The Project Gutenberg EBook of Tales for Fifteen, by James Fenimore Cooper

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Tales for Fifteen

Author: James Fenimore Cooper

Release Date: March 19, 2012 [EBook #39207]

Language: English

Character set encoding: ISO-8859-1

*** START OF THIS PROJECT GUTENBERG EBOOK TALES FOR FIFTEEN ***




Produced by David Starner, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
book was produced from images made available by the
HathiTrust Digital Library.)











                              TALES FOR FIFTEEN

                           BY JAMES FENIMORE COOPER

                                    (1823)


    A FACSIMILE REPRODUCTION
    WITH AN INTRODUCTION

    BY JAMES FRANKLIN BEARD
    _Clark University_

    GAINESVILLE, FLORIDA
    SCHOLARS' FACSIMILES & REPRINTS
    1959

    SCHOLARS' FACSIMILES & REPRINTS
    118 N.W. 26TH STREET
    GAINESVILLE, FLORIDA, U.S.A.

    HARRY R. WARFEL, GENERAL EDITOR

    REPRODUCED FROM A COPY IN
    AND WITH THE PERMISSION OF
    YALE UNIVERSITY LIBRARY

    L.C. CATALOG CARD NUMBER: 59-6525

    MANUFACTURED IN THE U.S.A.
    LETTERPRESS BY J. N. ANZEL, INC.

    PHOTOLITHOGRAPHY BY EDWARDS BROTHERS

    BINDING BY UNIVERSAL-DIXIE BINDERY




INTRODUCTION


On 1 February 1823 Charles Wiley published in New York _The Pioneers_, a
new book by the author of _The Spy_; by noon he had sold 3,500 copies--a
record-making sale by the bookselling standards of the time. On 26 June,
almost five months later, Wiley quietly offered, as we know from a
notice in The Patriot, a New York newspaper, "_Tales for Fifteen, or
Imagination and Heart_, an original work in one volume, by Jane Morgan,
price 75c." The actual author was the author of _The Spy_; and the two
stories, "Imagination" and "Heart," were obviously imitations of Mrs.
Amelia Opie's popular moral tales, published, as the paper cover noted,
when _The Spy_ was in its fourth edition, _The Pioneers_ in its third,
and _The Pilot_ in press. The sale was so small that only four copies
are known to be extant. Why, one may ask, did James Cooper, who was in
1823 a writer of national and international reputation, publish this
volume of imitative stories for adolescent girls, even though his
identity was carefully concealed?

According to Cooper's own account, _Tales for Fifteen_ was written and
given to Charles Wiley as a gesture of friendship to help the publisher
out of financial difficulties. This explanation was echoed by the
novelist's daughter Susan in a letter reprinted from the Cooperstown
_Freeman's Journal_ in _The Critic_ on 12 October 1889. It is true that
Wiley was having financial troubles in 1823, and Cooper undoubtedly gave
him the proceeds from _Tales for Fifteen_; but to suppose, as full
acceptance of this explanation requires, that Cooper reverted, even
momentarily, to the repudiated literary models of his first book
_Precaution_ after the phenomenal success of _The Spy_ would be to infer
in him an almost total want of critical judgment and common sense. The
real explanation, which Cooper might have been embarrassed to furnish
and which the chronology of publication has obscured, lies in a hitherto
unsuspected phase of the curious story of Cooper's entrance to
authorship.

Cooper wrote Andrew Thompson Goodrich, his first publisher, on 31 May
1820, that _Precaution_ had been preceded by an experimental effort to
write a short moral tale. Mrs. Opie's _Simple Tales_ (1807) and _Tales
of Real Life_ (1813) would have been among the obvious models. Finding
the tale "swell to a rather unwieldy size," Cooper explained, "I
destroy'd the manuscript and changed it to a novel." _Precaution_, which
was completed on 12 June 1820, was probably written within a month; and
before the novel had begun its tortuous way through the press, Cooper
commenced the writing of _The Spy_. By 28 June he had completed "about
sixty pages," presumably manuscript pages; and as the writing proceeded
and his enthusiasm for the new work mounted, his expectations for the
success of _Precaution_ diminished. He wrote Goodrich on 12 July: "The
'Spy' goes on slowly and will not be finish'd until late in the fall--I
take more pains with it--as it is to be an American novel professedly."
In fact, The Spy was completed only a short time before its publication
in New York on 22 December 1821.

During the eighteen months between the inception and publication of _The
Spy_ Cooper saw _Precaution_ through the press, joined the New York
literary circle which frequented Charles Wiley's bookshop, transferred
his publishing business to Wiley, wrote three or four long book reviews
for his friend Charles K. Gardner's _Literary and Scientific
Repository_, finished _The Spy_, and commenced _The Pioneers_. While the
period was, thus, not devoid of literary activity, it was, as the 1831
Preface to _The Spy_ confessed, a period of acute uncertainty. Having
discovered his literary talent, Cooper had yet to discover how to use it
profitably, had indeed to be reassured of its true direction. He could
not afford to write at all unless he could make his new profession pay
handsomely. _Precaution_ had been a deliberate attempt to produce a
bestseller, and it succeeded only moderately. As the Preface to the
first edition of _The Spy_ indicates, Cooper experienced severe
self-doubts and self-questionings about this experiment. For an extended
period, most probably during the first six months of 1821, he abandoned
work on _The Spy_, which had been noticed as in press in the January
issue of the _Repository_, fearing that the book could not succeed. It
was almost certainly during this time that he conceived and partly
executed another literary project of which _Tales for Fifteen_ is the
abortive remains.

As Cooper's hopes for _The Spy_ faded, his confidence in the viability
of the type of imitative writing he had attempted in _Precaution_
appears to have revived. _Precaution_ was reviewed in a most laudatory
manner in the _Repository_ for January 1821, and the comment
accompanying the notice of publication in the _Repository_ was: "We only
regret that the scene of this novel was not laid in America." Whether
Cooper persuaded himself or allowed himself to be persuaded by Wiley,
Gardner, and other friends, he seems to have decided that his mistake in
_Precaution_ was not so much the choice of models as the choice of
setting. Why not employ an American setting and continue his imitation
of the British women? During 1820 Wiley, Goodrich, and William B. Gilley
had jointly published a collection of Mrs. Opie's stories called _Tales
of the Heart_; apparently they found it profitable. Accordingly, Cooper
planned a series of stories which Wiley noticed as in press in the
_Repository_ for May 1822 and which he described as "_American Tales_,
by a Lady, viz. Imagination--Heart--Matter--Manner--Matter and Manner. 2
vols. 18 mo. Wiley and Halsted, New York." A briefer announcement had
appeared earlier, in the October 1821 issue of the _Repository_,
although _The Spy_, which was certainly in press, was not noticed. In
his letter of 7 January 1822 congratulating Cooper on the great success
of _The Spy_, Wiley observed: "You speak of being engaged about 'the
Pioneer.'--Have you forgotten 'the American Tales,' which were commenced
by a certain lady a long time ago?"

What happened, evidently, was that Cooper's interest in _The Spy_ had
revived with such force that he had gone on to complete that book and to
begin _The Pioneers_. Wiley's problem was then to persuade his reluctant
author to complete a work in which he had lost interest but which was in
press. Wiley was not successful. The three final tales, "Manner,"
"Matter," and "Manner and Matter," were never written. Eventually the
publisher prevailed on Cooper to bring "Heart," the second of the
stories, to a hurried conclusion. The author, probably happy to settle
the matter, then wrote a coy Preface alluding mysteriously to
"unforeseen circumstances" which had prevented the completion of the
series, and gave the two stories to Wiley on the condition that their
authorship be concealed. Thus _The American Tales_ became _Tales for
Fifteen_. A more eloquent criticism by the author could hardly be
wished.

When Cooper permitted "Imagination" and "Heart" to be reprinted in 1841,
he was again conferring a favor on a publisher. Towards the close of
1840 George Roberts, publisher and proprietor of the _Boston Notion_,
subtitled without exaggeration "The Mammoth Sheet of the World," sent
Cooper a circular letter in the hand of a clerk to request a short
contribution suitable for his new publication, _Roberts' Semi-Monthly
Magazine_. Normally, Cooper refused all such requests: but he was under
the erroneous impression that Roberts had forwarded to him some Danish
translations of his works which Longfellow had sent to America for him a
few years before. Remembering these early stories, he replied to Roberts
on 2 January 1841: "Some fifteen or twenty years since my publisher
became embarrassed, and I wrote two short tales to aid him. He printed
them, under the title of _Tales for Fifteen_, by Jane Morgan. One of
these stories, rather a feeble one I fear, was called Heart--the other
Imagination. This tale was written one rainy day, half asleep and half
awake, but I retain rather a favorable impression of it. If you can find
a copy of the book, you might think Imagination worth reprinting, and I
suppose there can _now_ be no objection to it. It would have the
freshness of novelty, and would be American enough, Heaven knows. It
would fill three or four of your columns."

Cooper owned no copy of _Tales for Fifteen_; but the resourceful
publisher found a copy in New York, and "Imagination" filled almost the
whole of the front page (approximately 60 by 34-1/2 inches) of the
_Boston Notion_ on 30 January 1841. It was reprinted in what was
apparently a second edition of _Roberts' Semi-Monthly Magazine_ for 1
and 15 February 1841 and in London in William Hazlitt's _Romanticist and
Novelist's Library_. A subsequent request brought permission for the
reprinting of "Heart," which appeared in the _Boston Notion_ for 13 and
20 March 1841 and in _Roberts' Semi-Monthly Magazine_ for 1 and 15 April
1841. Roberts expressed his gratitude by defending Cooper in his paper
from the charge of aristocratic bias which some New York journalists had
brought against _Home As Found_. Doubtless the publisher would have been
pleased to find other American writers sufficiently democratic to
provide free copy.

_Tales for Fifteen_ owes most of its interest today to its crucial
position in the Cooper canon. The literary value of "Imagination" and
"Heart," as their author realized, is slight. They were essentially
experiments in which he sought to deploy indigenous materials within the
conventions of British domestic fiction. "Imagination," with its
sprightly observation of American middle-class vulgarities, betrays a
satiric awareness that Cooper did later develop; but "Heart" is a forced
sentimental indulgence of a sort he never permitted by preference in
later works, though he sometimes tolerated it as a concession to
feminine readers. For Cooper the chief significance of these stories was
that they demonstrated forcibly, if demonstration was necessary, that
neither the characteristic materials nor the characteristic forms
employed by the British women were congenial to his imagination. His
failure was altogether fortunate; for had _The American Tales_ been
completed and published instead of _The Spy_, Cooper's career and the
course of much of American literature might have been different.

First editions of _Tales for Fifteen_ are the rarest of all Cooper
"firsts." The four copies presently known are in the Cooper Collection
of the Yale University Library, the American Antiquarian Society, the J.
K. Lilly Collection of Indiana University, and the New York Society
Library.


JAMES FRANKLIN BEARD

_Clark University_




                         TALES FOR FIFTEEN:

                                OR

                       IMAGINATION AND HEART.


                          BY JANE MORGAN.

    NEW-YORK
    C. WILEY, 3 WALL STREET
    J. Seymour, printer
    1823

    _Southern District of New-York._

    Be it remembered, That on the thirteenth day of June, in the
    forty-seventh year of the Independence of the United States of
    America, Charles Wiley, of the said District, hath deposited in this
    office the title of a Book, the right whereof he claims as
    proprietor, in the words and figures following, to wit:

    "Tales for Fifteen; or Imagination and Heart.
    By Jane Morgan."

    In conformity to the Act of Congress of the United States entitled,
    "An Act for the encouragement of Learning, by securing the copies of
    Maps, Charts, and Books, to the authors and proprietors of such
    copies, during the times therein mentioned." And also to an Act,
    entitled "an Act, supplementary to an Act, entitled an Act for the
    encouragement of Learning, by securing the copies of Maps, Charts,
    and Books, to the authors and proprietors of such copies, during the
    times therein mentioned, and extending the benefits thereof to the
    arts of designing, engraving, and etching historical and other
    prints."

    JAMES DILL,
    _Clerk of the Southern District of New-York_




PREFACE.


When the author of these little tales commenced them, it was her
intention to form a short series of such stories as, it was hoped, might
not be entirely without moral advantage; but unforeseen circumstances
have prevented their completion, and, unwilling to delay the publication
any longer, she commits them to the world in their present unfinished
state, without any flattering anticipations of their reception. They are
intended for the perusal of young women, at that tender age when the
feelings of their nature begin to act on them most insidiously, and when
their minds are least prepared by reason and experience to contend with
their passions.

"Heart" was intended for a much longer tale, and is unavoidably
incomplete; but it is unnecessary to point out defects that even the
juvenile reader will soon detect. The author only hopes that if they do
no good, her tales will, at least, do no harm.




IMAGINATION.

    I pray thee, gentle mortal, sing again:
    Mine ear is much enamoured of thy note,
    So is mine eye enthralled to thy shape;
    And thy fair virtue's force perforce doth move me,
    On the first view, to say, to swear, I love thee.

    MIDSUMMER NIGHT'S DREAM.


"Do--do write to me often, my dear Anna!" said the weeping Julia Warren,
on parting, for the first time since their acquaintance, with the young
lady whom she had honoured with the highest place in her affections.
"Think how dreadfully solitary and miserable I shall be here, without a
single companion, or a soul to converse with, now you are to be removed
two hundred miles into the wilderness."

"Oh! trust me, my love, I shall not forget you now or ever," replied her
friend, embracing the other slightly, and, perhaps, rather hastily for
so tender an adieu; at the same time glancing her eye on the figure of a
youth, who stood in silent contemplation of the scene. "And doubt not
but I shall soon tire you with my correspondence, especially as I more
than suspect it will be subjected to the criticisms of Mr. Charles
Weston." As she concluded, the young lady curtisied to the youth in a
manner that contradicted, by its flattery, the forced irony of her
remark.

"Never, my dear girl!" exclaimed Miss Warren with extreme fervour. "The
confidence of our friendship is sacred with me, and nothing, no,
nothing, could ever tempt me to violate such a trust. Charles is very
kind and very indulgent to all my whims, but he never could obtain such
an influence over me as to become the depositary of my secrets. Nothing
but a friend, like yourself, can do that, my dear Anna."

"Never! Miss Warren," said the youth with a lip that betrayed by its
tremulous motion the interest he took in her speech--"never includes a
long period of time. But," he added with a smile of good-humoured
pleasantry, "if admitted to such a distinction, I should not feel myself
competent to the task of commenting on so much innocence and purity, as
I know I should find in your correspondence."

"Yes," said Anna, with a little of the energy of her friend's manner,
"you may with truth say so, Mr. Weston. The imagination of my Julia is
as pure as--as----" but turning her eyes from the countenance of Julia
to that of the youth, rather suddenly, the animated pleasure she saw
delineated in his expressive, though plain features, drove the remainder
of the speech from her recollection.

"As her heart!" cried Charles Weston with emphasis.

"As her heart, Sir," repeated the young lady coldly.

The last adieus were hastily exchanged, and Anna Miller was handed into
her father's gig by Charles Weston in profound silence. Miss Emmerson,
the maiden aunt of Julia, withdrew from the door, where she had been
conversing with Mr. Miller, and the travellers departed. Julia followed
the vehicle with her eyes until it was hid by the trees and shrubbery
that covered the lawn, and then withdrew to her room to give vent to a
sorrow that had sensibly touched her affectionate heart, and in no
trifling degree haunted her lively imagination.

As Miss Emmerson by no means held the good qualities of the guest, who
had just left them, in so high an estimation as did her niece, she
proceeded quietly and with great composure in the exercise of her daily
duties; not in the least suspecting the real distress that, from a
variety of causes, this sudden separation had caused to her ward.

The only sister of this good lady had died in giving birth to a female
infant, and the fever of 1805 had, within a very few years of the death
of the mother, deprived the youthful orphan of her remaining parent. Her
father was a merchant, just commencing the foundations of what would, in
time, have been a large estate; and as both Miss Emmerson and her sister
were possessed of genteel independencies, and the aunt had long declared
her intention of remaining single, the fortune of Julia, if not
brilliant, was thought rather large than otherwise. Miss Emmerson had
been educated immediately after the war of the revolution, and at a time
when the intellect of the women of this country by no means received
that attention it is thought necessary to bestow on the minds of the
future mothers of our families at the present hour; and when, indeed,
the country itself required too much of the care of her rulers and
patriots to admit of the consideration of lesser objects. With the best
of hearts and affections devoted to the welfare of her niece, Miss
Emmerson had early discovered her own incompetency to the labour of
fitting Julia for the world in which she was to live, and shrunk with
timid modesty from the arduous task of preparing herself, by application
and study, for this sacred duty. The fashions of the day were rapidly
running into the attainment of accomplishments among the young of her
own sex, and the piano forte was already sending forth its sonorous
harmony from one end of the Union to the other, while the glittering
usefulness of the tambour-frame was discarded for the pallet and brush.
The walls of our mansions were beginning to groan with the sickly green
of imaginary fields, that caricatured the beauties of nature; and skies
of sunny brightness, that mocked the golden hues of even an American
sun. The experience of Miss Emmerson went no further than the simple
evolutions of the country dance, or the deliberate and dignified
procession of the minuet. No wonder, therefore, that her faculties were
bewildered by the complex movements of the cotillion: and, in short, as
the good lady daily contemplated the improvements of the female youth
around her, she became each hour more convinced of her own inability to
control, or in any manner to superintend, the education of her orphan
niece. Julia was, consequently, entrusted to the government of a select
boarding-school; and, as even the morals of the day were, in some
degree, tinctured with the existing fashions, her mind as well as her
manners were absolutely submitted to the discretion of an hireling.
Notwithstanding this willing concession of power on the part of Miss
Emmerson, there was no deficiency in ability to judge between right and
wrong in her character; but the homely nature of her good sense,
unassisted by any confidence in her own powers, was unable to compete
with the dazzling display of accomplishments which met her in every
house where she visited; and if she sometimes thought that she could not
always discover much of the useful amid this excess of the agreeable,
she rather attributed the deficiency to her own ignorance than to any
error in the new system of instruction. From the age of six to that of
sixteen, Julia had no other communications with Miss Emmerson than those
endearments which neither could suppress, and a constant and assiduous
attention on the part of the aunt to the health and attire of her niece.

Miss Emmerson had a brother residing in the city of New-York, who was a
man of eminence at the bar, and who, having been educated fifty years
ago, was, from that circumstance, just so much superior to his
successors of his own sex by twenty years, as his sisters were the
losers from the same cause. The family of Mr. Emmerson was large, and,
besides several sons, he had two daughters, one of whom remained still
unmarried in the house of her father. Katherine Emmerson was but
eighteen months the senior of Julia Warren; but her father had adopted
a different course from that which was ordinarily pursued with girls of
her expectations. He had married a woman of sense, and now reaped the
richest blessing of such a connexion in her ability to superintend the
education of her daughter. A mother's care was employed to correct
errors that a mother's tenderness could only discover; and in the place
of general systems, and comprehensive theories, was substituted the
close and rigorous watchfulness which adapted the remedy to the disease;
which studied the disposition; and which knew the failings or merits of
the pupil, and could best tell when to reward, and how to punish. The
consequences were easily to be seen in the manners and character of
their daughter. Her accomplishments, even where a master had been
employed in their attainment, were naturally displayed, and suited to
her powers. Her manners, instead of the artificial movements of
prescribed rules, exhibited the chaste and delicate modesty of
refinement, mingled with good principles--such as were not worn in order
to be in character as a woman and a lady, but were deeply seated, and
formed part, not only of her habits, but, if we may use the expression,
of her nature also. Miss Emmerson had good sense enough to perceive the
value of such an acquaintance for her ward; but, unfortunately for her
wish to establish an intimacy between her nieces, Julia had already
formed a friendship at school, and did not conceive her heart was large
enough to admit two at the same time to its sanctuary. How much Julia
was mistaken the sequel of our tale will show.

So long as Anna Miller was the inmate of the school, Julia was satisfied
to remain also, but the father of Anna having determined to remove to an
estate in the interior of the country, his daughter was taken from
school; and while the arrangements were making for the reception of the
family on the banks of the Gennessee, Anna was permitted to taste, for a
short time, the pleasures of the world, at the residence of Miss
Emmerson on the banks of the Hudson.

Charles Weston was a distant relative of the good aunt, and was, like
Julia, an orphan, who was moderately endowed with the goods of fortune.
He was a student in the office of her uncle, and being a great favourite
with Miss Emmerson, spent many of his leisure hours, during the heats of
the summer, in the retirement of her country residence.

Whatever might be the composure of the maiden aunt, while Julia was
weeping in her chamber over the long separation that was now to exist
between herself and her friend, young Weston by no means displayed the
same philosophic indifference. He paced the hall of the building with
rapid steps, cast many a longing glance at the door of his cousin's
room, and then seated himself with an apparent intention to read the
volume he held in his hands; nor did he in any degree recover his
composure until Julia re-appeared on the landing of the stairs, moving
slowly towards their bottom, when, taking one long look at her lovely
face, which was glowing with youthful beauty, and if possible more
charming from the traces of tears in her eyes, he coolly pursued his
studies. Julia had recovered her composure, and Charles Weston felt
satisfied. Miss Emmerson and her niece took their seats quietly with
their work at an open window of the parlour, and order appeared to be
restored in some measure to the mansion. After pursuing their several
occupations for some minutes with a silence that had lately been a
stranger to them, the aunt observed--

"You appear to have something new in hand, my love. Surely you must
abound with trimmings, and yet you are working another already?"

"It is for Anna Miller," said Julia with a flush of feeling.

"I was in hopes you would perform your promise to your cousin Katherine,
now Miss Miller is gone, and make your portion of the garments for the
Orphan Asylum," returned Miss Emmerson gravely.

"Oh! cousin Katherine must wait. I promised this trimming to Anna to
remember me by, and I would not disappoint the dear girl for the world."

"It is not your cousin Katherine, but the Orphans, who will have to
wait; and surely a promise to a relation is as sacred as one to an
acquaintance."

"Acquaintance, aunt!" echoed the niece with displeasure. "Do not, I
entreat you, call Anna an acquaintance merely. She is my friend--my very
best friend, and I love her as such."

"Thank you, my dear," said the aunt dryly.

"Oh! I mean nothing disrespectful to yourself, dear aunt," continued
Julia. "You know how much I owe to you, and ought to know that I love
you as a mother."

"And would you prefer Miss Miller to a mother, then?"

"Surely not in respect, in gratitude, in obedience; but still I may love
her, you know. Indeed, the feelings are so very different, that they do
not at all interfere with each other--in my heart at least."

"No!" said Miss Emmerson, with a little curiosity--"I wish you would try
and explain this difference to me, that I may comprehend the
distinctions that you are fond of making."

"Why, nothing is easier, dear aunt!" said Julia with animation. "You I
love because you are kind to me, attentive to my wants, considerate for
my good; affectionate, and--and--from habit--and you are my aunt, and
take care of me."

"Admirable reasons!" exclaimed Charles Weston, who had laid aside his
book to listen to this conversation.

"They are forcible ones I must admit," said Miss Emmerson, smiling
affectionately on her niece; "but now for the other kind of love."

"Why, Anna is my friend, you know," cried Julia, with eyes sparkling
with enthusiasm. "I love her, because she has feelings congenial with my
own; she has so much wit, is so amusing, so frank, so like a girl of
talents--so like--like every thing I admire myself."

"It is a pity that one so highly gifted cannot furnish herself with
frocks," said the aunt, with a little more than her ordinary dryness of
manner, "and suffer you to work for those who want them more."

"You forget it is in order to remember me," said Julia, in a manner that
spoke her own ideas of the value of the gift.

"One would think such a friendship would not require any thing to remind
one of its existence," returned the aunt.

"Why! it is not that she will forget me without it, but that she may
have something by her to remind her of me----" said Julia rapidly, but
pausing as the contradiction struck even herself.

"I understand you perfectly, my child," interrupted the aunt, "merely as
an unnecessary security, you mean."

"To make assurance doubly sure," cried Charles Weston with a laugh.

"Oh! you laugh, Mr. Weston," said Julia with a little anger; "but I have
often said, you were incapable of friendship."

"Try me!" exclaimed the youth fervently. "Do not condemn me without a
trial."

"How can I?" said Julia, laughing in her turn. "You are not a girl."

"Can girls then only feel friendship?" inquired Charles, taking the seat
which Miss Emmerson had relinquished.

"I sometimes think so," said Julia, with her own good-humoured smile.
"You are too gross--too envious--in short, you never see such
friendships between men as exist between women."

"Between girls, I will readily admit," returned the youth. "But let us
examine this question after the manner of the courts--"

"Nay, if you talk law I shall quit you," interrupted the young lady
gaily.

"Certainly one so learned in the subject need not dread a
cross-examination," cried the youth, in her own manner.

"Well, proceed," cried the lady. "I have driven aunt Margaret from the
field, and you will fare no better, I can assure you."

"Men, you say, are too gross to feel a pure friendship; in the first
place, please to explain yourself on this point."

"Why I mean, that your friendships are generally interested; that it
requires services and good offices to support it."

"While that of women depends on--"

"Feeling alone."

"But what excites this feeling?" asked Charles with a smile.

"What? why sympathy--and a knowledge of each other's good qualities."

"Then you think Miss Miller has more good qualities than Katherine
Emmerson," said Weston.

"When did I ever say so?" cried Julia in surprise.

"I infer it from your loving her better, merely," returned the young man
with a little of Miss Emmerson's dryness.

"It would be difficult to compare them," said Julia after a moment's
pause. "Katherine is in the world, and has had an opportunity of showing
her merit; that Anna has never enjoyed. Katherine is certainly a most
excellent girl, and I like her very much; but there is no reason to
think that Anna will not prove as fine a young woman as Katherine, when
put to the trial."

"Pray," said the young lawyer with great gravity, "how many of these
bosom, these confidential friends can a young woman have at the same
time?"

"One, only one--any more than she could have two lovers," cried Julia
quickly.

"Why then did you find it necessary to take that one from a set, that
was untried in the practice of well-doing, when so excellent a subject
as your cousin Katherine offered?"

"But Anna I know, I feel, is every thing that is good and sincere, and
our sympathies drew us together. Katherine I loved naturally."

"How naturally?"

"Is it not natural to love your relatives?" said Julia in surprise.

"No," was the brief answer.

"Surely, Charles Weston, you think me a simpleton. Does not every parent
love its child by natural instinct?"

"No: no more than you love any of your amusements from instinct. If the
parent was present with a child that he did not know to be his own,
would instinct, think you, discover their vicinity?"

"Certainly not, if they had never met before; but then, as soon as he
knew it to be his, he would love it from nature."

"It is a complicated question, and one that involves a thousand
connected feelings," said Charles. "But all love, at least all love of
the heart, springs from the causes you mentioned to your aunt--good
offices, a dependence on each other, and habit."

"Yes, and nature too," said the young lady rather positively; "and I
contend, that natural love, and love from sympathy, are two distinct
things."

"Very different, I allow," said Charles; "only I very much doubt the
durability of that affection which has no better foundation than fancy."

"You use such queer terms, Charles, that you do not treat the subject
fairly. Calling innate evidence of worth by the name of fancy, is not
candid."

"Now, indeed, your own terms puzzle me," said Charles, smiling. "What is
innate evidence of worth?"

"Why, a conviction that another possesses all that you esteem yourself,
and is discovered by congenial feelings and natural sympathies."

"Upon my word, Julia, you are quite a casuist on this subject. Does
love, then, between the sexes depend on this congenial sympathy and
innate evidence?"

"Now you talk on a subject that I do not understand," said Julia,
blushing; and, catching up the highly prized work, she ran to her own
room, leaving the young man in a state of mingled admiration and pity.




CHAPTER II.


An anxious fortnight was passed by Julia Warren, after this
conversation, without bringing any tidings from her friend. She watched,
with feverish restlessness, each steam-boat that passed the door on its
busy way towards the metropolis, and met the servant each day at the
gate of the lawn on his return from the city; but it was only to receive
added disappointments. At length Charles Weston good-naturedly offered
his own services, laughingly declaring, that his luck was never known to
fail. Julia herself had written several long epistles to Anna, and it
was now the proper time that some of these should be answered,
independently of the thousand promises from her friend of writing
regularly from every post-office that she might pass on her route to the
Gennessee. But the happy moment had arrived when disappointments were to
cease. As usual, Julia was waiting with eager impatience at the gate,
her lovely form occasionally gliding from the shrubbery to catch a
glimpse of the passengers on the highway, when Charles appeared riding
at a full gallop towards the house; his whole manner announced success,
and Julia sprang into the middle of the road to take the letter which he
extended towards her.

"I knew I should be successful, and it gives me almost as much pleasure
as yourself that I have been so," said the youth, dismounting from his
horse and opening the gate that his companion might pass.

"Thank you--thank you, dear Charles," said Julia kindly. "I never can
forget how good you are to me--how much you love to oblige not only me,
but every one around you. Excuse me now. I have this dear letter to
read: another time, I will thank you as I ought."

So saying, Julia ran into the summer-house, and fastening its door, gave
herself up to the pleasure of reading a first letter. Notes and short
epistles from her aunt, with divers letters from Anna written slyly in
the school-room and slipped into her lap, she was already well
acquainted with; but of real, genuine letters, stamped by the
post-office, rumpled by the mail-bags, consecrated by the steam-boat,
this was certainly the first. This, indeed, was a real letter: rivers
rolled, and vast tracts of country lay, between herself and its writer,
and that writer was a friend selected on the testimony of innate
evidence. It was necessary for Julia to pause and breathe before she
could open her letter; and by the time this was done, her busy fancy had
clothed both epistle and writer with so much excellence, that she was
prepared to peruse the contents with a respect bordering on enthusiasm:
every word must be true--every idea purity itself. That our readers may
know how accurately sixteen and a brilliant fancy had qualified her to
judge, we shall give them the letter entire.

     My dearest love,

     "Oh, Julia! here I am, and such a place!--no town, no churches, no
     Broadway, nothing that can make life desirable; and, I may add, no
     friend--nobody to see and talk with, but papa and mamma, and a
     house full of brothers and sisters. You can't think how I miss you,
     every minute more and more; but I am not without hopes of
     persuading pa to let me spend the winter with your aunt in town. I
     declare it makes me sick every time I think of her sweet house in
     Park-place. If ever I marry, and be sure I will, it shall be a man
     who lives in the city, and next door to my Julia. Oh! how charming
     that would be. Each of us to have one of those delightful new
     houses, with the new-fashioned basement stories; we would run in
     and out at all hours of the day, and it would be so convenient to
     lend and borrow each other's things. I do think there is no
     pleasure under heaven equal to that of wearing things that belong
     to your friend. Don't you remember how fond I was of wearing your
     clothes at school, though you were not so fond of changing as
     myself; but that was no wonder, for pa's stinginess kept me so
     shabbily dressed, that I was ashamed to let you be seen in them.
     Oh, Julia! I shall never forget those happy hours; nor you neither.
     Apropos--I hope you have not forgot the frock you promised to work
     for me, to remember you by. I long for it dreadfully, and hope you
     will send it before the river shuts. I suppose you and Charles
     Weston do nothing but ride round among those beautiful villas on
     the island, and take comfort. I do envy you your happiness, I can
     tell you; for I think any beau better than none, though Mr. Weston
     is not to my taste. I am going to write you six sheets of paper,
     for there is nothing that I so delight in as communing with a
     friend at a distance, especially situated as I am without a soul to
     say a word to, unless it be my own sisters. Adieu, my ever, ever
     beloved Julia--be to me as I am to you, a friend indeed, one tried
     and not found wanting. In haste, your

     "ANNA.

     "Gennessee, June 15, 1816.

     "P. S. Don't forget to jog aunt Emmerson's memory about asking me
     to Park-place.

     "P. S. June 25th. Not having yet sent my letter, although I am sure
     you must be dying with anxiety to hear how we get on, I must add,
     that we have a companion here that would delight you--a Mr. Edward
     Stanley. What a delightful name! and he is as delightful as his
     name: his eye, his nose, his whole countenance, are perfect. In
     short, Julia, he is just such a man as we used to draw in our
     conversation at school. He is rich, and brave, and sensible, and I
     do nothing but talk to him of you. He says, he longs to see you;
     knows you must be handsome; is sure you are sensible; and feels
     that you are good. Oh! he is worth a dozen Charles Westons. But you
     may give my compliments to Mr. Weston, though I don't suppose he
     ever thinks it worth his while to remember such a chick as me. I
     should like to hear what he says about me, and I will tell you all
     Edward Stanley says of you. Once more, adieu. Your letters got here
     safe and in due season. I let Edward take a peep at them."

The first time Julia read this letter she was certainly disappointed. It
contained no descriptions of the lovely scenery of the west. The moon
had risen and the sun had set on the lakes of the interior, and Anna had
said not one word of either. But the third and fourth time of reading
began to afford more pleasure, and at the thirteenth perusal she
pronounced it charming. There was evidently much to be understood;
vacuums that the fancy could easily fill; and, before Julia had left the
summer-house, the letter was extended, in her imagination, to the
promised six sheets. She walked slowly through the shrubbery towards the
house, musing on the contents of her letter, or rather what it might be
supposed to contain, and unconsciously repeating to herself in a low
tone--

"Young, handsome, rich, and sensible--just as we used to paint in our
conversation. Oh, how delightful!"

"Delightful indeed, to possess all those fine qualities; and who is the
happy individual that is so blessed?" asked Charles Weston, who had been
lingering in the walks with an umbrella to shield her on her return from
an approaching shower.

"Oh!" said Julia, starting, "I did not know you were near me. I have
been reading Anna's sweet letter," pressing the paper to her bosom as
she spoke.

"Doubtless you must be done by this time, Julia, and," pointing to the
clouds, "you had better hasten to the house. I knew you would be
terrified at the lightning all alone by yourself in that summer-house,
so I came to protect you."

"You are very good, Charles, but does it lighten?" said Julia in terror,
and hastening her retreat to the dwelling.

"Your letter must have interested you deeply not to have noticed the
thunder--you, who are so timid and fearful of the flashes."

"Foolishly fearful, you would say, if you were not afraid of hurting my
feelings, I know," said Julia.

"It is a natural dread, and therefore not to be laughed at," answered
Charles mildly.

"Then there is natural fear, but no natural love, Mr. Charles; now you
are finely caught," cried Julia exultingly.

"Well, be it so. With me fear is very natural, and I can almost persuade
myself love also."

"I hope you are not a coward, Charles Weston. A cowardly man is very
despicable. I could never love a cowardly man," said Julia, laughing.

"I don't know whether I am what you call a coward," said Charles
gravely; "but when in danger I am always afraid."

The words were hardly uttered before a flash of lightning, followed
instantly by a tremendously heavy clap of thunder, nearly stupified them
both. The suddenness of the shock had, for a moment, paralyzed the
energy of the youth, while Julia was nearly insensible. Soon recovering
himself, however, Charles drew her after him into the house, in time to
escape a torrent of rain. The storm was soon over, and their natural
fear and surprise were a source of mirth for Julia. Women are seldom
ashamed of their fears, for their fright is thought to be feminine and
attractive; but men are less easy under the imputation of terror, as it
is thought to indicate an absence of manly qualities.

"Oh! you will never make a hero, Charles," cried Julia, laughing
heartily. "It is well you chose the law instead of the army as a
profession."

"I don't know," said the youth, a little nettled, "I think I could
muster courage to face a bullet."

"But remember, that you shut your eyes, and bent nearly double at the
flash--now you owned all this yourself."

"At least he was candid, and acknowledged his infirmities," said Miss
Emmerson, who had been listening.

"I think most men would have done as I did, at so heavy and so sudden a
clap of thunder, and so very near too," said Charles, striving to
conceal the uneasiness he felt.

"When apprehension for Julia must have increased your terror," said the
aunt kindly.

"Why, no--I rather believe I thought only of myself at the moment,"
returned Charles; "but then, Julia, you must do me the justice to say,
that instantly I thought of the danger of your taking cold and drew you
into the house."

"Oh! you ran from another clap," said Julia, laughing till her dark eyes
flashed with pleasure, and shaking her head until her glossy hair fell
in ringlets over her shoulders; "you will never make a hero, Charles."

"Do you know any one who would have behaved better, Miss Warren?" said
the young man angrily.

"Yes--why--I don't know. Yes, I have heard of such an one, I think,"
answered Julia, slightly colouring; "but, dear Charles, excuse my
laughter," she continued, holding out her hand; "if you are not a hero,
you are very, very, good."

But Charles Weston, at the moment, would rather be thought a hero than
very, very, good; he, therefore, rose, and affecting a smile,
endeavoured to say something trifling as he retired.

"You have mortified Charles," said Miss Emmerson, so soon as he was out
of hearing.

"I am sure I hope not," said Julia, with a good deal of anxiety; "he is
the last person I would wish to offend, he is so very kind."

"No young man of twenty is pleased with being thought no hero," returned
the aunt.

"And yet all are not so," said Julia.

"I hardly know what you mean by a hero; if you mean such men as
Washington, Greene, or Warren, all are surely not so. These were heroes
in deeds, but others may be equally brave."

"I mean by a hero, a man whose character is unstained by any low or
degenerate vices, or even feelings," said Julia, with a little more than
her ordinary enthusiasm; "whose courage is as natural as it is daring;
who is above fear, except of doing wrong; whose person is an index of
his mind, and whose mind is filled with images of glory; that's what I
call a hero, aunt."

"Then he must be handsome as well as valiant," said Miss Emmerson, with
a smile that was hardly perceptible.

"Why that is--is--not absolutely material," replied Julia, blushing;
"but one would wish to have him handsome too."

"Oh! by all means; it would render his virtues more striking. But I
think you intimated that you knew such a being," returned Miss Emmerson,
fixing her mild eyes on Julia in a manner that denoted great interest.

"Did I," said Julia, colouring scarlet; "I am sure--I have forgotten--it
must be a mistake, surely, dear aunt."

"Very possibly I misunderstood you, my dear," said Miss Emmerson, rising
and withdrawing from the room, in apparent indifference to the subject.

Julia continued musing on the dialogue which had passed, and soon had
recourse to the letter of her friend, the postscript of which was all,
however, that she thought necessary to read: on this she dwelt until the
periods were lengthened into paragraphs, each syllable into words, and
each letter into syllables. Anna Miller had furnished the outlines of a
picture, that the imagination of Julia had completed. The name of Edward
Stanley was repeated internally so often that she thought it the
sweetest name she had ever heard. His eyes, his nose, his countenance,
were avowed to be handsome; and her fancy soon gave a colour and form to
each. He was sensible; how sensible, her friend had not expressly
stated; but then the powers of Anna, great as they undoubtedly were,
could not compass the mighty extent of so gigantic a mind. Brave, too,
Anna had called him. This she must have learnt from acts of desperate
courage that he had performed in the war which had so recently
terminated; or perhaps he might have even distinguished himself in the
presence of Anna, by some exploit of cool and determined daring. Her
heart burned to know all the particulars, but how was she to inquire
them. Anna, dear, indiscreet girl, had already shown her letters, and
her delicacy shrunk from the exposure of her curiosity to its object.
After a multitude of expedients had been adopted and rejected as
impracticable, Julia resorted to the course of committing her inquiries
to paper, most solemnly enjoining her friend never to expose her
weakness to Mr. Stanley. This, thought Julia, she never could do; it
would be unjust to me, and indelicate in her. So Julia wrote as follows,
first seeking her own apartment, and carefully locking the door, that
she might devote her whole attention to friendship, and her letter.

     "Dearest Anna,

     "Your kind letter reach'd me after many an anxious hour spent in
     expectation, and repays me ten-fold for all my uneasiness. Surely,
     Anna, there is no one that can write half so agreeably as yourself.
     I know there must be a long--long--epistle for me on the road,
     containing those descriptions and incidents you promised to favour
     me with: how I long to read them, and to show them to my aunt
     Margaret, who, I believe, does not suspect you to be capable of
     doing that which I know, or rather feel, you can. Knowing from any
     thing but feeling and the innate evidence of our sympathies, seems
     to me something like heresy in friendship. Oh, Anna! how could you
     be so cruel as to show my letters to any one, and that to a
     gentleman and a stranger? I never would have served you so, not
     even to good Charles Weston, whom I esteem so highly, and who
     really wants neither judgment nor good nature, though he is
     dreadfully deficient in fancy. Yet Charles is a most excellent
     young man, and I gave him the compliments you desired; he was so
     much flattered by your notice that he could make no reply, though I
     doubt not he prized the honour as he ought. We are all very happy
     here, only for the absence of my Anna; but so long as miles of
     weary roads and endless rivers run between us, perfect happiness
     can never reign in the breast of your Julia. Anna, I conjure you by
     all the sacred delicacy that consecrates our friendship, never to
     show this letter, unless you would break my heart: you never will,
     I am certain, and therefore I will write to my Anna in the
     unreserved manner in which we conversed, when fate, less cruel than
     at present, suffered us to live in the sunshine of each other's
     smiles. You speak of a certain person in your letter, whom, for
     obvious reasons, I will in future call _Antonio_. You describe him
     with the partiality of a friend; but how can I doubt his being
     worthy of all that you say, and more--sensible, brave, rich, and
     handsome. From his name, I suppose, of course, he is well
     connected. What a constellation of attractions to centre in one
     man! But you have not told me all--his age, his family, his
     profession; though I presume he has borne arms in the service of
     his country, and that his manly breast is already covered with the
     scars of honour. Ah! Anna, "he jests at scars who never felt a
     wound." But, my dear creature, you say that he talks of me: what
     under the sun can you find to say of such a poor girl as myself?
     Though I suppose you have, in the fondness of affection, described
     my person to him already. I wonder if he likes black eyes and fair
     complexion. You can't conceive what a bloom the country has given
     me; I really begin to look more like a milk-maid than a lady. Dear,
     good aunt Margaret has been quite sick since you left us, and for
     two days I was hardly out of her room; this has put me back a
     little in colour, or I should be as ruddy as the morn. But nothing
     ought ever to tempt me to neglect my aunt, and I hope nothing ever
     will. Be assured that I shall beg her to write you to spend the
     winter with us, for I feel already that without you life is a
     perfect blank. You indeed must have something to enliven it with a
     little in your new companions, but here is nobody, just now, but
     Charles Weston. Yet he is an excellent companion, and does every
     thing he can to make us all happy and comfortable. Heigho! how I do
     wish I could see you, my Anna, and spend one sweet half hour in the
     dear confidence of mutual sympathy. But lie quiet, my throbbing
     heart, the day approaches when I shall meet my friend again, and
     more than receive a reward for all our griefs. Ah! Anna, never
     betray your Julia, and write to me _fully_, _confidingly_, and
     often.

     "Yours, with all the tenderness of friendship that is founded on
     mutual sympathy, congenial souls, and innate evidence of worth.

     "JULIA."

     "P. S. I should like to know whether Antonio has any scars in his
     face, and what battles he was in. Only think, my dear, poor Charles
     Weston was frightened by a clap of thunder--but Charles has an
     excellent heart."

This letter was written and read, sealed and kissed, when Miss Emmerson
tapped gently at the door of her niece and begged admission. Julia flew
to open it, and received her aunt with the guileless pleasure her
presence ever gave her. A few words of introductory matter were
exchanged, when, being both seated at their needles again, Miss Emmerson
asked--

"To whom have you been writing, my love?"

"To my Anna."

"Do you recollect, my child, that in writing to Miss Miller, you are
writing to one out of your own family, and whose interests are different
from yours?"

"I do not understand you, aunt," cried Julia in surprise.

"I mean that you should be guarded in your correspondence--tell no
secrets out"--

"Tell no secrets to my Anna!" exclaimed the niece in a species of
horror. "That would be a death-blow to our friendship indeed."

"Then let it die," said Miss Emmerson, coolly; "the affection that
cannot survive the loss of such an excitement, had better be suffered to
expire as soon as possible, or it may raise false expectations."

"Why, dear aunt, in destroying confidence of this nature, you destroy
the great object of friendship. Who ever heard of a friendship without
secrets?"

"I never had a secret in my life," said Miss Emmerson simply, "and yet I
have had many a friend."

"Well," said Julia, "yours must have been queer friends; pray, dear
aunt, name one or two of them."

"Your mother was my friend," said Miss Emmerson, with strong emotion,
"and I hope her daughter also is one."

"Me, my beloved aunt!" cried Julia, throwing herself into the arms of
Miss Emmerson and bursting into tears; "I am more than a friend, I am
your child--your daughter."

"Whatever be the name you give it, Julia, you are very near and dear to
me," said the aunt, tenderly kissing her charge: "but tell me, my love,
did you ever feel such emotion in your intercourse with Miss Miller?"

It was some time before Julia could reply; when, having suppressed the
burst of her feelings, she answered with a smile--

"Oh! that question is not fair. You have brought me up; nursed me in
sickness; are kind and good to me; and the idea that you should suppose
I did not love you, was dreadful--But you know I do."

"I firmly believe so, my child; it is you that I would have know what it
is that you love: I am satisfied for myself. I repeat, did Anna Miller
ever excite such emotions?"

"Certainly not: my love to you is natural; but my friendship for Anna
rests on sympathy, and a perfect knowledge of her character."

"I am glad, however, that you know her so well, since you are so
intimate. What testimony have you of all this excellence?"

"Innate evidence. I see it--I feel it--Yes, that is the best
testimony--I feel her good qualities. Yes, my friendship for Anna forms
the spring of my existence; while any accident or evil to you would
afflict me the same as if done to myself--this is pure nature, you
know."

"I know it is pleasing to learn it, come from what it will," said the
aunt, smiling, and rising to withdraw.




CHAPTER III.


Several days passed after this conversation, in the ordinary quiet of a
well regulated family. Notwithstanding the house of Miss Emmerson stood
in the midst of the numberless villas that adorn Manhattan Island, the
habits of its mistress were retiring and domestic. Julia was not of an
age to mingle much in society, and Anna had furnished her with a theme
for her meditations, that rather rendered her averse from the confusion
of company. Her mind was constantly employed in canvassing the qualities
of the unseen Antonio. Her friend had furnished her with a catalogue of
his perfections in gross, which her active thoughts were busily
arranging into form and substance. But little practised in the world or
its disappointments, the visionary girl had already figured to herself a
person to suit these qualities, and the animal was no less pleasing,
than the moral being of her fancy. What principally delighted Julia in
these contemplations on the acquaintance of Anna, was the strong
inclination he had expressed to know herself. This flattered her
tendency to believe in the strength of mutual sympathy, and the efficacy
of innate evidence of merit. In the midst of this pleasing employment of
her fancy, she received a second letter from her friend, in answer to
the one we have already given to our readers; it was couched in the
following words:

     "My own dear Julia, my Friend,

     "I received your letter with the pleasure I shall always hear from
     you, and am truly obliged to you for your kind offer to make
     interest with your aunt to have me spend the next winter in town.
     To be with you, is the greatest pleasure I have on earth; besides,
     as I know I can write to you as freely as I think, one can readily
     tell what a tiresome place this must be to pass a winter in. There
     are, absolutely, but three young men in the whole county who can be
     thought in any manner as proper matches for us; and one had no
     chance here of forming such an association as to give a girl an
     opportunity of meeting with her congenial spirit, so that I hope
     and trust your desire to see me will continue as strong as mine
     will ever be to see my Julia. You say that I have forgotten to give
     you the description of our journey and of the lakes that I promised
     to send you. No, my Julia, I have not forgotten the promise, nor
     you; but the thought of enjoying such happiness without your dear
     company, has been too painful to dwell upon. Of this you may judge
     for yourself. Our first journey was made in the steam-boat to
     Albany; she is a moving world. The vessel ploughs through the
     billowy waters in onward progress, and the soul is left in silent
     harmony to enjoy the change. The passage of the Highlands is most
     delightful. Figure to yourself, my Julia, the rushing waters,
     lessening from their expanded width to the degeneracy of the
     stagnant pool--rocks rise on rocks in overhanging mountains, until
     the weary eye, refusing its natural office, yields to the fancy
     what its feeble powers can never conquer. Clouds impend over their
     summits, and the thoughts pierce the vast abyss. Ah! Julia, these
     are moments of awful romance; how the soul longs for the
     consolations of friendship. Albany is one of the most picturesque
     places in the world; situated most delightfully on the banks of the
     Hudson, which here meanders in sylvan beauty through meadows of
     ever-green and desert islands. Words are wanting to paint the
     melancholy beauties of the ride to Schenectady, through gloomy
     forests, where the silvery pine waves in solemn grandeur to the
     sighings of Eolus, while Boreas threatens in vain their firm-rooted
     trunks. But the lakes! Ah! Julia--the lakes! The most beautiful is
     the Seneca, named after a Grecian king. The limpid water, ne'er
     ruffled by the rude breathings of the wind, shines with golden
     tints to the homage of the rising sun, while the light bark
     gallantly lashes the surge, rocking before the propelling gale, and
     forcibly brings to the appalled mind the fleeting hours of time.
     But I must pause--my pen refuses to do justice to the subject, and
     the remainder will furnish us hours of conversation during the
     tedious moments of the delightful visit to Park-Place. You speak
     of Antonio--dear girl, with me the secret is hallowed. He is yet
     here; his whole thoughts are of Julia--from my description only, he
     has drawn your picture, which is the most striking in the world;
     and nothing can tear the dear emblem from his keeping. He called
     here yesterday in his phaeton, and insisted on my riding a few
     short miles in his company: I assented, for I knew it was to talk
     of my friend. He already feels your worth, and handed me the
     following verses, which he begged me to offer as the sincere homage
     of his heart. He intends accompanying my father and me to town next
     winter--provided I go.

    "Oh! charming image of an artless fair,
      "Whose eyes, with lightning, fire the very soul;
    "Whose face portrays the mind, and ebon hair
      "Gives grace and harmony unto the whole.

    "In vain I gaze entranc'd, in vain deplore
      "The leagues that roll between the maid and me;
    "Lonely I wander on the desert shore,
      "And Julia's lovely form can never see.

    "But fly, ye fleeting hours, I beg ye fly,
      "And bring the time when Anna seeks her friend;
    "Haste--Oh haste, or Edward sure must die.
      "Arrive--and quickly Edward's sorrows end."

     I know you will think with me, that these lines are beautiful, and
     merely a faint image of his manly heart. In the course of our ride,
     during which he did nothing but converse on your beauty and merit,
     he gave me a detailed narrative of his life. It was long, but I can
     do no less than favour you with an abridgment of it. Edward Stanley
     was early left an orphan: no father's guardian eye directed his
     footsteps; no mother's fostering care cherished his infancy. His
     estate was princely, and his family noble, being a wronged branch
     of an English potentate. During his early youth he had to contend
     against the machinations of a malignant uncle, who would have
     robbed him of his large possessions, and left him in black despair,
     to have eaten the bread of penury. His courage and understanding,
     however, conquered this difficulty, and at the age of fourteen he
     was quietly admitted to an university. Here he continued peacefully
     to wander amid the academic bowers, until the blast of war rung in
     his ears, and called him to the field of honour. Edward was ever
     foremost in the hour of danger. It was his fate to meet the enemy
     often, and as often did "he pluck honour from the pale-fac'd moon."
     He fought at Chippewa--bled at the side of the gallant
     Lawrence--and nearly laid down his life on the ensanguined plains
     of Marengo. But it would be a fruitless task to include all the
     scenes of his danger and his glory. Thanks to the kind fates which
     shield the lives of the brave, he yet lives to adore my Julia. That
     you may be as happy as you deserve, and happier than your
     heart-stricken friend, is the constant prayer of your

     "ANNA."

     "P. S. Write me soon, and make my very best respects to your
     excellent aunt. It was laughable enough that Charles Weston should
     be afraid of a flash of lightning. I mentioned it to Antonio, who
     cried, while manly indignation clouded his brow, 'chill penury
     repressed his noble rage, and froze the genial current of the
     soul.' However, say nothing to Charles about it, I charge you."

Julia fairly gasped for breath as she read this epistle: her very soul
was entranced by the song. Whatever of seeming contradiction there might
be in the letter of her friend, her active mind soon reconciled. She was
now really beloved, and in a manner most grateful to her heart--by the
sole power of sympathy and congenial feelings. Whatever might be the
adoration of Edward Stanley, it was more than equalled by the admiration
of this amiable girl. Her very soul seemed to her to be devoted to his
worship; she thought of him constantly, and pictured out his various
distresses and dangers; she wept at his sufferings, and rejoiced in his
prosperity--and all this in the short space of one hour. Julia was yet
in the midst of this tumult of feeling, when another letter was placed
in her hands, and on opening it she read as follows:

     "Dear Julia,

     "I should have remembered my promise, and come out and spent a week
     with you, had not one of Mary's little boys been quite sick; of
     course I went to her until he recovered. But if you will ask aunt
     Margaret to send for me, I will come to-morrow with great pleasure,
     for I am sure you must find it solitary, now Miss Miller has left
     you. Tell aunt to send by the servant a list of such books as she
     wants from Goodrich's, and I will get them for her, or indeed any
     thing else that I can do for her or you. Give my love to aunt, and
     tell her that, knowing her eyes are beginning to fail, I have
     worked her a cap, which I shall bring with me. Mamma desires her
     love to you both, and believe me to be affectionately your cousin,

     "KATHERINE EMMERSON."

This was well enough; but as it was merely a letter of business, one
perusal, and that a somewhat hasty one, was sufficient. Julia loved its
writer more than she suspected herself, but there was nothing in her
manner or character that seemed calculated to excite strong emotion. In
short, all her excellences were so evident that nothing was left
dependent on innate evidence; and our heroine seldom dwelt with pleasure
on any character that did not give a scope to her imagination. In
whatever light she viewed the conduct or disposition of her cousin, she
was met by obstinate facts that admitted of no cavil nor of any
exaggeration.

Turning quickly, therefore, from this barren contemplation to one better
suited to her inclinations, Julia's thoughts resumed the agreeable
reverie from which she had been awakened. She also could paint, and
after twenty trials she at length sketched an outline of the figure of a
man that answered to Anna's description, and satisfied her own eye.
Without being conscious of the theft, she had copied from a print of the
Apollo, and clothed it in the uniform which Bonaparte is said to have
worn. A small scar was traced on the cheek in such a manner that
although it might be fancied as the ravages of a bullet, it admirably
answered all the purposes of a dimple. Two epaulettes graced the
shoulders of the hero; and before the picture was done, although it was
somewhat at variance with republican principles, an aristocratical star
glittered on its breast. Had he his birth-right, thought Julia, it
would be there in reality; and this idea amply justified the innovation.
To this image, which it took several days to complete, certain verses
were addressed also, but they were never submitted to the confidence of
her friend. The whole subject was now beginning to be too sacred even
for such a communication; and as the mind of Julia every hour became
more entranced with its new master, her delicacy shrunk from an exposure
of her weakness: it was getting too serious for the light compositions
of epistolary correspondence.

We furnish a copy of the lines, as they are not only indicative of her
feelings, but may give the reader some idea of the powers of her
imagination.

    "Beloved image of a god-like mind,
      "In sacred privacy thy power I feel;
    "What bright perfection in thy form's combin'd!
      "How sure to injure, and how kind to heal.

    "Thine eagle eye bedazzles e'en the brain,
      "Thy gallant brow bespeaks the front of Jove;
    "While smiles enchant me, tears in torrents rain,
      "And each seductive charm impels to love.

    "Ah! hapless maid, why daring dost thou prove
      "The hidden dangers of the urchin's dart;
    "Why fix thine eye on this, the god of love,
      "And heedless think thee to retain thy heart?"

This was but one of fifty similar effusions, in which Julia poured forth
her soul. The flame was kept alive by frequent letters from her friend,
in all of which she dwelt with rapture on the moment of their re-union,
and never failed to mention Antonio in a manner that added new fuel to
the fire that already began to consume Julia, and, in some degree, to
undermine her health, at least she thought so.

In the mean time Katherine Emmerson paid her promised visit to her
friends, and our heroine was in some degree drawn from her musings on
love and friendship. The manners of this young lady were conspicuously
natural; she had a confirmed habit of calling things by their right
names, and never dwelt in the least in superlatives. Her affections
seemed centered in the members of her own family; nor had she ever given
Julia the least reason to believe she preferred her to her own sister,
notwithstanding that sister was married, and beyond the years of
romance. Yet Julia loved her cousin, and was hardly ever melancholy or
out of spirits when in her company. The cheerful and affectionate good
humour of Katherine was catching, and all were pleased with her,
although but few discovered the reason. Charles Weston soon forgot his
displeasure, and with the exception of Julia's hidden uneasiness, the
house was one quiet scene of peaceful content. The party were sitting at
their work the day after the arrival of Katherine, when Julia thought it
a good opportunity to intimate her wish to have the society of her
friend during the ensuing winter.

"Why did Mr. Miller give up his house in town, I wonder?" said Julia; "I
am sure it was inconsiderate to his family."

"Rather say, my child, that it was in consideration to his children that
he did so," observed Miss Emmerson; "his finances would not bear the
expense, and suffer him to provide for his family after his death."

"I am sure a little money might be spent now, to indulge his children in
society, and they would be satisfied with less hereafter," continued
Julia. "Mr. Miller must be rich; and think, aunt, he has seven grown up
daughters that he has dragged with him into the wilderness; only think,
Katherine, how solitary they must be."

"Had I six sisters I could be solitary no where," said Katherine,
simply; "besides, I understand that the country where Mr. Miller resides
is beautiful and populous."

"Oh! there are men and women enough, I dare say," cried Julia; "and the
family is large--eleven in the whole; but they must feel the want of
friends in such a retired place."

"What, with six sisters!" said Katherine, laughing and shaking her head.

"There is a difference between a sister and a friend, you know," said
Julia, a little surprised.

"I--indeed I have yet to learn that," exclaimed the other, in a little
more astonishment.

"Why you feel affection for your sisters from nature and habit; but
friendship is voluntary, spontaneous, and a much stronger
feeling--friendship is a sentiment."

"And cannot one feel this sentiment, as you call it, for a sister?"
asked Katherine, smiling.

"I should think not," returned Julia, musing; "I never had a sister; but
it appears to me that the very familiarity of sisters would be
destructive to friendship."

"Why I thought it was the confidence--the familiarity--the
secrets--which form the very essence of friendship," cried Katherine;
"at least so I have always heard."

"True," said Julia, eagerly, "you speak true--the confidence and the
secrets--but not the--the--I am not sure that I express myself well--but
the intimate knowledge that one has of one's own sister--that I should
think would be destructive to the delicacy of friendship."

"Julia means that a prophet has never honour in his own country," cried
Charles with a laugh--"a somewhat doubtful compliment to your sex,
ladies, under her application of it."

"But what becomes of your innate evidence of worth in friendship,"
asked Miss Emmerson; "I thought that was the most infallible of all
kinds of testimony: surely that must bring you intimately acquainted
with each other's secret foibles too."

"Oh! no--that is a species of sentimental knowledge," returned Julia;
"it only dwells on the loftier parts of the character, and never
descends to the minute knowledge which makes us suffer so much in each
other's estimation: it leaves all these to be filled by the--by the--by
the--what shall I call it?"

"Imagination," said Katherine, dryly.

"Well, by the imagination then: but it is an imagination that is
purified by sentiment, and"--

"Already rendered partial by the innate evidence of worth," interrupted
Charles.

Julia had lost herself in the mazes of her own ideas, and changed the
subject under a secret suspicion that her companions were amusing
themselves at her expense; she, therefore, proceeded directly to urge
the request of Anna Miller.

"Oh! aunt, now we are on the subject of friends, I wish to request you
would authorize me to invite my Anna to pass the next winter with us in
Park-Place."

"I confess, my love," said Miss Emmerson, glancing her eye at Katherine,
"that I had different views for ourselves next winter: has not Miss
Miller a married sister living in town?"

"Yes, but she has positively refused to ask the dear girl, I know," said
Julia. "Anna is not a favourite with her sister."

"Very odd that," said the aunt gravely; "there must be a reason for her
dislike then: what can be the cause of this unusual distaste for each
other?"

"Oh!" cried Julia, "it is all the fault of Mrs. Welton; they quarrelled
about something, I don't know what, but Anna assures me Mrs. Welton is
entirely in fault."

"Indeed!--and you are perfectly sure that Mrs. Welton is in
fault--perhaps Anna has, however, laid too strong a stress upon the
error of her sister," observed the aunt.

"Oh! not at all, dear aunt. I can assure you, on my own knowledge,"
continued Julia, "Anna was anxious for a reconciliation, and offered to
come and spend the winter with her sister, but Mrs. Welton declared
positively that she would not have so selfish a creature round her
children: now this Anna told me herself one day, and wept nearly to
break her heart at the time."

"Perhaps Mrs. Welton was right then," said Miss Emmerson, "and prudence,
if not some other reason, justified her refusal."

"How can you say so, dear aunt?" interrupted Julia, with a little
impatience, "when I tell you that Anna herself--my Anna, told me with
her own lips, here in this very house, that Mrs. Welton was entirely to
blame, and that she had never done any thing in her life to justify the
treatment or the remark--now Anna told me this with her own mouth."

As Julia spoke, the ardour of her feelings brought the colour to her
cheeks and an animation to her eyes that rendered her doubly handsome;
and Charles Weston, who had watched her varying countenance with
delight, sighed as she concluded, and rising, left the room.

"I understand that your father intends spending his winter in Carolina,
for his health," said Miss Emmerson to Katherine.

"Yes," returned the other in a low tone, and bending over her work to
conceal her feelings; "mother has persuaded him to avoid our winter."

"And you are to be left behind?"

"I am afraid so," was the modest reply.

"And your brother and sister go to Washington together?"

"That is the arrangement, I believe."

Miss Emmerson said no more, but she turned an expressive look on her
ward, which Julia was too much occupied with her thoughts to notice. The
illness of her father, and the prospect of a long separation from her
sister, were too much for the fortitude of Katherine at any time, and
hastily gathering her work in her hand, she left the room just in time
to prevent the tears which streamed down her cheeks from meeting the
eyes of her companions.

"We ought to ask Katherine to make one of our family, in the absence of
her mother and sister," said Miss Emmerson, as soon as the door was
closed.

"Ah! yes," cried Julia, fervently, "by all means: poor Katherine, how
solitary she would be any where else--I will go this instant and ask
her."

"But--stop a moment, my love; you will remember that we have not room
for more than one guest. If Katherine is asked, Miss Miller cannot be
invited. Let us look at what we are about, and leave nothing to repent
of hereafter."

"Ah! it is true," said Julia, re-seating herself in great
disappointment; "where will poor Katherine stay then?"

"I know my brother expects that I will take her under my charge; and,
indeed, I think he has right to ask it of me."

"But she has no such right as my Anna, who is my bosom friend, you know.
Katherine has a right here, it is true, but it is only such a right"--

"As your own," interrupted the aunt gravely; "you are the daughter of my
sister, and Katherine is the daughter of my brother."

"True--true--if it be right, lawful right, that is to decide it, then
Katherine must come, I suppose," said Julia, a little piqued.

"Let us proceed with caution, my love," said Miss Emmerson, kissing her
niece--"Do you postpone your invitation until September, when, if you
continue of the same mind, we will give Anna the desired invitation: in
the mean while prepare yourself for what I know will be a most agreeable
surprise."




CHAPTER IV.


Although Julia spent most of her time with her aunt and cousin,
opportunities for meditation were not wanting: in the retirement of her
closet she perused and re-perused the frequent letters of her friend.
The modesty of Julia, or rather shame, would have prevented her from
making Anna acquainted with all her feelings, but it would have been
treason to her friendship not to have poured out a little of her soul at
the feet of Miss Miller. Accordingly, in her letters, Julia did not
avoid the name of Antonio. She mentioned it often, but with womanly
delicacy, if not with discretion. The seeds of constant association had,
unknown to herself, taken deep root, and it was not in the power of Anna
Miller to eradicate impressions which had been fastened by the example
of the aunt, and cherished by the society of her cousin. Although
deluded, weak, and even indiscreet, Julia was not indelicate. Yet
enough escaped her to have given any experienced eye an insight into the
condition of her mind, had Anna chosen to have exposed her letters to
any one. The danger of such a correspondence should alone deter any
prudent female from its indulgence. Society has branded the man with
scorn who dares abuse the confidence of a woman in this manner; and the
dread of the indignation of his associates makes it an offence which is
rarely committed by the other sex: but there is no such obligation
imposed on women, and that frequently passes for a joke which harrows
every feeling that is dear to the female breast, and violates all that
is delicate and sensitive in our nature. Surely, where it is necessary
from any adventitious circumstances to lay the heart open in this
manner, it should only be done to those whose characters are connected
with our own, and who feel ridicule inflicted on us, as disgrace heaped
on themselves. A peculiar evil of these confidential friendships is,
that they are most liable to occur, when, from their youth, their
victims are the least guarded; and, at the same time, from inconstancy,
the most liable to change. Happily, however, for Julia's peace of mind,
she foresaw no such dangers from her intimacy with Anna, and letter and
answer passed between them, at short intervals, during the remainder of
the summer. We shall give but one more specimen of each, as they have
strong resemblance to one another--we select two that were written late
in August.

     "My own and beloved Julia,

     "Your letters are the only consolation that my anxious heart can
     know in the dreary solitude of this place. Oh! my friend, how would
     your tender heart bleed did you but know the least of my
     sufferings; but they are all requited by the delightful
     anticipations of Park-Place. I hope your dear aunt has not found it
     necessary to lay down her carriage in the change of the times:
     write me in your next about it. Antonio has been here again, and he
     solicited an audience with me in private--of course I granted it,
     for friendship hallows all that is done under its mantle. It was a
     moonlight night--mild Luna shedding a balmy light on surrounding
     objects, and, if possible, rendering my heart more sensitive than
     ever. One solitary glimmering star showed by its paly quiverings
     the impress of evening, while not a cloud obscured the vast
     firmament of heaven. On such an evening Antonio could do nothing
     but converse of my absent friend; he dwelt on the indescribable
     grace of your person, the lustre of your eye, and the vermilion of
     your lips, until exhausted language could furnish no more epithets
     of rapture: then the transition to your mind was natural and easy;
     and it was while listening to his honied accents that I thought my
     Julia herself was talking.

    "Soft as the dews from heaven descend, his gentle accents fell."

     Ah, Julia! nothing but a strong pre-possession, and my friendship
     for you, could remove the danger of such a scene. Yes! friend of my
     heart, I must acknowledge my weakness. There is a youth in
     New-York, who has long been master of my too sensitive heart, and
     without him life will be a burthen. Cruel fate divides us now, but
     when invited by your aunt to Park-Place, Oh, rapture unutterable!
     I shall be near my Regulus. This, surely, is all that can be
     wanting to stimulate my Julia to get the invitation from her aunt.
     Antonio says that if I go to the city this fall, he will hover near
     me on the road to guard the friend of Julia; and that he will
     eagerly avail himself of my presence to seek her society. I am
     called from my delightful occupation by one of my troublesome
     sisters, who wishes me to assist her in some trifle or other. Make
     my most profound respects to your dear, good aunt, and believe me
     your own true friend,

     "ANNA."

At length Julia thought she had made the discovery of Anna's reason for
her evident desire to spend the winter in town--like herself, her friend
had become the victim of the soft passion, and from that moment Julia
determined that Katherine Emmerson must seek another residence, in order
that Anna might breathe love's atmosphere. How much a desire to see
Antonio governed this decision, we cannot say, but we are certain that,
if in the least, Julia was herself ignorant of the power. With her, it
seemed to be the result of pure, disinterested, and confiding
friendship. In answer, our heroine wrote as follows:

     "My beloved Anna,

     "Your kind, consolatory letters are certainly the solace of my
     life. Ah! Anna, I have long thought that some important secret lay
     heavy at your heart. The incoherency of your letters, and certain
     things too trifling to mention, had made me suspect that some
     unusual calamity had befallen you. You do not mention who Regulus
     is. I am burning with curiosity to know, although I doubt not but
     he is every way worthy of your choice.

     "I have in vain run over in my mind every young man that we know,
     but not one of them that I can find has any of the qualities of a
     hero. Do relieve my curiosity in your next, and I may have it in my
     power to write you something of his movements. Oh! Anna, why will
     you dwell on the name of Antonio--I am sure I ought not to listen
     as I do to what he says--and when we meet, I am afraid that he
     will not find all the attractions which your too partial friendship
     has portrayed. If he should be thus disappointed, Oh!
     Anna--Anna--what would become of your friend--But I will not dwell
     on the horrid idea. Charles Weston is yet here, and Katherine
     Emmerson too; so that but for the thoughts of my absent Anna, and
     perhaps a little uneasiness on the subject of Antonio, I might be
     perfectly happy. You know how good and friendly Katherine is, and
     really Charles does all in his power to please. If he were only a
     little more heroical, he would be a charming young man: for
     although he is not very handsome, I don't think you notice it in
     the least when you are intimate with him. Poor Charles, he was
     terribly mortified about the flash of lightning--but then all are
     not brave alike. Adieu, my Anna--and if you do converse more with a
     certain person about, you know whom, let it be with discretion, or
     you may raise expectations she will not equal. Your own

     "JULIA."

     "P. S. I had almost forgotten to say that aunt has promised me that
     I can ask you to stay with us, if, after the 20th September, I
     wish it, as you may be sure that I will. Aunt keeps her carriage
     yet, and I hope will never want it in her old age."

About the time this letter was written, Miss Emmerson made both of her
nieces acquainted with the promised project that was to give them the
agreeable surprise:--she had long contemplated going to see "the Falls,"
and she now intended putting her plan into execution. Katherine was
herself pressed to make one of the party, but the young lady, at the
same time she owned her wish to see this far-famed cataract, declined
the offer firmly, but gratefully, on account of her desire to spend the
remaining time with her father and mother, before they went to the
south. Charles Weston looked from Katherine to Julia during this
dialogue, and for an instant was at a loss to know which he thought the
handsomest of the cousins. But Julia entered into the feelings of the
others so quickly, and so gracefully offered to give up the journey, in
order that Miss Emmerson might continue with her brother, that, aided
by her superior beauty, she triumphed. It was evident, that
consideration for her niece was a strong inducement with the aunt for
making the journey, and the contest became as disinterested as it was
pleasing to the auditors. But the authority of Miss Emmerson prevailed,
and Charles was instantly enlisted as their escort for the journey.
Julia never looked more beautiful or amiable than during this short
controversy. It had been mentioned by the aunt that she should take the
house of Mr. Miller in her road, and the information excited an emotion
that brought all her lustre to her eyes, and bloom to her cheeks.
Charles thought it was a burst of generous friendship, and admired the
self-denial with which she urged her aunt to relinquish the idea. But
Julia was constitutionally generous, and it was the excess of the
quality that made her enthusiastic and visionary. If she did not deserve
all of Charles's admiration, she was entitled to no small share of it.
As soon as the question was determined in favour of going, Miss Emmerson
and Katherine withdrew, leaving Charles alone with the heroine of our
tale. Under the age of five-and-twenty, men commonly act at the
instigation of sudden impulse, and young Weston was not yet twenty-one.
He had long admired Julia for her beauty and good feelings; he did not
see one half of her folly, and he knew all of her worth; her
enthusiastic friendship for Miss Miller was forgotten; even her mirth at
his own want of heroism had at the moment escaped his memory--and the
power of the young lady over him was never greater.

"How admirable in you, Julia," he said, seating himself by her side, "to
urge what was against your own wishes, in order to oblige your aunt!"

"Do you think so, Charles?" said the other simply; "but you see I urged
it feebly, for I did not prevail."

"No, for you mistook your aunt's wishes, it seems: she desires to
go--but then all the loveliness of the act was yours."

At the word loveliness, Julia raised her eyes to his face with a slight
blush--it was new language for Charles Weston to use, and it was just
suited to her feelings. After a moment's pause, however, she replied--

"You use strong language, cousin Charles, such as is unusual for you."

"Julia, although I may not often have expressed it, I have long thought
you to be very lovely!" exclaimed the young man, borne away with his
ardour at the moment.

"Upon my word, Charles, you improve," said Julia, blushing yet more
deeply, and, if possible, looking still handsomer than before.

"Julia--Miss Warren--you tear my secret from me before its time--I love
you, Julia, and would wish to make you my wife."

This was certainly very plain English, nor did Julia misunderstand a
syllable of what he said--but it was entirely new and unexpected to her;
she had lived with Charles Weston with the confidence of a kinswoman,
but had never dreamt of him as a lover. Indeed, she saw nothing in him
that looked like a being to excite or to entertain such a passion; and
although from the moment of his declaration she began insensibly to
think differently of him, nothing was farther from her mind than to
return his offered affection. But then the opportunity of making a
sacrifice to her secret love was glorious, and her frankness forbade
her to conceal the truth. Indeed, what better way was there to destroy
the unhappy passion of Charles, than to convince him of its
hopelessness? These thoughts flashed through her mind with the rapidity
of lightning--and trembling with the agitation and novelty of her
situation, she answered in a low voice--

"That, Charles, can never be."

"Why never, Julia?" cried the youth, giving way at once to his
long-suppressed feelings--"why never? Try me, prove me! there is nothing
I will not do to gain your love."

Oh! how seductive to a female ear is the first declaration of an
attachment, especially when urged by youth and merit!--it assails her
heart in the most vulnerable part, and if it be not fortified unusually
well, seldom fails of success. Happily for Julia, the image of Antonio
presented itself to save her from infidelity to her old attachment, and
she replied--

"You are kind and good, Charles, and I esteem you highly--but ask no
more, I beg of you."

"Why, if you grant me this, why forbid me to hope for more?" said the
youth eagerly, and looking really handsome.

Julia hesitated a moment, and let her dark eyes fall before his ardent
gaze, at a loss what to say--but the face of Apollo in the imperial
uniform interposed to save her.

"I owe it to your candour, Mr. Weston, to own my weakness--" she said,
and hesitated.

"Go on, Julia--my Julia," said Charles, in an unusually soft voice;
"kill me at once, or bid me live!"

Again Julia paused, and again she looked on her companion with kinder
eyes than usual--when she felt the picture which lay next her heart, and
proceeded--

"Yes, Mr. Weston, this heart, this foolish, weak heart is no longer my
own."

"How!" exclaimed Charles, in astonishment, "and have I then a rival, and
a successful one too?"

"You have," said Julia, burying her face in her hands to conceal her
blushes.--"But, Mr. Weston, on your generosity I depend for secresy--be
as generous as myself."

"Yes--yes--I will conceal my misery from others," cried Charles,
springing on his feet and rushing from the room; "would to God I could
conceal it from myself!"

Julia was sensibly touched with his distress, and for an instant there
was some regret mingled with self-satisfaction at her own candour--but
then the delightful reflection soon presented itself of the gratitude of
Antonio when he learnt her generous conduct, and her self-denial in
favour of a man whom she had as yet never seen.--At the same time she
was resolutely determined never to mention the occurrence herself--not
even to her Anna.

Miss Emmerson was enabled to discover some secret uneasiness between
Charles and Julia, although she was by no means able to penetrate the
secret. The good aunt had long anxiously wished for just such a
declaration as had been made to her niece, and it was one of the last of
her apprehensions that it would not have been favourably received. Of
simple and plain habits herself, Miss Emmerson was but little versed in
the human heart; she thought that Julia was evidently happy and pleased
with her young kinsman, and she considered him in every respect a most
eligible connexion for her charge: their joint fortunes would make an
ample estate, and they were alike affectionate and good-tempered--what
more could be wanting? Nothing however passed in the future intercourse
of the young couple to betray their secrets, and Miss Emmerson soon
forgot her surmises. Charles was much hurt at Julia's avowal, and had in
vain puzzled his brains to discover who his rival could be. No young man
that was in the least (so he thought) suitable to his mistress, visited
her, and he gave up his conjectures in despair of discovering this
unknown lover, until accident or design should draw him into notice.
Little did he suspect the truth. On the other hand, Julia spent her
secret hours in the delightful consciousness of having now done
something that rendered her worthy of Antonio, with occasional regret
that she was compelled by delicacy and love to refuse Charles so hastily
as she had done.

Very soon after this embarrassing explanation, Julia received a letter
from her friend that was in no way distinguishable from the rest, except
that it contained the real name of Regulus, which she declared to be
Henry Frederick St. Albans. If Charles was at a loss to discover Julia's
hidden love, Julia herself was equally uncertain how to know who this
Mr. St. Albans was. After a vast deal of musing, she remembered that
Anna was absent from school without leave one evening, and had returned
alone with a young man who was unknown to the mistress. This incident
was said, by some, to have completed her education rather within the
usual time. Julia had herself thought her friend indiscreet, but on the
whole, hardly treated--and they left the school together. This must have
been Mr. St. Albans, and Anna stood fully exculpated in her eyes. The
letter also announced the flattering fact, that Antonio had already left
the country, ordering his servants and horses home, and that he had gone
to New-York with the intention of hovering around Julia, in a mask, that
she could not possibly remove, during the dangers of their expected
journey. Anna acknowledged that she had betrayed Antonio's secret, but
pleaded her duty to her friend in justification. She did not think that
Julia would be able to penetrate his disguise, as he had declared his
intentions so to conceal himself, by paint and artifice, as to be able
to escape detection. Here was a new source of pleasure to our heroine:
Antonio was already on the wing for the city, perhaps arrived--nay,
might have seen her, might even now be within a short distance of the
summer-house where she was sitting at the time, and watching her
movements. As this idea suggested itself, Julia started, and
unconsciously arranging her hair, by bringing forward a neglected curl,
moved with trembling steps towards the dwelling. At each turn of the
walk our heroine threw a timid eye around in quest of an unknown figure,
and more than once fancied she saw the face of the god of music peering
at her from the friendly covert of her aunt's shrubbery--and twice she
mistook the light green of a neighbouring cornfield, waving in the wind,
for the coat of Antonio. Julia had so long associated the idea of her
hero with the image in her bosom, that she had given it perfect
identity; but, on more mature reflection, she was convinced of her
error: he would come disguised, Anna had told her, and had ordered his
servants home; where that home was, Julia was left in ignorance--but she
fervently hoped, not far removed from her beloved aunt. The idea of a
separation from this affectionate relative, who had proved a mother to
her in her infancy, gave great pain to her best feelings; and Julia
again internally prayed that the residence of Antonio might not be far
distant.--What the disguise of her lover would be, Julia could not
imagine--probably, that of a wandering harper: but then she remembered
that there were no harpers in America, and the very singularity might
betray his secret. Music is the "food of love," and Julia fancied for a
moment that Antonio might appear as an itinerant organist--but it was
only for a moment; for as soon as she figured to herself the Apollo
form, bending under the awkward load of a music-grinder, she turned in
disgust from the picture. His taste, thought Julia, will protect me
from such a sight--she might have added, his convenience too. Various
disguises presented themselves to our heroine, until, on a view of the
whole subject, she concluded that Antonio would not appear as a musician
at all, but in some capacity in which he might continue unsuspected,
near her person, and execute his project of shielding her from the
dangers of travelling. It was then only as a servant that he could
appear, and, after mature reflection, Julia confidently expected to see
him in the character of a coachman.

Willing to spare her own horses, Miss Emmerson had already sent to the
city for the keeper of a livery-stable, to come out and contract with
her for a travelling carriage, to convey her to the Falls of Niagara.
The man came, and it is no wonder that Julia, under her impressions,
chose to be present at the conversation.

"Well then," said Miss Emmerson to the man, "I will pay you your price,
but you must furnish me with good horses to meet me at Albany--remember
that I take all the useless expense between the two cities, that I may
know whom it is I deal with."

"Miss Emmerson ought to know me pretty well by this time," said the man;
"I have driven her enough, I think."

"And a driver," continued the lady, musing, "who am I to have for a
driver?"--Here Julia became all attention, trembling and blushing with
apprehension.

"Oh, a driver!" cried the horse-dealer; "I have got you an excellent
driver, one of the first chop in the city."

Although these were not the terms that our heroine would have used
herself in speaking of this personage, yet she thought they plainly
indicated his superiority, and she waited in feverish suspense to hear
more.

"He must be steady, and civil, and sober, and expert, and
tender-hearted," said Miss Emmerson, who thought of any thing but a hero
in disguise.

"Yes--yes--yes--yes--yes," replied the stable-keeper, nodding his head
and speaking at each requisite, "he is all that, I can engage to Miss
Emmerson."

"And his eyesight must be good," continued the lady, deeply intent on
providing well for her journey; "we may ride late in the evening, and
it is particularly requisite that he have good eyes."

"Yes--yes, ma'am," said the man, in a little embarrassment that did not
escape Julia; "he has as good an eye as any man in America."

"Of what age is he?" asked Miss Emmerson.

"About fifty," replied the man, thinking years would be a
recommendation.

"Fifty!" exclaimed Julia, in a tone of disappointment.

"'Tis too old," said Miss Emmerson; "he should be able to undergo
fatigue."

"Well, I may be mistaken--Oh, he can't be more than forty, or thirty,"
continued the man, watching the countenance of Julia; "he is a man that
looks much older than he is."

"Is he strong and active?"

"I guess he is--he's as strong as an ox, and active as a cat," said the
other, determined he should pass.

"Well, then," said the aunt, in her satisfied way, "let every thing be
ready for us in Albany by next Tuesday. We shall leave home on Monday."

The man withdrew.

Julia had heard enough--for ox she had substituted Hercules, and for
cat, she read the feathered Mercury.




CHAPTER V.


The long expected Monday at length arrived, and Miss Emmerson and Julia,
taking an affectionate leave of their relatives in the city, went on
board the steam-boat under the protection of Charles Weston. Here a new
scene indeed opened on our heroine; for some time she even forgot to
look around her in the throng in quest of Antonio. As the boat glided
along the stream, she stood leaning on one arm of Charles, while Miss
Emmerson held the other, in delighted gaze at the objects, which they
had scarcely distinguished before they were passed.

"See, dear Charles," cried Julia, in a burst of what she would call
natural feeling--"there is our house--here the summer-house, and there
the little arbour where you read to us last week Scott's new novel--how
delightful! every thing now seems and feels like home."

"Would it were a home for us all," said Charles, gently pressing her arm
in his own, and speaking only to be heard by Julia, "then should I be
happy indeed."

Julia thought no more of Antonio; but while her delighted eye rested on
the well-known scenes around their house, and she stood in the world,
for the first time, leaning on Charles, she thought him even nearer than
their intimacy and consanguinity made them. But the boat was famous for
her speed, and the house, garden, and every thing Julia knew, were soon
out of sight, and she, by accident, touching the picture which she had
encased in an old gold setting of her mother's, and lodged in her bosom,
was immediately restored to her former sense of things. Then her eye
glanced rapidly round the boat, but discovering no face which in the
least resembled disguise, she abandoned the expectation of meeting her
lover before they reached Albany. Her beauty drew many an eye on her,
however, and catching the steady and admiring gaze of one or two of the
gentlemen, Julia's heart beat, and her face was covered with blushes.
She was by no means sure that Antonio would appear as a coachman--this
was merely a suggestion of her own; and the idea that he might possibly
be one of the gazers, covered her with confusion: her blushes drew still
more attention and admiration upon her; and we cannot say what might
have been the result of her fascinations, had not Charles at this
instant approached them, and pointing to a sloop they were passing at
the time, exclaimed--

"See, madam--see, Julia--there is our travelling equipage on board that
sloop, going up to meet us in Albany."

Our heroine looked as directed, and saw a vessel moving with tolerable
rapidity up the river, within a short distance from them. On its deck
were a travelling carriage and a pair of horses, and by the latter stood
a man who, by the whip in his hand, was evidently the driver. His
stature was tall and athletic; his complexion dark to near blackness;
his face was buried in whiskers; and his employer had spoken the truth
when he said he had as good an eye as any man in America--it was large,
black, and might be piercing. But then he had but one--at least the
place where the other ought to be, was covered by an enormous patch of
green silk. This then was Antonio. It is true, he did not resemble
Apollo, but his disguise altered him so that it was difficult to
determine. As they moved slowly by the vessel, the driver recognised
Charles, having had an interview with him the day before, and saluted
him with a low bow--his salutation was noticed by the young man, who
slightly touched his hat, and gave him a familiar nod in return--Julia,
unconsciously, bent her body, and felt her cheeks glow with confusion as
she rose again. She could not muster resolution to raise her eyes
towards the sloop, but by a kind of instinctive coquetry dragged her
companion to the other side of the boat. As soon as she was able to
recover her composure, Julia revolved in her mind the scene which had
just occurred. She had seen Antonio--every thing about him equalled her
expectations--even at the distance, she had easily discerned the noble
dignity of his manners--his eye gave assurance of his conscious
worth--his very attitude was that of a gentleman. Not to know him for a
man of birth, of education and of fortune, Julia felt to her would be
impossible; and she trembled lest others, as discerning as herself,
should discover his disguise, and she in consequence be covered with
confusion. She earnestly hoped his incog. would ever remain unknown, for
her delicacy shrunk at the publicity and notoriety which would then
attend his attachment. It was certainly delightful to be loved, and so
loved--to be attended, and so attended; but the heart of Julia was too
unpractised to relish the laugh and observations of a malignant world.
"No, my Antonio," she breathed internally, "hover around me, shield me
from impending dangers, delight me with your presence, and enchant me
with your eye; but claim me in the guise of a gentleman and a hero, that
no envious tongue may probe the secrets of our love, nor any profane
scoffer ridicule those sensitive pleasures that he is too unsentimental
to enjoy." With these, and similar thoughts, did Julia occupy herself,
until Charles pointed out to her the majestic entrance to the Highlands.
Our heroine, who was truly alive to all the charms of nature, gazed
with rapture as the boat plunged between the mountains on either hand,
and turned a wistful gaze down the river, in the vain hope that Antonio
might, at the same moment, be enjoying the scene--but the sluggish sloop
was now far behind, and the eye of Antonio, bright as it was, could not
pierce the distance. Julia felt rather relieved than otherwise, when the
vessel which contained her hero was hid from view by a mountain that
they doubled. Her feelings were much like those of a girl who had long
anxiously waited the declaration of a favourite youth, had received it,
and acknowledged her own partiality. She felt all the assurance of her
conquest, and would gladly, for a time, avoid the shame of her own
acknowledgment. The passage up the Hudson furnishes in itself so much to
charm the eye of a novice, that none but one under the extraordinary
circumstances of our heroine, could have beheld the beauties of the
river unmoved. If Julia did not experience quite as much rapture in the
journey as she had anticipated, she attributed it to the remarkably
delicate situation she was in with her lover, and possibly to a dread
of his being detected. An officer of his rank and reputation must be
well known, thought she, and he may meet with acquaintances every where.
However, by the attention of Charles, she passed the day with a very
tolerable proportion of pleasure. Their arrival at Albany was
undistinguished by any remarkable event, though Julia looked in vain
through the darkness of the night, in quest of the fertile meadows and
desert islands which Anna had mentioned in her letter. Even the river
seemed straight and uninteresting. But Julia was tired--it was
night--and Antonio was absent.

The following morning Miss Emmerson and her niece, attended by Charles,
took a walk to examine the beauties of Albany. It did not strike our
heroine as being so picturesque as it had her friend; still it had
novelty, and that lent it many charms it might have wanted on a more
intimate acquaintance. Their forenoon, however, exhausted the beauties
of this charming town, and they had returned to the inn, and the ladies
were sitting in rather a listless state when Charles entered the room
with a look of pleasure, and cried "he is here."

"Who!" exclaimed Julia, starting, and trembling like an aspen.

"He!--Tony," said Charles, in reply.

Julia was unable to say any more; but her aunt, without noticing her
agitation, asked mildly,

"And who is Tony?"

"Why Anthony, the driver--he is here and wishes to see you."

"Show him up, Charles, and let us learn when he will be ready to go on."

This was an awful moment to Julia--she was on the eve of being
confronted, in a room, for the first time, with the man on whom she felt
that her happiness or misery must depend. Although she knew the vast
importance to her of good looks at such a moment, she looked unusually
ill--she was pale from apprehension, and awkward and ungraceful from her
agitation. She would have given the world to have got out of the room,
but this was impossible--there was but one door, and through that he
must come. She had just concluded that it was better to remain in her
chair than incur the risk of fainting in the passage, when he entered,
preceded by Charles. His upper, and part of his lower lip, were clean
shaved; a small part of one cheek and his nose were to be seen; all the
rest of his face was covered with hair, or hid under the patch. An
enormous coloured handkerchief was tied, in a particular manner, round
his neck; and his coat, made of plain materials, and somewhat tarnished
with service, was buttoned as close to his throat as the handkerchief
would allow. In short, his whole attire was that of a common driver of a
hack carriage; and no one who had not previously received an intimation
that his character was different from his appearance, would at all have
suspected the deception.

"Your name is Anthony?" said Miss Emmerson, as he bowed to her with due
deference.

"Yes, ma'am, Anthony--Tony Sandford," was the reply--it was uttered in a
vulgar nasal tone, that Julia instantly perceived was counterfeited: but
Miss Emmerson, with perfect innocency, proceeded in her inquiries.

"Are your horses gentle and good, Tony?" adopting the familiar
nomenclature that seemed most to his fancy.

"As gentle as e'er a lady in the land," said Tony, turning his large
black eye round the room, and letting it dwell a moment on the beautiful
face of Julia--her heart throbbed with tumultuous emotion at the first
sound of his voice, and she was highly amused at the ingenuity he had
displayed, in paying a characteristic compliment to her gentleness, in
this clandestine manner--if he preserves his incognito so ingeniously he
will never be detected, thought Julia, and all will be well.

"And the carriage," continued Miss Emmerson, "is it fit to carry us?"

"I can't say how fit it may be to carry sich ladies as you be, but it is
as good a carriage as runs out of York."

Here was another delicate compliment, thought Julia, and so artfully
concealed under brutal indifference that it nearly deceived even
herself.

"When will you be ready to start?" asked Miss Emmerson.

"This moment," was the prompt reply--"we can easily reach Schenectady by
sundown."

Here Julia saw the decision and promptitude of a soldier used to
marches and movements, besides an eager desire to remove her from the
bustle of a large town and thoroughfare, to a retirement where she would
be more particularly under his protection. Miss Emmerson, on the other
hand, saw nothing but the anxiety of a careful hireling, willing to
promote the interest of his master, who was to be paid for his
conveyance by the job--so differently do sixty and sixteen judge the
same actions! At all events, the offer was accepted, and the man ordered
to secure the baggage, and prepare for their immediate departure.

"Why don't you help Antonio on with the baggage, Charles?" said Julia,
as she stood looking at the driver tottering under the weight of the
trunks. Charles stared a moment with surprise--the name created no
astonishment, but the request did. Julia had a habit of softening names,
that were rather harsh in themselves, to which he was accustomed. Peter
she called Pierre; Robert was Rubert; and her aunt's black footman
Timothy, she had designated as Timotheus: but it was not usual for
ladies to request gentlemen to perform menial offices--until,
recollecting that Julia had expressed unusual solicitude concerning a
dressing-box that contained Anna's letters, he at once supposed it was
to that she wished him to attend. Charles left the room, and
superintended the whole arrangements, when once enlisted. Julia now felt
that every doubt of the identity of her lover with this coachman was
removed. He had ingeniously adopted the name of Anthony, as resembling
in sound the one she herself had given him in her letters. This he
undoubtedly had learnt from Anna--and then Sandford was very much like
Stanley--his patch, his dress, his air--every thing about him united to
confirm her impressions; and Julia, at the same time she resolved to
conduct herself towards him in their journey with a proper feminine
reserve, thought she could do no less to a man who submitted to so much
to serve her, than to suffer him to perceive that she was not entirely
insensible to the obligation.

Our heroine could not but admire the knowing manner with which Antonio
took his seat on the carriage, and the dexterity he discovered in the
management of his horses--this was infallible evidence of his
acquaintance with the animal, and a sure sign that he was the master of
many, and had long been accustomed to their service. Perhaps, thought
Julia, he has been an officer of cavalry.

In the constant excitement produced by her situation, Julia could not
enter into all the feelings described by her friend, during the ride to
Schenectady. Its beauties might be melancholy, but could she be
melancholy, and Antonio so near? The pines might be silvery and lofty,
but the proud stature of majestic man, eclipsed in her eyes all their
beauties. Not so Charles. He early began to lavish his abuse on the
sterile grounds they passed, and gave any thing but encomiums on the
smoothness of the road they were travelling. In the latter particular,
even the quiet spirit of Miss Emmerson joined him, and Julia herself was
occasionally made sensible that she was not reposing "on a bed of
roses."

"Do I drive too fast for the ladies?" asked Antonio, on hearing a slight
complaint and a faint scream in the soft voice of Julia. Oh, how
considerate he is! thought our heroine--how tender!--without his care I
certainly should have been killed in this rude place. It was expected
that as she had complained, she would answer; and after a moment
employed in rallying her senses for the undertaking, she replied in a
voice of breathing melody--

"Oh! no, Antonio, you are very considerate."

For a world Julia could not have said more; and Miss Emmerson thought
that she had said quite as much as the occasion required; but Miss
Emmerson, it will be remembered, supposed their driver to be Anthony
Sandford. The hero, himself, on hearing such a gentle voice so softly
replying to his question, could not refrain from turning his face into
the carriage, and Julia felt her own eyes lower before his earnest gaze,
while her cheeks burned with the blushes that suffused them. But the
look spoke volumes--he understands my "Antonio," thought Julia, and
perceives that, to me, he is no longer unknown. That expressive glance
has opened between us a communication that will cease but with our
lives. Julia now enjoyed, for the remainder of their journey to Mr.
Miller's, one of the greatest pleasures of love--unsuspected by others,
she could hold communion with him who had her heart, by the eyes, and a
thousand tender and nameless little offices which give interest to
affection, and zest to passion.

They had now got half way between the two cities, and Charles took a
seat by the side of the driver, with the intention, as he expressed
himself, of stretching his legs: the carriage was open and light, so
that all of the figures of the two young men could be seen by the
ladies, as well as their conversation heard. Charles never appeared to
less advantage in his person, thought Julia, than now, seated by the
side of the manly and noble Antonio. The figure of Charles was light,
and by no means without grace; yet it did not strike the fancy of our
heroine as so fit to shield and support her through life, as the more
robust person of his companion. Julia herself was, in form, the
counterpart of her mind--she was light, airy, and beautifully softened
in all her outlines. It was impossible to mistake her for any thing but
a lady, and one of the gentlest passions and sentiments. She felt her
own weakness, and would repose it on the manly strength of Antonio.

"Which do you call the best of your horses?" asked Charles, so soon as
he had got himself comfortably seated.

"The off--but both are true as steel," was the laconic reply. The
comparison was new to Julia, and it evidently denoted a mind accustomed
to the contemplation of arms.

"How long have you followed the business of a driver, Tony?" said
Charles, in the careless manner of a gentleman when he wishes to
introduce familiarity with an inferior, by seeming to take an interest
in the other's affairs. Julia felt indignant at the freedom of his
manner, and particularly at the epithet of "Tony"--yet her lover did not
in the least regard either--or rather his manner exhibited no symptoms
of displeasure--he has made up his mind, thought Julia, to support his
disguise, and it is best for us both that he should.

"Ever since I was sixteen I have been used to horses," was the reply of
Antonio to the question of Charles--Julia smiled at the ambiguity of
the answer, and was confirmed in her impression that he had left college
at that age to serve in the cavalry.

"You must understand them well by this time," continued Charles,
glancing his eye at his companion as if to judge of his years--"You must
be forty"--Julia fidgeted a little at this guess of Charles, but soon
satisfied herself with the reflection that his disguise contributed to
the error.

"My age is very deceiving," said the man; "I have seen great hardships
in my time, both of body and mind."

Here Julia could scarcely breathe through anxiety. Every syllable that
he uttered was devoured with eager curiosity by the enamoured girl--he
knew that she was a listener, and that she understood his disguise; and
doubtless meant, in that indirect manner, to acquaint her with the
incidents of his life. It was clear that he indicated his age to be less
than what his appearance would have led her to believe--his sufferings,
his cruel sufferings had changed him.

"The life of a coachman is not hard," said Charles.

"No, sir, far from it--but I have not been a coachman all my life."

Nothing could be plainer than this--it was a direct assertion of his
degradation by the business in which he was then engaged.

"In what manner did you lose your eye, Tony," said Charles, in a tone of
sympathy that Julia blessed him for in her heart, although she knew that
the member was uninjured, and only hidden to favour his disguise.
Antonio hesitated a little in his answer, and stammered while giving
it--"It was in the wars," at length he got out, and Julia admired the
noble magnanimity which would not allow him, even in imagination, to
suffer in a less glorious manner--notwithstanding his eye is safe and as
beautiful as the other, he has suffered in the wars, thought our
heroine, and it is pardonable for him to use the deception, situated as
he is--it is nothing more than an equivoque. But this was touching
Charles on a favourite chord. Little of a hero as Julia fancied him to
be, he delighted in conversing about the war with those men, who,
having acted in subordinate stations, would give a different view of the
subject from the official accounts, in which he was deeply read. It was
no wonder, therefore, that he eagerly seized on the present opportunity
to relieve the tedium of a ride between Albany and Schenectady.

"In what battle," asked Charles, quickly; "by sea or by land?"

"By sea," said Antonio, speaking to his horses, with an evident
unwillingness to say any more on the subject.

Ah! the deception, and the idea of his friend Lawrence, are too much for
his sensibility, thought Julia; and to relieve him she addressed Charles
herself.

"How far are we from Schenectady, cousin Charles?"

Antonio, certainly, was not her cousin Charles; but as if he thought the
answering such questions to be his peculiar province, he replied
immediately--

"Four miles, ma'am; there's the stone."

There was nothing in the answer itself, or the manner of its delivery,
to attract notice in an unsuspecting listener; but by Julia it was well
understood--it was the first time he had ever spoken directly to
herself--it was a new era in their lives--and his body turned half round
toward her as he spoke, showed his manly form to great advantage; but
the impressive and dignified manner in which he dropped his whip towards
the mile-stone, Julia felt that she never could forget--it was intended
to mark the spot where he had first addressed her. He had chosen it with
taste. The stone stood under the shade of a solitary oak, and might
easily be fancied to be a monument erected to commemorate some important
event in the lives of our lovers. Julia ran over in her mind the time
when she should pay an annual visit to that hallowed place, and leaning
on the arm of her majestic husband, murmur in his ear, "Here, on this
loved spot, did Antonio first address his happy, thrice happy Julia."

"Well, Tony," said the mild voice of Miss Emmerson, "the sun is near
setting, let us go the four miles as fast as you please."

"I'm sure, ma'am," said Antonio, with profound respect, "you don't want
to get in more than I do, for I had no sleep all last night; I'll not
keep you out one minute after night"--so saying, he urged his horses to
a fast trot, and was quite as good as his word. How delicate in his
attentions, and yet how artfully has he concealed his anxiety on my
account under a feigned desire for sleep, thought Julia.

If any thing had been wanting either to convince Julia of the truth of
her conjecture, or to secure the conquest of Antonio, our heroine felt
that this short ride had abundantly supplied it.




CHAPTER VI.


The following day our travellers were on the road before the sun, and
busily pursued their route through the delightful valley of the Mohawk.
It was now that Julia, in some measure accustomed to her proximity to
her hero, began to enjoy the beauties of the scenery; her eye dwelt with
rapture on each opening glimpse that they caught of the river, and took
in its gaze meadows of never-failing verdure, which were beautifully
interspersed with elms that seemed coeval with the country itself.
Occasionally she would draw the attention of her aunt to some view of
particular interest; and if her eager voice caught the attention of
Antonio, and he turned to gaze, to ponder, and to admire--then Julia
felt happy indeed, for then it was that she felt the indescribable bliss
of sharing our pleasures with those we love. What heart of sensibility
has stood and coldly gazed on a scene over which the eye, that it loves
to admire, is roving with delight? Who is there that has yet to learn,
that if the strongest bond to love is propinquity, so is its tenderest
tie, sympathy? In this manner did our lovely heroine pass a day of
hitherto untasted bliss. Antonio would frequently stop his horses on the
summit of a hill, and Julia understood the motive; turning her looks in
the direction in which she saw the eye of her lover bent, she would sit
in silent and secret communion with his feelings. In vain Charles
endeavoured to catch her attention--his remarks were unnoticed, and his
simple efforts to please disregarded. At length, as they advanced
towards the close of their day's ride, Charles, observing a mountain
obtruding itself directly across their path, and meeting the river,
which swept with great velocity around its base, cried aloud with a
laugh--

"Anthony, I wish you would remove your nose!"

"Charles!" exclaimed Julia, shocked at his rude familiarity with a man
of Antonio's elevated character.

"Poh!" said the young man, in an under tone, conceiving her surprise to
be occasioned by his lowering himself to joke with an inferior, "he is a
good, honest fellow, and don't mind a joke at all, I assure you."

Charles was right, for Antonio, moving his face, with a laugh cried in
his turn--"There, sir, my nose is moved, but you can't see no better,
after all."

Julia was amused with his condescension, which she thought augured
perfect good-nature and affability. After all, thought Julia, if noble
and commanding qualities are necessary to excite admiration or to
command respect, familiar virtues induce us to love more tenderly, and
good temper is absolutely necessary to contribute to our comfort. On the
whole, she was rather pleased than otherwise, that Antonio could receive
and return what was evidently intended for a witticism, although as yet
she did not comprehend it. But Charles did not leave her long in doubt.
On the north side of the Mohawk, and at about fifty miles from its
mouth, is a mountain which, as we have already said, juts, in a nearly
perpendicular promontory, into the bed of the river; its inclination is
sufficient to admit of its receiving the name of a nose. Without the
least intention of alluding to our hero, the early settlers had affixed
the name of St. Anthony, who appears to have been a kind of Dutch deity
in this state, and to have monopolized all the natural noses within her
boundaries to himself. The vulgar idiom made the pronunciation an-TONY'S
nose--and all this Charles briefly explained to Miss Emmerson and her
niece by way of giving point to his own wit. He had hardly made them
comprehend the full brilliancy and beauty of his application of the
mountain to their driver, when they reached the pass itself. The road
was barely sufficient to suffer two carriages to move by each other
without touching, being from necessity dug out of the base of the
mountain; a precipice of many feet led to the river, which was high and
turbulent at the time; there was no railing nor any protection on the
side next the water--and in endeavouring to avoid the unprotected side
of the road, two wagons had met a short time before, and one of them
lost a wheel in the encounter--its owner had gone to a distance for
assistance, leaving the vehicle where it had fallen. The horses of
Antonio, unaccustomed to such a sight, were with some difficulty driven
by the loaded wagon, and when nearly past the object, took a sudden
fright at its top, which was flapping in the wind. All the skill and
exertions of Antonio to prevent their backing was useless, and carriage
and horses would inevitably have gone off the bank together, had not
Charles, with admirable presence of mind, opened a door, and springing
out, placed a billet of wood, which had been used as a base for a lever
in lifting the broken wagon, under one of the wheels. This checked the
horses until Antonio had time to rally them, and, by using the whip with
energy, bring them into the road again. He certainly showed great
dexterity as a coachman. But, unhappily, the movement of Charles had
been misunderstood by Julia, and, throwing open the door, with the
blindness of fear, she sprang from the carriage also: it was on the side
next the water, and her first leap was over the bank; the hill was not
perpendicular, but too steep for Julia to recover her balance--and
partly running, and partly falling, the unfortunate girl was plunged
into the rapid river. Charles heard the screams of Miss Emmerson, and
caught a glimpse of the dress of Julia as she sprang from the carriage.
He ran to the bank just in time to see her fall into the water.

"Oh, God!" he cried, "Julia!--my Julia!"--and, without seeming to touch
the earth, he flew down the bank, and threw himself headlong into the
stream. His great exertions and nervous arms soon brought him alongside
of Julia, and, happily for them both, an eddy in the waters drew them to
the land. With some difficulty Charles was enabled to reach the shore
with his burthen.

Julia was not insensible, nor in the least injured. Her aunt was soon by
her side, and folding her in her arms, poured out her feelings in a
torrent of tears. Charles would not, however, suffer any delay, or
expressions of gratitude--but, forcing both aunt and niece into the
carriage, bid Anthony drive rapidly to a tavern known to be at no great
distance.--On their arrival, both Julia and Charles immediately clad
themselves in dry clothes--when Miss Emmerson commanded the presence of
the young man in her own room. On entering, Charles found Julia sitting
by a fire, a thousand times handsomer, if possible, than ever. Her eyes
were beaming with gratitude, and her countenance was glowing with the
excitement produced by the danger that she had encountered.

"Ah! Charles, my dear cousin," cried Julia, rising and meeting him with
both hands extended, "I owe my life to your bravery and presence of
mind."

"And mine too, Charles," said Miss Emmerson; "but for you, we should
have all gone off the hill together."

"Yes, if Anthony had not managed the horses admirably, you might have
gone indeed," said Charles, with a modest wish to get rid of their
praise. But this was an unlucky speech for Charles: he had,
unconsciously presented the image of a rival, at the moment that he
hoped he filled all the thoughts of Julia.

"Ah, Antonio!" she cried, "poor Antonio!--and where is he?--Why do you
not send for him, dear aunt?"

"What, my love, into my bed-chamber!" said Miss Emmerson, in surprise;
"fear has made the girl crazy!--But, Charles, where is Anthony?"

"In the stable, with the horses, I believe," said the youth--"no, here
he is, under the window, leading them to the pump."

"Give him this money," said Miss Emmerson, "and tell him it is for his
admirable skill in saving my life."

Julia saw the danger of an exposure if she interfered, yet she had the
curiosity to go to the window, and see how Antonio would conduct in the
mortifying dilemma.

"Here, Anthony," said Charles, "Miss Emmerson has sent you ten dollars,
for driving so well, and saving the carriage."

"Ah! sir, it is no matter--I can ask nothing for that, I'm sure."

But Charles, accustomed to the backwardness of the common Americans to
receive more than the price stipulated, still extended his hand towards
the man. Julia saw his embarrassment, and knowing of no other expedient
by which to relieve him, said, in a voice of persuasion--

"Take it for my sake, Antonio--if it be unworthy of you, still, take it,
to oblige me."

The man no longer hesitated, but took the money, and gave Julia a look
and a bow that sunk deep into the tablet of her memory--while Charles
thought him extremely well paid for what he had done, but made due
allowances for the excited state of his cousin's feelings.

"You perceive," said Miss Emmerson, with a smile, as Julia withdrew from
the window, "if Charles be a little afraid of lightning, he has no dread
of the water."

"Ah! I retract my error," cried Julia; "Charles must be brave, or he
never could have acted so coolly, and so well."

"Very true, my love," said Miss Emmerson, excessively gratified to hear
her niece praise the youth; "it is the surest test of courage when men
behave with presence of mind in novel situations. Those accustomed to
particular dangers easily discharge their duties, because they know, as
it were instinctively, what is to be done. Thus with Tony--he did well,
but, I doubt not, he was horribly frightened--and for the world he could
not have done what Charles did."

"Not Antonio!" echoed Julia, thrown a little off her guard--"I would
pledge my life, aunt, that Antonio would have done as much, if not more,
than Charles!"

"Why did he not, then?--It was his place to stop the carriage--why did
he not?"

"It was his place," said Julia, "to manage the horses, and you
acknowledge that he did it well. Duties incurred, no matter how unworthy
of us, must be discharged; and although we may be conscious that our
merit or our birth entitles us to a different station from the one we
fill, yet a noble mind will not cease to perform its duty, even in
poverty and disgrace."

Miss Emmerson listened in surprise; but as her niece often talked in a
manner that she did not comprehend, she attributed it to the
improvements in education, and was satisfied. But Julia had furnished
herself with a clue to what had occasioned her some uneasiness. At one
time she thought Antonio ought to have left carriage, horses, every
thing, and flown to her rescue, as Charles had done; but now she saw
that the probity of his soul forbade it. He had, doubtless, by secret
means, induced the owner of the horses to entrust them to his
keeping--and could he, a soldier, one used to trust and responsibility,
forget his duty in the moment of need? Sooner would the sentinel quit
his post unrelieved--sooner the gallant soldier turn his back on his
enemy--or sooner would Antonio forget his Julia!

With this view of the propriety of his conduct, Julia was filled with
the desire to let him know that she approved of what he had done.
Surely, if any thing can be mortifying to a lover, thought our heroine,
it must be to see a rival save the life of his mistress, while imperious
duty chains him to another task.

Young as Julia was, she had already learnt, that it is not enough for
our happiness that we have the consciousness of doing right, but it is
necessary that others should think we have done so too.

Accordingly, early the following morning she arose, and wandered around
the house, in hopes that chance would throw her lover in her way, and
give her an opportunity of relieving his mind from the load of
mortification under which she knew he must be labouring. It was seldom
that our heroine had been in the public bar-room of a tavern--but, in
gliding by the door, she caught a glimpse of Antonio in the bar; and,
impelled by her feelings, she was near him before she had time to
collect her scattered senses. To be with Antonio, and alone, Julia felt
was dangerous; for his passion might bring on a declaration, and betray
them both to the public and vulgar notice.--Anxious, therefore, to
effect her object at once, she gently laid her hand on his arm--Antonio
started and turned, while the glass in his hands fell, with its
contents, untasted, on the floor.

"Rest easy, Antonio," said Julia, in the gentlest possible tones; "to me
your conduct is satisfactory, and your secret will never be exposed." So
saying, she turned quickly, and glided from the room.

"As I hope to be saved," said Antonio, "I meant nothing wrong--but
should have paid the landlord the moment he came in"--but Julia heard
him not. Her errand was happily executed, and she was already by the
side of her aunt. On entering the carriage, Julia noticed the eye of
Antonio fixed on her with peculiar meaning, and she felt that her
conduct had been appreciated.--From this time until the day of their
arrival at the house of Mr. Miller, nothing material occurred. Antonio
rose every hour in the estimation of Julia, and the young lady noticed a
marked difference in her lover's conduct towards her. A few miles before
they reached the dwelling, Miss Emmerson observed--

"To-morrow will be the twentieth of September; when I am to know who
will be my companion for the winter, Miss Miller or Katherine."

"Ah! aunt, you may know that now, if I am to decide," said Julia, "it
will be Anna, my Anna, surely."

Her manner was enthusiastic, and her voice a little louder than usual.
Antonio turned his head, and their eyes met. Julia read in that glance
the approbation of her generous friendship. Miss Emmerson was a good
deal hurt at this decision of her niece, who, she thought, knowing her
sentiments, would be induced to have been satisfied with the visit to
Anna, and taken Katherine for the winter. It was with reluctance that
the aunt abandoned this wish, and, after a pause, she continued--

"Remember, Julia, that you have not my permission to ask your friend
until the twentieth--we can stay but one night at Mr. Miller's, but if
Anna is to spend the winter in Park Place, we will return this way from
the Falls, and take her with us to the city."

"Thank you, dear aunt," cried Julia, kissing her with an affection that
almost reconciled Miss Emmerson to the choice--while Charles Weston
whistled "Hail, Columbia! happy land!"

Julia saw that Antonio pitied her impatience--for the moment he arrived
in sight of Mr. Miller's house, he put his horses to their speed, and
dashed into the court-yard in the space of a few minutes. For a little
while all was confusion and joy. Anna seemed delighted to see her
friend, and Julia was in raptures--they flew into each other's arms--and
if their parting embrace was embalmed in tears, their meeting was
enlivened with smiles. With arms interlocked, they went about the house,
the very pictures of joy.--Even Antonio, at the moment, was forgotten,
and all devoted to friendship. Nay, as if sensible of the impropriety of
his appearance at that critical instant, he withdrew himself from
observation--and his delicacy was not lost on Julia. Happy are they who
can act in consonance with their own delicate sentiments, and rest
satisfied with the knowledge that their motives are understood by those
whom it is their greatest desire to please!--Such, too fortunate
Antonio, was thy lot--for no emotion of thy sensitive mind, no act of
thy scrupulously honourable life, passed unheeded by thy Julia!--so
thought the maiden.

It has been already mentioned that the family of Mr. Miller was large;
and amid the tumult and confusion of receiving their guests, no
opportunity was afforded to the friends for conversation in private.
The evening passed swiftly, and the hour for bed arrived without any
other communications between Julia and Anna than whisperings and
pressures of the hands, together with a thousand glances of peculiar
meaning with the eyes. But Julia did not regret this so much as if
Antonio had been unknown--she had been in his company for four days, and
knew, or thought she knew, already, as much of his history as Anna
herself.--But one thought distressed her, and that was, that his
residence might be far from the house of her aunt. This reflection gave
the tender-hearted girl real pain, and her principal wish to converse
with Anna in private was to ascertain her future lot on this distressing
point. No opportunity, however, offered that night, and Julia saw that
in the morning her time would be limited, for Miss Emmerson desired Mr.
Miller to order her carriage to be in readiness to start so soon as they
had breakfasted.

"When, dear aunt, am I to give Anna the invitation," said Julia, when
they were left alone, "if you start so early in the morning?"

"The proper time will be, my child, immediately before we get into the
carriage," said Miss Emmerson, with a sigh of regret at the
determination of her niece; "it will then be more pointed, and call for
an immediate answer."

This satisfied Julia, who knew that it would be accepted by her friend,
and she soon fell asleep, to dream a little of Anna, and a great deal of
Antonio.

The following morning Julia arose with the sun, and her first employment
was to seek her friend. Anna had also risen, and was waiting impatiently
for the other's appearance, in the vacant parlour.

"Ah! dear Julia," said she, catching her arm and dragging her to a
window, "I thought you would never come.--Well, are we to spend the
winter together--have you spoken to your dear, dear aunt, about it?"

"You shall know in good time, my Anna," said Julia, mindful of the
wishes of her aunt, and speaking with a smile that gave Anna an
assurance of her success.

"Oh! what a delightful winter we will have!" cried Anna, in rapture.

"I am tongue-tied at present," said Julia, laughing; "but not on every
subject," she continued, blushing to the eyes; "do tell me of St.
Albans--of Regulus--who is he?"

"Who is he?" echoed Anna--"why, nobody!--one must have something to
write about, you know, to a friend."

Julia felt sick and faint--her colour left her cheeks as she forced a
smile, and uttered, in a low voice--"But Antonio--Stanley?"

"A man of straw," cried Anna, with unfeeling levity; "no such creature
in the world, I do assure you!"

Julia made a mighty effort to conquer her emotions, and wildly seizing
Anna by the arm, she pointed to her aunt's coachman, who was at work on
his carriage at no great distance, and uttered--

"For God's sake, who is _he_?"

"He!" cried Anna, in surprise, "why, your driver--and an ugly wretch he
is!--don't you know your own driver yet?"

Julia burst from her treacherous friend--rushed into the room of her
aunt--and throwing herself into the arms of Miss Emmerson, wept for an
hour as if her heart would break. Miss Emmerson saw that something had
hurt her feelings excessively, and that it was something she would not
reveal. Believing that it was a quarrel with her friend, and hoping at
all events that it would interrupt their intercourse, Miss Emmerson,
instead of trying to discover her niece's secret, employed herself in
persuading her to appear before the family with composure, and to take
leave of them with decency and respect. In this she succeeded, and the
happy moment arrived. Anna in vain pressed near her friend to receive
the invitation--and her mother more than once hinted at the thousand
pities it was to separate two that loved one another so fondly. No
invitation was given--and although Anna spent half a day in searching
for a letter, that she insisted must be left in some romantic place,
none was ever found, nor did any ever arrive.

While resting with her foot on the step of the carriage, about to enter
it, Julia, whose looks were depressed from shame, saw a fluid that was
discoloured with tobacco fall on her shoe and soil her stocking.
Raising her eyes with disgust, she perceived that the wind had wafted
it from the mouth of Antonio, as he held open the door--and the same
blast throwing aside his screen of silk, discovered a face that was
deformed with disease, and wanting of an eye!

Our travellers returned to the city by the way of Montreal and Lake
Champlain; nor was it until Julia had been the happy wife of Charles
Weston for more than a year, that she could summon resolution to own
that she had once been in love, like thousands of her sex, "with a man
of straw!"




HEART.

    "Some live in airy fantasies.
    And in the clouds do move,
    And some do burn with inward flames--
    But few know how to love."

    ANON. BALLAD




CHAPTER I.


On one of those clear, cold days of December, which so frequently occur
in our climate, two very young women were walking on the fashionable
promenade of New-York. In the person of the elder of these females there
was exhibited nothing more than the usual indications of youth and
health; but there were a delicacy and an expression of exquisite feeling
in the countenance of her companion, that caused many a plodding or idle
passenger to turn and renew the gaze, which had been attracted by so
lovely a person. Her figure was light, and possessed rather a character
of aerial grace, than the usual rounded lines of earthly beauty; and her
face was beaming more with the sentiments of the soul within, than with
the ordinary charms of complexion and features. It was precisely that
kind of youthful loveliness that a childless husband would pause to
contemplate as the reality of the visions which his thoughts had often
portrayed, and which his nature coveted as the only treasure wanting to
complete the sum of his earthly bliss. It truly looked a being to be
loved without the usual alloy of our passions; and there was a modest
ingenuousness which shone in her air, that gently impelled the hearts of
others to regard its possessor with a species of holy affection. Amongst
the gay throng, however, that thoughtlessly glided along the Broadway,
even this image of female perfection was suffered to move unnoticed by
hundreds; and it was owing to the obstruction offered to the passage of
the ladies, by a small crowd that had gathered on the side-walk, that a
gentleman of uncommon personal endowments enjoyed an opportunity of
examining it with more than ordinary attention. The eldest of the
females drew her companion away from this impediment to their passage,
by moving towards the opposite side of the street, and observing, as
they crossed, with an indifference in her manner--

"It is nothing, Charlotte, but a drunken man; if people will drink, they
must abide the consequences."

"He does not seem intoxicated, Maria," replied the other, in a voice
whose tones corresponded with her appearance; "it is some sudden
illness."

"One that, I dare say, he is accustomed to," said Maria, without having
even taken such a look at the sufferer as would enable her to identify
his colour; "he will be well enough after he has slept."

"But is the pavement a place for him to sleep on?" rejoined her
companion, still gazing towards the miserable object; "and if he should
be ill!--why do they not raise him?--why do they suffer him to injure
himself as he does?"

The speaker, at the same time that she shrunk in a kind of sensitive
horror from this exhibition of human infirmities, now unconsciously
stopped, with an interest in the man that she could not control, and
thus compelled Maria to pause also. The crowd had withdrawn from the
man, giving him sufficient room to roll over, in evident pain, while
they yet stood gazing at him, with that indefinable feeling of curiosity
and nerveless sympathy, which characterises man when not called on to
act, by emulation, vanity, or the practice of well-doing. No one offered
to assist the sufferer, although many said it ought to be done; some
spoke of sending for those who monopolized the official charity of the
city; many, having satisfied their curiosity, and finding that the
moment for action was arriving, quietly withdrew from a trouble that
would interfere with their comforts or their business--while a few felt
an impulse to aid the man, but hesitated in being foremost in doing that
which would be honourable to their feelings, but might not accord with
their condition, or might seem as the ostentatious display of unusual
benevolence. Where men are congregated, conduct must be regulated by the
touchstone of public opinion; and, although it is the fashion of
New-York to applaud acts of charity, and to do them too in a particular
manner--it is by no means usual to run to the assistance of a fellow
creature who is lying in distress on a pavement.

Whatever might be the impulses of the gentleman whom we have mentioned,
his attention was too much absorbed by the conversation and manner of
the two ladies to regard any thing else, and he followed them across the
street, and stopped also when they paused to view the scene. He was
inwardly and deeply admiring the most youthful of the females, for the
natural and simple display of those very qualities that he forgot
himself to exercise, when he was roused with a feeling of something like
mortification, by hearing Charlotte exclaim, with a slight glow on her
cheek--

"Ah! there is George Morton coming--he surely will not pass the poor man
without offering to assist him."

The gentleman turned his head quickly, and noticed a youth making his
way through the crowd, successfully, to the side of the sufferer. The
distance was too great to hear what passed--but an empty coach, whose
driver had stopped to gaze with the rest, was instantly drawn up, and
the man lifted in, and followed by the youth, whose appearance had
effected these movements with the silence and almost with the quickness
of magic.

George Morton was far from possessing the elegant exterior of the uneasy
observer of this scene, yet were the eyes of the lovely young woman who
had caught his attention, fixed in evident delight on his person, until
it was hid from view in the carriage; when, drawing a long breath, as if
relieved from great uneasiness, she said, in a low voice--

"I knew that George Morton would not pass him so unfeelingly--but where
are they going?--not far, I hope, on this cold day--and George without
his great coat."

There was a plaintive and natural melody in the tones of the speaker's
voice, as she thus unconsciously uttered her concern, that impelled the
listener to advance to the side of the carriage, where a short
conversation passed between the gentlemen, and the stranger returned to
the ladies, who were yet lingering near the spot, apparently unwilling
to depart from a scene that had so deeply interested one of them.
Raising his hat, the gentleman, addressing himself to the magnet that
had attracted him, said--

"Your friend declines the offer of my coat, and says that the carriage
is quite warm--they are going to the alms-house, and I am happy to
inform you that the poor man is already much better, and is recovering
from his fit."

Charlotte now for the first time observed the speaker, and a blush
passed over her face as she courtesied her thanks in silence. But her
companion, aroused from gazing at the finery of a shop window, by the
voice of the stranger, turned quickly, and with very manifest
satisfaction, exclaimed--

"Bless me! Mr. Delafield--I did not observe you before!--then you think
the poor wretch will not die?"

"Ah! assuredly not," returned the gentleman, recognising the face of an
acquaintance, with an animation he could not conceal: "but how
inadvertent I have been, not to have noticed Miss Osgood before!"--While
speaking, his eyes rested on the lovely countenance of her friend, as
if, by their direction, he meant to explain the reason of his
remissness.

"We were both too much engaged with the sufferings of the poor man, for
until this moment I did not observe you," said the lady--with that kind
of instinctive quickness that teaches the fair the importance of an
amiable exterior, in the eyes of the other sex.

"Doubtless," returned the gentleman, gravely, and for the first time
withdrawing his gaze from the countenance of Charlotte; but the
precaution was unnecessary:--the young lady had been too much engrossed
with her own sensations to notice the conduct of others, and from the
moment that the carriage had driven out of sight, had kept her eyes on
the ground, as she walked silently and unobtrusively by the side of her
companion.

"Miss Henly--Mr. Seymour Delafield," said Maria. The silent bow and
courtesy that followed this introduction was succeeded by an animated
discourse between the gentleman and his old acquaintance, which was but
seldom interrupted by any remark from their more retiring companion.
Whenever she did speak, however, the gentleman listened with the most
flattering attention, that was the more remarkable, from the
circumstance of his talking frequently at the same time with Maria
Osgood. The trio took a long walk together, and returned to the house of
Mr. Henly, in time for the necessary arrangements for the coming dinner.
It was when within a short distance of the dwelling of Charlotte that
the gentleman ventured to allude to the event that had made them
acquainted.

"The fearless manner in which you predicted the humanity of Mr. Morton,
would be highly gratifying to himself, Miss Henly," he observed; "and
were I of his acquaintance, it should be my task to inform him of your
good opinion."

"I believe Mr. Morton has not now to learn that," said Charlotte,
simply, but dropping her eyes; "I have been the next door neighbour of
George all my life, and have seen too much of his goodness of heart not
to have expressed the same opinion often."

"But not to himself," cried Maria; "so, Mr. Delafield, if you wish to
apprise him of his good fortune, you have only to attend my music party
to-morrow evening, and I will take particular care that you get
acquainted with the humane hero."

The invitation was gladly accepted, and the gentleman took his leave at
the door of the house.

"Well, Charlotte, you have seen him at last!" cried Maria, the instant
the door had closed; "and I am dying to know how you like him!"

"To save your life," said the other, laughing, "I will say a great deal,
although you so often accuse me of taciturnity--but who is _him_?"

"Him! why, Delafield!--Seymour Delafield!--the pattern for all the
beaux--the magnet for all the belles--and the delight of all the parents
in town!"

"His own, too?" inquired Charlotte, a little archly.

"He has none--they are dead and gone--but their money is left behind,
and that brings him fathers and mothers by the dozen!"

"It is fortunate that he can supply their loss in any way," said
Charlotte, with emphasis.

"To be sure he can; he can do more than you or I could, my dear; he can
pick his parents from the best in the city--and, therefore, he ought to
be well provided."

"And could he be better provided, as you call it, in that respect, than
ourselves?" asked Miss Henly, a little reproachfully.

"Oh no, surely not; now if he were a woman, how soon would he be
married!--why, child, they say he is worth at least three hundred
thousand dollars!--he'd be a bride in a month!"

"And miserable, perhaps, in a year," said Charlotte; "it is fortunate
for him that he is a man, by your tale, or his wealth might purchase
misery for him."

"Oh! no one can be miserable that is well married," cried Maria;
"Heigho! the idea of old-maidism is too shocking to think about!"

"Why does not Mr. Delafield get married, then, if marriage be so very
desirable?" said Miss Henly, smiling at the customary rattle of her
companion: "he can easily get a wife, you say?"

"It is the difficulty of choosing--there are so many attentive to him--"

"Maria!"

"Mercy! I beg pardon of female delicacy!--but since the young man has
returned from his travels, he has been so much--much courted--nay, by
the old people, I mean--and the girls beckon him about so--and it's Mr.
Delafield, have you read Salmagundi?--and, Mr. Delafield, have you seen
Cooke?--and, Mr. Delafield, do you think we shall have war?--and have
you seen Bonaparte? And, in short, Mr. Delafield, with his handsome
person, and three hundred thousand dollars, has been so much of
all-in-all to the ladies, that the man has never time to choose a
wife!"

"I really wonder that you never took the office upon yourself," said
Charlotte, busied in throwing aside her coat and gloves; "you appear to
have so much interest in the gentleman."

"Oh! I did, a month since--the moment that he landed."

"Indeed! and who was it?"

"Myself."

"And have you told him of your choice?" asked the other, laughing.

"Not with my tongue: but with my eyes, a thousand times--and with all
that unspeakable language that female invention can supply:--I go where
he goes--if I see him in the street behind me, I move slowly and with
dignity; still he passes me--if before me, I am in a hurry--but--"

"You pass him?" interrupted Charlotte, amused with her companion's
humour.

"Exactly--we never keep an equal pace; this is the first time that he
has walked with me since he returned from abroad--and for this honour I
am clearly indebted to yourself."

"To me, Maria?" said Charlotte, in surprise.

"To none other--he talked to me, but he looked at you. Ah! he knows by
instinct that you are an only child--and I do believe that the wretch
knows that I have twelve brothers and sisters--but you had better take
him, Charlotte; he is worth twenty George Mortons--at least, in money."

"What have the merits of George Morton and Mr. Delafield to do with each
other?" said Charlotte, removing her hat, and exhibiting a head of hair
that opportunely fell in rich profusion over her shoulders, so as to
conceal the unusual flush on her, ordinarily, pale cheek.

This concluded the conversation; for Charlotte instantly left the room,
and was occupied for some time in giving such orders as her office of
assistant in housekeeping to her mother rendered necessary.

Charlotte Henly was the only child that had been left from six who were
born to her parents, the others having died in their infancy. The deaths
of the rest of their children had occasioned the affection of her
parents to center in the last of their offspring with more than common
warmth; and the tenderness of their love was heightened by the
extraordinary qualities of their child. Possessed of an abundance of the
goods of this world, these doating parents were looking around with
intense anxiety, among their acquaintance, and watching for the choice
that was to determine the worldly happiness of their daughter.

Charlotte was but seventeen, yet the customs of the country, and the
temptations of her expected wealth, together with her own attractions,
had already placed her within the notice of the world. But no symptom of
that incipient affection which was to govern her life, could either of
her parents ever discover; and in the exhibitions of her attachments,
there was nothing to be seen but that quiet and regulated esteem, which
grows out of association and good sense, and which is so obviously
different from the restless and varying emotions that are said to belong
to the passion of love.

Maria Osgood was a distant relative, and an early associate, who,
although as different from her cousin in appearance and character as
black is from white, was still dear to the latter, both from habit and
her unconquerable good nature.

George Morton, the youth of whom such honourable mention has been made,
was the son of a gentleman who had long resided in the next dwelling to
Mr. Henly in the city, and who also possessed a country house near his
own villa. These circumstances had induced an intimacy between the
families that was cemented by the good opinion each entertained of the
qualities of the other, and which had been so long and so often tried in
scenes of happiness and misery, that were known to both. Young Morton
was a few years the senior of Charlotte; and, at the time of commencing
our tale, was but lately released from his collegiate labours. His
goodness of heart and simplicity of manners made him an universal
favourite; while the peculiarity of their situation brought him oftener
before the notice of Charlotte than any other young man of her
acquaintance.--But, notwithstanding the intimation of Maria Osgood, none
of their friends in the least suspected any other feeling to exist
between the youthful pair than the natural and very obvious one of
disinterested esteem. As the family seated themselves at the dinner
table, their guest exclaimed, in the heedless way that characterised her
manner--

"Oh! Mrs. Henly, I have to congratulate you on the prospects of your
soon having a son, and one as amiable and attractive as your daughter."

"Indeed!" returned the matron, comprehending the other's meaning
intuitively, "and what may be the young gentleman's name?"

"You will be the envy of all the mothers in town," continued Maria, "and
deservedly so. Two such children to fall to the lot of one mother!--Nay,
do not shake your head, Charlotte; it must and shall be a match, I am
determined."

"My friendship for you would deter me from the measure, should nothing
else interfere," said Charlotte, good humouredly.

"Ah! I have already abandoned my pretensions--twelve brothers and
sisters, my dear, are a dreadful addition to bring into a family at
once!"

"I am sure I do not think so," returned Charlotte, timidly glancing her
eye at her mother; "besides, I feel bound in honour to remember your
original intention."

"I tell you I have abandoned it, with all thoughts of the youth."

"And who is the youth?" asked Mrs. Henly, affecting an indifference that
she did not feel.

"You will have the handsomest son in the city, certainly," said Maria;
"and, possibly, the richest--and the most learned--and, undeniably, the
most admired!"

"You quite excite my curiosity to know who this paragon can be," said
the mother, looking at her husband, who returned the glance with one of
equal solicitude.

"I do not think he is more than four and twenty," added Maria; "and his
black eyes would form a charming contrast to your blue ones."

"To whom does Miss Osgood allude?" asked Mrs. Henly, yielding to a
solicitude that she could no longer controul.

"To Mr. Seymour Delafield," said Charlotte, raising her mild eyes to the
face of her mother, and smiling, as she delicately pared her apple, with
a simple ingenuousness that banished uneasiness from the breast of her
parent in an instant.

"I know him," said Mr. Henly; "but I did not think you had ever seen
him, Charlotte."

"We met him in our morning walk, sir, and Maria introduced him."

"He is thought to be very handsome," continued her father, helping
himself to a glass of wine while speaking.

"And very justly," returned the daughter; "I think him the handsomest
man that I have ever seen."

"Have I your permission for telling him so?" cried Maria, with a laugh.

"I have not the least objection to his knowing it, on my own account,
except from the indelicacy of complimenting a gentleman," said
Charlotte, with perfect simplicity; "but whether it would be beneficial
to himself or not, you can best judge."

"You think him vain, then?" observed her mother.

"Not in the least; or, rather, he did not exhibit it to me"--was the
answer, with the same open air as before.

"He has also a great reputation for good sense," continued her father,
avoiding the face of his child.

"I thought he had wit, sir."

"And not good sense?"

"Am I a judge?" asked Charlotte, rising, and holding a lighted paper to
her father, while he took a new segar. Her clear blue eyes resting on
him in the fulness of filial affection, as she performed this office,
and the open air with which she bent forward to receive the kiss he
offered in thanks, removed any apprehensions which the name of their
morning's companion might have excited.

Mr. Henly knew nothing concerning this young man that would induce him
at all to avoid the connexion, but still he had not yet examined his
character with that searching vigilance that he thought due to the
innocence and merit of his child. Determining within himself, however,
that this was a task that should no longer be neglected, he rose, and
telling the ladies that he left the bottle with them, withdrew to his
study.

The door had hardly closed behind Mr. Henly, when George Morton entered
the dining parlour, with the freedom of an old and favourite friend, and
telling Mrs. Henly that, in consequence of his family's dining out, and
his own engagements, he was fasting, and begged her charity for a meal.
From the instant that he appeared, Charlotte had risen with alacrity,
and was no sooner acquainted with his wants, than she rung to order what
he required. She brought him a glass of sparkling wine with her own
hands, and pushing a chair nearer to the fire than the one he occupied,
she said--

"Sit here, George, you appear chilled--I thought you would miss your
coat."

"I thank you," returned the youth, turning on her an eye of the most
open affection; "I do feel unusually cold, and begin to think, that with
my weak lungs it would have been more prudent to have taken a surcout."

"And how was the poor man when you left him?"

"Much better, and in extremely good quarters," said George; but, turning
quickly to Miss Osgood, he added, "So, Miss Maria, your beau has
condescended to walk with you at last?"

"Yes, Mr. Impudence," said Maria, smiling; "but come, fill your mouth
with food, and be silent."

He did as requested, and the conversation changed.




CHAPTER II.


Notwithstanding the plenteous gifts which Providence had bestowed on the
parents of Maria in the way of descendants, Fortune had sufficiently
smiled on his labours to enable him to educate them in what is called a
genteel manner, and to support them in a corresponding style. The family
of Mr. Osgood exhibited one of those pictures which are so frequent in
America, where no other artificial distinctions exist in society than
those which are created by wealth, and where obscurity has no other foe
to contend with than the demon of poverty. His children were indulged in
luxuries that his death was to dissipate, and enjoyed an opulence that
was only co-existent with the life of their parent. Accordingly, the
music party that assembled on the following evening at the house of Mr.
Osgood, was brilliant, large, and fashionable. Seven grown-up daughters
was a melancholy sight for the contemplation of the parents, and they
both felt like venders of goods who were exhibiting their wares to the
best advantage. The splendid chandeliers and lustres of the drawing-room
were lighted for the same reason as the lamps in the glittering retail
stores of Broadway; and the brilliant effect of the taste of the young
ladies was intended much like the nightly lustre of the lottery-offices,
to tempt adventurers to try their chances. From this premeditated scheme
of conquest we ought, in justice, however, to except Maria herself, who,
from constitutional gayety and thoughtlessness, seldom planned for the
morrow; and who, perhaps, from her association with Charlotte, had
acquired a degree of disinterestedness that certainly belonged to no
other member of her family.

Whatever were the views of the family in collecting their friends and
acquaintances on this important evening, they were completely successful
in one point at least; for, before nine, half the dilettanti of the city
were assembled in Greenwich-street, in a most elaborate state of
musical excitement. Charlotte Henly, of course, was of the party,
although she was absolutely ignorant of a single note, nor knew how to
praise a scientific execution, or to manifest disgust at simple melody.
But, her importance in the world of fashion, and her friend Maria,
obtained her a place. There was a reason that secretly influenced
Charlotte in electing her evening's amusement, that was not known,
however, even to her friend.--George Morton played on the German flute
in a manner that vibrated on her nerves with an exquisite thrill that
she often strove to conquer, and yet ever loved to indulge. His musical
powers were far from being generally applauded, as they were thought to
be deficient in compass and variety; but Charlotte never descended to
criticism in music. She conceived it to be an enjoyment for the senses
only, or, rather, she thought nothing about it; and if the sounds failed
to delight her, she unhesitatingly attributed the circumstance to an
absence of melody. It was to listen to the flute of George Morton, then,
that the drawing-room of Mrs. Osgood was adorned with the speaking
countenance of Miss Henly.

Among the guests who made an early appearance in this "Temple of
Apollo," was the youth who had attended the ladies in their walk.
Seymour Delafield glanced his eye impatiently around the apartment, as
soon as he had paid the customary compliments to the mistress of the
mansion and her bevy of fair daughters; but a look of disappointment
betrayed the search to be an unsuccessful one. Both the look and the
result were noticed by Maria; and, turning a glance of rather saucy
meaning on the gentleman, she said--

"I apprehend your flute, which, by the by, I am glad to see you have
brought, will be rather in the _penseroso_ style this evening, Mr.
Delafield."

"Unless enlivened by the contagious gayety of your smile," returned
Delafield, endeavouring to look excessively unconcerned; "but"--

"Oh! my very laugh is musical, I know," interrupted Maria; "but then it
is often shockingly out of time."

"It seldom fails to produce an accompaniment," said the gentleman, now
smiling in reality; "but"--

"Where is Charlotte Henley?" said the young lady, again interrupting
him; "she has a perfect horror of the tuning of fiddles and the
preparatory thrummings on the piano; so endeavour to preserve the
harmony of your temper for the second act."

"Well! it is some relief to know she is coming at all," cried Seymour,
quickly; and then, recovering himself, with perfect breeding, he
added--"for one would wish to see you as happy as all your friends can
make you, on such an occasion."

"I am extremely indebted to your unbounded philanthropy," said Maria,
rising and courtseying with great gravity; "do not doubt of its being
honourably mentioned at"--

"Nay, nay," cried the youth, colouring and laughing, "you would not
think of mentioning my remarks to"--

"At the next meeting of the Dorcas Society, of which I am an unworthy
member," continued Maria, without listening to his remonstrance.

Seymour Delafield now laughed without any affectation--and exchanging a
look of perfect consciousness of each other's meaning, they separated,
as the preparations for the business of the evening were about to
commence. For a short time there was a confusion of sounds that
perfectly justified the absence of Miss Henly, when the music began in
earnest. Within half an hour, Mr. Delafield, who had suffered himself to
be drawn to the back of the chair of a professed belle, turning his head
to conceal a yawn that neither the lady's skill nor his good manners
could repress, observed Charlotte sitting quietly by the side of her
friend. Her entrance had been conducted with such tact, that had she
possessed the most musical ear imaginable, it were impossible to disturb
the party less; a circumstance that did not fail to impress Seymour
agreeably, from its novelty. He moved to the side of the fair vision
that had engrossed all his thoughts since the moment they had first met,
and took the chair that the good nature of Miss Osgood offered to his
acceptance between them.

"Thank fortune, Miss Henly," he said, the instant he was seated, "that
bravura has ceased, and I can now inquire how you recovered from the
fatigue of your walk?"

"I suffered no fatigue to recover from," replied the lady, raising her
eyes to his with an expression that told the youth he had better talk
straight forward at once; "I walk too much to be fatigued with so short
an excursion."

"You came here to favour us with your skill on the harp, Miss Henly?"

"No."

"On the piano?"

"On neither--I play on nothing."

"You sing, then?"

"Not at all."

"What! not with that voice?" exclaimed the young man, in surprise.

"Not with this voice, and surely with no other."

Seymour felt uneasy, and, perhaps, disappointed. He did not seem to have
roused a single sensation in the breast of his companion, and it was
seldom that the elegant possessor of three hundred thousand dollars
failed to do so, wherever he went, or whatever he did. But, in the
present instance, there was nothing to be discerned in the countenance
or manner of Charlotte that indicated any thing more than the sweetness
of her nature and the polish of her breeding. He changed the subject.

"I hope your friend did not suffer yesterday from his humanity?"

"I sincerely hope so too," said Charlotte, with much simplicity, and yet
with a good deal of feeling.

"I am fearful that we idle spectators," continued the gentleman,
"suffered in your estimation, in not discovering equal benevolence with
Mr. Morton."

Charlotte glanced her mild eyes at the speaker, but made no reply.

"Your silence, Miss Henly, assures me of the truth of my conjecture."

"You should never put a disagreeable construction on the acts of
another," said Charlotte, with a sweetness that tended greatly to
dissipate the mortification Mr. Delafield really felt, at the same time
that he was unwilling to acknowledge it, even to himself.

They were now again interrupted by the music, which continued some time,
during which George Morton made his appearance. His coat close buttoned
to his throat, and an extra silk handkerchief around his neck, which he
removed only after he entered the apartment, immediately arrested the
attention of Charlotte Henly. Turning to Maria, she said, in those tones
of real interest that never can be mistaken for manner--

"I am afraid that George has suffered from his exposure. Do not ask him
to play, for he will be sure to comply."

"Oh! the chicken has only taken cold," cried Maria; "If he does not
play, what will you do? you came here to hear him only."

"Has Miss Henly ears for no other performer, then?" asked Seymour
Delafield.

"Miss Henly has as many ears as other people," said Maria, "but she does
not condescend to use them on all occasions."

"Rather say," cried Charlotte, laughing, "that the want of taste in Miss
Henly renders her ears of but little use to her."

"You are not fond of music, then?" asked the youth, a little vexed at
thinking that an accomplishment on which he prided himself would fail to
make its usual impression.

"Passionately!" exclaimed Charlotte; then, colouring to the eyes, she
added, "at least I sometimes think so, but I believe I am thought to be
without taste."

"Those who think so must want it themselves," said Seymour, in a low
voice; then, obedient to the beck of one of the presiding nymphs, he
hastened to take his share in the performance.

"Now Charlotte, you little prude," whispered her friend, the instant he
withdrew, "is he not very, very handsome?"

"Very," said Charlotte; "more so than any other gentleman I have ever
seen."

"And engaging, and agreeable, and gentlemanlike?"

"Agreeable, and gentlemanlike too.

"And graceful, and loveable?"

"Graceful, certainly; and, very possible, loveable, to those who know
him."

"Know him!--what more would you know of the man? You see his beauty and
elegance--you witness his breeding--you listen to his sense and
information--what more is necessary to fall in love with him?"

"Really, I pretend to no reasoning upon the subject at all," said
Charlotte, smiling; "but if you have such an intention, indulge in it
freely, I beg of you, for you will not find a rival in me.--But, listen,
he is about to play a solo on his flute."

A man with three hundred thousand dollars may play a solo, but he never
can be alone where there are any to listen. The hearts of many throb at
the very breathings of wealth through a flute, who would remain callous
to the bitterest sighs of poverty. But Delafield possessed other
attractions to catch the attention of the audience: his powers on the
instrument greatly exceeded those of any of his competitors, and his
execution was really wonderful; every tongue was silent, every ear was
attentive, and every head nodded approbation, excepting that of our
heroine. Delafield, perfectly master of his instrument and the music,
fixed his eye on the countenance of Charlotte, and he experienced a
thrill at his heart as he witnessed her lovely face smiling approbation,
while his fingers glided over the flute with a rapidity and skill that
produced an astonishing variety and gradation of sounds. At length,
thought he, I have succeeded, and have made an impression on this
charming girl that is allied to admiration. The idea gave him spirits
for the task, and his performance exceeded any thing the company had
ever witnessed before. On laying down the instrument, he approached the
place where the friends were sitting, with an exultation in his eyes
that was inferior only to modesty in the power to captivate.

"Certainly, Mr. Delafield," cried Maria Osgood, "you have outdone your
own outdoings."

"If I have been so fortunate as to please here, then I am rewarded
indeed," said the youth, with a bow and an expression that rendered it a
little doubtful to which of the ladies the compliment was addressed. At
this instant, George Morton approached them.

"Mr. Delafield, let me make you acquainted with Mr. Morton," said Maria,
glancing her eye at the former in a manner that he understood.

"I have great pleasure in taking Mr. Morton by the hand," said Seymour,
"if he will excuse the want of ceremony in this company. The lesson that
you gave to me yesterday, sir, will not soon be forgotten."

"In what manner, sir?" inquired George, with a little embarrassment and
a conscious blush.

"In teaching me, among others, Mr. Morton, the difference between active
and passive humanity--between that which is satisfied with feeling, and
that which prompts to serve."

To this unexpected compliment young Morton could do no more than bow in
silence, for it was too flattering for a reply--and too true to deny. As
Delafield turned his eye, at a little loss to know whether to be pleased
or not with his own humility, he met a look from Charlotte that more
than rewarded him for the effort. It was a mild, benevolent, pure
glance, that spoke admiration and heartfelt pleasure. He forgot his
solo, and the expected compliments; and, for the rest of the evening,
that thrilling expression floated in his brain, and was present to his
thoughts; it was worth a thousand of the studied glances that were
continually aimed at him from all sides of the room, and with every
variety of eye--from the piercing black, to the ogling gray. It was a
look that came directly from, and went to, the heart. If young ladies
always knew how nicely nature has qualified the other sex to judge of
their actions, what multitudes of astonishingly expressive glances, and
artfully contrived gestures and movements, would sink down into looks,
that indicated feelings and motives, that were adapted to the occasion!
What trouble in creating incidents that might draw out charms would be
avoided! And, in short, how much extra labour, both of body and mind,
would be spared!

This agreeable contemplation of Mr. Delafield was soon interrupted by
the cheerful voice of Maria Osgood, who cried--

"Bless me, George, you really do look ill."

"It is seldom that I have much health to boast of," replied the youth,
in a feeble voice, and with a still feebler smile.

"But," said Maria, without reflecting, "you look worse than usual."

There was so much truth in this remark, that the young man could only
smile in silence, while Seymour, surveying the very plain exterior of
his new acquaintance, turned his eyes with additional satisfaction
towards a mirror that reflected his own form from head to feet.

"You will not attempt the flute to-night, George?" said Charlotte.

"I believe I must, or not fulfil my engagement to Mrs. Osgood."

"Surely," continued Charlotte, in a low tone to her friend, "George had
better not play, looking so ill as he does."

"Certainly not; besides, his performance would not shine after that of
Mr. Delafield."

Seymour overheard this speech, which was really intended only for the
ear of Charlotte, and he was instantly seized with an unaccountable
desire to hear the flute of Mr. Morton. Seymour was conscious that he
played well, and could he have forgotten the indifference that Miss
Henly exhibited to his performance, would have been abundantly flattered
with the encomiums that were lavished on his skill.

A request from the mistress of the mansion now compelled George to make
his appearance among the musicians, and in a few minutes his flute was
heard alone. There was a vacancy in the looks of Charlotte, during the
scientific execution of the different individuals who had been labouring
at the several instruments in the course of the evening, that denoted a
total indifference to the display. But, the moment that George was
called on to take his part in the entertainment, this listlessness
disappeared, and was succeeded by an expression of intense interest and
deep anxiety. The melody of George was simple and plaintive; he aimed at
no extraordinary exhibition of skill, and it was difficult to compare
his music with that of Seymour. The latter, however, studied the
countenance of the young lady near him as the best index to their
comparative merit, and he was soon able to read his own want of success.
For the first few minutes, anxiety was the principal expression
portrayed in her lovely face, but it was soon succeeded by a deep and
powerful emotion. There is something contagious in the natural
expression of our passions, that insensibly enlists the sympathies of
the beholder--and Seymour felt a soft melancholy stealing over him as he
gazed, that was but a faint reflection of the tenderness excited in the
breast of Charlotte, while she listened to sounds that penetrated to her
very soul. There is no mistaking the effect of music that depends only
on its melody. Its appeal to the heart is direct and unequivocal, and
nothing but callous indifference can resist its power. The most profound
silence pervaded the apartment, and George was enabled to finish his
piece with a spirit that increased with the attention. As the last
breathing notes died on the ear, Delafield turned to meet those eyes
which had already secured an unconscious victory, and saw them moistened
with a lustre that added to their natural softness. Beauty in tears is
proverbially irresistible--and the youth, bending forward, said in a
voice that was modulated to the stillness of the room--

"Such melody, Miss Henly, captivates the senses."

"Does it not touch the heart?" asked the young lady, with a little of
unusual animation.

"The heart too. But Mr. Morton looks exhausted after his labours."

All the pleasure which had shone in the countenance of Charlotte,
vanished instantly, and gave place to deep concern.

"Oh! it is unjustifiable, thus to purchase pleasure at the expense of
another," said she, in a tone that Seymour scarcely heard.

How tenderly would the man be loved, thought the youth, who succeeded in
engaging the affections of this young creature! how disinterested is her
regard--and how considerate are her feelings! Here will I trust my
hopes for happiness in this life, and here will I conquer, or here will
I die!

No two persons could possibly be actuated by sensations more different
than Charlotte and Seymour Delafield. He had been so long palled with
the attentions of managing mothers and designing daughters; had seen so
much of female manoeuvring, and had so easily seen through it, that the
natural and inartificial loveliness of Charlotte touched his senses with
a freshness of delicacy that to him was as captivating as it was novel.
Upon unpractised men, the arts of the sex are often successful, but
generally they are allies that increase the number of the assailants,
without promoting the victory. It is certain that many a fair one played
that evening in order that Mr. Delafield might applaud; that some sighed
that he might hear, and others ogled that he might sigh: but not one
made the impression that the quiet, speaking eye, and artless but
peaceful nature of Charlotte produced on the youth. While this novel
feeling was gaining ground in the bosom of Mr. Delafield, Charlotte saw
nothing in her new acquaintance but a gentleman of extraordinary
personal beauty, agreeable manners, and graceful address--qualities that
are always sure to please, and, not unusually, to captivate. But to her
he was a stranger; and Charlotte, who never thought or reasoned on the
subject, would have been astonished had one seriously spoken of her
loving him. The road to conquest with her lay through her heart, and was
but little connected with her imagination.

"Heigho! George," cried Maria, as he approached, "you have given me the
dolefuls."

"And me both pleasure and pain," said Charlotte.

"Why the latter?" asked the youth, quickly.

"Surely it was imprudent in you to play, with such a cold."

The lip of the youth quivered, and a smile of mournful and indefinable
meaning passed over his features, but he continued silent.

"It is to be hoped it had one good effect at least," continued Maria.

"Such as what?"

"Such as putting the little dears to sleep in the nursery, which is
directly over our heads."

"It is well if I have done that little good," said George.

"You have brought tears into eyes that never should weep," cried
Delafield, "and melancholy to a countenance that seems formed by nature
to convey an idea of peaceful content."

Morton looked earnestly at the speaker for a moment, when a painful
feeling seemed suddenly to seize on his heart--for his cheek grew paler,
and his lip quivered with an agitation that apparently he could not
control. Charlotte alone noticed the alteration, and, speaking in a low
tone, she said--

"Do go home, George; you are far from being well--to oblige me, go
home."

"To oblige you, I would do much more unwelcome biddings," he replied,
with a slight colour; "but I believe you are right; and, having
discharged my duty here, I will retire."

He rose, and, paying the customary compliments to the mistress of the
mansion, withdrew. With him disappeared all the awakened interest of
Charlotte in the scene.

In vain was Seymour Delafield attentive, polite, and even particularly
so. That devotedness of admiration for which so many sighed, and which
so many envied, was entirely thrown away upon Charlotte. She listened,
she bowed, and she smiled--and, sometimes, she answered; but it was
evidently without meaning or interest, until, wearied with his fruitless
efforts to make an impression, and perhaps with a hope of exciting a
little jealousy, he turned his attention to her more lively companion.

"Your mother's nursery, Miss Osgood," he cried, "ought on such an
occasion to be tenantless."

"You think there are enough of us here to make it so," returned the
lady, with an affected sigh.

"I really had not observed the number of your charming family--how many
are there of you?"

"A baker's dozen."

Charlotte laughed, and the youth felt mortified. The laugh was natural,
and clearly extorted, without a thought of himself.

"When you are all married," he said, "you will form a little world in
yourselves."

"When the sky falls we shall catch larks."

"Surely, you intend to marry?"

Maria made no reply, but turned her eyes on Delafield, with an affected
expression of melancholy that excited another laugh in her friend.

"You certainly have made no rash vow on the subject," continued Seymour,
pretending to a slight interest in her answer.

"My troth is not yet plighted," said the lady, a little archly.

"But there is no telling how long it will continue so."

"I am afraid so--thirteen is a dreadful divisor for a small family
estate."

A general movement in the party was gladly seized by Charlotte as an
excuse to go, and Delafield handed her to her carriage, with the
mortifying conviction that she was utterly indifferent to every thing
but the civility of the act.




CHAPTER III.


It was quite early on the following morning, when Mr. Delafield rung at
the door of the house in which the father of Miss Henly resided. The
gentleman had obtained the permission of the young lady, the preceding
evening, to put himself on the list of her visiting acquaintance, and a
casual introduction to both of Charlotte's parents had smoothed the way
to this intimacy. It is certain, that, much as Mr. and Mrs. Henly loved
their child, neither of them entertained the selfish wish of
monopolizing all of her affections to themselves during life. It was
natural, and a thing to be expected, that Charlotte should marry; and
among the whole of their acquaintance there appeared no one so
unobjectionable as her new admirer. He was agreeable in person, in
manners, and in temper; he was intelligent, witty, and a man of the
world; and, moreover, he was worth--three hundred thousand dollars! What
parent is there whose judgment would remain unbiassed by these solid
reasons in favour of a candidate for the hand of his child? or what
female is there whose heart could be steeled against such attractions in
her suitor? Many were the hours of care that had been passed by the
guardians of Charlotte's happiness, in ruminating on the event that was
to yield their charge to the keeping of another; frequent were their
discussions on this interesting subject, and innumerable their plans to
protect her inexperience against falling into those errors that had
blasted the peace of so many around them; but the appearance of Seymour
Delafield seemed as the fulfilment of their most sanguine expectations.
To his refinement of manners, they both thought that they could yield
the sensitive delicacy of their child with confidence; in his travelled
experience they anticipated the permanency of a corrected taste; nor,
was it a disagreeable consideration to either, that as the silken cord
of paternal discipline was to be loosened, it was to be succeeded by
the fetters of hymen cast in polished gold. In what manner their
daughter regarded the evident admiration of Mr. Delafield will appear,
by the conclusion of our tale.

On entering the parlour, Delafield found George Morton seated in a chair
near the fire, with his person more than usually well guarded against
the cold, as if he were suffering under the effects of a serious
indisposition. The salutations between the young men were a little
embarrassed on both sides; the face of George growing even paler than
before, while the fine colour on Delafield's cheek mounted to his very
temples. After regarding for a moment, with much inward dissatisfaction,
the apparent ease with which George was maintaining possession of the
apartment by himself, Mr. Delafield overcame the sudden emotion created
by the surprise, and spoke.

"I am sorry that you appear so ill, Mr. Morton, and I regret that you
should have suffered so much in the cause of humanity, when one so much
better able to undergo the fatigue, by constitution, should have
remained an idle spectator, like myself."--

The silent bow of George might be interpreted into a desire to say
nothing of his own conduct, or into an assent with the self-condemnation
of the speaker. Delafield, however, took the chair which the other
politely placed for him, and continued--

"But, Sir, you have your reward. The interest and admiration excited in
Miss Henly, would compensate me for almost any privation or hardship
that man could undergo."

"It is no hardship to ride a few miles in a comfortable coach," said
George, with a feeble smile, "nor can I consider it a privation of
enjoyment, to be able to assist the distressed,"--he hesitated a moment,
and a flush gradually stole over his features as he continued, "It is
true, Sir, that I prize the good opinion of Miss Henly highly, but I
look to another quarter for approbation on such a subject."

"And very justly, George," said the soft voice of Charlotte, "such
applause as mine can be but of little moment to one who performs such
acts as yours."

The gentlemen were sitting with their faces towards the fire, and had
not heard the light step of Miss Henly as she entered the apartment, but
both instantly arose and paid their salutations; the invalid by a silent
bow, and by handing a chair, and Delafield with many a graceful
compliment on her good looks, and divers protestations concerning the
pleasure he felt at being permitted to visit at her house. No two things
could be more different than the manners of these gentlemen. That of the
latter was very highly polished, insinuating, and although far from
unpleasantly so, yet slightly artificial; while that of the former was
simple, ingenuous, and in the presence of Miss Henly was apt to be at
times a little constrained. Charlotte certainly perceived the
difference, and she as certainly thought that it was not altogether to
the advantage of George Morton. The idea seemed to give her pain, for
she showed several little attentions to her old friend, that by their
flattering, but unstudied particularity, were adapted to put any man at
his ease and assure him of his welcome, still the embarrassment of
George did not disappear, but he sat an uneasy listener to the
conversation that occurred, as if reluctant to stay, and yet unwilling
to depart. After a few observations on the entertainment of the
preceding evening, Mr. Delafield continued--

"I was lamenting to Mr. Morton, as you entered, that he should have
suffered so much from my want of thought, the day before yesterday; it
requires a good constitution to endure exposure--"

"And such I often tell you, George, you do not possess," said Charlotte,
kindly and with a little melancholy; "yet you neither seem to regard my
warnings on the subject, nor those of any of your friends"--

"There is a warning that I have not disregarded," returned the youth,
endeavouring to smile.

"And what is it?" asked Charlotte, struck with the melancholy
resignation of his manner.

"That I am not fit company, just now, for hearts as gay as yours and Mr.
Delafield's," he returned, and rising, he made a hasty bow and
withdrew.

"What can he mean?" said Charlotte, in amazement, "George does not
appear well, and latterly his manner is much altered--what can he mean,
Mr. Delafield?"

"He is ill," said Delafield, far from feeling quite easy at the evident
interest that the lady exhibited; "he is ill, and should be in his bed,
instead of attending the morning levees of even Miss Henly."

"Indeed, he is too regardless of his health," said Charlotte in a low
tone, fixing her eyes on the grate, where she continued gazing for some
time. Every effort of Seymour was made to draw off the attention of the
young lady from a subject, that, however melancholy, seemed to possess
peculiar charms for her. In this undertaking the gentleman would not
have succeeded but for the fortunate appearance of Miss Osgood, who came
into the room very opportunely to keep alive the discourse.

"What, tete-a-tete!" exclaimed Maria; "you should discharge your
footman, Charlotte, for saying that you were at home. A young lady is
never supposed to be at home when she is alone--with a gentleman."

"I shall then know how to understand the servant of Mr. Osgood, when I
inquire for his daughter," cried Seymour gayly.

"Ah! Mr. Delafield, it is seldom that I have an opportunity of hearing
soft things, for I am never alone with a gentleman in my father's
house"--

"And is Mrs. Osgood so rigid?" returned the gentleman; "surely the
gravity of her daughter should create more confidence"--

"Most humbly I thank you, Sir," said Maria, courtseying low before she
took the chair that he handed; "but it is not the caution of Mrs. Osgood
that prevents any solos in her mansion, unless it be on a harp or flute,
or any possibility of a tete-a-tete."

"Now you have excited my curiosity to a degree that is painfully
unpleasant," said Delafield, "I know you to be too generous not to allay
it"--

"Oh! it is nothing more than a magical number, that frightens away all
applicants for such a favour, unless indeed it may be such as would not
be very likely to be successful were they to apply; and which even would
render it physically impossible to have a tender interview within the
four walls of the mansion"--

"It is a charmed number, indeed! and is it on the door? is it the number
of the house?"

"Oh! not at all--only the number of the family, the baker's dozen, that
I mentioned last evening; now in visiting Miss Henly there is no such
interruption to be apprehended."

Charlotte could not refrain from smiling at the vivacity of her friend,
who, perceiving that her wish to banish the look of care that clouded
the brow of the other had vanished, changed the discourse as abruptly as
she had introduced it.

"I met George Morton at the door, and chatted with him for several
minutes. He appears quite ill, but I know he has gone two miles in the
country for his mother this raw day; unless he is more careful of
himself, he will ruin his constitution, which is none of the best now."

Maria spoke with feeling, and with a manner that plainly showed that her
ordinary levity was assumed, and that she had at the bottom, much
better feelings than the trifling intercourse of the world would usually
permit her to exhibit. Charlotte did not reply, but her brightening
looks once more changed to that pensive softness which so well became
her delicate features, and which gave to her countenance an expression
such as might be supposed to shadow the glory of angels, when, from
their abode of purity and love, they look down with pity on the sorrows
of man.

The quick glance of Delafield not only watched, but easily detected,
both the rapid transitions and the character of these opposite emotions.
Under the sudden influence of passions, that probably will not escape
our readers, he could not forbear uttering, in a tone in which pique
might have been too apparent.

"Really, Mr. Morton is a happy fellow!"

The blue eyes of Charlotte were turned to the speaker with a look of
innocent inquiry, but she continued silent. Maria, however, not only
bestowed a glance at the youth from her laughing hazel ones, but found
utterance for her tongue also.

"How so?" she asked--"He is not of a strong constitution, not immensely
rich, nor over and above--that is, not particularly handsome. Why is he
so happy?"

"Ah! I have discovered that a man may be happy without one of those
qualifications."

"And miserable who has them all?"

"Nay, nay, Miss Osgood, my experience does not extend so far--I am not
quite the puppy you think me."

Maria, in her turn, was silent; but she arose from her seat, and moved
with an absent air to a distant part of the room, and for a short time
seemed to be particularly occupied in examining the beauties of a
port-folio of prints, with every one of which she was perfectly
familiar. The conversation was resumed by her friend.

"You have mortified Miss Osgood, Mr. Delafield," said Charlotte; "she is
too good natured to judge any one so harshly."

"Is her good nature, in this particular, infectious?" the young man
rather whispered than uttered aloud--"Does her friend feel the same
indulgence for the infirmities of a frail nature to which she really
seems herself hardly to belong?"

"You compliment me, Mr. Delafield, at the expense of truth, if it really
be a compliment to tell me that I am not a girl--a female; for if I am
not a woman, I must be something worse."

"You are an angel!" said Delafield, with uncontrollable fervour.

Charlotte was startled by his manner and his words, and unconsciously
turned to her friend, as if to seek her protecting presence; but to her
astonishment, she beheld Maria in the act of closing the door as she was
leaving the room.

"Maria!" she cried, "whither in such a hurry? I expected you to pass the
morning with me."

"I shall see your mother and return," replied Miss Osgood, closing the
door so rapidly as to prevent further remark. This short speech,
however, gave Charlotte time to observe the change that something had
produced in the countenance of her old companion, where, in place of the
thoughtless gaiety that usually shone in her features, was to be seen
an expression of painful mortification; and even the high glow that
youth and health had imparted to her cheeks, was supplanted by a
death-like paleness. Delafield had been endeavouring to peruse the
countenance of Miss Henley in a vain effort to discover the effect
produced by his warm exclamation; and these observations, which were
made by the quick eye of friendship, entirely escaped his notice.

"Maria is not well, Mr. Delafield," Charlotte said hastily. "I know your
goodness will excuse me while I follow her."

The young man bowed with a mortified air, and was somewhat ungraciously
beginning to make a polite reply, when the door opened a short space,
and the voice of Miss Osgood was once more heard, saying in a forced,
but lively manner--

"I never was better in my life; I shall run into Mrs. Morton's for ten
minutes; let me find you here, Mr. Delafield, when I return." Her
footstep was heard tripping along the passage, and in a moment after,
the street door of the house opened and shut. Charlotte perceiving that
her friend was determined, for some inexplicable reason, to be alone,
quietly resumed her seat. Her musing air was soon changed to one of
surprise, by the following remark of her companion.

"You appear, Miss Henley," he said, "to be sensitively alive to the
ailings of all you know but me."

"I did not know that you were ill, Mr. Delafield! Really, sir, I never
met with any gentleman's looks which so belied him, if you are otherwise
than both well and happy."

As much experience as Delafield possessed in the trifling manoeuvres of
managers, or perhaps in the manifestations of feelings that are
exhibited by every-day people, he was an absolute novice in the emotions
of a pure, simple, ingenuous female heart. He was alive to the
compliment to his acknowledged good looks, conveyed in this speech, but
he was not able to appreciate the single-heartedness that prompted it.
Perhaps his handsome face was as much illuminated by the consciousness
of this emotion as by the deeper feelings he actually experienced, while
he replied,--

"I am well, or ill, as you decree, Miss Henley; it is impossible that
you should live in the world, and be seen, be known as you are, and must
have been seen and known, and not long since learned the power you
possess over the happiness of hundreds."

Though Charlotte was simple, unsuspecting, pure, and extremely modest,
she was far from dull--she was not now to learn the difference between
the language of ordinary trifling and general compliment, and that to
which she now listened, and which, however vague, was still so
particular as to induce her to remain silent. The looks and manner of
the youthful female, at that moment, would have been a study to those
who love to dwell on the better and purer beings of creation. She was
silent, as we have already remarked, because she could make no answer to
a speech that either meant every thing or nothing. The slight tinge that
usually was seated on her cheek spreading over its whole surface like
the faintest glow of sunset blending, by mellow degrees, with the
surrounding clouds, was heightened to richness, and even diffused itself
like a reflection, across her polished forehead, because she believed
she was about to listen to a declaration that her years and her
education united to tell her was never to approach female ears without
slightly trespassing on the delicacy of her sex. Her mild blue eyes,
beaming with the glow on her face, rose and fell from the carpet to the
countenance of Delafield, but chiefly dwelt in open charity, and
possibly in anxiety, on his own. In fact, there was thrown around her
whole air, such a touch of exquisite and shrinking delicacy, so blended
with feeling benevolence, and even tender interest, that it was no
wonder that a man, handsome to perfection, young, intelligent, and rich,
mistook her feelings.

"Pardon me, Miss Henley," he cried, and the apology was unconsciously
paid to the commanding purity and dignity of her air, "if I overstep the
rules of decorum, and hasten to declare that which I know years of trial
would hardly justify my saying; but your beauty, your grace,
your--your----where shall I find words to express it?--your loveliness,
yes, that means every thing--your loveliness has not been seen with
impunity."

This might have done very well for a sudden and unprepared declaration;
but being a little indefinite, it failed to extract a reply, his
listener giving a respectful, and, at times, a rather embarrassing
attention to what he was to add. After a short pause, the youth, who
found words as he proceeded, and with whom, as with all others, the
first speech was the most difficult, continued--

"I have known you but a short time, Miss Henley; but to see you once is
to see you always. You smile, Miss Henley, but give me leave to hope
that time and assiduity will enable me to bring you to such a state of
feeling, that in some degree, you may know how to appreciate my
sensations."

"If I smile, Mr. Delafield," said Charlotte in a low but distinct voice,
"it is not at you, but at myself. I, who have been for seventeen years
constantly with Charlotte Henley, find each day something new in her,
not to admire, but to reprehend." She paused a moment, and then added,
smiling most sweetly as she spoke, "I will not affect to misunderstand
you, Mr. Delafield; your language is not very intelligible, but it is
such that I am sure you would not use to me if you were not serious,
and did not feel, or rather think you feel what you utter."

"Think I feel?" he echoed. "Don't I know it? Can I be mistaken in my own
sentiments? I may be misled in yours--may have flattered myself with
being able to accomplish that at some distant day, which your obduracy
may deny me, but in my own feelings I cannot be mistaken."

"Not where they are so very new; nay, do not start so eagerly--where
they must be so very new. Surely your fancy only leads you to say so
much, and to-morrow, or next day, your fancy, unless encouraged by you
to dwell on my unworthy self, will lead you elsewhere."

"Now, Miss Henley, what I most admire in your character is its lovely
ingenuousness, its simplicity, its _heart_; and I will own I did not
expect such an answer to a question put, like mine, in sincerity and
truth."

"If I have failed to answer any question you have put to me, Mr.
Delafield, it is because I am unconscious than any was asked; and if I
have displayed disengenuousness, want of simplicity, or want of
feeling, it has been unintentional, I do assure you; and only proves
that I can be guilty of errors, without their being detected by one who
has known me so long and so intimately."

"My impetuosity has deceived me and distressed you," said Delafield--"I
would have said that I love you ardently, passionately, and constantly,
and shall for ever love you. I should have asked your permission to say
all this to your parents, to entreat them to permit me to see you often,
to address you; and, if it were not impossible, to hope that in time
they would consent to intrust me with their greatest treasure, and that
you would not oppose their decree."

"This is certainly asking many questions in a breath," said Charlotte
smiling, but without either irony or triumph; "and were it not for that
word, breath, I should experience some uneasiness at what you say; I
find great satisfaction, Mr. Delafield, in reflecting that our
acquaintance is not a week old."

"A week is time enough to learn to adore such a being as you are, Miss
Henley, though an age would not suffice to do justice to your merits.
Say, have I your permission to speak to your father? I do not ask you
yet to return my affection--nay, I question if you can ever love as I
do."

"Perhaps not," said Charlotte; "I can love enough to feel a great and
deep interest in those who are dear to me, but I never yet have
experienced such emotions as you describe--I believe, in this
particular, you have formed a just opinion of me, Mr. Delafield; I
suspect such passions are not in the compass of my feelings."

"They are, they must be, Miss Henley: allow me to see you often, to
speak to your father, and at least to hope--may I not hope that in time
you will learn to think me a man to be trusted with your happiness as
your husband?"

The quiet which had governed the manner of Charlotte during this
dialogue, was sensibly affected by this appeal, and for a short time she
appeared too much embarrassed to reply. During this interval, Delafield
gazed on her, in delight; for with the sanguine feelings of youth, he
interpreted every symptom of emotion in his own favour. Finding,
however, that she was distressed for a reply, he renewed his suit--

"Though I have known you but a few days, I feel as if I had known you
for years. There are, I believe, Miss Henley, spirits in the world who
commune with each other imperceptibly, who seem formed for each other,
and who know and love each other as by instinct."

"I have no pretensions to belong to that class," said Charlotte; "I must
know well to love a little, but I trust I feel kind sentiments to the
whole human race."

"Ah, you do not know yourself. You have lived all your life in the
neighbourhood of that Mr. Morton who just went out, and you feel pity
for his illness. He does indeed look very ill--but you have yet to learn
what it is to love. I ask the high favour of being permitted to attempt
the office of--of--of--"

"Of teaching me!" said Charlotte with a smile.

"No--that word is too presumptuous--too coarse--"

"Hear me, Mr. Delafield," said Miss Henley after a short pause, during
which she seemed to have experienced some deep and perhaps painful
emotions--"I cannot undertake to give you a reason for my conduct--very
possibly I have no good one; but I feel that I should be doing you
injustice by encouraging what you are pleased to call hopes--I wish to
be understood now, as saying that I cannot consent to your expecting
that I should ever become your wife."

Delafield was certainly astonished at this refusal, which was given in
that still, decided manner that admits of little opposition. He had long
been accustomed to apprehend a sudden acceptance, and had been in the
habit of strictly guarding both his manner and his language, lest
something that he did or said might justify expectations that would have
been out of his power to fulfil; but now, when, for the first time, he
had ventured a direct offer, he met with a rejection that possessed all
the characteristics of sincerity, he was, in truth, utterly astounded.
After taking a sufficient time to collect in some degree his faculties,
he came to the conclusion that he had been too precipitate, and had
urged the suit too far, and too hastily.

"Such may be your sentiments now, Miss Henley," he said, "but you may
alter them in time: you are not called on for a definite answer."

"If not by you, I am by truth, Mr. Delafield. It would be wrong to lead
you to expect what can never--"

"Never?" said Delafield--"you cannot speak so decidedly."

"I do, indeed I do," returned Charlotte firmly.

"I have not deceived myself in believing you to be disengaged, Miss
Henley?"

"You have a right to require a definite answer to your questions, Mr.
Delafield; but you have no right to exact my reasons for declining your
very flattering offer--I am young, very young--but I know what is due to
myself and to my sex--"

"By heavens! my suspicion is true--you are already betrothed!"

"It would be easy to say no to that assertion, sir," added Charlotte,
rising; "but your right to a reason in a matter where inclination is so
material, is exactly the same as my right would be to ask you why you
did not address me. I thank you for the preference you have shown me,
Mr. Delafield. I have not so little of the woman about me, not to
remember it always with gratitude; but I tell you plainly and firmly,
for it is necessary that I should do so--I never can consent to receive
your proposals."

"I understand you, madam--I understand you," said the young man with an
offended air; "you wish my absence--nay, Miss Henley, hear me further."

"No further, Mr. Delafield," interrupted Charlotte, advancing to him
with a kind, but unembarrassed air, and offering her hand--"we part
friends at least; but I think, now we know each other's sentiments, we
had better separate."

The gentleman seized the hand she offered, and kissed it more with the
air of a lover, than of an offended man, and left the room. A few
minutes after he had gone, Miss Osgood re-appeared.




CHAPTER IV.


Notwithstanding the earnest injunction that Maria had given to Mr.
Delafield to continue where she left him, until her return, she
expressed no surprise at not finding him in the room. The countenance of
this young lady exhibited a droll mixture of playful mirth and sadness;
she glanced her eyes once around the apartment, and perceiving it was
occupied only by her friend, she said, laughing--

"Well, Charlotte, when is it to be? I think I retired in very good
season."

"Perhaps you did, Maria," returned the other, without raising her face
from the reflecting attitude in which she stood--"I believe it is all
very well."

"Well! you little philosopher--I should think it was
excellent--that--that is--if I were in your place. I suspected this from
the moment you met."

"What have you suspected, Maria?--what is it you imagine has occurred?"

"What! why Seymour Delafield has been stammering--then he looked
doleful--then he sighed--then he hemmed--then he said you were an
angel--nay, you need not look prudish, and affect to deny it; he got as
far as that before I left the room--then he turned to see if I were not
coming back again to surprise him--then he fell on his knees--then he
stretched out his handsome hand--it is too handsome for a man's
hand!--and said take it, take me, take my name, and take my three
hundred thousand dollars!--Now don't deny a syllable of it till I tell
your answer."

Charlotte smiled, and taking her work, quietly seated herself at her
table before she replied--

"You go through Cupid's exercise so dexterously, Maria, one is led to
suspect you have seen some service."

"Not under such an officer, girl! Ah! Colonel Delafield, or General--no,
Field-Marshal Delafield, is an officer that might teach"--as Miss Osgood
spoke with short interruptions between her epithets, as if in search of
proper terms, she dwelt a moment on the last word in such a manner as to
give it a particular emphasis--Charlotte started, more perhaps from the
manner than the expression, and turning her glowing face towards her
friend, she cried involuntarily--

"Is it possible that you could have overheard--"

"What?"

"Nothing--what nonsense!"

"Let me tell you, Miss Prude, it is in such nonsense, however, that the
happiness or misery of us poor sports of fortune, called women, in a
great measure blooms or fades--now that I call poetical!--but for your
answer: first you said--indeed, Mr. Delafield, this is so
unexpected--though you knew well enough what was coming--then you
blushed as you did a little while ago, and said I am so young--I--am but
poor seventeen--then he swore you were seventy--no, no,--but he said you
are old enough to be his ruling star--his destiny--his idol--his object
of _worship_--ha! I do hit the right epithet now and then. Well--then
you said you had parents, as if the poor man did not know that already,
and that they must be consulted; and he desired you to ask the whole
city--he defied them all to say aught against him--he was regular at
church--subscribed to the widow's society, and the assembly; and in
short, was called a 'good' young man, even in Wall-street."

"All this is very amusing, Maria--but--"

"It is all very true. Then he was pressing, and you were coy, until
finally he extorted your definitive answer, which was--" Maria paused,
and seemed to be intensely studying the looks of the other--Miss Henley
smiled as she turned her placid, ingenuous features to her gaze, and
continued the conversation by repeating,

"Which was?"

"_No_; irretrievable--unanswerable--unalterable _no_."

"I have not authorized you to suspect any part of this rhapsody to be
true--I have not said you were right in a single particular."

"Excuse me, Miss Henley, you have said all, and Seymour Delafield told
me the same as we passed each other at the street door."

"Is it possible!"

"It could not be otherwise. His mouth was shut, it is true, and his
tongue might have been in his pocket, for any thing I know: but his eyes
and his head, his walk, and even his nose were downcast, and spoke
mortification. On the other hand, your little body looks an inch higher,
your eyes look resolute, as much as to say, 'Avaunt, false one!' your
whole appearance is that of determined denial, mingled--"

"Mingled with what, trifler?"

"Mingled with a little secret, woman's pride, that you have had an
opportunity of showing your absolute character."

"You know these feelings from experience, do you?"

"No child, my very nature is charity; if the request had been made to
me, I should have sent the desponding youth to my father, and if he
refused, to my mother--"

"And if she refused?"

"Why then I should have said, two negatives make an affirmative."

Charlotte laughed, and in this manner the serious explanation which,
between friends so intimate might have been expected, was avoided.
Maria, at the same time, that she felt and manifested a deep interest in
the _tête-à-tête_ that she had promoted, always avoided any thing like a
grave explanation, and we have failed in giving the desired view of the
character of Miss Henley, if our readers deem it probable that she would
ever touch on the subject voluntarily.

The winter passed by in the ordinary manner in which other winters pass
in this climate, being a mixture of mild, delightful days, clear sky,
and invigorating sun, and of intense, cold, raw winds, and snow storms.
The two latter seemed to try the constitution of poor George Morton to
the utmost. The severe cold that he took in his charitable excursion
lingered about him through the cold months, and before the genial warmth
of May occurred to relieve him, his physicians pronounced that his lungs
were irremediably affected. During the period of doubt and apprehension
which preceded the annunciation of this opinion, and of distress and
agony which succeeded it, the family of Mr. Henley warmly sympathized in
the feelings of their neighbours. The long intimacy that had existed
between George and Charlotte and their parents, removed all superfluous
forms, and the latter passed a great deal of her time with Mrs. Morton,
or by the side of the invalid. Her presence gave him such manifest and
lively pleasure, that it would have been cruel to have denied him what
the other appeared to grant spontaneously. Charlotte had gradually
withdrawn herself from society as the illness of George increased, and
his danger became more apparent; and at the expiration of the month of
April, she was seldom visible to those who are called the world, with
the exception of the immediate connexions of her family, and her friend
Maria Osgood. In the beginning of May both Mr. Morton and his neighbour
withdrew to their country houses, and thus the retirement from the world
and the intercourse between the two families became more complete.

Delafield had made one or two efforts to renew his addresses to
Charlotte, but finding them in every instance firmly, though mildly
rejected, he endeavoured to discover such imperfections in the object of
his regard as might justify him in disliking her. The more he reflected
on her conduct, however, the more he became sensible of the propriety
and simplicity of her deportment; and had not the impression she had
made on the young man proceeded rather from the effect on his fancy,
than from having touched his heart, the consequences of his conviction
of her purity and truth might have been more lasting and deplorable. As
it was, his heated imagination gradually ceased to glow with the
beauties of an image that was, however perfect in itself, extravagantly
coloured by his own youthful imagination, and in time, if he thought at
all of Charlotte Henley, he thought of her as a beautiful object, it is
true, but as of one that brought somewhat mortifying reflections along
with it. This might not have been manly or generous, perhaps, but we
believe it is the manner in nine cases out of ten in which such sudden
emotions expire, especially if the ardour of the youth has precipitated
a declaration that the more chastened feelings of the damsel are not yet
prepared to reciprocate. While the image of Charlotte was still
lingering in his mind, he was in the habit of visiting Maria Osgood
almost daily, to ask questions about her, and perhaps with a secret
expectation of their meeting her at the house of her friend. The gay
trifling of Miss Osgood aided greatly both in cooling his spleen and
removing his melancholy, till in the course of a month he even proceeded
so far as to make her the confidant of what she already knew, though
only by conjecture and inference. Delafield at this time was so urgent,
and secretly so determined to prevail, in order that his pride if not
his affections might be soothed, that in an unguarded moment he induced
the inconsiderate Maria to betray, we will not say the confidence of her
friend, but such facts as could only have come to her knowledge by the
intimacy of unaffected association. If there were any thing to extenuate
this breach of decorum in Maria, it was the manner in which it was
effected. Miss Osgood had just returned from one of her frequent visits
to the villa of Mr. Henley, when Delafield made his customary morning
call: the absence of Maria, and the object of her visit, had been well
known to him, and, as it was a time when he began to speak of Miss
Henley without much emotion, and but little love, he could not avoid
yielding so far to his pique as to express himself as follows:

"So, Miss Maria, you have just returned from paying another visit to
your beautiful little friend without any heart."

"My little friend without any heart! Of whom do you speak? and what do
you mean?"

"I speak of Miss Charlotte Henley, the nun,--she who has all of heaven
about her but its love--that brilliant casket without its jewels--that
woman--yes, that young woman without any heart."

"Upon my word, sir, this is a very pretty poem you have been reciting!
but in my opinion, your conclusion is wrong. As she refused to give you
her heart, it is the more probable that she has it yet in that brilliant
casket you speak of--"

"No--she never had one. She wants the greatest charm that nature can
give to a woman--a warm, grateful, and affectionate heart."

"And pray, sir," said Maria, bending her eyes inquisitively toward the
youth, "if she want it, what has she done with it?"

"She never had one, Miss Osgood. I will grant you that she is lovely,
exquisitely lovely! pure, gentle, amiable, every epithet you may wish to
apply, that indicates nothing but acquired excellence: but as to natural
feeling, she is as cold as an icicle--in short she is destitute of
_heart_--the thing of all others I most prize in a woman, and for which
I admire you so much."

Maria laughed, but she coloured also. It had long been obvious to
herself, and to the world too, that Delafield sought her society, now
that he was not admitted at Mr. Henley's, much more than that of any
other young woman in the city; but she thought that she well understood
the secret reason for this preference, though the world might not. How
gratifying this speech was to the feelings of the gay girl, the sequel
of our tale must show. The young man however did not judge her too
favourably, when he supposed her to possess those kindred sensations
that unite us with our fellow-beings, and he might have added a good
deal of generosity to the catalogue of her virtues. After a pause of a
moment she replied--

"I suppose I must thank you, Delafield, for the pretty compliment you
have just paid me, but I am so unused to this sort of thing, that I
really feel as bashful as sweet fifteen, though I am at mature twenty."

"That is because you _do_ feel, Miss Osgood; I might have said as much
to Charlotte Henley without exciting the least emotion in her, or of
even bringing one tinge of that bright blush over her features which
makes you look so handsome."

"Mercy! mercy! have mercy, I entreat you," cried Maria, averting her
face, "or I shall soon be as red as the cook. But I cannot, I will not
consent to hear my friend traduced in such a manner; so far from wanting
feeling, Charlotte Henley is all heart. To use your own language," she
added, turning her eyes towards him archly, "it is for her heart that I
most love her."

"You deceive yourself. Early attachment, and long association, and your
own generous, warm feelings deceive you. She is accustomed to show
gentle and kind civilities to all around her, and you mistake habit for
affection."

"She is accustomed to do all that, I own; but to do it in a manner that
adds to its value by her simple unaffected feelings. She is not, I must
acknowledge, like certain people of my acquaintance, a bundle of tinder
to take fire at every spark that approaches, but she loves all she
should love, and I fear she loves one too well that she should not
love."

"Love one that she should not love?" cried Delafield: "what, is her
heart then engaged to another? Is it possible that Miss Henley, the
cold, prudish Miss Henley, can indulge an improper attachment after
all?"

"Mr. Delafield," said Miss Osgood, gravely, "I am not apt to betray what
I ought to conceal, although I am the giddy creature that I seem. But I
have spoken unguardedly, and must explain: in the first place, I would
not have you suppose that Charlotte Henley and I talk of our hearts and
our lovers to each other, like two girls at a boarding school. If I know
that she has such a thing as a heart at all, it is not from herself,
but from my own observation; and as for lovers, though she may have had
dozens for any thing I know, to me they are absolutely strangers.--Don't
interrupt _me_, I am not begging one. After this explanation I will say,
trusting, Delafield entirely in your honour, which I do believe you to
possess in a high--"

"You may--you may," interrupted the young man eagerly: "I will never
betray your confidence--you might trust yourself to my honour and good
faith--"

"I wish you would not be bringing yourself and myself constantly into
the conversation," said the lady, compressing her lips to conceal a
smile; "we are talking of Charlotte Henley, and of her only. She was
brought up in the daily habit of seeing much of George Morton, who, I
believe, even you will own has a heart, for it will cost him his life."

"His life!"

"I fear so; nay, it is without hope. The cold he took in carrying the
poor sufferer to the hospital last winter has thrown him into a decline.
I do believe that Charlotte Henley is fond of him; but mind, I do not
say that she is in love--it appears to be less of passion than of
intense affection."

"Yes, such as she would feel for a brother."

"She has no brother. I do not intend to define the passions: but I do
believe that if he were to live and offer himself, she would marry him,
and make him such a wife as any man might envy."

"What! do you think she loves him unasked, and yet refuse me who begged
her hand like her slave."

"It is not unasked; he has known her all her life--has ever shown a
preference for her--has been kind to her and to all others in her
presence--he has long anticipated her wishes, in trifles, and--and--in
short, he has done just what he ought to do, to gain her love."

"Then you think I erred in the manner in which I made my advances?"

"Your advances, as you call them, would have succeeded with nine girls
in ten, though not with Miss Henley--besides, you are too late."

"Certainly not too late when no declaration had been made by any other."

"I am not about to discuss the proprieties of courtship with you, Mr.
Delafield," cried Maria, laughing and rising from her chair. "Come, let
us walk; it is a sin to shut ourselves up on such a morning. The subject
must now be changed and the scene too."

He accepted her challenge, and they proceeded through the streets
together; but she evaded every subsequent attempt he made to renew the
discourse. Perhaps she felt that she had gone too far--perhaps there was
something in it that was painful to her own feelings.

The explanation, however, had a great tendency to destroy the remains of
what Delafield mistook for love. Instead of having his affections
seriously engaged in a short intercourse with Miss Henley, our readers
may easily perceive that it was nothing but his imagination that was
excited, and which had kept his brain filled with images still more
lovely than the original: but now that the wan features of George Morton
were constantly brought into the picture by the side of the deity he
had worshipped, the contemplation of these fancied beauties became
hourly less pleasant, and in a short time he ceased to dwell on the
subject altogether.

A consequence, however, grew out of his short-lived inclination, that
was as unlooked for by himself as by the others interested in the
result. He became so much accustomed to the society of Maria Osgood,
that at length he felt it was necessary to his comfort. To the surprise
of the whole city, the handsome, rich, witty, and accomplished Mr.
Seymour Delafield declared himself in form before the spring had expired
to one of the plain daughters of Mr. Osgood, a man with a large family,
and but little money. Maria had a difficult task to conceal the pleasure
she felt, as she listened to, not the passionate declaration of her
admirer, but to his warm solicitations that she would unite her
destinies to his own. She did conceal it, however, and would only
consent to receive his visits for a time, on the condition that he was
not to consider her as at all engaged by the permission.




CHAPTER V.


While such happy prospects were opening on the future life of her
friend, the time of Charlotte Henley was very differently occupied in
the country. There is, however, a tendency in youth to rise with events
that does not readily admit of depression, and the disorder of George
Morton was one of all others the most flattering when near its close.
Even the more mature experience of his parents was misled by the
deceptive symptoms that his complaint assumed in the commencement of
summer. They who so fondly hoped the result, began to believe that youth
and the bland airs of June were overcoming the inexorable enemy. That
the strength of the young man lessened with every succeeding day, was an
event to be expected from his low diet and protracted confinement; but
his brightening eyes, and the flitting colour that would at times add
to their fiery radiance, brought to the youthful Charlotte the most
heartfelt, though secret, rapture. This state between reviving hope and
momentary despondency had prevailed for several weeks, when the
affectionate girl entered an apartment that communicated with George's
own room, where she found the invalid reclining on a settee apparently
deeply communing with himself. He was alone; and his appearance, as well
as the heavens and the earth, united to encourage the sanguine
expectation of the pure heart that throbbed so ardently when its owner
witnessed any favourable change in the countenance of the young man. The
windows were raised, and the balmy air of a June morning played through
the apartment, lending in reality an elastic vigour to the decaying
organs of the sick youth. The tinge in his cheeks was heightened by the
mellow glow of the sun's rays as they shone through the medium of the
rose-coloured curtains of the window, and Charlotte thought she once
more beheld the returning colour of health where it had been so long
absent.

"How much better you appear this morning, George," she cried, in a voice
whose melody was even heightened by its gaiety. "We shall soon have you
among us once more, and then, heedless one, beware how you trifle again
with that best of heaven's gifts, your health. Oh, this is a blessed
climate! our summer atones with its mildness for the dreariness and
perils of our winter; it has even given me a colour, pale-face as I
am--I can feel it burn on my cheek."

He raised his head from its musing position at the first sounds of her
voice, and smiled faintly, and with an expression of anguish, as she
proceeded; but when she had ended, and taken her seat near him, still
keeping her eyes on his varying countenance, he took her hand into his
own before he replied. A good deal surprised at his manner, and at this
act, which exceeded the usual familiarity of even their affectionate
intercourse, the colour, of which Miss Henley had been so playfully
boasting, changed once or twice with rapid transitions.

"Seem I so well, dear Charlotte?" he at length said in a low, tremulous,
and hollow voice, "seem I so well? I believe you are right, and that I
shall shortly be better--much better."

"What mean you, George? feel you any worse? have I disturbed you with my
presence and my thoughtless gaiety?"

The young man smiled again, but the expression of his face was no longer
mingled with a look of anguish; it was a kind benevolent gleam of
gratitude and affection which crossed his ghastly features, like a ray
of sunshine enlivening the gloom of a day in winter.

"You disturb me, Charlotte!" he answered, his very voice trembling as if
in sympathy with his frame: "I do believe but for you I should have been
long since in my grave."

"No, no, George, this is too melancholy a theme for us both just now;
let us talk of your returning health."

He pressed her hand to his heart before he replied--"My health will
never return; I am lost to this world; and in fact at this moment I
properly belong to another in my body: would to God that I was purely
so in feelings also."

"Surely, George, you are alarming yourself unnecessarily."

"I am not alarmed," he replied; "I have too long foreseen this event, to
feel alarmed at my approaching dissolution--no, for that, blessed be my
God and my Redeemer, I am in some degree prepared; but I feel it
impossible to shake off the feelings of this life while the pulse
continues to beat, and yet the emotions I now experience must be in some
measure allied to heaven; they are not impure, they are not selfish;
nothing can partake of either, dear Charlotte, where your image is
connected with the thoughts of a future world."

"Oh, George! talk not so gloomily, so cruelly, this morning--your whole
countenance contradicts your melancholy speech, and you are
better--indeed you are;--you must be better."

"Yes, I am better, I am nearly well," returned the youth, pausing a
moment, while a struggle of the most painful interest seemed to engross
his thoughts. As it passed away, he drew his hand feebly across his
clammy brow, and, smiling faintly, resumed his speech,--"on the brink of
the grave, at a moment when all thoughts of me must be connected with
the image of death, there can no longer be any necessity for silence.
You have been kind to us, dear Miss Henley, as you are kind to all; but
to me your sympathy has been trebly dear, for it has brought with it a
consolation and pleasure that you but little imagine."

Miss Henley raised her tearful eyes from the floor to his wan features,
that now appeared illumined with more than human fires, and her pale
lips quivered, but her voice was inaudible.

"Yes, Charlotte, I may now speak without injustice, or the fear of being
selfish: I have long loved you--how tenderly, how purely, none can ever
know; but could I, with a certainty of my fate before my eyes, with the
knowledge that my days were numbered, and that the sun of my life could
never reach its meridian, woo you to my love, to make you miserable! No,
dearest! your gentle heart will mourn the brother and the friend too
much for its own peace; it needed not the sting of a stronger grief."

"George, George," sobbed the convulsed girl, "think not of me; speak not
of me--if it can cheer you at such a moment to know how much you are
valued by me, no cold reserve shall be found on my part."

The young man started, and fastened his eyes on her face with an
indefinable look of delight mingled with sorrow.

"Charlotte!" he exclaimed, "do I hear aright? am I so miserable! am I so
happy! repeat those words--quick--my eyes grow dim--my senses deceive
me."

"Live, George Morton," said Charlotte firmly: "you are better--your
whole face bespeaks it; and if the tender care of an affectionate wife
can preserve your health, you shall long live a blessing to all who love
you."

As Charlotte uttered, thus ingenuously, her pure attachment, the youth
extended his hand towards her blindly. She gave him her own, which he
drew to his heart, and folded to his bosom with a warm pressure for an
instant, when his hold relaxed, his form dropping backward on the sofa,
and in that attitude he expired without a struggle.

We shall not dwell on the melancholy scenes that followed. At the
funeral of George Morton Miss Henley was not to be seen, nor was it
generally understood that the young people had been connected in the
closest ties of feeling. She made no display of her griefs in her dress,
unless the slight testimonials of a few bright ribbands on the virgin
white of her robe could be called such, and the rumour that was at first
propagated of their being engaged to each other was discredited, because
the traces of sorrow were not particularly visible in the attire of Miss
Henley. When the season of gaiety returned, she appeared as usual in her
place in society. Though her cheeks were seldom enriched with the faint
glow that once rendered her so beautiful, and she was less dazzling in
her appearance, yet, if possible, she was more lovely and attractive. In
the course of the winter, several gentlemen approached her with the
evident intention of offering their hands. Their advances were received
with great urbanity, but in most instances with that unembarrassed
manner that is fatal to hope. One of her admirers, however, persevered
so far as to solicit her hand: the denial was mild, but resolute; like
most young men who think their happiness dependent on a lady's smile, he
wished to know if he had a successful rival. He was assured he had not.
His curiosity even went so far as to inquire if Miss Henley had abjured
matrimony. The answer was a simple, unaffected negative. Amazed at his
own want of success, the youth then intimated his intention of making a
future application for her favour.

In the mean time, Seymour Delafield, after casting one longing,
lingering look at Miss Henley, became the husband of her friend, and
made the fourteenth in the prolific family of the Osgoods, where his
wealth was not less agreeable to the parents, than his person to the
daughter.

Many years have rolled by since the occurrence of these events, and Miss
Henley continues the same in every thing but appearance. The freshness
of her beauty has given place to a look of intelligence and delicacy
that seems gradually fitting her for her last and most important change.
The name of George Morton is never heard to pass her lips. Mrs.
Delafield declares it to be a subject that she never dares to approach,
nor in her repeated refusals of matrimonial offers has Charlotte ever
been known to allude to the desolation of her own heart. Her father is
dead; but to her mother Miss Henley has in a great measure supplied his
loss. With her friends she is always cheerful, and apparently happy,
though the innocent gaiety of her childhood is sensibly checked, and
there are moments that betray the existence of a grief that is only the
more durable, because it is less violent. In short, she lives a pattern
for her sex, unfettered by any romantic and foolish pledges, discharging
all the natural duties of her years and station in an exemplary manner,
but unwilling to incur any new ones, because she has but one heart, and
that was long since given with its purity, sincerity, and truth, to him
who is dead, and can never become the property of another.

When Charlotte Henley dies, although she may not have fulfilled one of
the principal objects of her being, by becoming a mother, her example
will survive her; and those who study her character and integrity of
feeling, will find enough to teach them what properties are the most
valuable in forming that sacred character--while her own sex can learn
that, though in the case of Miss Henley, Providence has denied the full
exercise of her excellences, it has at the same time rendered her a
striking instance of female dignity, by exhibiting to the world the
difference between affection and caprice, and by shewing how much
Imagination is inferior to Heart.


THE END.





End of Project Gutenberg's Tales for Fifteen, by James Fenimore Cooper

*** END OF THIS PROJECT GUTENBERG EBOOK TALES FOR FIFTEEN ***

***** This file should be named 39207-8.txt or 39207-8.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/3/9/2/0/39207/

Produced by David Starner, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
book was produced from images made available by the
HathiTrust Digital Library.)


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.