Copyright laws are changing all over the world. Be sure to check the
copyright laws for your country before downloading or redistributing
this or any other Project Gutenberg eBook.
This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission.
Please read the “legal small print,” and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved.
**Welcome To The World of Free Plain Vanilla Electronic Texts**
**eBooks Readable By Both Humans and By Computers, Since 1971**
*****These eBooks Were Prepared By Thousands of Volunteers!*****
Title: Songs of Innocence and Songs of Experience
Author: William Blake
Release Date: October, 1999 [Etext #1934]
[Yes, we are more than one year ahead of schedule]
[This HTML edition was first posted on March 28, 2003]
Edition: 10
Language: English
Character set encoding: ISO-8859-1
*** START OF THE PROJECT GUTENBERG EBOOK, SONGS OF INNOCENCE AND EXPERIENCE ***
This eBook was converted to HTML, with additional editing, by Jose Menendez
from the Etext prepared by David Price from the 1901 R. Brimley Johnson edition.
Piping down the valleys wild, Piping songs of pleasant glee, On a cloud I saw a child, And he laughing said to me:
‘Pipe a song about a Lamb!’
‘Drop thy pipe, thy happy pipe;
‘Piper, sit thee down and write
And I made a rural pen, |
How sweet is the shepherd’s sweet lot! From the morn to the evening he strays; He shall follow his sheep all the day, And his tongue shall be filled with praise.
For he hears the lambs’ innocent call, |
The sun does arise, And make happy the skies; The merry bells ring To welcome the Spring; The skylark and thrush, The birds of the bush, Sing louder around To the bells’ cheerful sound; While our sports shall be seen On the echoing green.
Old John, with white hair,
Till the little ones, weary, |
Little lamb, who made thee? Does thou know who made thee, Gave thee life, and bid thee feed By the stream and o’er the mead; Gave thee clothing of delight, Softest clothing, woolly, bright; Gave thee such a tender voice, Making all the vales rejoice? Little lamb, who made thee? Does thou know who made thee?
Little lamb, I’ll tell thee; |
My mother bore me in the southern wild, And I am black, but O my soul is white! White as an angel is the English child, But I am black, as if bereaved of light.
My mother taught me underneath a tree,
‘Look on the rising sun: there God does live,
‘And we are put on earth a little space,
‘For, when our souls have learned the heat to bear,
Thus did my mother say, and kissed me,
I’ll shade him from the heat till he can bear |
Merry, merry sparrow! Under leaves so green A happy blossom Sees you, swift as arrow, Seek your cradle narrow, Near my bosom. Pretty, pretty robin! Under leaves so green A happy blossom Hears you sobbing, sobbing, Pretty, pretty robin, Near my bosom. |
When my mother died I was very young, And my father sold me while yet my tongue Could scarcely cry ‘Weep! weep! weep! weep!’ So your chimneys I sweep, and in soot I sleep.
There’s little Tom Dacre, who cried when his head,
And so he was quiet, and that very night,
And by came an angel, who had a bright key,
Then naked and white, all their bags left behind,
And so Tom awoke, and we rose in the dark, |
‘Father, father, where are you going? O do not walk so fast! Speak, father, speak to your little boy, Or else I shall be lost.’
The night was dark, no father was there, |
The little boy lost in the lonely fen, Led by the wandering light, Began to cry, but God, ever nigh, Appeared like his father, in white.
He kissed the child, and by the hand led, |
When the green woods laugh with the voice of joy, And the dimpling stream runs laughing by; When the air does laugh with our merry wit, And the green hill laughs with the noise of it;
When the meadows laugh with lively green,
When the painted birds laugh in the shade, |
Sweet dreams, form a shade O’er my lovely infant’s head! Sweet dreams of pleasant streams By happy, silent, moony beams!
Sweet Sleep, with soft down
Sweet smiles, in the night
Sweet moans, dovelike sighs,
Sleep, sleep, happy child!
Sweet babe, in thy face
Wept for me, for thee, for all,
Smiles on thee, on me, on all, |
To Mercy, Pity, Peace, and Love, All pray in their distress, And to these virtues of delight Return their thankfulness.
For Mercy, Pity, Peace, and Love,
For Mercy has a human heart;
Then every man, of every clime,
And all must love the human form, |
’Twas on a holy Thursday, their innocent faces clean, The children walking two and two, in red, and blue, and green: Grey-headed beadles walked before, with wands as white as snow, Till into the high dome of Paul’s they like Thames waters flow.
O what a multitude they seemed, these flowers of London town!
Now like a mighty wind they raise to heaven the voice of song, |
The sun descending in the West, The evening star does shine; The birds are silent in their nest, And I must seek for mine. The moon, like a flower In heaven’s high bower, With silent delight, Sits and smiles on the night.
Farewell, green fields and happy groves,
They look in every thoughtless nest
When wolves and tigers howl for prey,
And there the lion’s ruddy eyes
‘And now beside thee, bleating lamb, |
Sound the flute! Now it’s mute! Birds delight, Day and night, Nightingale, In the dale, Lark in sky,— Merrily, Merrily, merrily to welcome in the year.
Little boy,
Little lamb, |
When voices of children are heard on the green, And laughing is heard on the hill, My heart is at rest within my breast, And everything else is still. ‘Then come home, my children, the sun is gone down, And the dews of night arise; Come, come, leave off play, and let us away, Till the morning appears in the skies.’
‘No, no, let us play, for it is yet day, |
‘I have no name; I am but two days old.’ What shall I call thee? ‘I happy am, Joy is my name.’ Sweet joy befall thee!
Pretty joy! |
Once a dream did weave a shade O’er my angel-guarded bed, That an emmet lost its way Where on grass methought I lay.
Troubled, wildered, and forlorn,
‘O my children! do they cry,
Pitying, I dropped a tear:
‘I am set to light the ground, |
Can I see another’s woe, And not be in sorrow too? Can I see another’s grief, And not seek for kind relief?
Can I see a falling tear,
Can a mother sit and hear
And can He who smiles on all
And not sit beside the nest,
And not sit both night and day,
He doth give His joy to all:
Think not thou canst sigh a sigh,
O He gives to us His joy, |
Hear the voice of the Bard, Who present, past, and future, sees; Whose ears have heard The Holy Word That walked among the ancient trees;
Calling the lapsed soul,
‘O Earth, O Earth, return!
‘Turn away no more; |
Earth raised up her head From the darkness dread and drear, Her light fled, Stony, dread, And her locks covered with grey despair.
‘Prisoned on watery shore,
‘Selfish father of men!
‘Does spring hide its joy,
‘Break this heavy chain, |
‘Love seeketh not itself to please, Nor for itself hath any care, But for another gives its ease, And builds a heaven in hell’s despair.’
So sung a little clod of clay,
‘Love seeketh only Self to please, |
Is this a holy thing to see In a rich and fruitful land,— Babes reduced to misery, Fed with cold and usurous hand?
Is that trembling cry a song?
And their sun does never shine,
For where’er the sun does shine, |
In futurity I prophesy That the earth from sleep (Grave the sentence deep)
Shall arise, and seek
In the southern clime,
Seven summers old
‘Sweet sleep, come to me,
‘Lost in desert wild
‘If her heart does ache,
‘Frowning, frowning night,
Sleeping Lyca lay,
The kingly lion stood,
Leopards, tigers, play
And her bosom lick,
While the lioness |
All the night in woe Lyca’s parents go Over valleys deep, While the deserts weep.
Tired and woe-begone,
Seven nights they sleep
Pale through pathless ways
Rising from unrest,
In his arms he bore
Turning back was vain:
Smelling to his prey;
They look upon his eyes,
On his head a crown,
‘Follow me,’ he said;
Then they followed
To this day they dwell |
A little black thing among the snow, Crying! ‘weep! weep!’ in notes of woe! ‘Where are thy father and mother? Say!’— ‘They are both gone up to the church to pray.
‘Because I was happy upon the heath,
‘And because I am happy and dance and sing, |
When the voices of children are heard on the green, And whisperings are in the dale, The days of my youth rise fresh in my mind, My face turns green and pale.
Then come home, my children, the sun is gone down, |
O rose, thou art sick! The invisible worm, That flies in the night, In the howling storm,
Has found out thy bed |
Little Fly, Thy summer’s play My thoughtless hand Has brushed away.
Am not I
For I dance,
If thought is life
Then am I |
I dreamt a dream! What can it mean? And that I was a maiden Queen Guarded by an Angel mild: Witless woe was ne’er beguiled!
And I wept both night and day,
So he took his wings, and fled;
Soon my Angel came again; |
Tiger, tiger, burning bright In the forests of the night, What immortal hand or eye Could frame thy fearful symmetry?
In what distant deeps or skies
And what shoulder and what art
What the hammer? what the chain?
When the stars threw down their spears,
Tiger, tiger, burning bright |
A flower was offered to me, Such a flower as May never bore; But I said, ‘I’ve a pretty rose tree,’ And I passed the sweet flower o’er.
Then I went to my pretty rose tree, |
Ah, sunflower, weary of time, Who countest the steps of the sun; Seeking after that sweet golden clime Where the traveller’s journey is done;
Where the Youth pined away with desire, |
The modest Rose puts forth a thorn, The humble sheep a threat’ning horn: While the Lily white shall in love delight, Nor a thorn nor a threat stain her beauty bright. |
I went to the Garden of Love, And saw what I never had seen; A Chapel was built in the midst, Where I used to play on the green.
And the gates of this Chapel were shut,
And I saw it was filled with graves, |
Dear mother, dear mother, the Church is cold; But the Alehouse is healthy, and pleasant, and warm. Besides, I can tell where I am used well; Such usage in heaven will never do well.
But, if at the Church they would give us some ale,
Then the Parson might preach, and drink, and sing,
And God, like a father, rejoicing to see |
I wander through each chartered street, Near where the chartered Thames does flow, A mark in every face I meet, Marks of weakness, marks of woe.
In every cry of every man,
How the chimney-sweeper’s cry
But most, through midnight streets I hear |
Pity would be no more If we did not make somebody poor, And Mercy no more could be If all were as happy as we.
And mutual fear brings Peace,
He sits down with his holy fears,
Soon spreads the dismal shade
And it bears the fruit of Deceit,
The gods of the earth and sea |
My mother groaned, my father wept: Into the dangerous world I leapt, Helpless, naked, piping loud, Like a fiend hid in a cloud.
Struggling in my father’s hands, |
I was angry with my friend: I told my wrath, my wrath did end. I was angry with my foe: I told it not, my wrath did grow.
And I watered it in fears
And it grew both day and night,
And into my garden stole |
‘Nought loves another as itself, Nor venerates another so, Nor is it possible to thought A greater than itself to know.
‘And, father, how can I love you
The Priest sat by and heard the child;
And standing on the altar high,
The weeping child could not be heard,
And burned him in a holy place |
Children of the future age, Reading this indignant page, Know that in a former time Love, sweet love, was thought a crime.
In the age of gold,
Once a youthful pair,
There, in rising day,
Tired with kisses sweet,
To her father white
‘Ona, pale and weak, |
Cruelty has a human heart, And Jealousy a human face; Terror the human form divine, And Secrecy the human dress.
The human dress is forged iron, |
Sleep, sleep, beauty bright, Dreaming in the joys of night; Sleep, sleep; in thy sleep Little sorrows sit and weep.
Sweet babe, in thy face
As thy softest limbs I feel,
O the cunning wiles that creep |
I love to rise in a summer morn, When the birds sing on every tree; The distant huntsman winds his horn, And the skylark sings with me: O what sweet company!
But to go to school in a summer morn,—
Ah then at times I drooping sit,
How can the bird that is born for joy
O father and mother, if buds are nipped,
How shall the summer arise in joy, |
Whate’er is born of mortal birth Must be consumed with the earth, To rise from generation free: Then what have I to do with thee?
The sexes sprung from shame and pride,
Thou, mother of my mortal part,
Didst close my tongue in senseless clay, |
Youth of delight! come hither And see the opening morn, Image of Truth new-born. Doubt is fled, and clouds of reason, Dark disputes and artful teazing. Folly is an endless maze; Tangled roots perplex her ways; How many have fallen there! They stumble all night over bones of the dead; And feel—they know not what but care; And wish to lead others, when they should be led. |
This file should be named sinex10h.htm or sinex10h.zip
Corrected EDITIONS of our eBooks get a new NUMBER, sinex11h.htm
VERSIONS based on separate sources get a new LETTER, sinex10a.htm
Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the US unless a copyright notice is included. Thus, we usually do not keep eBooks in compliance with any particular paper edition.
We are now trying to release all our eBooks one year in advance of the official release dates, leaving time for better editing. Please be encouraged to tell us about any error or corrections, even years after the official publication date.
Please note neither this listing nor its contents are final til midnight of the last day of the month of any such announcement. The official release date of all Project Gutenberg eBooks is at Midnight, Central Time, of the last day of the stated month. A preliminary version may often be posted for suggestion, comment and editing by those who wish to do so.
Most people start at our Web sites at:
http://gutenberg.net or
http://promo.net/pg
These Web sites include award-winning information about Project Gutenberg, including how to donate, how to help produce our new eBooks, and how to subscribe to our email newsletter (free!).
Those of you who want to download any eBook before announcement
can get to them as follows, and just download by date. This is
also a good way to get them instantly upon announcement, as the
indexes our cataloguers produce obviously take a while after an
announcement goes out in the Project Gutenberg Newsletter.
http://www.ibiblio.org/gutenberg/etext04 or
ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext04
Or /etext03, 02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 91 or 90
Just search by the first five letters of the filename you want, as it appears in our Newsletters.
Information about Project Gutenberg (one page)
We produce about two million dollars for each hour we work. The time it takes us, a rather conservative estimate, is fifty hours to get any eBook selected, entered, proofread, edited, copyright searched and analyzed, the copyright letters written, etc. Our projected audience is one hundred million readers. If the value per text is nominally estimated at one dollar then we produce $2 million dollars per hour in 2002 as we release over 100 new text files per month: 1240 more eBooks in 2001 for a total of 4000+ We are already on our way to trying for 2000 more eBooks in 2002 If they reach just 1–2% of the world’s population then the total will reach over half a trillion eBooks given away by year’s end.
The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks! This is ten thousand titles each to one hundred million readers, which is only about 4% of the present number of computer users.
Here is the briefest record of our progress (* means estimated):
eBooks | Year | Month |
---|---|---|
1 | 1971 | July |
10 | 1991 | January |
100 | 1994 | January |
1000 | 1997 | August |
1500 | 1998 | October |
2000 | 1999 | December |
2500 | 2000 | December |
3000 | 2001 | November |
4000 | 2001 | October/November |
6000 | 2002 | December* |
9000 | 2003 | November* |
10000 | 2004 | January* |
The Project Gutenberg Literary Archive Foundation has been created
to secure a future for Project Gutenberg into the next millennium.
We need your donations more than ever!
As of February, 2002, contributions are being solicited from people and organizations in: Alabama, Alaska, Arkansas, Connecticut, Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois, Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts, Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio, Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West Virginia, Wisconsin, and Wyoming.
We have filed in all 50 states now, but these are the only ones that have responded.
As the requirements for other states are met, additions to this list will be made and fund raising will begin in the additional states. Please feel free to ask to check the status of your state.
In answer to various questions we have received on this:
We are constantly working on finishing the paperwork to legally request donations in all 50 states. If your state is not listed and you would like to know if we have added it since the list you have, just ask.
While we cannot solicit donations from people in states where we are not yet registered, we know of no prohibition against accepting donations from donors in these states who approach us with an offer to donate.
International donations are accepted, but we don’t know ANYTHING about how to make them tax-deductible, or even if they CAN be made deductible, and don’t have the staff to handle it even if there are ways.
Donations by check or money order may be sent to:
Project Gutenberg Literary Archive Foundation
PMB 113
1739 University Ave.
Oxford, MS 38655–4109
Contact us if you want to arrange for a wire transfer or payment method other than by check or money order.
The Project Gutenberg Literary Archive Foundation has been approved by the US Internal Revenue Service as a 501(c)(3) organization with EIN [Employee Identification Number] 64–622154. Donations are tax-deductible to the maximum extent permitted by law. As fund-raising requirements for other states are met, additions to this list will be made and fund-raising will begin in the additional states.
We need your donations more than ever!
You can get up to date donation information online at:
http://www.gutenberg.net/donation.html
***
If you can’t reach Project Gutenberg,
you can always email directly to:
Michael S. Hart hart@pobox.com
Prof. Hart will answer or forward your message.
We would prefer to send you information by email.
(Three Pages)
***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START***
Why is this “Small Print!” statement here? You know: lawyers.
They tell us you might sue us if there is something wrong with
your copy of this eBook, even if you got it for free from
someone other than us, and even if what’s wrong is not our
fault. So, among other things, this “Small Print!” statement
disclaims most of our liability to you. It also tells you how
you may distribute copies of this eBook if you want to.
*BEFORE!* YOU USE OR READ THIS EBOOK
By using or reading any part of this PROJECT GUTENBERG–tm
eBook, you indicate that you understand, agree to and accept
this “Small Print!” statement. If you do not, you can receive
a refund of the money (if any) you paid for this eBook by
sending a request within 30 days of receiving it to the person
you got it from. If you received this eBook on a physical
medium (such as a disk), you must return it with your request.
ABOUT PROJECT GUTENBERG–TM EBOOKS
This PROJECT GUTENBERG–tm eBook, like most PROJECT GUTENBERG–tm eBooks,
is a “public domain” work distributed by Professor Michael S. Hart
through the Project Gutenberg Association (the “Project”).
Among other things, this means that no one owns a United States copyright
on or for this work, so the Project (and you!) can copy and
distribute it in the United States without permission and
without paying copyright royalties. Special rules, set forth
below, apply if you wish to copy and distribute this eBook
under the “PROJECT GUTENBERG” trademark.
Please do not use the “PROJECT GUTENBERG” trademark to market any commercial products without permission.
To create these eBooks, the Project expends considerable efforts to identify, transcribe and proofread public domain works. Despite these efforts, the Project’s eBooks and any medium they may be on may contain “Defects”. Among other things, Defects may take the form of incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other eBook medium, a computer virus, or computer codes that damage or cannot be read by your equipment.
LIMITED WARRANTY; DISCLAIMER OF DAMAGES
But for the “Right of Replacement or Refund” described below,
[1] Michael Hart and the Foundation (and any other party you may
receive this eBook from as a PROJECT GUTENBERG–tm eBook) disclaims
all liability to you for damages, costs and expenses, including
legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
POSSIBILITY OF SUCH DAMAGES.
If you discover a Defect in this eBook within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending an explanatory note within that time to the person you received it from. If you received it on a physical medium, you must return it with your note, and such person may choose to alternatively give you a replacement copy. If you received it electronically, such person may choose to alternatively give you a second opportunity to receive it electronically.
THIS EBOOK IS OTHERWISE PROVIDED TO YOU “AS-IS”. NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE.
Some states do not allow disclaimers of implied warranties or the exclusion or limitation of consequential damages, so the above disclaimers and exclusions may not apply to you, and you may have other legal rights.
INDEMNITY
You will indemnify and hold Michael Hart, the Foundation,
and its trustees and agents, and any volunteers associated
with the production and distribution of Project Gutenberg-tm
texts harmless, from all liability, cost and expense, including
legal fees, that arise directly or indirectly from any of the
following that you do or cause: [1] distribution of this eBook,
[2] alteration, modification, or addition to the eBook,
or [3] any Defect.
DISTRIBUTION UNDER “PROJECT GUTENBERG–tm”
You may distribute copies of this eBook electronically, or by
disk, book or any other medium if you either delete this
“Small Print!” and all other references to Project Gutenberg,
or:
[1] | Only give exact copies of it. Among other things, this
requires that you do not remove, alter or modify the
eBook or this “small print!” statement. You may however,
if you wish, distribute this eBook in machine readable
binary, compressed, mark-up, or proprietary form,
including any form resulting from conversion by word
processing or hypertext software, but only so long as
*EITHER*: | |
[*] | The eBook, when displayed, is clearly readable, and
does *not* contain characters other than those
intended by the author of the work, although tilde
(~), asterisk (*) and underline (_) characters may
be used to convey punctuation intended by the
author, and additional characters may be used to
indicate hypertext links; OR | |
[*] | The eBook may be readily converted by the reader at
no expense into plain ASCII, EBCDIC or equivalent
form by the program that displays the eBook (as is
the case, for instance, with most word processors);
OR | |
[*] | You provide, or agree to also provide on request at
no additional cost, fee or expense, a copy of the
eBook in its original plain ASCII form (or in EBCDIC
or other equivalent proprietary form). | |
[2] | Honor the eBook refund and replacement provisions of this
“Small Print!” statement. | |
[3] | Pay a trademark license fee to the Foundation of 20% of the
gross profits you derive calculated using the method you
already use to calculate your applicable taxes. If you
don’t derive profits, no royalty is due. Royalties are
payable to “Project Gutenberg Literary Archive Foundation”
the 60 days following each date you prepare (or were
legally required to prepare) your annual (or equivalent
periodic) tax return. Please contact us beforehand to
let us know your plans and to work out the details. |
WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON’T HAVE TO?
Project Gutenberg is dedicated to increasing the number of
public domain and licensed works that can be freely distributed
in machine readable form.
The Project gratefully accepts contributions of money, time,
public domain materials, or royalty free copyright licenses.
Money should be paid to the:
“Project Gutenberg Literary Archive Foundation.”
If you are interested in contributing scanning equipment or
software or other items, please contact Michael Hart at:
hart@pobox.com
[Portions of this eBook’s header and trailer may be reprinted only when distributed free of all fees. Copyright (C) 2001, 2002 by Michael S. Hart. Project Gutenberg is a TradeMark and may not be used in any sales of Project Gutenberg eBooks or other materials be they hardware or software or any other related product without express permission.]
*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END*