the slope, his horse making slow work of threading
its way through the gnarled chaparral growth, when, looking downward, he
saw another horse leaping up the slope toward him.

In the glare of the moon that was behind Carrington, he could see horse
and rider distinctly, and he jerked his own horse to a halt, cursing
horribly. For the horse that was leaping toward him like a black demon
out of the night was Spotted Tail. And Spotted Tail's rider was Taylor.
Carrington could see the man's face, with the terrible passion that
distorted it, and Carrington wheeled his horse, making frenzied efforts
to escape up the slope.

Carrington was not more than a hundred feet from the big black horse and
its indomitable rider when he wheeled his own animal, and he had not
traveled more than a few feet when he realized that Spotted Tail was
gaining rapidly.

Cursing again, though his face was ghastly with the fear that had seized
him, Carrington slipped from his horse, and, running around so that the
animal was between him and Taylor, he drew a heavy pistol from a
hip-pocket. And when the oncoming horse and rider were within
twenty-five or thirty feet of him, Carrington took deliberate aim and
fired.

He grinned vindictively as he saw Taylor reel in the saddle, and he
fired again, and saw Taylor drop to the ground beside Spotted Tail.

Carrington could not tell whether his second shot had struck Taylor, and
before he could shoot again, Taylor dove headlong toward a jagged rock
that thrust a bulging shoulder upward. Carrington threw a snapshot at
him as he leaped, but again he could not have told whether the bullet
had gone home.

Keeping the horse between himself and the rock behind which Taylor had
thrown himself, Carrington leaped behind another that stood near the
edge of the chaparral clump through which he had been riding when he had
seen Taylor coming up the slope. Seeming to sense their danger, both
horses slowly moved off out of the line of fire and proceeded
unconcernedly to browse the clumps of grass that dotted the side of the
slope.

And now began a long, strained silence. Carrington could see Taylor's
rock, but it was at the edge of the chaparral, and Taylor might easily
slip into the chaparral and begin a circling movement that would bring
him behind Carrington. The thought brought a damp sweat out upon
Carrington's forehead, and he began to cast fearing glances toward the
chaparral at his side. He watched it long, and the longer he watched,
the greater grew his fear. And at last, at the end of half an hour, the
fear grew to a conviction that Taylor was stalking him in the chaparral.
No longer able to endure the suspense, Carrington left the shelter of
his rock and began to work his way around the edge of the chaparral
clump.

Taylor had felt the heat and the shock of Carrington's first bullet, and
he knew it had gone into his left arm. The second bullet had missed him
cleanly, and he landed behind the rock, with all his senses alert,
paying no attention to his wound.

He had recognized Carrington, and with the cold calm that comes with
implacable determination, Taylor instantly began to take an inventory of
the hazards and the advantages of his position. And after his
examination was concluded, he dropped to his hands and knees and began
to work his way into the chaparral.

He moved cautiously, for he knew that should he disturb the rank growth
he would disclose his whereabouts to Carrington, should the latter have
gained a vantageous point from where he could watch the thicket for just
such signs of Taylor's presence.

But Taylor made no such signs; he had not spent the greater part of his
life in the open to be outdone in this grim strategy by an eastern man.
He grinned wickedly at the thought.

He suspected that Carrington might try the very trick he himself was
trying, and that thought made him wary.

Working his way into the thicket, he at last reached a point near its
center, upon a slight mound surrounded by stunt oak and quivering aspen.
There, concealed and alert, he waited for Carrington to show himself.

Carrington, though, did not betray his presence in the thicket. For
Carrington was not in the thicket when Taylor reached its center.
Carrington had started into the thicket, but he had not proceeded very
far when he began to be afflicted with a dread premonition of Taylor's
presence somewhere in the vicinity.

A clammy sweat broke out on the big man; a panic of fear seized him, and
he began to creep backward, out of the thicket. And by the time Taylor
reached his vantagepoint, Carrington was crouching at the thicket's
edge, near the rock where he had been concealed, oppressed with a
conviction that Taylor was working his way toward him through the
thicket.

The big man waited, his nerves taut, his muscles quivering and cringing
at the thought that any instant a bullet sent at him by Taylor might
strike him. For he knew that Taylor had come for him; he was now
convinced that Marion Harlan _had_ gone to the Arrow, that she had told
Taylor what had happened to her, and that Taylor had come straight to
the big house to punish him for his misdeeds.

And Carrington had a dread of the sort of punishment Taylor had dealt
him upon a former occasion, and he wanted no more of it. That was why he
had used his pistol instantly upon recognizing Taylor. He wished, now,
that he had not been so hasty; for he had taken the initiative, and
Taylor would not scruple to imitate him.

In fact, he was so certain that at that moment Taylor was creeping upon
him from some point with the fury of murder in his heart, that he got to
his feet and, looking over the top of the rock, searched with wild eyes
for his horse. And when he saw the animal not more than twenty or thirty
feet from him, he could not longer resist the panic that had seized him.
Crouching, he ran for several yards on his hands and feet and then,
nearing his horse, he stood upright and ran for it.

As he ran he cringed, for he expected a pistol-shot to greet his
appearance at the side of his horse. But no report came, and he reached
the horse, threw himself into the saddle and raced the animal down the
slope.

He was conscious of a pulse of elation, for he thought he had eluded
Taylor, but just as his horse struck the edge of the big level
Carrington looked back, to see Spotted Tail slipping down the slope with
a smooth swiftness that terrified the big man.

He turned then and began to ride as he had never ridden before. The
animal under him was strong, courageous, and speedy; but Carrington knew
he would have need of all those sterling qualities if he hoped to escape
the iron-hearted horse Taylor bestrode. And so Carrington leaned
forward, trying to lighten the load, slapping the beast's neck with the
palm of his hand, urging him with his voice--coaxing him to the best
endeavors. For Carrington knew that somewhere in the vast expanse of
grass land and spread before him Keats and his men must be. And his only
hope lay in reaching them before the avenger, astride the big horse that
was speeding on his trail like a black thunderbolt, could bring his
rider within pistol-shot distance of him.

But Carrington had not gone more than half a mile when he realized that
the race was to be a short one. Twice after leaving the edge of the
slope Carrington looked back. The first time Spotted Tail seemed to be
far away; and the next time the big, black animal was so close that
Carrington cried out hoarsely.

And then as Carrington felt the distance being shortened--as he felt the
presence of the black horse almost at the withers of his own
animal--heard the breathing of the big pursuing beast, he knew that he
was not to be shot.

Before he could swing his own horse to escape, the big, black horse was
beside his own, and one of Taylor's arms shot out, the fingers gripping
the collar of the big man's coat. Then with a vicious pull, swinging the
black horse wide, Taylor jerked Carrington out of the saddle, so that he
fell sidewise into the deep grass--while the black horse, eager for a
run, and not immediately responding to Taylor's pull on the reins, ran
some feet before he halted and wheeled.

And when he did finally face toward the spot where the big man had been
jerked from the saddle, it was to face a succession of flame-streaks
that shot from the spot where Carrington stood trying his best to send
into Taylor a bullet that would put an end to the horrible presentiment
of death that now filled the big man's heart.

He emptied his pistol and saw the black horse coming steadily toward
him, its rider erect in the saddle, seeming not to heed the savagely
barking weapon. And when the gun was empty, Carrington threw it from him
and began to run. He ran, and with grim mockery, Taylor followed him a
little distance--followed him until Carrington, exhausted, his breath
coming in great coughing gasps, could run no farther. And then Taylor
brought the big black to a halt near him, slid easily out of the saddle,
and stepped forward to look into Carrington's face, his own stiff and
set, his eyes gleaming with a passion that made the other man groan
hopelessly.

"Now, you miserable whelp!" said Taylor.

He lunged forward and the bodies of the two men made a swaying blot out
of which came the sounds of blows, bitter and savage.

                   *       *       *       *       *

The little broken-nosed man laughed a little in recollection of
Carrington's words about Martha. The big man had let him off easily, and
he was properly grateful. And yet his gratitude did not prevent him from
betraying curiosity; and he watched the front of the house for
Carrington's reappearance, wondering what he meant to do with the white
girl, now that he had her.

Still watching the front porch, he saw Carrington run for his horse,
leap upon it and sink down the side of the slope.

The little man then ran to the front of the house and, concealed among
the trees, watched the duel that was waged in the moonlight. He saw
Carrington break from the thicket, mount his horse and race out into the
plain; he saw Taylor--for he had recognized him--send Spotted Tail after
Carrington. But he did not see the finish of the race, nor did he see
what followed. But some minutes later he saw a big, black horse tearing
toward him from the spot where the race had ended. He muttered
gutturally and profanely, leaped on his horse and sent it plunging down
the trail toward Dawes, his face ghastly with fear.




CHAPTER XXXIV--THE WILL OF THE MOB


Parsons had always been an unemotional man. His own character being
immune to the little twinging impulses of humanness that grow to
generous and unselfish deeds, he had looked with derision upon all
persons who betrayed concern for their fellow-men. And so Parsons had
lived apart from his fellows; he had watched them from across the gulf
of disinterest, where emotion was foreign.

But tonight Parsons was learning what emotion is. Not from others, but
from himself. Emotions--thousands of them seethed in his brain and
heart. He was in an advanced state of hysteria when he rode down the
Dawes trail with Marion Harlan. For there was the huge, implacable,
ruthless, and murderous Carrington, whom he had just passed on the
trail, to menace his very life--and he knew that just as soon as
Carrington returned to the big house and found Marion gone and the guard
dead, he would ride back to Dawes, seeking vengeance. And Carrington
would know it was Parsons who had robbed him of the girl; for Carrington
would inquire, and would discover that he had ridden into town with
Marion. And when Parsons and Marion rode into Dawes fear, stark, abject,
and naked, was in the man's soul.

Dawes was aflame with light as the two passed down the street; and
Parsons left the girl to sit on her horse in front of a darkened store,
while he rode down the street, peering into other stores, alight and
inviting. He hardly knew what he did want. He knew, however, that there
was little time, for at any minute now Carrington might come thundering
into town on his errand of vengeance; and whatever Parsons did must be
done quickly.

He chose the second store he came to. He thought the place was a
billiard-room until he entered and stood just inside the door blinking
at the lights; and then he knew it was a saloon, for he saw the bar, the
back-bar behind it, littered with bottles, and many tables scattered
around. More, there were perhaps a hundred men in the place--some of
them drinking; and at the sight of them all, realizing the mightiness of
their number, Parsons raised his hands aloft and screamed frenziedly:

"Men! There's been a crime committed tonight! At the Huggins house!
Carrington did it! He abducted my niece! I want you men to help me!
Carrington is going to kill me! And I want you to protect my niece!"

For an instant after Parsons' voice died in a breathless gasp, for he
blurted his story, the words coming in a stream, with hardly a pause
between them; there was an odd, strained silence. Then a man far back in
the room guffawed loudly:

"Plumb loco. Too much forty-rod!"

There was a half-hearted gale of laughter at the man's taunt; and then
many men were around Parsons, ready to laugh and jeer. And while some of
the men peered at Parsons, cynically inspecting him for signs of
drunkenness, several others ran to the open door and looked out into the
street.

"There's somethin' in his yappin', boys," stated a man who returned from
the door; "there's a gal out here, sure enough, setting on a hoss,
waitin'."

There was a concerted rush outside to see the girl, and Parsons was
shoved and jostled until he, too, was forced to go out. And by the time
Parsons reached Marion's side she had been questioned by the men. And
wrathful curses arose from the lips of men around her.

"Didn't I know he was that kind of a skunk!" shouted a man near Parsons.
"I knowed it as soon as he beat Taylor out of the election!"

"I'm for stringin' the scum up!" yelled another man. "This town can git
along without guys that go around abductin' wimmen!"

There were still other lurid and threatening comments. And many profane
epithets rose, burdened with menace, for Carrington. But the girl,
humiliated, weak, and trembling, did not hear all of them. She saw other
men emerging from doorways--all of them running toward her to join those
who had come out of the saloon. And then she saw a woman coming toward
her, the men making a pathway for her--a motherly looking woman who,
when she came near the girl, smiled up at her sympathetically and
reached up her hands to help the girl out of the saddle.

Marion slipped down, and the woman's arms went around her. And with many
grimly pitying glances from the men in the crowd about her, which parted
to permit her to pass, she was led into a private dwelling at a little
distance down the street, into a cozy room where there were signs of
decency and refinement. The woman placed the girl in a chair, and stood
beside her, smoothing her hair and talking to her in low, comforting
tones; while outside a clamor rose and a confused mutter of many voices
out of which she began to catch sentences, such as:

"Let's fan it to the big house an' git him!"

"There's too many crooks in this town--let's run 'em out!"

"What in hell did he come here for?"

"Judge Littlefield is just as bad--he cheated Taylor out of the
election!" "That's right," answered another voice. "Taylor's our man!"

"They are all wrought up over this, my dear," said the woman. "For a
long time there has been an undercurrent of dissatisfaction over the way
they cheated Quinton Taylor out of the mayoralty. I don't think it was a
bit fair. And," she continued, "there are other things. They have found
out that Carrington is behind a scheme to steal the water rights from
the town--something he did to the board of directors of the irrigation
company, I believe. And he has had his councilmen pass laws to widen
some streets and open new ones. And the well-informed call it a steal,
too. Mr. Norton has stirred up a lot of sentiment against Carrington and
Danforth, and all the rest of them. Secretly, that is. And there is that
murder charge against Quinton Taylor," went on the woman. "That is
preposterous! Taylor was the best friend Larry Harlan ever had!"

But the girl turned her head, and her lips quivered, for the mention of
Taylor had brought back to her the poignant sense of loss that she had
felt when she had learned of the charge against Taylor. She bowed her
head and wept silently, the woman trying again to comfort her, while
outside the noise and tumult grew in volume--threatening violence.

By the time Marion Harlan had dropped into the chair in the room of the
house into which the woman had taken her, the crowd that had collected
in the street was packed and jammed against the buildings on each side
of it.

Those who had come late demanded to be told what had happened; and some
men lifted Parsons to the back of his horse, and with their hands on his
legs, bracing him, Parsons repeated the story of what had occurred.
More--yielding to the frenzy that had now taken possession of his
senses, he told of Carrington's plotting against the town; of the man's
determination to loot and steal everything he could get his hands on. He
told them of his own culpability; he assured them he had been as guilty
as Carrington and Danforth--who was a mere tool, though as unscrupulous
as Carrington. He gave them an account of Carrington's stewardship of
his own money; and he related the story of Carrington's friendship with
the governor, connecting Carrington's trip to the capital with the
stealing of the election from Taylor.

It is the psychology of the mob that it responds in some measure to the
frenzy of the man who agitates it. So it was with the great crowd that
now swarmed the wide street of Dawes. Partisan feeling--all differences
of opinion that in other times would have barred concerted action--was
swept away by the fervent appeal Parsons made, and by his complete and
scathing revelation of the iniquitous scheme to rob the town.

A great sigh arose as Parsons finished and was drawn down, his hat off,
his hair ruffled, his eyes gleaming with the strength of the terrible
frenzy he was laboring under. The crowd muttered; voices rose sharply;
there was an impatient movement; a concerted stiffening of bodies and a
long pause, as of preparation.

Aroused, seething with passion, with a vindictive desire for action,
swift and ruthless, the crowd waited--waited for a leader. And while the
pause and the mutterings continued, the leader came.

It was the big, grim-faced Bothwell, at the head of the Arrow outfit.
With his horse in a dead run, the other horses of the outfit crowding
him close, Bothwell brought his horse to a sliding halt at the edge of
the crowd.

Bothwell's eyes were ablaze with the light of battle; and he stood in
his stirrups, looming high above the heads of the men around him, and
shouted:

"Where's my boss--Squint Taylor?" And before anyone could
answer--"Where's that damned coyote Carrington? Where's Danforth? What's
wrong here?"

It was Parsons who answered him. Parsons, again clambering into the
saddle from which he had spoken, now shrieking shrilly:

"It's Carrington's work! He abducted Marion Harlan, my niece. He's a
scoundrel and a thief, and he is trying to ruin this town!"

There was a short silence as Parsons slid again to the ground, and then
the man growled profanely:

"Let's run the whole bunch out of town! Start somethin', Bothwell!"

Bothwell laughed, a booming bellow of grim mirth that stirred the crowd
to movement. "We've been startin' somethin'! This outfit is out for a
clean-up! There's been too much sneakin' an' murderin'; an' too many
fake warrants flyin' around, with a bunch like them Keats guys sent out
to kill innocent men. Damn their hides! Let's get 'em--all of 'em!"

He flung his horse around and leaped it between the other horses of the
Arrow outfit, sending it straight to the doors of the city hall. Closing
in behind him, the other members of the Arrow outfit followed; and
behind them the crowd, now able to center its passion upon something
definite, rushed forward--a yelling, muttering, turbulent mass of men
intent to destroy the things which the common conscience loathes.

It seemed a lashing sea of retribution to Danforth and Judge
Littlefield, who were in the mayor's office, a little group of their
political adherents around them. At the first sign of a disturbance,
Danforth had attempted to gather his official forces with the intention
of preserving order. But only these few had responded, and they,
white-faced, feeling their utter impotence, were standing in the room,
terror-stricken, when Bothwell and the men of the Arrow outfit, with the
crowd yelling behind them, entered the door of the office.

                   *       *       *       *       *

The little, broken-nosed man had done well to leave the vicinity of the
big house before Taylor arrived there. For when Taylor emerged from the
front room, in which the light still burned, his soul was still in the
grip of a lust to slay.

He was breathing fast when he emerged from the house, for what he saw
there had puzzled him--the guard lying on the floor and Marion gone--and
he stood for an instant on the porch, scanning the clearing and the
woods around the house with blazing eyes, his guns in hand.

The silence around the house was deep and solemn now, and over Taylor
stole a conviction that Carrington had sent Marion to Dawes in charge of
some of his men; having divined that he would come for her. But Taylor
did not act upon the conviction instantly. He ran to the stable, stormed
through it--and the other buildings in the cluster around the
ranchhouse; and finding no trace of men or girl, he at last leaped on
Spotted Tail and sent him thundering over the trail toward Dawes.

When he arrived in town a swaying, shouting, shooting mob jammed the
streets. He brought his horse to a halt on the edge of the crowd that
packed the street in front of the city hall, and demanded to know what
was wrong.

The man shouted at him:

"Hell's to pay! Carrington abducted Marion Harlan, an' that little
guy--Parsons--rescued her. An' Parsons made a speech, tellin' folks what
Carrington an' Danforth an' all the rest of the sneakin' coyotes have
done, an' we're runnin' the scum out of town!" And then, before Taylor
could ask about the girl, the man raised his voice to a shrill yell:

"It's Squint Taylor, boys! Squint Taylor! Stand back an' let ol' Squint
take a hand in this here deal!"

There was a wild, concerted screech of joy. It rose like the shrieking
of a gale; it broke against the buildings that fringed the street; it
echoed and reechoed with terrific resonance back and forth over the
heads of the men in the crowd. It penetrated into the cozy room of a
private dwelling, where sat a girl who started at the sound and sat
erect, her face paling, her eyes, glowing with a light that made the
motherly looking woman say to her, softly:

"Ah, then you _do_ believe in him, my dear!"

                   *       *       *       *       *

It was when the noise and the tumult had subsided that Taylor went to
her. For he had been told where he might find her by men who smiled
sympathetically at his back as he walked down the street toward the
private dwelling.

She was at the door as soon as he, for she had been watching from one of
the front windows, and had seen him come toward the house.

And when the motherly looking woman saw them in each other's arms, the
moon and the light from within the house revealing them to her, and to
the men in the crowd who watched from the street, she smiled gently.
What the two said to each other will never be known, for their words
were drowned in the cheer that rose from hoarse-voiced men who knew that
words are sometimes futile and unnecessary.




CHAPTER XXXV--TRIUMPH AT LAST


A month later, Taylor walked to the front door of the Arrow ranchhouse
and stood on the threshold looking out over the great sweep of
green-brown plain that reached eastward to Dawes.

A change had come over Taylor. His eyes had a gentler light in them--as
though they had seen things that had taken the edge off his sterner
side; and there was an atmosphere about him that created the impression
that his thoughts were at this moment far from violence.

"Mr. Taylor!" said a voice behind him--from the front room. There had
been an undoubted accent on the "Mr." And the voice was one that Taylor
knew well; the sound of it deepened the gentle gleam in his eyes.

"Mrs. Taylor," he answered, imparting to the "Mrs." exactly the emphasis
the voice had placed on the other.

There was a laugh behind him, and then the voice again, slightly
reproachful: "Oh, that sounds so _awfully_ formal, Squint!"

"Well," he said, "you started it."

"I like 'Squint' better," said the voice.

"I'm hoping you keep on liking Squint all the days of your life," he
returned.

"I was speaking of names," declared the voice.

"Doan' yo' let her fool yo', Mr. Squint!" came another voice, "fo' she
think a heap mo' of you than she think of yo' name!"

"Martha!" said the first voice in laughing reproof, "I vow I shall send
you away some day!"

And then there was a clumping step on the floor, and Martha's voice
reached the door as she went out of the house through the kitchen:

"I's goin' to the bunkhouse to expostulate wif that lazy Bud Hemmingway.
He tole me this mawnin' he's gwine feed them hawgs--an' he ain't done
it!"

And then Mrs. Taylor appeared at the door and placed an arm around her
husband's neck, drawing his head over to her and kissing him.

She looked much like the Marion Harlan who had left the Arrow on a night
about a month before, though there was a more eloquent light in her
eyes, and a tenderness had come over her that made her whole being
radiate.

"Don't you think you had better get ready to go to Dawes, dear?" she
suggested.

"I like that better than 'Squint' even," he grinned.

For a long time they stood in the doorway very close together. And then
Mrs. Taylor looked up with grave eyes at her husband.

"Won't you please let me look at _all_ of father's note to you, Squint?"
she asked.

"That can't be done," he grinned at her. "For," he added, "that day
after I let you read part of it I burnt it. It's gone--like a lot of
other things that are not needed now!"

"But what did it say--that part that you wouldn't let me read?" she
insisted.

"It said," he quoted, "'I want you to marry her, Squint.' And I have
done so--haven't I?"

"Was that _all_?" she persisted.

"I'd call that plenty!" he laughed.

"Well," she sighed, "I suppose that will have to be sufficient. But get
ready, dear; they will be waiting for you!" She left him and went into a
room, from where she called back to him: "It won't take me long to
dress." And then, after an interval: "Where do you suppose Uncle Elam
went?"

He scowled out of the doorway; then turned and smiled. "He didn't say.
And he lost no time saying farewell to Dawes, once he got his hands on
the money Carrington left." Taylor's smile became a laugh, low and full
of amusement.

Shortly Mrs. Taylor appeared, attired in a neat riding-habit, and Taylor
donned coat and hat, and they went arm in arm to the corral gate, where
their horses were standing, having been roped, saddled, and bridled by
the "lazy" Bud Hemmingway, who stood outside the bunkhouse grinning at
them.

"Well, good luck!" Bud called after them as they rode toward Dawes.

Lingering much on the way, and stopping at the Mullarky cabin, they
finally reached the edge of town and were met by Neil Norton, who
grinned widely when he greeted them.

Norton waved a hand at Dawes. As in another time, Dawes was arrayed in
holiday attire, swathed in a riot of color--starry bunting, flags, and
streamers, with hundreds of Japanese lanterns suspended festoonlike
across the streets. And now, as Taylor and the blushing, moist-eyed
woman at his side rode down the street, a band on a platform near the
station burst into music, its brazen-tongued instruments drowning the
sound of cheering.

"We got that from Lazette," grinned Norton. "We had to have _some_
noise! As I told you the other day," he went on, speaking loudly, so
that Taylor could hear him above the tumult, "it is all fixed up. Judge
Littlefield stayed on the job here, because he promised to be good. He
hadn't really done anything, you know. And after we made Danforth and
the five councilmen resign that night, and saw them aboard the
east-bound the next morning, we made Littlefield wire the governor about
what had happened. Littlefield went to the capital shortly afterward and
told the governor some things that astonished him. And the governor
appointed you to fill Danforth's unexpired term. But, of course, that
was only an easy way for the governor to surrender. So everything is
lovely."

Norton paused, out of breath.

And Taylor smiled at his wife. "Yes," he said, as he took her arm, "this
is a mighty good little old world--if you treat it right."

"And if you stay faithful," added the moist-eyed woman.

"And if you fall in love," supplemented Taylor.

"And when the people of a town want to honor you," added Norton
significantly.

And then, arm in arm, followed by Norton, Taylor and his wife rode
forward, their horses close together, toward the great crowd of people
that jammed the street around the band-stand, their voices now raised
above the music that blared forth from the brazen instruments.




EDGAR RICE BURROUGH'S NOVELS

May be had wherever books are sold. Ask for Grosset & Dunlap's list.

TARZAN THE UNTAMED

  Tells of Tarzan's return to the life of the ape-man in his search
  for vengeance on those who took from him his wife and home.

JUNGLE TALES OF TARZAN

  Records the many wonderful exploits by which Tarzan proves his right
  to ape kingship.

A PRINCESS OF MARS

  Forty-three million miles from the earth--a succession of the
  weirdest and most astounding adventures in fiction. John Carter,
  American, finds himself on the planet Mars, battling for a beautiful
  woman, with the Green Men of Mars, terrible creatures fifteen feet
  high, mounted on horses like dragons.

THE GODS OF MARS

  Continuing John Carter's adventures on the Planet Mars, in which he
  does battle against the ferocious "plant men," creatures whose
  mighty tails swished their victims to instant death, and defies
  Issus, the terrible Goddess of Death, whom all Mars worships and
  reveres.

THE WARLORD OF MARS

  Old acquaintances, made in the two other stories, reappear, Tars
  Tarkas, Tardos Mors and others. There is a happy ending to the story
  in the union of the Warlord, the title conferred upon John Carter,
  with Dejah Thoris.

THUVIA, MAID OF MARS

  The fourth volume of the series. The story centers around the
  adventures of Carthoris, the son of John Carter and Thuvia, daughter
  of a Martian Emperor.

GROSSET & DUNLAP, Publishers, NEW YORK.




ZANE GREY'S NOVELS

May be had wherever books are sold. Ask for Grosset & Dunlap's list.

  THE MAN OF THE FOREST
  THE DESERT OF WHEAT
  THE U. P. TRAIL
  WILDFIRE
  THE BORDER LEGION
  THE RAINBOW TRAIL
  THE HERITAGE OF THE DESERT
  RIDERS OF THE PURPLE SAGE
  THE LIGHT OF WESTERN STARS
  THE LAST OF THE PLAINSMEN
  THE LONE STAR RANGER
  DESERT GOLD
  BETTY ZANE

LAST OF THE GREAT SCOUTS

  The life story of "Buffalo Bill" by his sister Helen Cody Wetmore,
  with Foreword and conclusion by Zane Grey.

ZANE GREY'S BOOKS FOR BOYS

  KEN WARD IN THE JUNGLE
  THE YOUNG LION HUNTER
  THE YOUNG FORESTER
  THE YOUNG PITCHER
  THE SHORT STOP
  THE RED-HEADED OUTFIELD AND OTHER BASEBALL STORIES

Grosset & Dunlap, Publishers, New York




JAMES OLIVER CURWOOD'S STORIES OF ADVENTURE

May be had wherever books are sold. Ask for Grosset & Dunlap's list.

THE RIVER'S END

  A story of the Royal Mounted Police.

THE GOLDEN SNARE

  Thrilling adventures in the Far Northland.

NOMADS OF THE NORTH

  The story of a bear-cub and a dog.

KAZAN

  The tale of a "quarter-strain wolf and three-quarters husky" torn
  between the call of the human and his wild mate.

BAREE, SON OF KAZAN

  The story of the son of the blind Grey Wolf and the gallant part he
  played in the lives of a man and a woman.

THE COURAGE OF CAPTAIN PLUM

  The story of the King of Beaver Island, a Mormon colony, and his
  battle with Captain Plum.

THE DANGER TRAIL

  A tale of love, Indian vengeance, and a mystery of the North.

THE HUNTED WOMAN

  A tale of a great fight in the "valley of gold" for a woman.

THE FLOWER OF THE NORTH

  The story of Fort o' God, where the wild flavor of the wilderness is
  blended with the courtly atmosphere of France.

THE GRIZZLY KING

  The story of Thor, the big grizzly.

ISOBEL

  A love story of the Far North.

THE WOLF HUNTERS

  A thrilling tale of adventure in the Canadian wilderness.

THE GOLD HUNTERS

  The story of adventure in the Hudson Bay wilds.

THE COURAGE OF MARGE O'DOONE

  Filled with exciting incidents in the land of strong men and women.

BACK TO GOD'S COUNTRY

  A thrilling story of the Far North. The great Photoplay was made
  from this book.

Grosset & Dunlap, Publishers, New York




FLORENCE L. BARCLAY'S NOVELS

May be had wherever books are sold. Ask for Grosset & Dunlap's list.

THE WHITE LADIES OF WORCESTER

  A novel of the 12th Century. The heroine, believing she had lost her
  lover, enters a convent. He returns, and interesting developments
  follow.

THE UPAS TREE

  A love story of rare charm. It deals with a successful author and
  his wife.

THROUGH THE POSTERN GATE

  The story of a seven day courtship, in which the discrepancy in ages
  vanished into insignificance before the convincing demonstration of
  abiding love.

THE ROSARY

  The story of a young artist who is reputed to love beauty above all
  else in the world, but who, when blinded through an accident, gains
  life's greatest happiness. A rare story of the great passion of two
  real people superbly capable of love, its sacrifices and its
  exceeding reward.

THE MISTRESS OF SHENSTONE

  The lovely young Lady Ingleby, recently widowed by the death of a
  husband who never understood her, meets a fine, clean young chap who
  is ignorant of her title and they fall deeply in love with each
  other. When he learns her real identity a situation of singular
  power is developed.

THE BROKEN HALO

  The story of a young man whose religious belief was shattered in
  childhood and restored to him by the little white lady, many years
  older than himself, to whom he is passionately devoted.

THE FOLLOWING OF THE STAR

  The story of a young missionary, who, about to start for Africa,
  marries wealthy Diana Rivers, in order to help her fulfill the
  conditions of her uncle's will, and how they finally come to love
  each other and are reunited after experiences that soften and
  purify.

Grosset & Dunlap, Publishers, New York




ETHEL M. DELL'S NOVELS

May be had wherever books are sold. Ask for Grosset & Dunlap's list.

THE LAMP IN THE DESERT

  The scene of this splendid story is laid in India and tells of the
  lamp of love that continues to shine through all sorts of
  tribulations to final happiness.

GREATHEART

  The story of a cripple whose deformed body conceals a noble soul.

THE HUNDREDTH CHANCE

  A hero who worked to win even when there was only "a hundredth
  chance."

THE SWINDLER

  The story of a "bad man's" soul revealed by a woman's faith.

THE TIDAL WAVE

  Tales of love and of women who learned to know the true from the
  false.

THE SAFETY CURTAIN

  A very vivid love story of India. The volume also contains four
  other long stories of equal interest.

Grosset & Dunlap, Publishers, New York




"STORM COUNTRY" BOOKS BY GRACE MILLER WHITE

May be had wherever books are sold. Ask for Grosset & Dunlap's list.

JUDY OF ROGUES' HARBOR

  Judy's untutored ideas of God, her love of wild things, her faith in
  life are quite as inspiring as those of Tess. Her faith and
  sincerity catch at your heart strings. This book has all of the
  mystery and tense action of the other Storm Country books.

TESS OF THE STORM COUNTRY

  It was as Tess, beautiful, wild, impetuous, that Mary Pickford made
  her reputation as a motion picture actress. How love acts upon a
  temperament such as hers--a temperament that makes a woman an angel
  or an outcast, according to the character of the man she loves--is
  the theme of the story.

THE SECRET OF THE STORM COUNTRY

  The sequel to "Tess of the Storm Country," with the same wild
  background, with its half-gypsy life of the squatters--tempestuous,
  passionate, brooding. Tess learns the "secret" of her birth and
  finds happiness and love through her boundless faith in life.

FROM THE VALLEY OF THE MISSING

  A haunting story with its scene laid near the country familiar to
  readers of "Tess of the Storm Country."

ROSE O' PARADISE

  "Jinny" Singleton, wild, lovely, lonely, but with a passionate
  yearning for music, grows up in the house of Lafe Grandoken, a
  crippled cobbler of the Storm Country. Her romance is full of power
  and glory and tenderness.

_Ask for Complete free list of G. & D. Popular Copyrighted Fiction_

Grosset & Dunlap, Publishers, New York




BOOTH TARKINGTON'S NOVELS

May be had wherever books are sold. Ask for Grosset & Dunlap's list.

SEVENTEEN. Illustrated by Arthur William Brown.

  No one but the creator of Penrod could have portrayed the immortal
  young people of this story. Its humor is irresistible and
  reminiscent of the time when the reader was Seventeen.

PENROD. Illustrated by Gordon Grant.

  This is a picture of a boy's heart, full of the lovable, humorous,
  tragic things which are locked secrets to most older folks. It is a
  finished, exquisite work.

PENROD AND SAM. Illustrated by Worth Brehm.

  Like "Penrod" and "Seventeen," this book contains some remarkable
  phases of real boyhood and some of the best stories of juvenile
  prankishness that have ever been written.

THE TURMOIL. Illustrated by C. E. Chambers.

  Bibbs Sheridan is a dreamy, imaginative youth, who revolts against
  his father's plans for him to be a servitor of big business. The
  love of a fine girl turns Bibbs' life from failure to success.

THE GENTLEMAN FROM INDIANA. Frontispiece.

  A story of love and politics,--more especially a picture of a
  country editor's life in Indiana, but the charm of the book lies in
  the love interest.

THE FLIRT. Illustrated by Clarence F. Underwood.

  The "Flirt," the younger of two sisters, breaks one girl's
  engagement, drives one man to suicide, causes the murder of another,
  leads another to lose his fortune, and in the end marries a stupid
  and unpromising suitor, leaving the really worthy one to marry her
  sister.

_Ask for Complete free list of G. & D. Popular Copyrighted Fiction_

Grosset & Dunlap, Publishers, New York




KATHLEEN NORRIS' STORIES

May be had wherever books are sold. Ask for Grosset & Dunlap's list

SISTERS. Frontispiece by Frank Street.

  The California Redwoods furnish the background for this beautiful
  story of sisterly devotion and sacrifice.

POOR, DEAR, MARGARET KIRBY.

  Frontispiece by George Gibbs.

  A collection of delightful stories, including "Bridging the Years"
  and "The Tide-Marsh." This story is now shown in moving pictures.

JOSSELYN'S WIFE. Frontispiece by C. Allan Gilbert.

  The story of a beautiful woman who fought a bitter fight for
  happiness and love.

MARTIE, THE UNCONQUERED.

  Illustrated by Charles E. Chambers.

  The triumph of a dauntless spirit over adverse conditions.

THE HEART OF RACHAEL.

  Frontispiece by Charles E. Chambers.

  An interesting story of divorce and the problems that come with a
  second marriage.

THE STORY OF JULIA PAGE.

  Frontispiece by C. Allan Gilbert.

  A sympathetic portrayal of the quest of a normal girl, obscure and
  lonely, for the happiness of life.

SATURDAY'S CHILD. Frontispiece by F. Graham Cootes.

  Can a girl, born in rather sordid conditions, lift herself through
  sheer determination to the better things for which her soul
  hungered?

MOTHER. Illustrated by F. C. Yohn.

  A story of the big mother heart that beats in the background of
  every girl's life, and some dreams which came true.

_Ask for Complete free list of G. & D. Popular Copyrighted Fiction_

Grosset & Dunlap, Publishers, New York





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